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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96A2EC3F it is the complementary color #695D133F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96A2EC3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96A2EC3F shade: #9BA2E73F, #ACB4FA3F, #BDC6FF3F, #CED8FF3F and #DFEAFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96A2EC3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96A2EC3F shade: #96A2EC3F, #8590D93F, #747EC63F, #636CB33F and #525AA03F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96A2EC3F shade: #98A3EC, #A398EC, #B998EC, #D098EC and #E798EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96A2EC3F shade: #98A3EC and #9898EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96A2EC3F shade matches the following richer shades: #98A3EC and #8E9CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96A2EC3F shade: #98A3EC, #A1AAE2, #ABB2D8, #B5B9CE and #BFC0C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96A2EC3F shade: #98D1EC, #98BBEC, #98A4EC, #A198EC and #B898EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96A2EC3F shade: #5266DF, #7584E6, #98A3EC, #BAC2F2 and #DDE1F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96A2EC3F shade: #96A2EC, #EC98E8 and #C6EC98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96A2EC3F shade: #96A2EC, #EC98A4 and #A4EC98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96A2EC3F shade: #96A2EC, #EC98E8, #ECDF98 and #98EC9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96A2EC3F shade: #96A2EC, #EC98CE, #ECDF98 and #98ECB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 8 / 0 / 2

HEX #96A2EC3F

RGBA 150 162 236 0.25

HSLA 231.63, 0.69%, 0.76%, 0.25

LABA 68.3, 13.31, -38.54, 0.25

 

Complementary color

CMYK 0 / 3 / 20 / 15

HEX #695D133F

RGBA 105 93 19 0.25

HSLA 51.63, 0.69%, 0.24%, 0.25

LABA 39.38, -3.77, 41.03, 0.25

 

CMYK 8 / 7 / 0 / 2

HEX #9BA2E73F

RGBA 155 162 231 0.25

HSLA 234.47, 0.61%, 0.76%, 0.25

LABA 68.45, 13.38, -35.55, 0.25

 

CMYK 8 / 7 / 0 / 0

HEX #ACB4FA3F

RGBA 172 180 250 0.25

HSLA 233.85, 0.89%, 0.83%, 0.25

LABA 75.02, 12.87, -35.57, 0.25

 

CMYK 6 / 6 / 0 / 0

HEX #BDC6FF3F

RGBA 189 198 255 0.25

HSLA 231.82, 1%, 0.87%, 0.25

LABA 80.98, 9.08, -28.98, 0.25

 

CMYK 5 / 4 / 0 / 0

HEX #CED8FF3F

RGBA 206 216 255 0.25

HSLA 227.76, 1%, 0.9%, 0.25

LABA 86.73, 4.53, -20.12, 0.25

 

CMYK 3 / 2 / 0 / 0

HEX #DFEAFF3F

RGBA 223 234 255 0.25

HSLA 219.38, 1%, 0.94%, 0.25

LABA 92.47, 0.4, -11.38, 0.25

 

CMYK 9 / 8 / 0 / 2

HEX #96A2EC3F

RGBA 150 162 236 0.25

HSLA 231.63, 0.69%, 0.76%, 0.25

LABA 68.3, 13.31, -38.54, 0.25

 

CMYK 10 / 8 / 0 / 4

HEX #8590D93F

RGBA 133 144 217 0.25

HSLA 232.14, 0.53%, 0.69%, 0.25

LABA 61.6, 13.95, -38.59, 0.25

 

CMYK 10 / 9 / 0 / 6

HEX #747EC63F

RGBA 116 126 198 0.25

HSLA 232.68, 0.42%, 0.62%, 0.25

LABA 54.77, 14.68, -38.69, 0.25

 

CMYK 11 / 10 / 0 / 7

HEX #636CB33F

RGBA 99 108 179 0.25

HSLA 233.25, 0.34%, 0.55%, 0.25

LABA 47.79, 15.55, -38.85, 0.25

 

CMYK 12 / 11 / 0 / 9

HEX #525AA03F

RGBA 82 90 160 0.25

HSLA 233.85, 0.32%, 0.47%, 0.25

LABA 40.65, 16.59, -39.07, 0.25

 

CMYK 36 / 31 / 0 / 7

HEX #98A3EC

RGB 152 163 236

HSL 232.14, 0.69%, 0.76%

LAB 68.7, 13.29, -37.91

 

CMYK 31 / 36 / 0 / 7

HEX #A398EC

RGB 163 152 236

HSL 247.86, 0.69%, 0.76%

LAB 66.75, 22.57, -40.89

 

CMYK 22 / 36 / 0 / 7

HEX #B998EC

RGB 185 152 236

HSL 263.57, 0.69%, 0.76%

LAB 68.63, 28.86, -37.82

 

CMYK 12 / 36 / 0 / 7

HEX #D098EC

RGB 208 152 236

HSL 280, 0.69%, 0.76%

LAB 70.82, 35.72, -34.24

 

CMYK 2 / 36 / 0 / 7

HEX #E798EC

RGB 231 152 236

HSL 296.43, 0.69%, 0.76%

LAB 73.22, 42.73, -30.33

 

CMYK 36 / 31 / 0 / 7

HEX #98A3EC

RGB 152 163 236

HSL 232.14, 0.69%, 0.76%

LAB 68.7, 13.29, -37.91

 

CMYK 36 / 36 / 0 / 7

HEX #9898EC

RGB 152 152 236

HSL 240, 0.69%, 0.76%

LAB 65.89, 19.56, -42.29

 

CMYK 36 / 31 / 0 / 7

HEX #98A3EC

RGB 152 163 236

HSL 232.14, 0.69%, 0.76%

LAB 68.7, 13.29, -37.91

 

CMYK 42 / 37 / 0 / 4

HEX #8E9CF6

RGB 142 156 246

HSL 231.92, 0.85%, 0.76%

LAB 66.66, 17.4, -46.62

 

CMYK 36 / 31 / 0 / 7

HEX #98A3EC

RGB 152 163 236

HSL 232.14, 0.69%, 0.76%

LAB 68.7, 13.29, -37.91

 

CMYK 29 / 25 / 0 / 11

HEX #A1AAE2

RGB 161 170 226

HSL 231.69, 0.53%, 0.76%

LAB 70.74, 9.34, -29.22

 

CMYK 21 / 18 / 0 / 15

HEX #ABB2D8

RGB 171 178 216

HSL 230.67, 0.37%, 0.76%

LAB 73.19, 5.57, -19.95

 

CMYK 12 / 10 / 0 / 19

HEX #B5B9CE

RGB 181 185 206

HSL 230.4, 0.2%, 0.76%

LAB 75.44, 2.78, -11.04

 

CMYK 3 / 2 / 0 / 23

HEX #BFC0C4

RGB 191 192 196

HSL 228, 0.04%, 0.76%

LAB 77.73, 0.41, -2.14

 

CMYK 36 / 11 / 0 / 7

HEX #98D1EC

RGB 152 209 236

HSL 199.29, 0.69%, 0.76%

LAB 80.92, -11.77, -19.14

 

CMYK 36 / 21 / 0 / 7

HEX #98BBEC

RGB 152 187 236

HSL 215, 0.69%, 0.76%

LAB 75, -0.06, -28.17

 

CMYK 36 / 31 / 0 / 7

HEX #98A4EC

RGB 152 164 236

HSL 231.43, 0.69%, 0.76%

LAB 68.96, 12.72, -37.51

 

CMYK 32 / 36 / 0 / 7

HEX #A198EC

RGB 161 152 236

HSL 246.43, 0.69%, 0.76%

LAB 66.59, 22.01, -41.15

 

CMYK 22 / 36 / 0 / 7

HEX #B898EC

RGB 184 152 236

HSL 262.86, 0.69%, 0.76%

LAB 68.54, 28.57, -37.97

 

CMYK 63 / 54 / 0 / 13

HEX #5266DF

RGB 82 102 223

HSL 231.49, 0.69%, 0.6%

LAB 47.78, 29.96, -64.18

 

CMYK 49 / 43 / 0 / 10

HEX #7584E6

RGB 117 132 230

HSL 232.04, 0.69%, 0.68%

LAB 58.03, 20.83, -51.54

 

CMYK 36 / 31 / 0 / 7

HEX #98A3EC

RGB 152 163 236

HSL 232.14, 0.69%, 0.76%

LAB 68.7, 13.29, -37.91

 

CMYK 23 / 20 / 0 / 5

HEX #BAC2F2

RGB 186 194 242

HSL 231.43, 0.68%, 0.84%

LAB 79.29, 7.35, -24.63

 

CMYK 11 / 10 / 0 / 2

HEX #DDE1F9

RGB 221 225 249

HSL 231.43, 0.7%, 0.92%

LAB 89.89, 3.23, -12.11

 

CMYK 36 / 31 / 0 / 7

HEX #96A2EC

RGB 150 162 236

HSL 231.63, 0.69%, 0.76%

LAB 68.3, 13.31, -38.54

 

CMYK 0 / 36 / 2 / 7

HEX #EC98E8

RGB 236 152 232

HSL 302.86, 0.69%, 0.76%

LAB 73.62, 43.54, -27.49

 

CMYK 16 / 0 / 36 / 7

HEX #C6EC98

RGB 198 236 152

HSL 87.14, 0.69%, 0.76%

LAB 89.05, -26.38, 36.77

 

CMYK 36 / 31 / 0 / 7

HEX #96A2EC

RGB 150 162 236

HSL 231.63, 0.69%, 0.76%

LAB 68.3, 13.31, -38.54

 

CMYK 0 / 36 / 31 / 7

HEX #EC98A4

RGB 236 152 164

HSL 351.43, 0.69%, 0.76%

LAB 71.53, 33, 6.91

 

CMYK 31 / 0 / 36 / 7

HEX #A4EC98

RGB 164 236 152

HSL 111.43, 0.69%, 0.76%

LAB 87.07, -38.04, 33.8

 

CMYK 36 / 31 / 0 / 7

HEX #96A2EC

RGB 150 162 236

HSL 231.63, 0.69%, 0.76%

LAB 68.3, 13.31, -38.54

 

CMYK 0 / 36 / 2 / 7

HEX #EC98E8

RGB 236 152 232

HSL 302.86, 0.69%, 0.76%

LAB 73.62, 43.54, -27.49

 

CMYK 0 / 6 / 36 / 7

HEX #ECDF98

RGB 236 223 152

HSL 50.71, 0.69%, 0.76%

LAB 88.39, -5.74, 36.43

 

CMYK 36 / 0 / 34 / 7

HEX #98EC9C

RGB 152 236 156

HSL 122.86, 0.69%, 0.76%

LAB 86.54, -41.2, 30.96

 

CMYK 36 / 31 / 0 / 7

HEX #96A2EC

RGB 150 162 236

HSL 231.63, 0.69%, 0.76%

LAB 68.3, 13.31, -38.54

 

CMYK 0 / 36 / 13 / 7

HEX #EC98CE

RGB 236 152 206

HSL 321.43, 0.69%, 0.76%

LAB 72.72, 39.12, -14.59

 

CMYK 0 / 6 / 36 / 7

HEX #ECDF98

RGB 236 223 152

HSL 50.71, 0.69%, 0.76%

LAB 88.39, -5.74, 36.43

 

CMYK 36 / 0 / 23 / 7

HEX #98ECB5

RGB 152 236 181

HSL 140.71, 0.69%, 0.76%

LAB 87, -36.9, 18.76

 

Description

Color code: HEX #96A2EC3F | qconv.com Color code: HEX #96A2EC3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 162 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 162 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 8 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 8% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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