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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9690D84C it is the complementary color #696F274C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9690D84C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9690D84C shade: #9B90D34C, #ACA2E64C, #BDB4F94C, #CEC6FF4C and #DFD8FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9690D84C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9690D84C shade: #9690D84C, #857EC54C, #746CB24C, #635A9F4C and #52488C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9690D84C shade: #9792D9, #AB92D9, #BE92D9, #D192D9 and #D992CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9690D84C shade: #9792D9 and #9292D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9690D84C shade matches the following richer shades: #9792D9, #8D86E5, #847AF0 and #7A6EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9690D84C shade: #9792D9, #A19ECD, #ABA9C1, #B5B5B5 and #BFC1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9690D84C shade: #92B2D9, #929FD9, #9792D9, #AA92D9 and #BD92D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9690D84C shade: #5E54C3, #7B73CE, #9792D9, #B4B0E3 and #D1CFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9690D84C shade: #9690D8, #D992C4 and #A8D992

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9690D84C shade: #9690D8, #D99792 and #92D997

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9690D84C shade: #9690D8, #D992C4, #D3D992 and #92D9A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9690D84C shade: #9690D8, #D992AF, #D3D992 and #92D9BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 10 / 0 / 5

HEX #9690D84C

RGBA 150 144 216 0.3

HSLA 245, 0.48%, 0.71%, 0.3

LABA 62.83, 18.39, -36.02, 0.3

 

Complementary color

CMYK 2 / 0 / 19 / 17

HEX #696F274C

RGBA 105 111 39 0.3

HSLA 65, 0.48%, 0.29%, 0.3

LABA 44.97, -12.82, 38.1, 0.3

 

CMYK 8 / 10 / 0 / 5

HEX #9B90D34C

RGBA 155 144 211 0.3

HSLA 249.85, 0.43%, 0.7%, 0.3

LABA 63.03, 18.6, -32.9, 0.3

 

CMYK 8 / 9 / 0 / 3

HEX #ACA2E64C

RGBA 172 162 230 0.3

HSLA 248.82, 0.58%, 0.77%, 0.3

LABA 69.7, 18.03, -32.95, 0.3

 

CMYK 7 / 8 / 0 / 1

HEX #BDB4F94C

RGBA 189 180 249 0.3

HSLA 247.83, 0.85%, 0.84%, 0.3

LABA 76.25, 17.51, -33.03, 0.3

 

CMYK 6 / 7 / 0 / 0

HEX #CEC6FF4C

RGBA 206 198 255 0.3

HSLA 248.42, 1%, 0.89%, 0.3

LABA 82.23, 14.13, -26.95, 0.3

 

CMYK 4 / 5 / 0 / 0

HEX #DFD8FF4C

RGBA 223 216 255 0.3

HSLA 250.77, 1%, 0.92%, 0.3

LABA 87.98, 9.79, -18.11, 0.3

 

CMYK 9 / 10 / 0 / 5

HEX #9690D84C

RGBA 150 144 216 0.3

HSLA 245, 0.48%, 0.71%, 0.3

LABA 62.83, 18.39, -36.02, 0.3

 

CMYK 10 / 11 / 0 / 7

HEX #857EC54C

RGBA 133 126 197 0.3

HSLA 245.92, 0.38%, 0.63%, 0.3

LABA 56.03, 19.08, -36.07, 0.3

 

CMYK 10 / 12 / 0 / 9

HEX #746CB24C

RGBA 116 108 178 0.3

HSLA 246.86, 0.31%, 0.56%, 0.3

LABA 49.07, 19.86, -36.16, 0.3

 

CMYK 11 / 13 / 0 / 11

HEX #635A9F4C

RGBA 99 90 159 0.3

HSLA 247.83, 0.28%, 0.49%, 0.3

LABA 41.95, 20.77, -36.32, 0.3

 

CMYK 12 / 15 / 0 / 14

HEX #52488C4C

RGBA 82 72 140 0.3

HSLA 248.82, 0.32%, 0.42%, 0.3

LABA 34.64, 21.85, -36.54, 0.3

 

CMYK 30 / 33 / 0 / 15

HEX #9792D9

RGB 151 146 217

HSL 244.23, 0.48%, 0.71%

LAB 63.46, 17.79, -35.59

 

CMYK 21 / 33 / 0 / 15

HEX #AB92D9

RGB 171 146 217

HSL 261.13, 0.48%, 0.71%

LAB 65.14, 23.69, -32.85

 

CMYK 12 / 33 / 0 / 15

HEX #BE92D9

RGB 190 146 217

HSL 277.18, 0.48%, 0.71%

LAB 66.91, 29.53, -29.97

 

CMYK 4 / 33 / 0 / 15

HEX #D192D9

RGB 209 146 217

HSL 293.24, 0.48%, 0.71%

LAB 68.84, 35.49, -26.84

 

CMYK 0 / 33 / 6 / 15

HEX #D992CD

RGB 217 146 205

HSL 310.14, 0.48%, 0.71%

LAB 69.27, 35.86, -19.46

 

CMYK 30 / 33 / 0 / 15

HEX #9792D9

RGB 151 146 217

HSL 244.23, 0.48%, 0.71%

LAB 63.46, 17.79, -35.59

 

CMYK 33 / 33 / 0 / 15

HEX #9292D9

RGB 146 146 217

HSL 240, 0.48%, 0.71%

LAB 63.08, 16.36, -36.22

 

CMYK 30 / 33 / 0 / 15

HEX #9792D9

RGB 151 146 217

HSL 244.23, 0.48%, 0.71%

LAB 63.46, 17.79, -35.59

 

CMYK 38 / 41 / 0 / 10

HEX #8D86E5

RGB 141 134 229

HSL 244.42, 0.65%, 0.71%

LAB 60.22, 25.18, -47.41

 

CMYK 45 / 49 / 0 / 6

HEX #847AF0

RGB 132 122 240

HSL 245.08, 0.8%, 0.71%

LAB 57.19, 33.1, -58.39

 

CMYK 52 / 56 / 0 / 1

HEX #7A6EFC

RGB 122 110 252

HSL 245.07, 0.96%, 0.71%

LAB 54.36, 41.52, -69.63

 

CMYK 30 / 33 / 0 / 15

HEX #9792D9

RGB 151 146 217

HSL 244.23, 0.48%, 0.71%

LAB 63.46, 17.79, -35.59

 

CMYK 21 / 23 / 0 / 20

HEX #A19ECD

RGB 161 158 205

HSL 243.83, 0.32%, 0.71%

LAB 66.85, 11.03, -23.62

 

CMYK 11 / 12 / 0 / 24

HEX #ABA9C1

RGB 171 169 193

HSL 245, 0.16%, 0.71%

LAB 70.09, 5.49, -12

 

CMYK 0 / 0 / 0 / 29

HEX #B5B5B5

RGB 181 181 181

HSL 0, 0%, 0.71%

LAB 73.68, 0, -0.01

 

CMYK 1 / 0 / 12 / 24

HEX #BFC1A9

RGB 191 193 169

HSL 65, 0.16%, 0.71%

LAB 77.33, -4.89, 11.86

 

CMYK 33 / 18 / 0 / 15

HEX #92B2D9

RGB 146 178 217

HSL 212.96, 0.48%, 0.71%

LAB 71.53, -1.65, -23.18

 

CMYK 33 / 27 / 0 / 15

HEX #929FD9

RGB 146 159 217

HSL 229.01, 0.48%, 0.71%

LAB 66.46, 8.93, -30.97

 

CMYK 30 / 33 / 0 / 15

HEX #9792D9

RGB 151 146 217

HSL 244.23, 0.48%, 0.71%

LAB 63.46, 17.79, -35.59

 

CMYK 22 / 33 / 0 / 15

HEX #AA92D9

RGB 170 146 217

HSL 260.28, 0.48%, 0.71%

LAB 65.05, 23.39, -33

 

CMYK 13 / 33 / 0 / 15

HEX #BD92D9

RGB 189 146 217

HSL 276.34, 0.48%, 0.71%

LAB 66.81, 29.21, -30.13

 

CMYK 52 / 57 / 0 / 24

HEX #5E54C3

RGB 94 84 195

HSL 245.41, 0.48%, 0.55%

LAB 42.25, 34.12, -57.04

 

CMYK 40 / 44 / 0 / 19

HEX #7B73CE

RGB 123 115 206

HSL 245.27, 0.48%, 0.63%

LAB 52.87, 25.37, -46.21

 

CMYK 30 / 33 / 0 / 15

HEX #9792D9

RGB 151 146 217

HSL 244.23, 0.48%, 0.71%

LAB 63.46, 17.79, -35.59

 

CMYK 21 / 22 / 0 / 11

HEX #B4B0E3

RGB 180 176 227

HSL 244.71, 0.48%, 0.79%

LAB 73.74, 11.95, -25.04

 

CMYK 12 / 13 / 0 / 7

HEX #D1CFEE

RGB 209 207 238

HSL 243.87, 0.48%, 0.87%

LAB 84.15, 6.66, -14.98

 

CMYK 31 / 33 / 0 / 15

HEX #9690D8

RGB 150 144 216

HSL 245, 0.48%, 0.71%

LAB 62.83, 18.39, -36.02

 

CMYK 0 / 33 / 10 / 15

HEX #D992C4

RGB 217 146 196

HSL 317.75, 0.48%, 0.71%

LAB 68.96, 34.3, -14.92

 

CMYK 23 / 0 / 33 / 15

HEX #A8D992

RGB 168 217 146

HSL 101.41, 0.48%, 0.71%

LAB 81.85, -28.79, 29.97

 

CMYK 31 / 33 / 0 / 15

HEX #9690D8

RGB 150 144 216

HSL 245, 0.48%, 0.71%

LAB 62.83, 18.39, -36.02

 

CMYK 0 / 30 / 33 / 15

HEX #D99792

RGB 217 151 146

HSL 4.23, 0.48%, 0.71%

LAB 68.72, 24.14, 12.62

 

CMYK 33 / 0 / 30 / 15

HEX #92D997

RGB 146 217 151

HSL 124.23, 0.48%, 0.71%

LAB 80.72, -35.31, 25.66

 

CMYK 31 / 33 / 0 / 15

HEX #9690D8

RGB 150 144 216

HSL 245, 0.48%, 0.71%

LAB 62.83, 18.39, -36.02

 

CMYK 0 / 33 / 10 / 15

HEX #D992C4

RGB 217 146 196

HSL 317.75, 0.48%, 0.71%

LAB 68.96, 34.3, -14.92

 

CMYK 3 / 0 / 33 / 15

HEX #D3D992

RGB 211 217 146

HSL 65.07, 0.48%, 0.71%

LAB 84.77, -13.02, 34.36

 

CMYK 33 / 0 / 24 / 15

HEX #92D9A6

RGB 146 217 166

HSL 136.9, 0.48%, 0.71%

LAB 81.01, -32.68, 18.21

 

CMYK 31 / 33 / 0 / 15

HEX #9690D8

RGB 150 144 216

HSL 245, 0.48%, 0.71%

LAB 62.83, 18.39, -36.02

 

CMYK 0 / 33 / 19 / 15

HEX #D992AF

RGB 217 146 175

HSL 335.49, 0.48%, 0.71%

LAB 68.32, 30.91, -4.16

 

CMYK 3 / 0 / 33 / 15

HEX #D3D992

RGB 211 217 146

HSL 65.07, 0.48%, 0.71%

LAB 84.77, -13.02, 34.36

 

CMYK 33 / 0 / 14 / 15

HEX #92D9BB

RGB 146 217 187

HSL 154.65, 0.48%, 0.71%

LAB 81.47, -28.6, 7.75

 

Description

Color code: HEX #9690D84C | qconv.com Color code: HEX #9690D84C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 144 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 144 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 10 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 10% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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