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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9694CC it is the complementary color #696B33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9694CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9694CC shade: #9B94C7, #ACA6DA, #BDB8ED, #CECAFF and #DFDCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9694CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9694CC shade: #9694CC, #8582B9, #7470A6, #635E93 and #524C80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9694CC shade: #9694CC, #A594CC, #B494CC, #C394CC and #CC94C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9694CC shade: #9694CC and #9494CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9694CC shade matches the following richer shades: #9694CC, #8A87D8, #7F7BE5, #736EF2 and #6761FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9694CC shade: #9694CC, #A2A1BF, #AEAEB2, #BABBA5 and #C6C798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9694CC shade: #94B0CC, #94A1CC, #9694CC, #A594CC and #B494CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9694CC shade: #605DB1, #7B78BE, #9694CC, #B2B0D9 and #CDCCE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9694CC shade: #9694CC, #CC94BF and #A9CC94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9694CC shade: #9694CC, #CC9694 and #94CC96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9694CC shade: #9694CC, #CC94BF, #CACC94 and #94CCA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9694CC shade: #9694CC, #CC94AE, #CACC94 and #94CCB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 27 / 0 / 20

HEX #9694CC

RGB 150 148 204

HSL 242.14, 0.35%, 0.69%

LAB 63.36, 13.09, -28.5

 

Complementary color

CMYK 2 / 0 / 52 / 58

HEX #696B33

RGB 105 107 51

HSL 62.14, 0.35%, 0.31%

LAB 43.88, -9.53, 30.82

 

CMYK 22 / 26 / 0 / 22

HEX #9B94C7

RGB 155 148 199

HSL 248.24, 0.31%, 0.68%

LAB 63.57, 13.42, -25.36

 

CMYK 21 / 24 / 0 / 15

HEX #ACA6DA

RGB 172 166 218

HSL 246.92, 0.41%, 0.75%

LAB 70.25, 12.98, -25.52

 

CMYK 20 / 22 / 0 / 7

HEX #BDB8ED

RGB 189 184 237

HSL 245.66, 0.6%, 0.83%

LAB 76.81, 12.57, -25.71

 

CMYK 19 / 21 / 0 / 0

HEX #CECAFF

RGB 206 202 255

HSL 244.53, 1%, 0.9%

LAB 83.22, 11.98, -25.44

 

CMYK 13 / 14 / 0 / 0

HEX #DFDCFF

RGB 223 220 255

HSL 245.14, 1%, 0.93%

LAB 88.97, 7.69, -16.62

 

CMYK 26 / 27 / 0 / 20

HEX #9694CC

RGB 150 148 204

HSL 242.14, 0.35%, 0.69%

LAB 63.36, 13.09, -28.5

 

CMYK 28 / 30 / 0 / 27

HEX #8582B9

RGB 133 130 185

HSL 243.27, 0.28%, 0.62%

LAB 56.54, 13.61, -28.43

 

CMYK 30 / 33 / 0 / 35

HEX #7470A6

RGB 116 112 166

HSL 244.44, 0.23%, 0.55%

LAB 49.56, 14.2, -28.4

 

CMYK 33 / 36 / 0 / 42

HEX #635E93

RGB 99 94 147

HSL 245.66, 0.22%, 0.47%

LAB 42.41, 14.89, -28.43

 

CMYK 36 / 41 / 0 / 50

HEX #524C80

RGB 82 76 128

HSL 246.92, 0.25%, 0.4%

LAB 35.05, 15.71, -28.53

 

CMYK 26 / 27 / 0 / 20

HEX #9694CC

RGB 150 148 204

HSL 242.14, 0.35%, 0.69%

LAB 63.36, 13.09, -28.5

 

CMYK 19 / 27 / 0 / 20

HEX #A594CC

RGB 165 148 204

HSL 258.21, 0.35%, 0.69%

LAB 64.59, 17.71, -26.5

 

CMYK 12 / 27 / 0 / 20

HEX #B494CC

RGB 180 148 204

HSL 274.29, 0.35%, 0.69%

LAB 65.94, 22.49, -24.33

 

CMYK 4 / 27 / 0 / 20

HEX #C394CC

RGB 195 148 204

HSL 290.36, 0.35%, 0.69%

LAB 67.38, 27.36, -21.99

 

CMYK 0 / 27 / 3 / 20

HEX #CC94C5

RGB 204 148 197

HSL 307.5, 0.35%, 0.69%

LAB 68.06, 29.02, -16.98

 

CMYK 26 / 27 / 0 / 20

HEX #9694CC

RGB 150 148 204

HSL 242.14, 0.35%, 0.69%

LAB 63.36, 13.09, -28.5

 

CMYK 27 / 27 / 0 / 20

HEX #9494CC

RGB 148 148 204

HSL 240, 0.35%, 0.69%

LAB 63.21, 12.49, -28.76

 

CMYK 26 / 27 / 0 / 20

HEX #9694CC

RGB 150 148 204

HSL 242.14, 0.35%, 0.69%

LAB 63.36, 13.09, -28.5

 

CMYK 36 / 38 / 0 / 15

HEX #8A87D8

RGB 138 135 216

HSL 242.22, 0.51%, 0.69%

LAB 59.61, 20.27, -41.14

 

CMYK 45 / 46 / 0 / 10

HEX #7F7BE5

RGB 127 123 229

HSL 242.26, 0.67%, 0.69%

LAB 56.42, 28.19, -53.51

 

CMYK 52 / 55 / 0 / 5

HEX #736EF2

RGB 115 110 242

HSL 242.27, 0.84%, 0.69%

LAB 53.18, 37.17, -66.02

 

CMYK 60 / 62 / 0 / 0

HEX #6761FF

RGB 103 97 255

HSL 242.28, 1%, 0.69%

LAB 50.28, 46.68, -77.99

 

CMYK 26 / 27 / 0 / 20

HEX #9694CC

RGB 150 148 204

HSL 242.14, 0.35%, 0.69%

LAB 63.36, 13.09, -28.5

 

CMYK 15 / 16 / 0 / 25

HEX #A2A1BF

RGB 162 161 191

HSL 242, 0.19%, 0.69%

LAB 67.23, 6.51, -15.27

 

CMYK 2 / 2 / 0 / 30

HEX #AEAEB2

RGB 174 174 178

HSL 240, 0.03%, 0.69%

LAB 71.2, 0.76, -2.05

 

CMYK 1 / 0 / 12 / 27

HEX #BABBA5

RGB 186 187 165

HSL 62.73, 0.14%, 0.69%

LAB 75.26, -4.22, 11.03

 

CMYK 1 / 0 / 24 / 22

HEX #C6C798

RGB 198 199 152

HSL 61.28, 0.3%, 0.69%

LAB 79.11, -8.01, 23.49

 

CMYK 27 / 14 / 0 / 20

HEX #94B0CC

RGB 148 176 204

HSL 210, 0.35%, 0.69%

LAB 70.67, -3.18, -17.35

 

CMYK 27 / 21 / 0 / 20

HEX #94A1CC

RGB 148 161 204

HSL 226.07, 0.35%, 0.69%

LAB 66.63, 5.12, -23.49

 

CMYK 26 / 27 / 0 / 20

HEX #9694CC

RGB 150 148 204

HSL 242.14, 0.35%, 0.69%

LAB 63.36, 13.09, -28.5

 

CMYK 19 / 27 / 0 / 20

HEX #A594CC

RGB 165 148 204

HSL 258.21, 0.35%, 0.69%

LAB 64.59, 17.71, -26.5

 

CMYK 12 / 27 / 0 / 20

HEX #B494CC

RGB 180 148 204

HSL 274.29, 0.35%, 0.69%

LAB 65.94, 22.49, -24.33

 

CMYK 46 / 47 / 0 / 31

HEX #605DB1

RGB 96 93 177

HSL 242.14, 0.35%, 0.53%

LAB 43.49, 23.47, -44.52

 

CMYK 35 / 37 / 0 / 25

HEX #7B78BE

RGB 123 120 190

HSL 242.57, 0.35%, 0.61%

LAB 53.34, 17.92, -36.34

 

CMYK 26 / 27 / 0 / 20

HEX #9694CC

RGB 150 148 204

HSL 242.14, 0.35%, 0.69%

LAB 63.36, 13.09, -28.5

 

CMYK 18 / 19 / 0 / 15

HEX #B2B0D9

RGB 178 176 217

HSL 242.93, 0.35%, 0.77%

LAB 73.24, 9.09, -20.38

 

CMYK 11 / 11 / 0 / 10

HEX #CDCCE6

RGB 205 204 230

HSL 242.31, 0.34%, 0.85%

LAB 82.85, 5.34, -12.7

 

CMYK 26 / 27 / 0 / 20

HEX #9694CC

RGB 150 148 204

HSL 242.14, 0.35%, 0.69%

LAB 63.36, 13.09, -28.5

 

CMYK 0 / 27 / 6 / 20

HEX #CC94BF

RGB 204 148 191

HSL 313.93, 0.35%, 0.69%

LAB 67.86, 27.94, -13.94

 

CMYK 17 / 0 / 27 / 20

HEX #A9CC94

RGB 169 204 148

HSL 97.5, 0.35%, 0.69%

LAB 78.32, -21.83, 24.18

 

CMYK 26 / 27 / 0 / 20

HEX #9694CC

RGB 150 148 204

HSL 242.14, 0.35%, 0.69%

LAB 63.36, 13.09, -28.5

 

CMYK 0 / 26 / 27 / 20

HEX #CC9694

RGB 204 150 148

HSL 2.14, 0.35%, 0.69%

LAB 67.12, 20, 9.03

 

CMYK 27 / 0 / 26 / 20

HEX #94CC96

RGB 148 204 150

HSL 122.14, 0.35%, 0.69%

LAB 77.09, -28.73, 21.24

 

CMYK 26 / 27 / 0 / 20

HEX #9694CC

RGB 150 148 204

HSL 242.14, 0.35%, 0.69%

LAB 63.36, 13.09, -28.5

 

CMYK 0 / 27 / 6 / 20

HEX #CC94BF

RGB 204 148 191

HSL 313.93, 0.35%, 0.69%

LAB 67.86, 27.94, -13.94

 

CMYK 1 / 0 / 27 / 20

HEX #CACC94

RGB 202 204 148

HSL 62.14, 0.35%, 0.69%

LAB 80.67, -9.61, 27.76

 

CMYK 27 / 0 / 21 / 20

HEX #94CCA1

RGB 148 204 161

HSL 133.93, 0.35%, 0.69%

LAB 77.31, -26.78, 15.71

 

CMYK 26 / 27 / 0 / 20

HEX #9694CC

RGB 150 148 204

HSL 242.14, 0.35%, 0.69%

LAB 63.36, 13.09, -28.5

 

CMYK 0 / 27 / 15 / 20

HEX #CC94AE

RGB 204 148 174

HSL 332.14, 0.35%, 0.69%

LAB 67.33, 25.04, -5.22

 

CMYK 1 / 0 / 27 / 20

HEX #CACC94

RGB 202 204 148

HSL 62.14, 0.35%, 0.69%

LAB 80.67, -9.61, 27.76

 

CMYK 27 / 0 / 13 / 20

HEX #94CCB2

RGB 148 204 178

HSL 152.14, 0.35%, 0.69%

LAB 77.7, -23.5, 7.16

 

Description

Color code: HEX #9694CC | qconv.com Color code: HEX #9694CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 148 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 148 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 27 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 27% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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