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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96ADE1 it is the complementary color #69521E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96ADE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96ADE1 shade: #9BADDC, #ACBFEF, #BDD1FF, #CEE3FF and #DFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96ADE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96ADE1 shade: #96ADE1, #859BCE, #7489BB, #6377A8 and #526595

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96ADE1 shade: #98AEE2, #989AE2, #A998E2, #BD98E2 and #D198E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96ADE1 shade: #98AEE2, #989AE2 and #9898E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96ADE1 shade matches the following richer shades: #98AEE2, #8DAAED and #82A6F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96ADE1 shade: #98AEE2, #A2B2D7, #ADB7CC, #B8BBC2 and #C2BFB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96ADE1 shade: #98D7E2, #98C3E2, #98AFE2, #989BE2 and #A898E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96ADE1 shade: #577CD0, #7795D9, #98AEE2, #B8C7EB and #D8E1F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96ADE1 shade: #96ADE1, #D998E2 and #CDE298

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96ADE1 shade: #96ADE1, #E298AF and #AFE298

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96ADE1 shade: #96ADE1, #D998E2, #E2CA98 and #A0E298

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96ADE1 shade: #96ADE1, #E298D4, #E2CA98 and #98E2A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 23 / 0 / 12

HEX #96ADE1

RGB 150 173 225

HSL 221.6, 0.56%, 0.74%

LAB 70.74, 4.26, -28.74

 

Complementary color

CMYK 0 / 22 / 71 / 59

HEX #69521E

RGB 105 82 30

HSL 41.6, 0.56%, 0.26%

LAB 36.24, 3.39, 33.12

 

CMYK 30 / 21 / 0 / 14

HEX #9BADDC

RGB 155 173 220

HSL 223.38, 0.48%, 0.74%

LAB 70.89, 4.44, -25.75

 

CMYK 28 / 20 / 0 / 6

HEX #ACBFEF

RGB 172 191 239

HSL 222.99, 0.68%, 0.81%

LAB 77.44, 4.14, -25.93

 

CMYK 26 / 18 / 0 / 0

HEX #BDD1FF

RGB 189 209 255

HSL 221.82, 1%, 0.87%

LAB 83.78, 3.17, -24.7

 

CMYK 19 / 11 / 0 / 0

HEX #CEE3FF

RGB 206 227 255

HSL 214.29, 1%, 0.9%

LAB 89.52, -1.23, -15.9

 

CMYK 13 / 4 / 0 / 0

HEX #DFF5FF

RGB 223 245 255

HSL 198.75, 1%, 0.94%

LAB 95.25, -5.22, -7.25

 

CMYK 33 / 23 / 0 / 12

HEX #96ADE1

RGB 150 173 225

HSL 221.6, 0.56%, 0.74%

LAB 70.74, 4.26, -28.74

 

CMYK 35 / 25 / 0 / 19

HEX #859BCE

RGB 133 155 206

HSL 221.92, 0.43%, 0.66%

LAB 64.07, 4.64, -28.63

 

CMYK 38 / 27 / 0 / 27

HEX #7489BB

RGB 116 137 187

HSL 222.25, 0.34%, 0.59%

LAB 57.26, 5.08, -28.55

 

CMYK 41 / 29 / 0 / 34

HEX #6377A8

RGB 99 119 168

HSL 222.61, 0.28%, 0.52%

LAB 50.3, 5.59, -28.52

 

CMYK 45 / 32 / 0 / 42

HEX #526595

RGB 82 101 149

HSL 222.99, 0.29%, 0.45%

LAB 43.17, 6.21, -28.53

 

CMYK 33 / 23 / 0 / 11

HEX #98AEE2

RGB 152 174 226

HSL 222.16, 0.56%, 0.74%

LAB 71.17, 4.53, -28.61

 

CMYK 33 / 32 / 0 / 11

HEX #989AE2

RGB 152 154 226

HSL 238.38, 0.56%, 0.74%

LAB 65.96, 15.8, -36.67

 

CMYK 25 / 33 / 0 / 11

HEX #A998E2

RGB 169 152 226

HSL 253.78, 0.56%, 0.74%

LAB 66.81, 21.82, -35.25

 

CMYK 16 / 33 / 0 / 11

HEX #BD98E2

RGB 189 152 226

HSL 270, 0.56%, 0.74%

LAB 68.58, 27.82, -32.37

 

CMYK 8 / 33 / 0 / 11

HEX #D198E2

RGB 209 152 226

HSL 286.22, 0.56%, 0.74%

LAB 70.53, 34, -29.2

 

CMYK 33 / 23 / 0 / 11

HEX #98AEE2

RGB 152 174 226

HSL 222.16, 0.56%, 0.74%

LAB 71.17, 4.53, -28.61

 

CMYK 33 / 32 / 0 / 11

HEX #989AE2

RGB 152 154 226

HSL 238.38, 0.56%, 0.74%

LAB 65.96, 15.8, -36.67

 

CMYK 33 / 33 / 0 / 11

HEX #9898E2

RGB 152 152 226

HSL 240, 0.56%, 0.74%

LAB 65.45, 16.94, -37.47

 

CMYK 33 / 23 / 0 / 11

HEX #98AEE2

RGB 152 174 226

HSL 222.16, 0.56%, 0.74%

LAB 71.17, 4.53, -28.61

 

CMYK 41 / 28 / 0 / 7

HEX #8DAAED

RGB 141 170 237

HSL 221.88, 0.73%, 0.74%

LAB 69.84, 6.69, -36.73

 

CMYK 47 / 33 / 0 / 3

HEX #82A6F7

RGB 130 166 247

HSL 221.54, 0.88%, 0.74%

LAB 68.56, 9.06, -44.23

 

CMYK 33 / 23 / 0 / 11

HEX #98AEE2

RGB 152 174 226

HSL 222.16, 0.56%, 0.74%

LAB 71.17, 4.53, -28.61

 

CMYK 25 / 17 / 0 / 16

HEX #A2B2D7

RGB 162 178 215

HSL 221.89, 0.4%, 0.74%

LAB 72.51, 2.57, -20.49

 

CMYK 15 / 10 / 0 / 20

HEX #ADB7CC

RGB 173 183 204

HSL 220.65, 0.23%, 0.74%

LAB 74.26, 0.83, -11.78

 

CMYK 5 / 4 / 0 / 24

HEX #B8BBC2

RGB 184 187 194

HSL 222, 0.08%, 0.74%

LAB 75.84, 0.3, -3.9

 

CMYK 0 / 2 / 6 / 24

HEX #C2BFB7

RGB 194 191 183

HSL 43.64, 0.08%, 0.74%

LAB 77.37, -0.38, 4.39

 

CMYK 33 / 5 / 0 / 11

HEX #98D7E2

RGB 152 215 226

HSL 188.92, 0.56%, 0.74%

LAB 82.25, -17.27, -11.81

 

CMYK 33 / 14 / 0 / 11

HEX #98C3E2

RGB 152 195 226

HSL 205.14, 0.56%, 0.74%

LAB 76.8, -6.88, -20.02

 

CMYK 33 / 23 / 0 / 11

HEX #98AFE2

RGB 152 175 226

HSL 221.35, 0.56%, 0.74%

LAB 71.44, 3.97, -28.2

 

CMYK 33 / 31 / 0 / 11

HEX #989BE2

RGB 152 155 226

HSL 237.57, 0.56%, 0.74%

LAB 66.22, 15.23, -36.27

 

CMYK 26 / 33 / 0 / 11

HEX #A898E2

RGB 168 152 226

HSL 252.97, 0.56%, 0.74%

LAB 66.73, 21.53, -35.39

 

CMYK 58 / 40 / 0 / 18

HEX #577CD0

RGB 87 124 208

HSL 221.65, 0.56%, 0.58%

LAB 52.94, 12.23, -47.38

 

CMYK 45 / 31 / 0 / 15

HEX #7795D9

RGB 119 149 217

HSL 221.63, 0.56%, 0.66%

LAB 62.02, 7.43, -38.01

 

CMYK 33 / 23 / 0 / 11

HEX #98AEE2

RGB 152 174 226

HSL 222.16, 0.56%, 0.74%

LAB 71.17, 4.53, -28.61

 

CMYK 22 / 15 / 0 / 8

HEX #B8C7EB

RGB 184 199 235

HSL 222.35, 0.56%, 0.82%

LAB 80.2, 2.47, -19.51

 

CMYK 11 / 8 / 0 / 4

HEX #D8E1F4

RGB 216 225 244

HSL 220.71, 0.56%, 0.9%

LAB 89.38, 0.65, -10.27

 

CMYK 33 / 23 / 0 / 12

HEX #96ADE1

RGB 150 173 225

HSL 221.6, 0.56%, 0.74%

LAB 70.74, 4.26, -28.74

 

CMYK 4 / 33 / 0 / 11

HEX #D998E2

RGB 217 152 226

HSL 292.7, 0.56%, 0.74%

LAB 71.35, 36.51, -27.87

 

CMYK 9 / 0 / 33 / 11

HEX #CDE298

RGB 205 226 152

HSL 77.03, 0.56%, 0.74%

LAB 86.82, -18.99, 33.93

 

CMYK 33 / 23 / 0 / 12

HEX #96ADE1

RGB 150 173 225

HSL 221.6, 0.56%, 0.74%

LAB 70.74, 4.26, -28.74

 

CMYK 0 / 33 / 23 / 11

HEX #E298AF

RGB 226 152 175

HSL 341.35, 0.56%, 0.74%

LAB 70.68, 30.9, -0.58

 

CMYK 23 / 0 / 33 / 11

HEX #AFE298

RGB 175 226 152

HSL 101.35, 0.56%, 0.74%

LAB 84.88, -29.75, 31.01

 

CMYK 33 / 23 / 0 / 12

HEX #96ADE1

RGB 150 173 225

HSL 221.6, 0.56%, 0.74%

LAB 70.74, 4.26, -28.74

 

CMYK 4 / 33 / 0 / 11

HEX #D998E2

RGB 217 152 226

HSL 292.7, 0.56%, 0.74%

LAB 71.35, 36.51, -27.87

 

CMYK 0 / 11 / 33 / 11

HEX #E2CA98

RGB 226 202 152

HSL 40.54, 0.56%, 0.74%

LAB 82.2, 1.17, 28.07

 

CMYK 29 / 0 / 33 / 11

HEX #A0E298

RGB 160 226 152

HSL 113.51, 0.56%, 0.74%

LAB 84.04, -34.79, 29.73

 

CMYK 33 / 23 / 0 / 12

HEX #96ADE1

RGB 150 173 225

HSL 221.6, 0.56%, 0.74%

LAB 70.74, 4.26, -28.74

 

CMYK 0 / 33 / 6 / 11

HEX #E298D4

RGB 226 152 212

HSL 311.35, 0.56%, 0.74%

LAB 71.81, 36.83, -19.38

 

CMYK 0 / 11 / 33 / 11

HEX #E2CA98

RGB 226 202 152

HSL 40.54, 0.56%, 0.74%

LAB 82.2, 1.17, 28.07

 

CMYK 33 / 0 / 27 / 11

HEX #98E2A5

RGB 152 226 165

HSL 130.54, 0.56%, 0.74%

LAB 83.85, -35.19, 22.71

 

Description

Color code: HEX #96ADE1 | qconv.com Color code: HEX #96ADE1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 173 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 173 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 23 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 23% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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