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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96BE19 it is the complementary color #6941E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96BE19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96BE19 shade: #9BBE14, #ACD027, #BDE23A, #CEF44D and #DFFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96BE19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96BE19 shade: #96BE19, #85AC06, #749A00, #638800 and #527600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96BE19 shade: #96BE19, #BEB919, #BE8D19, #BE6019 and #BE3419

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96BE19 shade: #96BE19, #69BE19, #3DBE19, #19BE21 and #19BE4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96BE19 shade matches the following richer shades: #96BE19 and #9ECF07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96BE19 shade: #96BE19, #8DAC2A, #849B3B, #7B8A4D and #72785E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96BE19 shade: #BE8C19, #BEB819, #97BE19, #6BBE19 and #3FBE19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96BE19 shade: #5C750F, #799914, #96BE19, #B2E21E and #BFE642

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96BE19 shade: #96BE19, #19BE60 and #A219BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96BE19 shade: #96BE19, #1997BE and #BE1997

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96BE19 shade: #96BE19, #19BE60, #3F19BE and #BE1976

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96BE19 shade: #96BE19, #19BE92, #3F19BE and #BE1945

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 87 / 25

HEX #96BE19

RGB 150 190 25

HSL 74.55, 0.77%, 0.42%

LAB 71.81, -33.71, 68.87

 

Complementary color

CMYK 54 / 72 / 0 / 10

HEX #6941E6

RGB 105 65 230

HSL 254.55, 0.77%, 0.58%

LAB 42, 57.01, -77.51

 

CMYK 18 / 0 / 89 / 25

HEX #9BBE14

RGB 155 190 20

HSL 72.35, 0.81%, 0.41%

LAB 72.13, -31.81, 70.19

 

CMYK 17 / 0 / 81 / 18

HEX #ACD027

RGB 172 208 39

HSL 72.78, 0.68%, 0.48%

LAB 78.48, -32.74, 71.93

 

CMYK 16 / 0 / 74 / 11

HEX #BDE23A

RGB 189 226 58

HSL 73.21, 0.74%, 0.56%

LAB 84.75, -33.49, 72.59

 

CMYK 16 / 0 / 68 / 4

HEX #CEF44D

RGB 206 244 77

HSL 73.65, 0.88%, 0.63%

LAB 90.94, -34.1, 72.57

 

CMYK 13 / 0 / 62 / 0

HEX #DFFF60

RGB 223 255 96

HSL 72.08, 1%, 0.69%

LAB 95.18, -31.38, 70.11

 

CMYK 21 / 0 / 87 / 25

HEX #96BE19

RGB 150 190 25

HSL 74.55, 0.77%, 0.42%

LAB 71.81, -33.71, 68.87

 

CMYK 23 / 0 / 97 / 33

HEX #85AC06

RGB 133 172 6

HSL 74.1, 0.93%, 0.35%

LAB 65.36, -32.67, 66.15

 

CMYK 25 / 0 / 100 / 40

HEX #749A00

RGB 116 154 0

HSL 74.81, 1%, 0.3%

LAB 58.81, -31.35, 61.47

 

CMYK 27 / 0 / 100 / 47

HEX #638800

RGB 99 136 0

HSL 76.32, 1%, 0.27%

LAB 52.13, -29.93, 55.9

 

CMYK 31 / 0 / 100 / 54

HEX #527600

RGB 82 118 0

HSL 78.31, 1%, 0.23%

LAB 45.29, -28.47, 50.21

 

CMYK 21 / 0 / 87 / 25

HEX #96BE19

RGB 150 190 25

HSL 74.55, 0.77%, 0.42%

LAB 71.81, -33.71, 68.87

 

CMYK 0 / 3 / 87 / 25

HEX #BEB919

RGB 190 185 25

HSL 58.18, 0.77%, 0.42%

LAB 73.36, -14.39, 71.36

 

CMYK 0 / 26 / 87 / 25

HEX #BE8D19

RGB 190 141 25

HSL 42.18, 0.77%, 0.42%

LAB 61.71, 8.97, 61.93

 

CMYK 0 / 49 / 87 / 25

HEX #BE6019

RGB 190 96 25

HSL 25.82, 0.77%, 0.42%

LAB 51.13, 33.51, 53.31

 

CMYK 0 / 73 / 87 / 25

HEX #BE3419

RGB 190 52 25

HSL 9.82, 0.77%, 0.42%

LAB 43.47, 53.61, 47.03

 

CMYK 21 / 0 / 87 / 25

HEX #96BE19

RGB 150 190 25

HSL 74.55, 0.77%, 0.42%

LAB 71.81, -33.71, 68.87

 

CMYK 45 / 0 / 87 / 25

HEX #69BE19

RGB 105 190 25

HSL 90.91, 0.77%, 0.42%

LAB 69.4, -50.26, 65.86

 

CMYK 68 / 0 / 87 / 25

HEX #3DBE19

RGB 61 190 25

HSL 106.91, 0.77%, 0.42%

LAB 67.94, -61.89, 64.03

 

CMYK 87 / 0 / 83 / 25

HEX #19BE21

RGB 25 190 33

HSL 122.91, 0.77%, 0.42%

LAB 67.38, -66.61, 61.41

 

CMYK 87 / 0 / 59 / 25

HEX #19BE4E

RGB 25 190 78

HSL 139.27, 0.77%, 0.42%

LAB 67.71, -62.5, 44.85

 

CMYK 21 / 0 / 87 / 25

HEX #96BE19

RGB 150 190 25

HSL 74.55, 0.77%, 0.42%

LAB 71.81, -33.71, 68.87

 

CMYK 24 / 0 / 97 / 19

HEX #9ECF07

RGB 158 207 7

HSL 74.7, 0.93%, 0.42%

LAB 77.23, -38.57, 75.94

 

CMYK 21 / 0 / 87 / 25

HEX #96BE19

RGB 150 190 25

HSL 74.55, 0.77%, 0.42%

LAB 71.81, -33.71, 68.87

 

CMYK 18 / 0 / 76 / 33

HEX #8DAC2A

RGB 141 172 42

HSL 74.31, 0.61%, 0.42%

LAB 66.01, -28.27, 58.93

 

CMYK 15 / 0 / 62 / 39

HEX #849B3B

RGB 132 155 59

HSL 74.38, 0.45%, 0.42%

LAB 60.48, -22.55, 46.36

 

CMYK 11 / 0 / 44 / 46

HEX #7B8A4D

RGB 123 138 77

HSL 74.75, 0.28%, 0.42%

LAB 54.99, -15.74, 30.79

 

CMYK 5 / 0 / 22 / 53

HEX #72785E

RGB 114 120 94

HSL 73.85, 0.12%, 0.42%

LAB 49.28, -7.16, 13.55

 

CMYK 0 / 26 / 87 / 25

HEX #BE8C19

RGB 190 140 25

HSL 41.82, 0.77%, 0.42%

LAB 61.46, 9.52, 61.72

 

CMYK 0 / 3 / 87 / 25

HEX #BEB819

RGB 190 184 25

HSL 57.82, 0.77%, 0.42%

LAB 73.09, -13.88, 71.14

 

CMYK 21 / 0 / 87 / 25

HEX #97BE19

RGB 151 190 25

HSL 74.18, 0.77%, 0.42%

LAB 71.88, -33.31, 68.95

 

CMYK 44 / 0 / 87 / 25

HEX #6BBE19

RGB 107 190 25

HSL 90.18, 0.77%, 0.42%

LAB 69.49, -49.61, 65.97

 

CMYK 67 / 0 / 87 / 25

HEX #3FBE19

RGB 63 190 25

HSL 106.18, 0.77%, 0.42%

LAB 67.99, -61.48, 64.09

 

CMYK 21 / 0 / 87 / 54

HEX #5C750F

RGB 92 117 15

HSL 74.71, 0.77%, 0.26%

LAB 45.68, -23.22, 47.44

 

CMYK 21 / 0 / 87 / 40

HEX #799914

RGB 121 153 20

HSL 74.44, 0.77%, 0.34%

LAB 58.88, -28.35, 58.3

 

CMYK 21 / 0 / 87 / 25

HEX #96BE19

RGB 150 190 25

HSL 74.55, 0.77%, 0.42%

LAB 71.81, -33.71, 68.87

 

CMYK 21 / 0 / 87 / 11

HEX #B2E21E

RGB 178 226 30

HSL 74.69, 0.77%, 0.5%

LAB 83.94, -38.81, 78.72

 

CMYK 17 / 0 / 71 / 10

HEX #BFE642

RGB 191 230 66

HSL 74.27, 0.77%, 0.58%

LAB 86.04, -34.14, 71.24

 

CMYK 21 / 0 / 87 / 25

HEX #96BE19

RGB 150 190 25

HSL 74.55, 0.77%, 0.42%

LAB 71.81, -33.71, 68.87

 

CMYK 87 / 0 / 49 / 25

HEX #19BE60

RGB 25 190 96

HSL 145.82, 0.77%, 0.42%

LAB 67.93, -59.86, 36.44

 

CMYK 15 / 87 / 0 / 25

HEX #A219BE

RGB 162 25 190

HSL 289.82, 0.77%, 0.42%

LAB 41.37, 71.13, -55.14

 

CMYK 21 / 0 / 87 / 25

HEX #96BE19

RGB 150 190 25

HSL 74.55, 0.77%, 0.42%

LAB 71.81, -33.71, 68.87

 

CMYK 87 / 21 / 0 / 25

HEX #1997BE

RGB 25 151 190

HSL 194.18, 0.77%, 0.42%

LAB 58.09, -18.24, -29.24

 

CMYK 0 / 87 / 21 / 25

HEX #BE1997

RGB 190 25 151

HSL 314.18, 0.77%, 0.42%

LAB 44.06, 70.51, -27.35

 

CMYK 21 / 0 / 87 / 25

HEX #96BE19

RGB 150 190 25

HSL 74.55, 0.77%, 0.42%

LAB 71.81, -33.71, 68.87

 

CMYK 87 / 0 / 49 / 25

HEX #19BE60

RGB 25 190 96

HSL 145.82, 0.77%, 0.42%

LAB 67.93, -59.86, 36.44

 

CMYK 67 / 87 / 0 / 25

HEX #3F19BE

RGB 63 25 190

HSL 253.82, 0.77%, 0.42%

LAB 28.03, 58.87, -77.51

 

CMYK 0 / 87 / 38 / 25

HEX #BE1976

RGB 190 25 118

HSL 326.18, 0.77%, 0.42%

LAB 42.69, 66.76, -9.24

 

CMYK 21 / 0 / 87 / 25

HEX #96BE19

RGB 150 190 25

HSL 74.55, 0.77%, 0.42%

LAB 71.81, -33.71, 68.87

 

CMYK 87 / 0 / 23 / 25

HEX #19BE92

RGB 25 190 146

HSL 164, 0.77%, 0.42%

LAB 68.83, -49.61, 11.27

 

CMYK 67 / 87 / 0 / 25

HEX #3F19BE

RGB 63 25 190

HSL 253.82, 0.77%, 0.42%

LAB 28.03, 58.87, -77.51

 

CMYK 0 / 87 / 64 / 25

HEX #BE1945

RGB 190 25 69

HSL 344, 0.77%, 0.42%

LAB 41.33, 62.91, 19.63

 

Description

Color code: HEX #96BE19 | qconv.com Color code: HEX #96BE19 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 190 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 190 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 87 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 87% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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