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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96C47B it is the complementary color #693B84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96C47B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96C47B shade: #9BC476, #ACD689, #BDE89C, #CEFAAF and #DFFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96C47B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96C47B shade: #96C47B, #85B268, #74A055, #638E42 and #527C2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96C47B shade: #97C57D, #ABC57D, #BEC57D, #C5B87D and #C5A47D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96C47B shade: #97C57D, #84C57D, #7DC589, #7DC59C and #7DC5B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96C47B shade matches the following richer shades: #97C57D, #93D46E, #8FE35E and #8BF24F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96C47B shade: #97C57D, #9BB58C, #9FA69B, #A397AB and #A787BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96C47B shade: #BFC57D, #ABC57D, #98C57D, #85C57D and #7DC588

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96C47B shade: #6CA54A, #81B860, #97C57D, #AED199 and #C5DEB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96C47B shade: #96C47B, #7DC5B7 and #C57DB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96C47B shade: #96C47B, #7D98C5 and #C57D98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96C47B shade: #96C47B, #7DC5B7, #A97DC5 and #C57D8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96C47B shade: #96C47B, #7DBCC5, #A97DC5 and #C5857D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 37 / 23

HEX #96C47B

RGB 150 196 123

HSL 97.81, 0.38%, 0.63%

LAB 74.44, -28.43, 31.86

 

Complementary color

CMYK 20 / 55 / 0 / 48

HEX #693B84

RGB 105 59 132

HSL 277.81, 0.38%, 0.37%

LAB 33.56, 34.08, -33.19

 

CMYK 21 / 0 / 40 / 23

HEX #9BC476

RGB 155 196 118

HSL 91.54, 0.4%, 0.62%

LAB 74.67, -27.3, 34.8

 

CMYK 20 / 0 / 36 / 16

HEX #ACD689

RGB 172 214 137

HSL 92.73, 0.48%, 0.69%

LAB 81.11, -27.23, 33.65

 

CMYK 19 / 0 / 33 / 9

HEX #BDE89C

RGB 189 232 156

HSL 93.95, 0.62%, 0.76%

LAB 87.45, -27.14, 32.55

 

CMYK 18 / 0 / 30 / 2

HEX #CEFAAF

RGB 206 250 175

HSL 95.2, 0.88%, 0.83%

LAB 93.71, -27.05, 31.49

 

CMYK 13 / 0 / 24 / 0

HEX #DFFFC2

RGB 223 255 194

HSL 91.48, 1%, 0.88%

LAB 96.45, -20.77, 25.81

 

CMYK 23 / 0 / 37 / 23

HEX #96C47B

RGB 150 196 123

HSL 97.81, 0.38%, 0.63%

LAB 74.44, -28.43, 31.86

 

CMYK 25 / 0 / 42 / 30

HEX #85B268

RGB 133 178 104

HSL 96.49, 0.32%, 0.55%

LAB 67.89, -28.55, 33.04

 

CMYK 28 / 0 / 47 / 37

HEX #74A055

RGB 116 160 85

HSL 95.2, 0.31%, 0.48%

LAB 61.23, -28.65, 34.27

 

CMYK 30 / 0 / 54 / 44

HEX #638E42

RGB 99 142 66

HSL 93.95, 0.37%, 0.41%

LAB 54.44, -28.69, 35.49

 

CMYK 34 / 0 / 62 / 51

HEX #527C2F

RGB 82 124 47

HSL 92.73, 0.45%, 0.34%

LAB 47.51, -28.63, 36.63

 

CMYK 23 / 0 / 37 / 23

HEX #97C57D

RGB 151 197 125

HSL 98.33, 0.38%, 0.63%

LAB 74.82, -28.27, 31.33

 

CMYK 13 / 0 / 37 / 23

HEX #ABC57D

RGB 171 197 125

HSL 81.67, 0.38%, 0.63%

LAB 76.11, -20.91, 33.27

 

CMYK 4 / 0 / 37 / 23

HEX #BEC57D

RGB 190 197 125

HSL 65.83, 0.38%, 0.63%

LAB 77.5, -13.58, 35.33

 

CMYK 0 / 7 / 37 / 23

HEX #C5B87D

RGB 197 184 125

HSL 49.17, 0.38%, 0.63%

LAB 74.59, -4.08, 31.66

 

CMYK 0 / 17 / 37 / 23

HEX #C5A47D

RGB 197 164 125

HSL 32.5, 0.38%, 0.63%

LAB 69.4, 6.6, 24.78

 

CMYK 23 / 0 / 37 / 23

HEX #97C57D

RGB 151 197 125

HSL 98.33, 0.38%, 0.63%

LAB 74.82, -28.27, 31.33

 

CMYK 33 / 0 / 37 / 23

HEX #84C57D

RGB 132 197 125

HSL 114.17, 0.38%, 0.63%

LAB 73.75, -34.79, 29.73

 

CMYK 37 / 0 / 30 / 23

HEX #7DC589

RGB 125 197 137

HSL 130, 0.38%, 0.63%

LAB 73.61, -35.04, 23.17

 

CMYK 37 / 0 / 21 / 23

HEX #7DC59C

RGB 125 197 156

HSL 145.83, 0.38%, 0.63%

LAB 73.99, -31.49, 13.55

 

CMYK 37 / 0 / 11 / 23

HEX #7DC5B0

RGB 125 197 176

HSL 162.5, 0.38%, 0.63%

LAB 74.46, -27.29, 3.42

 

CMYK 23 / 0 / 37 / 23

HEX #97C57D

RGB 151 197 125

HSL 98.33, 0.38%, 0.63%

LAB 74.82, -28.27, 31.33

 

CMYK 31 / 0 / 48 / 17

HEX #93D46E

RGB 147 212 110

HSL 98.24, 0.54%, 0.63%

LAB 78.7, -38.6, 43.77

 

CMYK 37 / 0 / 59 / 11

HEX #8FE35E

RGB 143 227 94

HSL 97.89, 0.7%, 0.63%

LAB 82.69, -48.17, 55.86

 

CMYK 43 / 0 / 67 / 5

HEX #8BF24F

RGB 139 242 79

HSL 97.91, 0.86%, 0.63%

LAB 86.78, -56.78, 66.4

 

CMYK 23 / 0 / 37 / 23

HEX #97C57D

RGB 151 197 125

HSL 98.33, 0.38%, 0.63%

LAB 74.82, -28.27, 31.33

 

CMYK 14 / 0 / 23 / 29

HEX #9BB58C

RGB 155 181 140

HSL 98.05, 0.22%, 0.63%

LAB 70.81, -16.56, 18

 

CMYK 4 / 0 / 7 / 35

HEX #9FA69B

RGB 159 166 155

HSL 98.18, 0.06%, 0.63%

LAB 67.28, -4.57, 4.83

 

CMYK 5 / 12 / 0 / 33

HEX #A397AB

RGB 163 151 171

HSL 276, 0.11%, 0.63%

LAB 64.05, 8.23, -8.84

 

CMYK 10 / 27 / 0 / 27

HEX #A787BA

RGB 167 135 186

HSL 277.65, 0.27%, 0.63%

LAB 60.86, 21.77, -22.1

 

CMYK 3 / 0 / 37 / 23

HEX #BFC57D

RGB 191 197 125

HSL 65, 0.38%, 0.63%

LAB 77.57, -13.19, 35.44

 

CMYK 13 / 0 / 37 / 23

HEX #ABC57D

RGB 171 197 125

HSL 81.67, 0.38%, 0.63%

LAB 76.11, -20.91, 33.27

 

CMYK 23 / 0 / 37 / 23

HEX #98C57D

RGB 152 197 125

HSL 97.5, 0.38%, 0.63%

LAB 74.88, -27.91, 31.42

 

CMYK 32 / 0 / 37 / 23

HEX #85C57D

RGB 133 197 125

HSL 113.33, 0.38%, 0.63%

LAB 73.8, -34.46, 29.81

 

CMYK 37 / 0 / 31 / 23

HEX #7DC588

RGB 125 197 136

HSL 129.17, 0.38%, 0.63%

LAB 73.59, -35.22, 23.67

 

CMYK 35 / 0 / 55 / 35

HEX #6CA54A

RGB 108 165 74

HSL 97.58, 0.38%, 0.47%

LAB 62.16, -35.23, 40.82

 

CMYK 30 / 0 / 48 / 28

HEX #81B860

RGB 129 184 96

HSL 97.5, 0.38%, 0.55%

LAB 69.32, -33.87, 38.88

 

CMYK 23 / 0 / 37 / 23

HEX #97C57D

RGB 151 197 125

HSL 98.33, 0.38%, 0.63%

LAB 74.82, -28.27, 31.33

 

CMYK 17 / 0 / 27 / 18

HEX #AED199

RGB 174 209 153

HSL 97.5, 0.38%, 0.71%

LAB 80.12, -21.74, 24.06

 

CMYK 11 / 0 / 18 / 13

HEX #C5DEB6

RGB 197 222 182

HSL 97.5, 0.38%, 0.79%

LAB 85.75, -15.48, 16.88

 

CMYK 23 / 0 / 37 / 23

HEX #96C47B

RGB 150 196 123

HSL 97.81, 0.38%, 0.63%

LAB 74.44, -28.43, 31.86

 

CMYK 37 / 0 / 7 / 23

HEX #7DC5B7

RGB 125 197 183

HSL 168.33, 0.38%, 0.63%

LAB 74.64, -25.71, -0.11

 

CMYK 0 / 37 / 8 / 23

HEX #C57DB5

RGB 197 125 181

HSL 313.33, 0.38%, 0.63%

LAB 61.55, 36.34, -17.92

 

CMYK 23 / 0 / 37 / 23

HEX #96C47B

RGB 150 196 123

HSL 97.81, 0.38%, 0.63%

LAB 74.44, -28.43, 31.86

 

CMYK 37 / 23 / 0 / 23

HEX #7D98C5

RGB 125 152 197

HSL 217.5, 0.38%, 0.63%

LAB 62.38, 1.7, -26.25

 

CMYK 0 / 37 / 23 / 23

HEX #C57D98

RGB 197 125 152

HSL 337.5, 0.38%, 0.63%

LAB 60.61, 31.64, -2.75

 

CMYK 23 / 0 / 37 / 23

HEX #96C47B

RGB 150 196 123

HSL 97.81, 0.38%, 0.63%

LAB 74.44, -28.43, 31.86

 

CMYK 37 / 0 / 7 / 23

HEX #7DC5B7

RGB 125 197 183

HSL 168.33, 0.38%, 0.63%

LAB 74.64, -25.71, -0.11

 

CMYK 14 / 37 / 0 / 23

HEX #A97DC5

RGB 169 125 197

HSL 276.67, 0.38%, 0.63%

LAB 59.1, 30.45, -31.03

 

CMYK 0 / 37 / 30 / 23

HEX #C57D8A

RGB 197 125 138

HSL 349.17, 0.38%, 0.63%

LAB 60.22, 29.65, 4.72

 

CMYK 23 / 0 / 37 / 23

HEX #96C47B

RGB 150 196 123

HSL 97.81, 0.38%, 0.63%

LAB 74.44, -28.43, 31.86

 

CMYK 37 / 5 / 0 / 23

HEX #7DBCC5

RGB 125 188 197

HSL 187.5, 0.38%, 0.63%

LAB 72.47, -17.83, -10.95

 

CMYK 14 / 37 / 0 / 23

HEX #A97DC5

RGB 169 125 197

HSL 276.67, 0.38%, 0.63%

LAB 59.1, 30.45, -31.03

 

CMYK 0 / 32 / 37 / 23

HEX #C5857D

RGB 197 133 125

HSL 6.67, 0.38%, 0.63%

LAB 61.76, 23.59, 14.33

 

Description

Color code: HEX #96C47B | qconv.com Color code: HEX #96C47B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 196 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 196 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 37 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 37% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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