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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96A02A it is the complementary color #695FD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96A02A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96A02A shade: #9BA025, #ACB238, #BDC44B, #CED65E and #DFE871

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96A02A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96A02A shade: #96A02A, #858E17, #747C04, #636A00 and #525800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96A02A shade: #97A12B, #A18B2B, #A16B2B, #A14B2B and #A12C2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96A02A shade: #97A12B, #77A12B, #57A12B, #37A12B and #2BA13E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96A02A shade matches the following richer shades: #97A12B, #A5B21A and #B3C20A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96A02A shade: #97A12B, #89913B, #7C804C, #6E705C and #605F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96A02A shade: #A16C2B, #A18B2B, #97A12B, #78A12B and #58A12B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96A02A shade: #5A601A, #798122, #97A12B, #B6C234 and #C5D04E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96A02A shade: #96A02A, #2BA14C and #7C2BA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96A02A shade: #96A02A, #2B97A1 and #A12B97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96A02A shade: #96A02A, #2BA14C, #352BA1 and #A12B80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96A02A shade: #96A02A, #2BA170, #352BA1 and #A12B5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 74 / 37

HEX #96A02A

RGB 150 160 42

HSL 65.08, 0.58%, 0.4%

LAB 63.17, -18.49, 56.46

 

Complementary color

CMYK 51 / 55 / 0 / 16

HEX #695FD5

RGB 105 95 213

HSL 245.08, 0.58%, 0.6%

LAB 46.96, 35.27, -59.74

 

CMYK 3 / 0 / 77 / 37

HEX #9BA025

RGB 155 160 37

HSL 62.44, 0.62%, 0.39%

LAB 63.54, -16.54, 58.65

 

CMYK 3 / 0 / 69 / 30

HEX #ACB238

RGB 172 178 56

HSL 62.95, 0.52%, 0.46%

LAB 70.1, -17.43, 58.64

 

CMYK 4 / 0 / 62 / 23

HEX #BDC44B

RGB 189 196 75

HSL 63.47, 0.51%, 0.53%

LAB 76.56, -18.15, 58.05

 

CMYK 4 / 0 / 56 / 16

HEX #CED65E

RGB 206 214 94

HSL 64, 0.59%, 0.6%

LAB 82.93, -18.73, 57.16

 

CMYK 4 / 0 / 51 / 9

HEX #DFE871

RGB 223 232 113

HSL 64.54, 0.72%, 0.68%

LAB 89.2, -19.2, 56.14

 

CMYK 6 / 0 / 74 / 37

HEX #96A02A

RGB 150 160 42

HSL 65.08, 0.58%, 0.4%

LAB 63.17, -18.49, 56.46

 

CMYK 6 / 0 / 84 / 44

HEX #858E17

RGB 133 142 23

HSL 64.54, 0.72%, 0.32%

LAB 56.48, -17.52, 55.86

 

CMYK 6 / 0 / 97 / 51

HEX #747C04

RGB 116 124 4

HSL 64, 0.94%, 0.25%

LAB 49.66, -16.28, 53.79

 

CMYK 7 / 0 / 100 / 58

HEX #636A00

RGB 99 106 0

HSL 63.96, 1%, 0.21%

LAB 42.7, -14.66, 48.81

 

CMYK 7 / 0 / 100 / 65

HEX #525800

RGB 82 88 0

HSL 64.09, 1%, 0.17%

LAB 35.54, -12.9, 42.85

 

CMYK 6 / 0 / 73 / 37

HEX #97A12B

RGB 151 161 43

HSL 65.08, 0.58%, 0.4%

LAB 63.54, -18.52, 56.49

 

CMYK 0 / 14 / 73 / 37

HEX #A18B2B

RGB 161 139 43

HSL 48.81, 0.58%, 0.4%

LAB 58.24, -2.38, 51.64

 

CMYK 0 / 34 / 73 / 37

HEX #A16B2B

RGB 161 107 43

HSL 32.54, 0.58%, 0.4%

LAB 49.82, 15.62, 43.14

 

CMYK 0 / 53 / 73 / 37

HEX #A14B2B

RGB 161 75 43

HSL 16.27, 0.58%, 0.4%

LAB 42.44, 33.38, 35.26

 

CMYK 0 / 73 / 73 / 37

HEX #A12C2B

RGB 161 44 43

HSL 0.51, 0.58%, 0.4%

LAB 37.03, 47.71, 29.17

 

CMYK 6 / 0 / 73 / 37

HEX #97A12B

RGB 151 161 43

HSL 65.08, 0.58%, 0.4%

LAB 63.54, -18.52, 56.49

 

CMYK 26 / 0 / 73 / 37

HEX #77A12B

RGB 119 161 43

HSL 81.36, 0.58%, 0.4%

LAB 61.3, -31.92, 53.53

 

CMYK 46 / 0 / 73 / 37

HEX #57A12B

RGB 87 161 43

HSL 97.63, 0.58%, 0.4%

LAB 59.61, -43.57, 51.29

 

CMYK 66 / 0 / 73 / 37

HEX #37A12B

RGB 55 161 43

HSL 113.9, 0.58%, 0.4%

LAB 58.49, -52.33, 49.79

 

CMYK 73 / 0 / 61 / 37

HEX #2BA13E

RGB 43 161 62

HSL 129.66, 0.58%, 0.4%

LAB 58.37, -52.71, 41.51

 

CMYK 6 / 0 / 73 / 37

HEX #97A12B

RGB 151 161 43

HSL 65.08, 0.58%, 0.4%

LAB 63.54, -18.52, 56.49

 

CMYK 7 / 0 / 85 / 30

HEX #A5B21A

RGB 165 178 26

HSL 65.13, 0.75%, 0.4%

LAB 69.41, -21.67, 67.08

 

CMYK 8 / 0 / 95 / 24

HEX #B3C20A

RGB 179 194 10

HSL 64.89, 0.9%, 0.4%

LAB 74.94, -23.86, 74.49

 

CMYK 6 / 0 / 73 / 37

HEX #97A12B

RGB 151 161 43

HSL 65.08, 0.58%, 0.4%

LAB 63.54, -18.52, 56.49

 

CMYK 6 / 0 / 59 / 43

HEX #89913B

RGB 137 145 59

HSL 65.58, 0.42%, 0.4%

LAB 57.93, -15.28, 43.64

 

CMYK 3 / 0 / 41 / 50

HEX #7C804C

RGB 124 128 76

HSL 64.62, 0.25%, 0.4%

LAB 52.11, -10.04, 27.71

 

CMYK 2 / 0 / 18 / 56

HEX #6E705C

RGB 110 112 92

HSL 66, 0.1%, 0.4%

LAB 46.55, -4.56, 10.88

 

CMYK 12 / 13 / 0 / 57

HEX #605F6D

RGB 96 95 109

HSL 244.29, 0.07%, 0.4%

LAB 40.86, 3.49, -7.79

 

CMYK 0 / 33 / 73 / 37

HEX #A16C2B

RGB 161 108 43

HSL 33.05, 0.58%, 0.4%

LAB 50.07, 15.06, 43.4

 

CMYK 0 / 14 / 73 / 37

HEX #A18B2B

RGB 161 139 43

HSL 48.81, 0.58%, 0.4%

LAB 58.24, -2.38, 51.64

 

CMYK 6 / 0 / 73 / 37

HEX #97A12B

RGB 151 161 43

HSL 65.08, 0.58%, 0.4%

LAB 63.54, -18.52, 56.49

 

CMYK 25 / 0 / 73 / 37

HEX #78A12B

RGB 120 161 43

HSL 80.85, 0.58%, 0.4%

LAB 61.36, -31.52, 53.61

 

CMYK 45 / 0 / 73 / 37

HEX #58A12B

RGB 88 161 43

HSL 97.12, 0.58%, 0.4%

LAB 59.65, -43.24, 51.35

 

CMYK 6 / 0 / 73 / 62

HEX #5A601A

RGB 90 96 26

HSL 65.14, 0.57%, 0.24%

LAB 38.92, -12.39, 37.3

 

CMYK 6 / 0 / 74 / 49

HEX #798122

RGB 121 129 34

HSL 65.05, 0.58%, 0.32%

LAB 51.7, -15.6, 47.55

 

CMYK 6 / 0 / 73 / 37

HEX #97A12B

RGB 151 161 43

HSL 65.08, 0.58%, 0.4%

LAB 63.54, -18.52, 56.49

 

CMYK 6 / 0 / 73 / 24

HEX #B6C234

RGB 182 194 52

HSL 65.07, 0.58%, 0.48%

LAB 75.31, -21.4, 65.44

 

CMYK 5 / 0 / 63 / 18

HEX #C5D04E

RGB 197 208 78

HSL 65.08, 0.58%, 0.56%

LAB 80.48, -20.59, 61.16

 

CMYK 6 / 0 / 74 / 37

HEX #96A02A

RGB 150 160 42

HSL 65.08, 0.58%, 0.4%

LAB 63.17, -18.49, 56.46

 

CMYK 73 / 0 / 53 / 37

HEX #2BA14C

RGB 43 161 76

HSL 136.78, 0.58%, 0.4%

LAB 58.53, -50.78, 34.89

 

CMYK 23 / 73 / 0 / 37

HEX #7C2BA1

RGB 124 43 161

HSL 281.19, 0.58%, 0.4%

LAB 35.17, 53.23, -48.19

 

CMYK 6 / 0 / 74 / 37

HEX #96A02A

RGB 150 160 42

HSL 65.08, 0.58%, 0.4%

LAB 63.17, -18.49, 56.46

 

CMYK 73 / 6 / 0 / 37

HEX #2B97A1

RGB 43 151 161

HSL 185.08, 0.58%, 0.4%

LAB 57.29, -26.16, -13.97

 

CMYK 0 / 73 / 6 / 37

HEX #A12B97

RGB 161 43 151

HSL 305.08, 0.58%, 0.4%

LAB 40.47, 59.56, -33.34

 

CMYK 6 / 0 / 74 / 37

HEX #96A02A

RGB 150 160 42

HSL 65.08, 0.58%, 0.4%

LAB 63.17, -18.49, 56.46

 

CMYK 73 / 0 / 53 / 37

HEX #2BA14C

RGB 43 161 76

HSL 136.78, 0.58%, 0.4%

LAB 58.53, -50.78, 34.89

 

CMYK 67 / 73 / 0 / 37

HEX #352BA1

RGB 53 43 161

HSL 245.08, 0.58%, 0.4%

LAB 26.9, 40.99, -62.03

 

CMYK 0 / 73 / 20 / 37

HEX #A12B80

RGB 161 43 128

HSL 316.78, 0.58%, 0.4%

LAB 39.35, 56.11, -21.02

 

CMYK 6 / 0 / 74 / 37

HEX #96A02A

RGB 150 160 42

HSL 65.08, 0.58%, 0.4%

LAB 63.17, -18.49, 56.46

 

CMYK 73 / 0 / 30 / 37

HEX #2BA170

RGB 43 161 112

HSL 155.08, 0.58%, 0.4%

LAB 59.13, -44, 16.43

 

CMYK 67 / 73 / 0 / 37

HEX #352BA1

RGB 53 43 161

HSL 245.08, 0.58%, 0.4%

LAB 26.9, 40.99, -62.03

 

CMYK 0 / 73 / 43 / 37

HEX #A12B5C

RGB 161 43 92

HSL 335.08, 0.58%, 0.4%

LAB 37.98, 51.74, -0.49

 

Description

Color code: HEX #96A02A | qconv.com Color code: HEX #96A02A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 160 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 160 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 74 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 74% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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