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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96A709 it is the complementary color #6958F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96A709. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96A709 shade: #9BA704, #ACB917, #BDCB2A, #CEDD3D and #DFEF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96A709. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96A709 shade: #96A709, #859500, #748300, #637100 and #525F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96A709 shade: #98AA09, #AA9009, #AA6409, #AA3909 and #AA0E09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96A709 shade: #98AA09, #6DAA09, #42AA09, #16AA09 and #09AA27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96A709 shade matches the following richer shades: #98AA09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96A709 shade: #98AA09, #8D9B17, #828D26, #767E34 and #6B7043

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96A709 shade: #AA6409, #AA8F09, #9AAA09, #6FAA09 and #44AA09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96A709 shade: #525B05, #758207, #98AA09, #BBD10B and #DAF312

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96A709 shade: #96A709, #09AA39 and #7909AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96A709 shade: #96A709, #099AAA and #AA099A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96A709 shade: #96A709, #09AA39, #1909AA and #AA0979

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96A709 shade: #96A709, #09AA69, #1909AA and #AA0949

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 95 / 35

HEX #96A709

RGB 150 167 9

HSL 66.46, 0.9%, 0.35%

LAB 65.07, -23.04, 66.06

 

Complementary color

CMYK 57 / 64 / 0 / 4

HEX #6958F6

RGB 105 88 246

HSL 246.46, 0.9%, 0.65%

LAB 47.8, 49.37, -77.02

 

CMYK 7 / 0 / 98 / 35

HEX #9BA704

RGB 155 167 4

HSL 64.42, 0.95%, 0.34%

LAB 65.45, -20.94, 67.15

 

CMYK 7 / 0 / 88 / 27

HEX #ACB917

RGB 172 185 23

HSL 64.81, 0.78%, 0.41%

LAB 71.91, -22.21, 69.98

 

CMYK 7 / 0 / 79 / 20

HEX #BDCB2A

RGB 189 203 42

HSL 65.22, 0.66%, 0.48%

LAB 78.29, -23.28, 71.43

 

CMYK 7 / 0 / 72 / 13

HEX #CEDD3D

RGB 206 221 61

HSL 65.63, 0.7%, 0.55%

LAB 84.57, -24.16, 71.87

 

CMYK 7 / 0 / 67 / 6

HEX #DFEF50

RGB 223 239 80

HSL 66.04, 0.83%, 0.63%

LAB 90.78, -24.89, 71.68

 

CMYK 10 / 0 / 95 / 35

HEX #96A709

RGB 150 167 9

HSL 66.46, 0.9%, 0.35%

LAB 65.07, -23.04, 66.06

 

CMYK 11 / 0 / 100 / 42

HEX #859500

RGB 133 149 0

HSL 66.44, 1%, 0.29%

LAB 58.49, -21.62, 61.75

 

CMYK 11 / 0 / 100 / 49

HEX #748300

RGB 116 131 0

HSL 66.87, 1%, 0.26%

LAB 51.78, -20.03, 56.16

 

CMYK 12 / 0 / 100 / 56

HEX #637100

RGB 99 113 0

HSL 67.43, 1%, 0.22%

LAB 44.89, -18.42, 50.43

 

CMYK 14 / 0 / 100 / 63

HEX #525F00

RGB 82 95 0

HSL 68.21, 1%, 0.19%

LAB 37.8, -16.77, 44.53

 

CMYK 11 / 0 / 95 / 33

HEX #98AA09

RGB 152 170 9

HSL 66.71, 0.9%, 0.35%

LAB 66.09, -23.66, 66.91

 

CMYK 0 / 15 / 95 / 33

HEX #AA9009

RGB 170 144 9

HSL 50.31, 0.9%, 0.35%

LAB 60.35, -2.04, 63.21

 

CMYK 0 / 41 / 95 / 33

HEX #AA6409

RGB 170 100 9

HSL 33.91, 0.9%, 0.35%

LAB 49.11, 22.52, 55

 

CMYK 0 / 66 / 95 / 33

HEX #AA3909

RGB 170 57 9

HSL 17.89, 0.9%, 0.35%

LAB 40.4, 44.52, 49.05

 

CMYK 0 / 92 / 95 / 33

HEX #AA0E09

RGB 170 14 9

HSL 1.86, 0.9%, 0.35%

LAB 35.75, 57.45, 46.15

 

CMYK 11 / 0 / 95 / 33

HEX #98AA09

RGB 152 170 9

HSL 66.71, 0.9%, 0.35%

LAB 66.09, -23.66, 66.91

 

CMYK 36 / 0 / 95 / 33

HEX #6DAA09

RGB 109 170 9

HSL 82.73, 0.9%, 0.35%

LAB 63.36, -41.09, 63.59

 

CMYK 61 / 0 / 95 / 33

HEX #42AA09

RGB 66 170 9

HSL 98.76, 0.9%, 0.35%

LAB 61.59, -54.56, 61.42

 

CMYK 87 / 0 / 95 / 33

HEX #16AA09

RGB 22 170 9

HSL 115.16, 0.9%, 0.35%

LAB 60.73, -62, 60.35

 

CMYK 95 / 0 / 77 / 33

HEX #09AA27

RGB 9 170 39

HSL 131.18, 0.9%, 0.35%

LAB 60.74, -61.46, 53.25

 

CMYK 11 / 0 / 95 / 33

HEX #98AA09

RGB 152 170 9

HSL 66.71, 0.9%, 0.35%

LAB 66.09, -23.66, 66.91

 

CMYK 11 / 0 / 95 / 33

HEX #98AA09

RGB 152 170 9

HSL 66.71, 0.9%, 0.35%

LAB 66.09, -23.66, 66.91

 

CMYK 9 / 0 / 85 / 39

HEX #8D9B17

RGB 141 155 23

HSL 66.36, 0.74%, 0.35%

LAB 60.93, -20.64, 59.91

 

CMYK 8 / 0 / 73 / 45

HEX #828D26

RGB 130 141 38

HSL 66.41, 0.58%, 0.35%

LAB 56.02, -17.68, 50.48

 

CMYK 6 / 0 / 59 / 51

HEX #767E34

RGB 118 126 52

HSL 66.49, 0.42%, 0.35%

LAB 50.71, -14.08, 38.49

 

CMYK 4 / 0 / 40 / 56

HEX #6B7043

RGB 107 112 67

HSL 66.67, 0.25%, 0.35%

LAB 45.8, -9.61, 24.38

 

CMYK 0 / 41 / 95 / 33

HEX #AA6409

RGB 170 100 9

HSL 33.91, 0.9%, 0.35%

LAB 49.11, 22.52, 55

 

CMYK 0 / 16 / 95 / 33

HEX #AA8F09

RGB 170 143 9

HSL 49.94, 0.9%, 0.35%

LAB 60.08, -1.49, 63.01

 

CMYK 9 / 0 / 95 / 33

HEX #9AAA09

RGB 154 170 9

HSL 65.96, 0.9%, 0.35%

LAB 66.24, -22.8, 67.09

 

CMYK 35 / 0 / 95 / 33

HEX #6FAA09

RGB 111 170 9

HSL 81.99, 0.9%, 0.35%

LAB 63.47, -40.35, 63.72

 

CMYK 60 / 0 / 95 / 33

HEX #44AA09

RGB 68 170 9

HSL 98.01, 0.9%, 0.35%

LAB 61.65, -54.06, 61.49

 

CMYK 10 / 0 / 95 / 64

HEX #525B05

RGB 82 91 5

HSL 66.28, 0.9%, 0.19%

LAB 36.53, -14.4, 42.06

 

CMYK 10 / 0 / 95 / 49

HEX #758207

RGB 117 130 7

HSL 66.34, 0.9%, 0.27%

LAB 51.57, -18.91, 54.74

 

CMYK 11 / 0 / 95 / 33

HEX #98AA09

RGB 152 170 9

HSL 66.71, 0.9%, 0.35%

LAB 66.09, -23.66, 66.91

 

CMYK 11 / 0 / 95 / 18

HEX #BBD10B

RGB 187 209 11

HSL 66.67, 0.9%, 0.43%

LAB 79.72, -27.71, 78.31

 

CMYK 10 / 0 / 93 / 5

HEX #DAF312

RGB 218 243 18

HSL 66.67, 0.9%, 0.51%

LAB 91.26, -30.85, 87.43

 

CMYK 10 / 0 / 95 / 35

HEX #96A709

RGB 150 167 9

HSL 66.46, 0.9%, 0.35%

LAB 65.07, -23.04, 66.06

 

CMYK 95 / 0 / 66 / 33

HEX #09AA39

RGB 9 170 57

HSL 137.89, 0.9%, 0.35%

LAB 60.87, -59.8, 46.44

 

CMYK 29 / 95 / 0 / 33

HEX #7909AA

RGB 121 9 170

HSL 281.74, 0.9%, 0.35%

LAB 32.17, 63.98, -58.5

 

CMYK 10 / 0 / 95 / 35

HEX #96A709

RGB 150 167 9

HSL 66.46, 0.9%, 0.35%

LAB 65.07, -23.04, 66.06

 

CMYK 95 / 9 / 0 / 33

HEX #099AAA

RGB 9 154 170

HSL 185.96, 0.9%, 0.35%

LAB 58.1, -27.45, -17.9

 

CMYK 0 / 95 / 9 / 33

HEX #AA099A

RGB 170 9 154

HSL 305.96, 0.9%, 0.35%

LAB 39.71, 69.23, -36.26

 

CMYK 10 / 0 / 95 / 35

HEX #96A709

RGB 150 167 9

HSL 66.46, 0.9%, 0.35%

LAB 65.07, -23.04, 66.06

 

CMYK 95 / 0 / 66 / 33

HEX #09AA39

RGB 9 170 57

HSL 137.89, 0.9%, 0.35%

LAB 60.87, -59.8, 46.44

 

CMYK 85 / 95 / 0 / 33

HEX #1909AA

RGB 25 9 170

HSL 245.96, 0.9%, 0.35%

LAB 21.22, 56.41, -76.95

 

CMYK 0 / 95 / 29 / 33

HEX #AA0979

RGB 170 9 121

HSL 318.26, 0.9%, 0.35%

LAB 38.06, 65, -18.52

 

CMYK 10 / 0 / 95 / 35

HEX #96A709

RGB 150 167 9

HSL 66.46, 0.9%, 0.35%

LAB 65.07, -23.04, 66.06

 

CMYK 95 / 0 / 38 / 33

HEX #09AA69

RGB 9 170 105

HSL 155.78, 0.9%, 0.35%

LAB 61.51, -52.16, 23.41

 

CMYK 85 / 95 / 0 / 33

HEX #1909AA

RGB 25 9 170

HSL 245.96, 0.9%, 0.35%

LAB 21.22, 56.41, -76.95

 

CMYK 0 / 95 / 57 / 33

HEX #AA0949

RGB 170 9 73

HSL 336.15, 0.9%, 0.35%

LAB 36.41, 60.58, 9.71

 

Description

Color code: HEX #96A709 | qconv.com Color code: HEX #96A709 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 167 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 167 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 95 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 95% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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