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Color name
HEX #96A626

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96A626 it is the complementary color #6959D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96A626. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96A626 shade: #9BA621, #ACB834, #BDCA47, #CEDC5A and #DFEE6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96A626. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96A626 shade: #96A626, #859413, #748200, #637000 and #525E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96A626 shade: #96A626, #A69426, #A67126, #A64E26 and #A62C26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96A626 shade: #96A626, #74A626, #51A626, #2EA626 and #26A640

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96A626 shade matches the following richer shades: #96A626, #A3B715 and #AFC705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96A626 shade: #96A626, #8A9636, #7D8547, #717557 and #656468

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96A626 shade: #A67126, #A69326, #97A626, #75A626 and #53A626

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96A626 shade: #596316, #78851E, #96A626, #B5C82D and #C4D649

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96A626 shade: #96A626, #26A64E and #8226A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96A626 shade: #96A626, #2697A6 and #A62697

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96A626 shade: #96A626, #26A64E, #3526A6 and #A6267E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96A626 shade: #96A626, #26A675, #3526A6 and #A62657

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 77 / 35

HEX #96A626

RGB 150 166 38

HSL 67.5, 0.63%, 0.4%

LAB 64.88, -21.72, 59.42

 

Complementary color

CMYK 52 / 59 / 0 / 15

HEX #6959D9

RGB 105 89 217

HSL 247.5, 0.63%, 0.6%

LAB 45.85, 40.04, -63.83

 

CMYK 7 / 0 / 80 / 35

HEX #9BA621

RGB 155 166 33

HSL 64.96, 0.67%, 0.39%

LAB 65.24, -19.76, 61.41

 

CMYK 7 / 0 / 72 / 28

HEX #ACB834

RGB 172 184 52

HSL 65.45, 0.56%, 0.46%

LAB 71.76, -20.66, 61.76

 

CMYK 6 / 0 / 65 / 21

HEX #BDCA47

RGB 189 202 71

HSL 65.95, 0.55%, 0.54%

LAB 78.18, -21.38, 61.4

 

CMYK 6 / 0 / 59 / 14

HEX #CEDC5A

RGB 206 220 90

HSL 66.46, 0.65%, 0.61%

LAB 84.51, -21.96, 60.67

 

CMYK 6 / 0 / 54 / 7

HEX #DFEE6D

RGB 223 238 109

HSL 66.98, 0.79%, 0.68%

LAB 90.75, -22.43, 59.74

 

CMYK 10 / 0 / 77 / 35

HEX #96A626

RGB 150 166 38

HSL 67.5, 0.63%, 0.4%

LAB 64.88, -21.72, 59.42

 

CMYK 10 / 0 / 87 / 42

HEX #859413

RGB 133 148 19

HSL 66.98, 0.77%, 0.33%

LAB 58.24, -20.73, 58.33

 

CMYK 11 / 0 / 100 / 49

HEX #748200

RGB 116 130 0

HSL 66.46, 1%, 0.25%

LAB 51.47, -19.52, 55.94

 

CMYK 12 / 0 / 100 / 56

HEX #637000

RGB 99 112 0

HSL 66.96, 1%, 0.22%

LAB 44.58, -17.89, 50.2

 

CMYK 13 / 0 / 100 / 63

HEX #525E00

RGB 82 94 0

HSL 67.66, 1%, 0.18%

LAB 37.48, -16.22, 44.29

 

CMYK 10 / 0 / 77 / 35

HEX #96A626

RGB 150 166 38

HSL 67.5, 0.63%, 0.4%

LAB 64.88, -21.72, 59.42

 

CMYK 0 / 11 / 77 / 35

HEX #A69426

RGB 166 148 38

HSL 51.56, 0.63%, 0.4%

LAB 61.16, -5.25, 56.47

 

CMYK 0 / 32 / 77 / 35

HEX #A67126

RGB 166 113 38

HSL 35.16, 0.63%, 0.4%

LAB 51.9, 14.23, 47.69

 

CMYK 0 / 53 / 77 / 35

HEX #A64E26

RGB 166 78 38

HSL 18.75, 0.63%, 0.4%

LAB 43.79, 33.59, 39.58

 

CMYK 0 / 73 / 77 / 35

HEX #A62C26

RGB 166 44 38

HSL 2.81, 0.63%, 0.4%

LAB 37.93, 49.13, 33.4

 

CMYK 10 / 0 / 77 / 35

HEX #96A626

RGB 150 166 38

HSL 67.5, 0.63%, 0.4%

LAB 64.88, -21.72, 59.42

 

CMYK 30 / 0 / 77 / 35

HEX #74A626

RGB 116 166 38

HSL 83.44, 0.63%, 0.4%

LAB 62.61, -35.68, 56.48

 

CMYK 51 / 0 / 77 / 35

HEX #51A626

RGB 81 166 38

HSL 99.84, 0.63%, 0.4%

LAB 60.92, -47.78, 54.28

 

CMYK 72 / 0 / 77 / 35

HEX #2EA626

RGB 46 166 38

HSL 116.25, 0.63%, 0.4%

LAB 59.88, -56.2, 52.91

 

CMYK 77 / 0 / 61 / 35

HEX #26A640

RGB 38 166 64

HSL 132.19, 0.63%, 0.4%

LAB 59.94, -54.97, 42.36

 

CMYK 10 / 0 / 77 / 35

HEX #96A626

RGB 150 166 38

HSL 67.5, 0.63%, 0.4%

LAB 64.88, -21.72, 59.42

 

CMYK 11 / 0 / 89 / 28

HEX #A3B715

RGB 163 183 21

HSL 67.41, 0.79%, 0.4%

LAB 70.67, -25.11, 69.06

 

CMYK 12 / 0 / 97 / 22

HEX #AFC705

RGB 175 199 5

HSL 67.42, 0.95%, 0.4%

LAB 76.05, -28.01, 75.72

 

CMYK 10 / 0 / 77 / 35

HEX #96A626

RGB 150 166 38

HSL 67.5, 0.63%, 0.4%

LAB 64.88, -21.72, 59.42

 

CMYK 8 / 0 / 64 / 41

HEX #8A9636

RGB 138 150 54

HSL 67.5, 0.47%, 0.4%

LAB 59.42, -17.83, 47.57

 

CMYK 6 / 0 / 47 / 48

HEX #7D8547

RGB 125 133 71

HSL 67.74, 0.3%, 0.4%

LAB 53.59, -12.92, 32.28

 

CMYK 3 / 0 / 26 / 54

HEX #717557

RGB 113 117 87

HSL 68, 0.15%, 0.4%

LAB 48.16, -7.01, 16.09

 

CMYK 3 / 4 / 0 / 59

HEX #656468

RGB 101 100 104

HSL 255, 0.02%, 0.4%

LAB 42.58, 1.23, -2.12

 

CMYK 0 / 32 / 77 / 35

HEX #A67126

RGB 166 113 38

HSL 35.16, 0.63%, 0.4%

LAB 51.9, 14.23, 47.69

 

CMYK 0 / 11 / 77 / 35

HEX #A69326

RGB 166 147 38

HSL 51.09, 0.63%, 0.4%

LAB 60.88, -4.71, 56.21

 

CMYK 9 / 0 / 77 / 35

HEX #97A626

RGB 151 166 38

HSL 67.03, 0.63%, 0.4%

LAB 64.96, -21.29, 59.52

 

CMYK 30 / 0 / 77 / 35

HEX #75A626

RGB 117 166 38

HSL 82.97, 0.63%, 0.4%

LAB 62.67, -35.29, 56.56

 

CMYK 50 / 0 / 77 / 35

HEX #53A626

RGB 83 166 38

HSL 98.91, 0.63%, 0.4%

LAB 61, -47.17, 54.38

 

CMYK 10 / 0 / 78 / 61

HEX #596316

RGB 89 99 22

HSL 67.79, 0.64%, 0.24%

LAB 39.76, -14.77, 39.73

 

CMYK 10 / 0 / 77 / 48

HEX #78851E

RGB 120 133 30

HSL 67.57, 0.63%, 0.32%

LAB 52.8, -18.37, 50.02

 

CMYK 10 / 0 / 77 / 35

HEX #96A626

RGB 150 166 38

HSL 67.5, 0.63%, 0.4%

LAB 64.88, -21.72, 59.42

 

CMYK 10 / 0 / 78 / 22

HEX #B5C82D

RGB 181 200 45

HSL 67.35, 0.63%, 0.48%

LAB 76.87, -25.05, 69.08

 

CMYK 8 / 0 / 66 / 16

HEX #C4D649

RGB 196 214 73

HSL 67.66, 0.63%, 0.56%

LAB 82.01, -24.23, 64.74

 

CMYK 10 / 0 / 77 / 35

HEX #96A626

RGB 150 166 38

HSL 67.5, 0.63%, 0.4%

LAB 64.88, -21.72, 59.42

 

CMYK 77 / 0 / 53 / 35

HEX #26A64E

RGB 38 166 78

HSL 138.75, 0.63%, 0.4%

LAB 60.1, -53.03, 35.79

 

CMYK 22 / 77 / 0 / 35

HEX #8226A6

RGB 130 38 166

HSL 283.13, 0.63%, 0.4%

LAB 35.76, 57.39, -50.2

 

CMYK 10 / 0 / 77 / 35

HEX #96A626

RGB 150 166 38

HSL 67.5, 0.63%, 0.4%

LAB 64.88, -21.72, 59.42

 

CMYK 77 / 9 / 0 / 35

HEX #2697A6

RGB 38 151 166

HSL 187.03, 0.63%, 0.4%

LAB 57.37, -25.17, -16.71

 

CMYK 0 / 77 / 9 / 35

HEX #A62697

RGB 166 38 151

HSL 307.03, 0.63%, 0.4%

LAB 40.78, 62.28, -32.8

 

CMYK 10 / 0 / 77 / 35

HEX #96A626

RGB 150 166 38

HSL 67.5, 0.63%, 0.4%

LAB 64.88, -21.72, 59.42

 

CMYK 77 / 0 / 53 / 35

HEX #26A64E

RGB 38 166 78

HSL 138.75, 0.63%, 0.4%

LAB 60.1, -53.03, 35.79

 

CMYK 68 / 77 / 0 / 35

HEX #3526A6

RGB 53 38 166

HSL 247.03, 0.63%, 0.4%

LAB 26.44, 45.35, -65.82

 

CMYK 0 / 77 / 24 / 35

HEX #A6267E

RGB 166 38 126

HSL 318.75, 0.63%, 0.4%

LAB 39.58, 58.74, -19.35

 

CMYK 10 / 0 / 77 / 35

HEX #96A626

RGB 150 166 38

HSL 67.5, 0.63%, 0.4%

LAB 64.88, -21.72, 59.42

 

CMYK 77 / 0 / 30 / 35

HEX #26A675

RGB 38 166 117

HSL 157.03, 0.63%, 0.4%

LAB 60.75, -45.6, 15.89

 

CMYK 68 / 77 / 0 / 35

HEX #3526A6

RGB 53 38 166

HSL 247.03, 0.63%, 0.4%

LAB 26.44, 45.35, -65.82

 

CMYK 0 / 77 / 48 / 35

HEX #A62657

RGB 166 38 87

HSL 337.03, 0.63%, 0.4%

LAB 38.17, 54.4, 3.08

 

Description

Color code: HEX #96A626 | qconv.com Color code: HEX #96A626 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 166 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 166 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 77 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 77% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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