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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96C051 it is the complementary color #693FAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96C051. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96C051 shade: #9BC04C, #ACD25F, #BDE472, #CEF685 and #DFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96C051. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96C051 shade: #96C051, #85AE3E, #749C2B, #638A18 and #527805

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96C051 shade: #97C153, #B5C153, #C1AF53, #C19153 and #C17453

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96C051 shade: #97C153, #79C153, #5CC153, #53C167 and #53C185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96C051 shade matches the following richer shades: #97C153, #9CD440, #A0E72D and #A5FA1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96C051 shade: #97C153, #92AE66, #8E9B79, #89888C and #85759E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96C051 shade: #C1AE53, #B6C153, #98C153, #7BC153 and #5EC153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96C051 shade: #6B8E33, #82AC3E, #97C153, #A9CC71 and #BCD78F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96C051 shade: #96C051, #53C191 and #BD53C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96C051 shade: #96C051, #5398C1 and #C15398

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96C051 shade: #96C051, #53C191, #7B53C1 and #C15382

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96C051 shade: #96C051, #53C1B2, #7B53C1 and #C15361

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 58 / 25

HEX #96C051

RGB 150 192 81

HSL 82.7, 0.47%, 0.54%

LAB 72.75, -31.41, 50.43

 

Complementary color

CMYK 40 / 64 / 0 / 32

HEX #693FAE

RGB 105 63 174

HSL 262.7, 0.47%, 0.46%

LAB 37.14, 42.6, -52.91

 

CMYK 19 / 0 / 60 / 25

HEX #9BC04C

RGB 155 192 76

HSL 79.14, 0.48%, 0.53%

LAB 73.02, -29.9, 53.05

 

CMYK 18 / 0 / 55 / 18

HEX #ACD25F

RGB 172 210 95

HSL 79.83, 0.56%, 0.6%

LAB 79.44, -30.15, 52.09

 

CMYK 17 / 0 / 50 / 11

HEX #BDE472

RGB 189 228 114

HSL 80.53, 0.68%, 0.67%

LAB 85.77, -30.32, 51.02

 

CMYK 16 / 0 / 46 / 4

HEX #CEF685

RGB 206 246 133

HSL 81.24, 0.86%, 0.74%

LAB 92.01, -30.43, 49.91

 

CMYK 13 / 0 / 40 / 0

HEX #DFFF98

RGB 223 255 152

HSL 78.64, 1%, 0.8%

LAB 95.78, -26.31, 45.77

 

CMYK 22 / 0 / 58 / 25

HEX #96C051

RGB 150 192 81

HSL 82.7, 0.47%, 0.54%

LAB 72.75, -31.41, 50.43

 

CMYK 24 / 0 / 64 / 32

HEX #85AE3E

RGB 133 174 62

HSL 81.96, 0.47%, 0.46%

LAB 66.22, -31.16, 51.29

 

CMYK 26 / 0 / 72 / 39

HEX #749C2B

RGB 116 156 43

HSL 81.24, 0.57%, 0.39%

LAB 59.58, -30.76, 51.77

 

CMYK 28 / 0 / 83 / 46

HEX #638A18

RGB 99 138 24

HSL 80.53, 0.7%, 0.32%

LAB 52.83, -30.16, 51.44

 

CMYK 32 / 0 / 96 / 53

HEX #527805

RGB 82 120 5

HSL 79.83, 0.92%, 0.25%

LAB 45.96, -29.27, 49.63

 

CMYK 22 / 0 / 57 / 24

HEX #97C153

RGB 151 193 83

HSL 82.91, 0.47%, 0.54%

LAB 73.12, -31.31, 49.96

 

CMYK 6 / 0 / 57 / 24

HEX #B5C153

RGB 181 193 83

HSL 66.55, 0.47%, 0.54%

LAB 75.19, -19.36, 52.87

 

CMYK 0 / 9 / 57 / 24

HEX #C1AF53

RGB 193 175 83

HSL 50.18, 0.47%, 0.54%

LAB 71.3, -5.11, 48.71

 

CMYK 0 / 25 / 57 / 24

HEX #C19153

RGB 193 145 83

HSL 33.82, 0.47%, 0.54%

LAB 63.52, 11.06, 39.57

 

CMYK 0 / 40 / 57 / 24

HEX #C17453

RGB 193 116 83

HSL 18, 0.47%, 0.54%

LAB 56.54, 27.01, 30.99

 

CMYK 22 / 0 / 57 / 24

HEX #97C153

RGB 151 193 83

HSL 82.91, 0.47%, 0.54%

LAB 73.12, -31.31, 49.96

 

CMYK 37 / 0 / 57 / 24

HEX #79C153

RGB 121 193 83

HSL 99.27, 0.47%, 0.54%

LAB 71.44, -42.17, 47.58

 

CMYK 52 / 0 / 57 / 24

HEX #5CC153

RGB 92 193 83

HSL 115.09, 0.47%, 0.54%

LAB 70.2, -51.02, 45.83

 

CMYK 57 / 0 / 47 / 24

HEX #53C167

RGB 83 193 103

HSL 130.91, 0.47%, 0.54%

LAB 70.15, -50.6, 35.96

 

CMYK 57 / 0 / 31 / 24

HEX #53C185

RGB 83 193 133

HSL 147.27, 0.47%, 0.54%

LAB 70.64, -45.31, 20.98

 

CMYK 22 / 0 / 57 / 24

HEX #97C153

RGB 151 193 83

HSL 82.91, 0.47%, 0.54%

LAB 73.12, -31.31, 49.96

 

CMYK 26 / 0 / 70 / 17

HEX #9CD440

RGB 156 212 64

HSL 82.7, 0.63%, 0.54%

LAB 78.77, -39.56, 64

 

CMYK 31 / 0 / 81 / 9

HEX #A0E72D

RGB 160 231 45

HSL 82.9, 0.79%, 0.54%

LAB 84.39, -47.25, 75.37

 

CMYK 34 / 0 / 90 / 2

HEX #A5FA1A

RGB 165 250 26

HSL 82.77, 0.96%, 0.54%

LAB 90.07, -53.85, 84.13

 

CMYK 22 / 0 / 57 / 24

HEX #97C153

RGB 151 193 83

HSL 82.91, 0.47%, 0.54%

LAB 73.12, -31.31, 49.96

 

CMYK 16 / 0 / 41 / 32

HEX #92AE66

RGB 146 174 102

HSL 83.33, 0.31%, 0.54%

LAB 67.53, -21.95, 33.79

 

CMYK 8 / 0 / 22 / 39

HEX #8E9B79

RGB 142 155 121

HSL 82.94, 0.15%, 0.54%

LAB 62.15, -10.9, 16.31

 

CMYK 2 / 3 / 0 / 45

HEX #89888C

RGB 137 136 140

HSL 255, 0.02%, 0.54%

LAB 56.9, 1.17, -2.01

 

CMYK 16 / 26 / 0 / 38

HEX #85759E

RGB 133 117 158

HSL 263.41, 0.17%, 0.54%

LAB 52.04, 14.68, -19.79

 

CMYK 0 / 10 / 57 / 24

HEX #C1AE53

RGB 193 174 83

HSL 49.64, 0.47%, 0.54%

LAB 71.03, -4.58, 48.4

 

CMYK 6 / 0 / 57 / 24

HEX #B6C153

RGB 182 193 83

HSL 66, 0.47%, 0.54%

LAB 75.27, -18.95, 52.98

 

CMYK 21 / 0 / 57 / 24

HEX #98C153

RGB 152 193 83

HSL 82.36, 0.47%, 0.54%

LAB 73.18, -30.93, 50.04

 

CMYK 36 / 0 / 57 / 24

HEX #7BC153

RGB 123 193 83

HSL 98.18, 0.47%, 0.54%

LAB 71.54, -41.49, 47.72

 

CMYK 51 / 0 / 57 / 24

HEX #5EC153

RGB 94 193 83

HSL 114, 0.47%, 0.54%

LAB 70.28, -50.47, 45.93

 

CMYK 25 / 0 / 64 / 44

HEX #6B8E33

RGB 107 142 51

HSL 83.08, 0.47%, 0.38%

LAB 54.77, -27.07, 43.24

 

CMYK 24 / 0 / 64 / 33

HEX #82AC3E

RGB 130 172 62

HSL 82.91, 0.47%, 0.46%

LAB 65.44, -31.39, 50.39

 

CMYK 22 / 0 / 57 / 24

HEX #97C153

RGB 151 193 83

HSL 82.91, 0.47%, 0.54%

LAB 73.12, -31.31, 49.96

 

CMYK 17 / 0 / 45 / 20

HEX #A9CC71

RGB 169 204 113

HSL 83.08, 0.47%, 0.62%

LAB 77.76, -26.56, 41.42

 

CMYK 13 / 0 / 33 / 16

HEX #BCD78F

RGB 188 215 143

HSL 82.5, 0.47%, 0.7%

LAB 82.53, -21.06, 32.64

 

CMYK 22 / 0 / 58 / 25

HEX #96C051

RGB 150 192 81

HSL 82.7, 0.47%, 0.54%

LAB 72.75, -31.41, 50.43

 

CMYK 57 / 0 / 25 / 24

HEX #53C191

RGB 83 193 145

HSL 153.82, 0.47%, 0.54%

LAB 70.89, -42.82, 14.87

 

CMYK 2 / 57 / 0 / 24

HEX #BD53C1

RGB 189 83 193

HSL 297.82, 0.47%, 0.54%

LAB 52.79, 57.39, -38.42

 

CMYK 22 / 0 / 58 / 25

HEX #96C051

RGB 150 192 81

HSL 82.7, 0.47%, 0.54%

LAB 72.75, -31.41, 50.43

 

CMYK 57 / 21 / 0 / 24

HEX #5398C1

RGB 83 152 193

HSL 202.36, 0.47%, 0.54%

LAB 60.02, -9.81, -27.82

 

CMYK 0 / 57 / 21 / 24

HEX #C15398

RGB 193 83 152

HSL 322.36, 0.47%, 0.54%

LAB 51.6, 51.88, -16.29

 

CMYK 22 / 0 / 58 / 25

HEX #96C051

RGB 150 192 81

HSL 82.7, 0.47%, 0.54%

LAB 72.75, -31.41, 50.43

 

CMYK 57 / 0 / 25 / 24

HEX #53C191

RGB 83 193 145

HSL 153.82, 0.47%, 0.54%

LAB 70.89, -42.82, 14.87

 

CMYK 36 / 57 / 0 / 24

HEX #7B53C1

RGB 123 83 193

HSL 261.82, 0.47%, 0.54%

LAB 44.59, 40.58, -51.97

 

CMYK 0 / 57 / 33 / 24

HEX #C15382

RGB 193 83 130

HSL 334.36, 0.47%, 0.54%

LAB 50.85, 48.92, -4.34

 

CMYK 22 / 0 / 58 / 25

HEX #96C051

RGB 150 192 81

HSL 82.7, 0.47%, 0.54%

LAB 72.75, -31.41, 50.43

 

CMYK 57 / 0 / 8 / 24

HEX #53C1B2

RGB 83 193 178

HSL 171.82, 0.47%, 0.54%

LAB 71.69, -35, -1.91

 

CMYK 36 / 57 / 0 / 24

HEX #7B53C1

RGB 123 83 193

HSL 261.82, 0.47%, 0.54%

LAB 44.59, 40.58, -51.97

 

CMYK 0 / 57 / 50 / 24

HEX #C15361

RGB 193 83 97

HSL 352.36, 0.47%, 0.54%

LAB 49.96, 45.35, 14.19

 

Description

Color code: HEX #96C051 | qconv.com Color code: HEX #96C051 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 192 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 192 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 58 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 58% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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