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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96BFE9 it is the complementary color #694016. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96BFE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96BFE9 shade: #9BBFE4, #ACD1F7, #BDE3FF, #CEF5FF and #DFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96BFE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96BFE9 shade: #96BFE9, #85ADD6, #749BC3, #6389B0 and #52779D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96BFE9 shade: #95BEE8, #95A8E8, #9995E8, #AF95E8 and #C695E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96BFE9 shade: #95BEE8, #95A8E8 and #9595E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96BFE9 shade matches the following richer shades: #95BEE8, #8BBEF3 and #81BEFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96BFE9 shade: #95BEE8, #A0BEDE, #AABFD4, #B4BFC9 and #BFBFBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96BFE9 shade: #95E8E5, #95D5E8, #95BFE8, #95A9E8 and #9895E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96BFE9 shade: #5195DA, #73A9E1, #95BEE8, #B7D3EF and #D9E8F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96BFE9 shade: #96BFE9, #CF95E8 and #E0E895

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96BFE9 shade: #96BFE9, #E895BF and #BFE895

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96BFE9 shade: #96BFE9, #CF95E8, #E8BF95 and #AEE895

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96BFE9 shade: #96BFE9, #E895E8, #E8BF95 and #95E895

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 18 / 0 / 9

HEX #96BFE9

RGB 150 191 233

HSL 210.36, 0.65%, 0.75%

LAB 75.84, -3.54, -25.27

 

Complementary color

CMYK 0 / 39 / 79 / 59

HEX #694016

RGB 105 64 22

HSL 30.36, 0.65%, 0.25%

LAB 31.18, 13.96, 31.89

 

CMYK 32 / 16 / 0 / 11

HEX #9BBFE4

RGB 155 191 228

HSL 210.41, 0.57%, 0.75%

LAB 75.97, -3.41, -22.35

 

CMYK 30 / 15 / 0 / 3

HEX #ACD1F7

RGB 172 209 247

HSL 210.4, 0.82%, 0.82%

LAB 82.43, -3.58, -22.61

 

CMYK 26 / 11 / 0 / 0

HEX #BDE3FF

RGB 189 227 255

HSL 205.45, 1%, 0.87%

LAB 88.44, -6.27, -17.65

 

CMYK 19 / 4 / 0 / 0

HEX #CEF5FF

RGB 206 245 255

HSL 192.24, 1%, 0.9%

LAB 94.16, -10.43, -8.99

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 36 / 18 / 0 / 9

HEX #96BFE9

RGB 150 191 233

HSL 210.36, 0.65%, 0.75%

LAB 75.84, -3.54, -25.27

 

CMYK 38 / 19 / 0 / 16

HEX #85ADD6

RGB 133 173 214

HSL 210.37, 0.5%, 0.68%

LAB 69.28, -3.3, -25.05

 

CMYK 41 / 21 / 0 / 24

HEX #749BC3

RGB 116 155 195

HSL 210.38, 0.4%, 0.61%

LAB 62.59, -3.01, -24.85

 

CMYK 44 / 22 / 0 / 31

HEX #6389B0

RGB 99 137 176

HSL 210.39, 0.33%, 0.54%

LAB 55.76, -2.67, -24.68

 

CMYK 48 / 24 / 0 / 38

HEX #52779D

RGB 82 119 157

HSL 210.4, 0.31%, 0.47%

LAB 48.79, -2.25, -24.53

 

CMYK 36 / 18 / 0 / 9

HEX #95BEE8

RGB 149 190 232

HSL 210.36, 0.64%, 0.75%

LAB 75.48, -3.53, -25.29

 

CMYK 36 / 28 / 0 / 9

HEX #95A8E8

RGB 149 168 232

HSL 226.27, 0.64%, 0.75%

LAB 69.63, 8.6, -34.29

 

CMYK 34 / 36 / 0 / 9

HEX #9995E8

RGB 153 149 232

HSL 242.89, 0.64%, 0.75%

LAB 65.04, 20.49, -41.43

 

CMYK 25 / 36 / 0 / 9

HEX #AF95E8

RGB 175 149 232

HSL 258.8, 0.64%, 0.75%

LAB 66.85, 26.7, -38.46

 

CMYK 15 / 36 / 0 / 9

HEX #C695E8

RGB 198 149 232

HSL 275.42, 0.64%, 0.75%

LAB 68.99, 33.5, -34.97

 

CMYK 36 / 18 / 0 / 9

HEX #95BEE8

RGB 149 190 232

HSL 210.36, 0.64%, 0.75%

LAB 75.48, -3.53, -25.29

 

CMYK 36 / 28 / 0 / 9

HEX #95A8E8

RGB 149 168 232

HSL 226.27, 0.64%, 0.75%

LAB 69.63, 8.6, -34.29

 

CMYK 36 / 36 / 0 / 9

HEX #9595E8

RGB 149 149 232

HSL 240, 0.64%, 0.75%

LAB 64.73, 19.41, -41.92

 

CMYK 36 / 18 / 0 / 9

HEX #95BEE8

RGB 149 190 232

HSL 210.36, 0.64%, 0.75%

LAB 75.48, -3.53, -25.29

 

CMYK 43 / 22 / 0 / 5

HEX #8BBEF3

RGB 139 190 243

HSL 210.58, 0.81%, 0.75%

LAB 75.32, -3.23, -31.51

 

CMYK 49 / 25 / 0 / 1

HEX #81BEFD

RGB 129 190 253

HSL 210.48, 0.97%, 0.75%

LAB 75.19, -2.81, -37.13

 

CMYK 36 / 18 / 0 / 9

HEX #95BEE8

RGB 149 190 232

HSL 210.36, 0.64%, 0.75%

LAB 75.48, -3.53, -25.29

 

CMYK 28 / 14 / 0 / 13

HEX #A0BEDE

RGB 160 190 222

HSL 210.97, 0.48%, 0.75%

LAB 75.81, -2.89, -19.31

 

CMYK 20 / 10 / 0 / 17

HEX #AABFD4

RGB 170 191 212

HSL 210, 0.33%, 0.75%

LAB 76.41, -2.68, -12.92

 

CMYK 10 / 5 / 0 / 21

HEX #B4BFC9

RGB 180 191 201

HSL 208.57, 0.16%, 0.75%

LAB 76.79, -1.79, -6.33

 

CMYK 0 / 0 / 0 / 25

HEX #BFBFBF

RGB 191 191 191

HSL 0, 0%, 0.75%

LAB 77.34, 0, -0.01

 

CMYK 36 / 0 / 1 / 9

HEX #95E8E5

RGB 149 232 229

HSL 177.83, 0.64%, 0.75%

LAB 86.88, -25.8, -6.54

 

CMYK 36 / 8 / 0 / 9

HEX #95D5E8

RGB 149 213 232

HSL 193.73, 0.64%, 0.75%

LAB 81.73, -15.61, -15.81

 

CMYK 36 / 18 / 0 / 9

HEX #95BFE8

RGB 149 191 232

HSL 209.64, 0.64%, 0.75%

LAB 75.75, -4.07, -24.87

 

CMYK 36 / 27 / 0 / 9

HEX #95A9E8

RGB 149 169 232

HSL 225.54, 0.64%, 0.75%

LAB 69.89, 8.03, -33.89

 

CMYK 34 / 36 / 0 / 9

HEX #9895E8

RGB 152 149 232

HSL 242.17, 0.64%, 0.75%

LAB 64.96, 20.22, -41.55

 

CMYK 63 / 32 / 0 / 15

HEX #5195DA

RGB 81 149 218

HSL 210.22, 0.65%, 0.59%

LAB 60.16, -0.44, -41.61

 

CMYK 49 / 25 / 0 / 12

HEX #73A9E1

RGB 115 169 225

HSL 210.55, 0.65%, 0.67%

LAB 67.62, -2.56, -33.73

 

CMYK 36 / 18 / 0 / 9

HEX #95BEE8

RGB 149 190 232

HSL 210.36, 0.64%, 0.75%

LAB 75.48, -3.53, -25.29

 

CMYK 23 / 12 / 0 / 6

HEX #B7D3EF

RGB 183 211 239

HSL 210, 0.64%, 0.83%

LAB 83.38, -3.3, -16.85

 

CMYK 12 / 6 / 0 / 3

HEX #D9E8F7

RGB 217 232 247

HSL 210, 0.65%, 0.91%

LAB 91.32, -2.05, -8.97

 

CMYK 36 / 18 / 0 / 9

HEX #96BFE9

RGB 150 191 233

HSL 210.36, 0.65%, 0.75%

LAB 75.84, -3.54, -25.27

 

CMYK 11 / 36 / 0 / 9

HEX #CF95E8

RGB 207 149 232

HSL 281.93, 0.64%, 0.75%

LAB 69.89, 36.23, -33.5

 

CMYK 3 / 0 / 36 / 9

HEX #E0E895

RGB 224 232 149

HSL 65.78, 0.64%, 0.75%

LAB 89.73, -15.18, 39.51

 

CMYK 36 / 18 / 0 / 9

HEX #96BFE9

RGB 150 191 233

HSL 210.36, 0.65%, 0.75%

LAB 75.84, -3.54, -25.27

 

CMYK 0 / 36 / 18 / 9

HEX #E895BF

RGB 232 149 191

HSL 329.64, 0.64%, 0.75%

LAB 71.15, 36.99, -8.69

 

CMYK 18 / 0 / 36 / 9

HEX #BFE895

RGB 191 232 149

HSL 89.64, 0.64%, 0.75%

LAB 87.47, -27.39, 36.12

 

CMYK 36 / 18 / 0 / 9

HEX #96BFE9

RGB 150 191 233

HSL 210.36, 0.65%, 0.75%

LAB 75.84, -3.54, -25.27

 

CMYK 11 / 36 / 0 / 9

HEX #CF95E8

RGB 207 149 232

HSL 281.93, 0.64%, 0.75%

LAB 69.89, 36.23, -33.5

 

CMYK 0 / 18 / 36 / 9

HEX #E8BF95

RGB 232 191 149

HSL 30.36, 0.64%, 0.75%

LAB 79.95, 8.91, 26.7

 

CMYK 25 / 0 / 36 / 9

HEX #AEE895

RGB 174 232 149

HSL 101.93, 0.64%, 0.75%

LAB 86.45, -33.33, 34.59

 

CMYK 36 / 18 / 0 / 9

HEX #96BFE9

RGB 150 191 233

HSL 210.36, 0.65%, 0.75%

LAB 75.84, -3.54, -25.27

 

CMYK 0 / 36 / 0 / 9

HEX #E895E8

RGB 232 149 232

HSL 300, 0.64%, 0.75%

LAB 72.55, 43.87, -29.18

 

CMYK 0 / 18 / 36 / 9

HEX #E8BF95

RGB 232 191 149

HSL 30.36, 0.64%, 0.75%

LAB 79.95, 8.91, 26.7

 

CMYK 36 / 0 / 36 / 9

HEX #95E895

RGB 149 232 149

HSL 120, 0.64%, 0.75%

LAB 85.14, -41.45, 32.62

 

Description

Color code: HEX #96BFE9 | qconv.com Color code: HEX #96BFE9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 191 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 191 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 18 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 18% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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