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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #968DC2 it is the complementary color #69723D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #968DC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #968DC2 shade: #9B8DBD, #AC9FD0, #BDB1E3, #CEC3F6 and #DFD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #968DC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #968DC2 shade: #968DC2, #857BAF, #74699C, #635789 and #524576

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #968DC2 shade: #978EC2, #A58EC2, #B38EC2, #C18EC2 and #C28EB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #968DC2 shade: #978EC2 and #8E8EC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #968DC2 shade matches the following richer shades: #978EC2, #8E80D0, #8572DE, #7B64EC and #7256FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #968DC2 shade: #978EC2, #A09CB4, #AAAAA6, #B3B898 and #BCC68A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #968DC2 shade: #8EA1C2, #8E93C2, #978EC2, #A58EC2 and #B38EC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #968DC2 shade: #6659A5, #7E73B4, #978EC2, #B0A9D1 and #C9C4DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #968DC2 shade: #968DC2, #C28EAF and #9AC28E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #968DC2 shade: #968DC2, #C2978E and #8EC297

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #968DC2 shade: #968DC2, #C28EAF, #BAC28E and #8EC2A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #968DC2 shade: #968DC2, #C28EA0, #BAC28E and #8EC2B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 27 / 0 / 24

HEX #968DC2

RGB 150 141 194

HSL 250.19, 0.3%, 0.66%

LAB 61.16, 14.68, -26.29

 

Complementary color

CMYK 8 / 0 / 46 / 55

HEX #69723D

RGB 105 114 61

HSL 70.19, 0.3%, 0.34%

LAB 46.14, -12.34, 28.13

 

CMYK 18 / 25 / 0 / 26

HEX #9B8DBD

RGB 155 141 189

HSL 257.5, 0.27%, 0.65%

LAB 61.39, 15.09, -23.08

 

CMYK 17 / 24 / 0 / 18

HEX #AC9FD0

RGB 172 159 208

HSL 255.92, 0.34%, 0.72%

LAB 68.11, 14.62, -23.28

 

CMYK 17 / 22 / 0 / 11

HEX #BDB1E3

RGB 189 177 227

HSL 254.4, 0.47%, 0.79%

LAB 74.7, 14.2, -23.51

 

CMYK 16 / 21 / 0 / 4

HEX #CEC3F6

RGB 206 195 246

HSL 252.94, 0.74%, 0.86%

LAB 81.18, 13.81, -23.75

 

CMYK 13 / 16 / 0 / 0

HEX #DFD5FF

RGB 223 213 255

HSL 254.29, 1%, 0.92%

LAB 87.24, 11.38, -19.22

 

CMYK 23 / 27 / 0 / 24

HEX #968DC2

RGB 150 141 194

HSL 250.19, 0.3%, 0.66%

LAB 61.16, 14.68, -26.29

 

CMYK 24 / 30 / 0 / 31

HEX #857BAF

RGB 133 123 175

HSL 251.54, 0.25%, 0.58%

LAB 54.29, 15.21, -26.18

 

CMYK 26 / 33 / 0 / 39

HEX #74699C

RGB 116 105 156

HSL 252.94, 0.2%, 0.51%

LAB 47.26, 15.82, -26.12

 

CMYK 28 / 36 / 0 / 46

HEX #635789

RGB 99 87 137

HSL 254.4, 0.22%, 0.44%

LAB 40.04, 16.52, -26.1

 

CMYK 31 / 42 / 0 / 54

HEX #524576

RGB 82 69 118

HSL 255.92, 0.26%, 0.37%

LAB 32.61, 17.34, -26.14

 

CMYK 22 / 27 / 0 / 24

HEX #978EC2

RGB 151 142 194

HSL 250.38, 0.3%, 0.66%

LAB 61.5, 14.41, -25.76

 

CMYK 15 / 27 / 0 / 24

HEX #A58EC2

RGB 165 142 194

HSL 266.54, 0.3%, 0.66%

LAB 62.71, 18.87, -23.79

 

CMYK 8 / 27 / 0 / 24

HEX #B38EC2

RGB 179 142 194

HSL 282.69, 0.3%, 0.66%

LAB 64.02, 23.44, -21.68

 

CMYK 1 / 27 / 0 / 24

HEX #C18EC2

RGB 193 142 194

HSL 298.85, 0.3%, 0.66%

LAB 65.42, 28.08, -19.41

 

CMYK 0 / 27 / 7 / 24

HEX #C28EB5

RGB 194 142 181

HSL 315, 0.3%, 0.66%

LAB 65.08, 26.02, -12.61

 

CMYK 22 / 27 / 0 / 24

HEX #978EC2

RGB 151 142 194

HSL 250.38, 0.3%, 0.66%

LAB 61.5, 14.41, -25.76

 

CMYK 27 / 27 / 0 / 24

HEX #8E8EC2

RGB 142 142 194

HSL 240, 0.3%, 0.66%

LAB 60.77, 11.64, -26.93

 

CMYK 22 / 27 / 0 / 24

HEX #978EC2

RGB 151 142 194

HSL 250.38, 0.3%, 0.66%

LAB 61.5, 14.41, -25.76

 

CMYK 32 / 38 / 0 / 18

HEX #8E80D0

RGB 142 128 208

HSL 250.5, 0.46%, 0.66%

LAB 57.79, 23.34, -39.47

 

CMYK 40 / 49 / 0 / 13

HEX #8572DE

RGB 133 114 222

HSL 250.56, 0.62%, 0.66%

LAB 54.34, 32.94, -52.88

 

CMYK 48 / 58 / 0 / 7

HEX #7B64EC

RGB 123 100 236

HSL 250.15, 0.78%, 0.66%

LAB 51.13, 42.8, -65.95

 

CMYK 54 / 66 / 0 / 2

HEX #7256FA

RGB 114 86 250

HSL 250.24, 0.94%, 0.66%

LAB 48.43, 53.08, -78.2

 

CMYK 22 / 27 / 0 / 24

HEX #978EC2

RGB 151 142 194

HSL 250.38, 0.3%, 0.66%

LAB 61.5, 14.41, -25.76

 

CMYK 11 / 13 / 0 / 29

HEX #A09CB4

RGB 160 156 180

HSL 250, 0.14%, 0.66%

LAB 65.39, 6.26, -11.91

 

CMYK 0 / 0 / 2 / 33

HEX #AAAAA6

RGB 170 170 166

HSL 60, 0.02%, 0.66%

LAB 69.5, -0.74, 2.05

 

CMYK 3 / 0 / 17 / 28

HEX #B3B898

RGB 179 184 152

HSL 69.38, 0.18%, 0.66%

LAB 73.63, -7.33, 15.69

 

CMYK 5 / 0 / 30 / 22

HEX #BCC68A

RGB 188 198 138

HSL 70, 0.34%, 0.66%

LAB 77.82, -13.22, 28.99

 

CMYK 27 / 17 / 0 / 24

HEX #8EA1C2

RGB 142 161 194

HSL 218.08, 0.3%, 0.66%

LAB 65.85, 0.85, -19.16

 

CMYK 27 / 24 / 0 / 24

HEX #8E93C2

RGB 142 147 194

HSL 234.23, 0.3%, 0.66%

LAB 62.09, 8.76, -24.9

 

CMYK 22 / 27 / 0 / 24

HEX #978EC2

RGB 151 142 194

HSL 250.38, 0.3%, 0.66%

LAB 61.5, 14.41, -25.76

 

CMYK 15 / 27 / 0 / 24

HEX #A58EC2

RGB 165 142 194

HSL 266.54, 0.3%, 0.66%

LAB 62.71, 18.87, -23.79

 

CMYK 8 / 27 / 0 / 24

HEX #B38EC2

RGB 179 142 194

HSL 282.69, 0.3%, 0.66%

LAB 64.02, 23.44, -21.68

 

CMYK 38 / 46 / 0 / 35

HEX #6659A5

RGB 102 89 165

HSL 250.26, 0.3%, 0.5%

LAB 42.29, 23.94, -39.34

 

CMYK 30 / 36 / 0 / 29

HEX #7E73B4

RGB 126 115 180

HSL 250.15, 0.3%, 0.58%

LAB 51.83, 19.09, -32.94

 

CMYK 22 / 27 / 0 / 24

HEX #978EC2

RGB 151 142 194

HSL 250.38, 0.3%, 0.66%

LAB 61.5, 14.41, -25.76

 

CMYK 16 / 19 / 0 / 18

HEX #B0A9D1

RGB 176 169 209

HSL 250.5, 0.3%, 0.74%

LAB 71.02, 10.55, -19.38

 

CMYK 10 / 12 / 0 / 13

HEX #C9C4DF

RGB 201 196 223

HSL 251.11, 0.3%, 0.82%

LAB 80.31, 6.9, -12.79

 

CMYK 23 / 27 / 0 / 24

HEX #968DC2

RGB 150 141 194

HSL 250.19, 0.3%, 0.66%

LAB 61.16, 14.68, -26.29

 

CMYK 0 / 27 / 10 / 24

HEX #C28EAF

RGB 194 142 175

HSL 321.92, 0.3%, 0.66%

LAB 64.89, 24.96, -9.52

 

CMYK 21 / 0 / 27 / 24

HEX #9AC28E

RGB 154 194 142

HSL 106.15, 0.3%, 0.66%

LAB 74.45, -23.14, 21.92

 

CMYK 23 / 27 / 0 / 24

HEX #968DC2

RGB 150 141 194

HSL 250.19, 0.3%, 0.66%

LAB 61.16, 14.68, -26.29

 

CMYK 0 / 22 / 27 / 24

HEX #C2978E

RGB 194 151 142

HSL 10.38, 0.3%, 0.66%

LAB 66.18, 14.76, 10.91

 

CMYK 27 / 0 / 22 / 24

HEX #8EC297

RGB 142 194 151

HSL 130.38, 0.3%, 0.66%

LAB 73.91, -25.68, 16.26

 

CMYK 23 / 27 / 0 / 24

HEX #968DC2

RGB 150 141 194

HSL 250.19, 0.3%, 0.66%

LAB 61.16, 14.68, -26.29

 

CMYK 0 / 27 / 10 / 24

HEX #C28EAF

RGB 194 142 175

HSL 321.92, 0.3%, 0.66%

LAB 64.89, 24.96, -9.52

 

CMYK 4 / 0 / 27 / 24

HEX #BAC28E

RGB 186 194 142

HSL 69.23, 0.3%, 0.66%

LAB 76.66, -11.39, 25.3

 

CMYK 27 / 0 / 17 / 24

HEX #8EC2A1

RGB 142 194 161

HSL 141.92, 0.3%, 0.66%

LAB 74.13, -23.81, 11.18

 

CMYK 23 / 27 / 0 / 24

HEX #968DC2

RGB 150 141 194

HSL 250.19, 0.3%, 0.66%

LAB 61.16, 14.68, -26.29

 

CMYK 0 / 27 / 18 / 24

HEX #C28EA0

RGB 194 142 160

HSL 339.23, 0.3%, 0.66%

LAB 64.45, 22.45, -1.71

 

CMYK 4 / 0 / 27 / 24

HEX #BAC28E

RGB 186 194 142

HSL 69.23, 0.3%, 0.66%

LAB 76.66, -11.39, 25.3

 

CMYK 27 / 0 / 9 / 24

HEX #8EC2B1

RGB 142 194 177

HSL 160.38, 0.3%, 0.66%

LAB 74.51, -20.57, 3.06

 

Description

Color code: HEX #968DC2 | qconv.com Color code: HEX #968DC2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 141 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 141 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 27 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 27% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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