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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #967EF1CE it is the complementary color #69810ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #967EF1CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #967EF1CE shade: #9B7EECCE, #AC90FFCE, #BDA2FFCE, #CEB4FFCE and #DFC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #967EF1CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #967EF1CE shade: #967EF1CE, #856CDECE, #745ACBCE, #6348B8CE and #5236A5CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #967EF1CE shade: #967EF1, #B57EF1, #D47EF1, #F17EEF and #F17ED0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #967EF1CE shade: #967EF1 and #7E7EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #967EF1CE shade matches the following richer shades: #967EF1 and #9073FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #967EF1CE shade: #967EF1, #9D8AE5, #A496DA, #ABA1CE and #B1ADC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #967EF1CE shade: #7EA5F1, #7E86F1, #957EF1, #B47EF1 and #D27EF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #967EF1CE shade: #5A34E8, #7859ED, #967EF1, #B5A4F5 and #D3C9F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #967EF1CE shade: #967EF1, #F17EC3 and #95F17E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #967EF1CE shade: #967EF1, #F1957E and #7EF195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #967EF1CE shade: #967EF1, #F17EC3, #DAF17E and #7EF1AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #967EF1CE shade: #967EF1, #F17EA1, #DAF17E and #7EF1CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 39 / 0 / 4

HEX #967EF1CE

RGBA 150 126 241 0.81

HSLA 252.52, 0.8%, 0.72%, 0.81

LABA 59.67, 35.32, -54.9, 0.81

 

Complementary color

CMYK 15 / 0 / 72 / 40

HEX #69810ECE

RGBA 105 129 14 0.81

HSLA 72.52, 0.8%, 0.28%, 0.81

LABA 50.38, -23.59, 52.04, 0.81

 

CMYK 28 / 38 / 0 / 6

HEX #9B7EECCE

RGBA 155 126 236 0.81

HSLA 255.82, 0.74%, 0.71%, 0.81

LABA 59.84, 35.26, -51.83, 0.81

 

CMYK 26 / 35 / 0 / 0

HEX #AC90FFCE

RGBA 172 144 255 0.81

HSLA 255.14, 1%, 0.78%, 0.81

LABA 66.47, 34.32, -51.67, 0.81

 

CMYK 21 / 30 / 0 / 0

HEX #BDA2FFCE

RGBA 189 162 255 0.81

HSLA 257.42, 1%, 0.82%, 0.81

LABA 72.15, 28.88, -42.65, 0.81

 

CMYK 16 / 24 / 0 / 0

HEX #CEB4FFCE

RGBA 206 180 255 0.81

HSLA 260.8, 1%, 0.85%, 0.81

LABA 77.87, 23.91, -33.65, 0.81

 

CMYK 10 / 18 / 0 / 0

HEX #DFC6FFCE

RGBA 223 198 255 0.81

HSLA 266.32, 1%, 0.89%, 0.81

LABA 83.6, 19.37, -24.74, 0.81

 

CMYK 31 / 39 / 0 / 4

HEX #967EF1CE

RGBA 150 126 241 0.81

HSLA 252.52, 0.8%, 0.72%, 0.81

LABA 59.67, 35.32, -54.9, 0.81

 

CMYK 32 / 42 / 0 / 10

HEX #856CDECE

RGBA 133 108 222 0.81

HSLA 253.16, 0.63%, 0.65%, 0.81

LABA 52.93, 36.43, -55.13, 0.81

 

CMYK 35 / 45 / 0 / 17

HEX #745ACBCE

RGBA 116 90 203 0.81

HSLA 253.81, 0.52%, 0.57%, 0.81

LABA 46.09, 37.66, -55.37, 0.81

 

CMYK 37 / 49 / 0 / 23

HEX #6348B8CE

RGBA 99 72 184 0.81

HSLA 254.46, 0.44%, 0.5%, 0.81

LABA 39.15, 39.01, -55.6, 0.81

 

CMYK 41 / 54 / 0 / 29

HEX #5236A5CE

RGBA 82 54 165 0.81

HSLA 255.14, 0.51%, 0.43%, 0.81

LABA 32.14, 40.43, -55.76, 0.81

 

CMYK 38 / 48 / 0 / 5

HEX #967EF1

RGB 150 126 241

HSL 252.52, 0.8%, 0.72%

LAB 59.67, 35.32, -54.9

 

CMYK 25 / 48 / 0 / 5

HEX #B57EF1

RGB 181 126 241

HSL 268.7, 0.8%, 0.72%

LAB 62.59, 43.28, -50.08

 

CMYK 12 / 48 / 0 / 5

HEX #D47EF1

RGB 212 126 241

HSL 284.87, 0.8%, 0.72%

LAB 65.96, 51.67, -44.54

 

CMYK 0 / 48 / 1 / 5

HEX #F17EEF

RGB 241 126 239

HSL 301.04, 0.8%, 0.72%

LAB 69.37, 59.33, -37.85

 

CMYK 0 / 48 / 14 / 5

HEX #F17ED0

RGB 241 126 208

HSL 317.22, 0.8%, 0.72%

LAB 68.15, 54.25, -22.57

 

CMYK 38 / 48 / 0 / 5

HEX #967EF1

RGB 150 126 241

HSL 252.52, 0.8%, 0.72%

LAB 59.67, 35.32, -54.9

 

CMYK 48 / 48 / 0 / 5

HEX #7E7EF1

RGB 126 126 241

HSL 240, 0.8%, 0.72%

LAB 57.76, 29.7, -58.06

 

CMYK 38 / 48 / 0 / 5

HEX #967EF1

RGB 150 126 241

HSL 252.52, 0.8%, 0.72%

LAB 59.67, 35.32, -54.9

 

CMYK 43 / 54 / 0 / 1

HEX #9073FC

RGB 144 115 252

HSL 252.7, 0.96%, 0.72%

LAB 57.29, 43.18, -64.82

 

CMYK 38 / 48 / 0 / 5

HEX #967EF1

RGB 150 126 241

HSL 252.52, 0.8%, 0.72%

LAB 59.67, 35.32, -54.9

 

CMYK 31 / 40 / 0 / 10

HEX #9D8AE5

RGB 157 138 229

HSL 252.53, 0.64%, 0.72%

LAB 62.51, 27.13, -43.71

 

CMYK 25 / 31 / 0 / 15

HEX #A496DA

RGB 164 150 218

HSL 252.35, 0.48%, 0.72%

LAB 65.57, 19.55, -32.79

 

CMYK 17 / 22 / 0 / 19

HEX #ABA1CE

RGB 171 161 206

HSL 253.33, 0.31%, 0.72%

LAB 68.46, 12.74, -21.65

 

CMYK 9 / 11 / 0 / 24

HEX #B1ADC3

RGB 177 173 195

HSL 250.91, 0.15%, 0.72%

LAB 71.67, 5.71, -10.69

 

CMYK 48 / 32 / 0 / 5

HEX #7EA5F1

RGB 126 165 241

HSL 219.65, 0.8%, 0.72%

LAB 67.8, 6.95, -42.17

 

CMYK 48 / 44 / 0 / 5

HEX #7E86F1

RGB 126 134 241

HSL 235.83, 0.8%, 0.72%

LAB 59.74, 24.98, -54.9

 

CMYK 38 / 48 / 0 / 5

HEX #957EF1

RGB 149 126 241

HSL 252, 0.8%, 0.72%

LAB 59.58, 35.08, -55.04

 

CMYK 25 / 48 / 0 / 5

HEX #B47EF1

RGB 180 126 241

HSL 268.17, 0.8%, 0.72%

LAB 62.49, 43.02, -50.25

 

CMYK 13 / 48 / 0 / 5

HEX #D27EF1

RGB 210 126 241

HSL 283.83, 0.8%, 0.72%

LAB 65.73, 51.12, -44.92

 

CMYK 61 / 78 / 0 / 9

HEX #5A34E8

RGB 90 52 232

HSL 252.67, 0.8%, 0.56%

LAB 38.65, 61.89, -84.2

 

CMYK 49 / 62 / 0 / 7

HEX #7859ED

RGB 120 89 237

HSL 252.57, 0.8%, 0.64%

LAB 48.58, 48.72, -70.66

 

CMYK 38 / 48 / 0 / 5

HEX #967EF1

RGB 150 126 241

HSL 252.52, 0.8%, 0.72%

LAB 59.67, 35.32, -54.9

 

CMYK 26 / 33 / 0 / 4

HEX #B5A4F5

RGB 181 164 245

HSL 252.59, 0.8%, 0.8%

LAB 71.53, 23.11, -38.23

 

CMYK 15 / 19 / 0 / 2

HEX #D3C9F9

RGB 211 201 249

HSL 252.5, 0.8%, 0.88%

LAB 83.16, 12.77, -22.31

 

CMYK 38 / 48 / 0 / 5

HEX #967EF1

RGB 150 126 241

HSL 252.52, 0.8%, 0.72%

LAB 59.67, 35.32, -54.9

 

CMYK 0 / 48 / 19 / 5

HEX #F17EC3

RGB 241 126 195

HSL 324, 0.8%, 0.72%

LAB 67.7, 52.29, -15.99

 

CMYK 38 / 0 / 48 / 5

HEX #95F17E

RGB 149 241 126

HSL 108, 0.8%, 0.72%

LAB 87.39, -48.54, 46.84

 

CMYK 38 / 48 / 0 / 5

HEX #967EF1

RGB 150 126 241

HSL 252.52, 0.8%, 0.72%

LAB 59.67, 35.32, -54.9

 

CMYK 0 / 38 / 48 / 5

HEX #F1957E

RGB 241 149 126

HSL 12, 0.8%, 0.72%

LAB 70.66, 32.18, 26.77

 

CMYK 48 / 0 / 38 / 5

HEX #7EF195

RGB 126 241 149

HSL 132, 0.8%, 0.72%

LAB 86.76, -51.84, 34.59

 

CMYK 38 / 48 / 0 / 5

HEX #967EF1

RGB 150 126 241

HSL 252.52, 0.8%, 0.72%

LAB 59.67, 35.32, -54.9

 

CMYK 0 / 48 / 19 / 5

HEX #F17EC3

RGB 241 126 195

HSL 324, 0.8%, 0.72%

LAB 67.7, 52.29, -15.99

 

CMYK 10 / 0 / 48 / 5

HEX #DAF17E

RGB 218 241 126

HSL 72, 0.8%, 0.72%

LAB 91.38, -24.29, 52.63

 

CMYK 48 / 0 / 29 / 5

HEX #7EF1AC

RGB 126 241 172

HSL 144, 0.8%, 0.72%

LAB 87.16, -47.84, 23.45

 

CMYK 38 / 48 / 0 / 5

HEX #967EF1

RGB 150 126 241

HSL 252.52, 0.8%, 0.72%

LAB 59.67, 35.32, -54.9

 

CMYK 0 / 48 / 33 / 5

HEX #F17EA1

RGB 241 126 161

HSL 341.74, 0.8%, 0.72%

LAB 66.67, 47.75, 1.65

 

CMYK 10 / 0 / 48 / 5

HEX #DAF17E

RGB 218 241 126

HSL 72, 0.8%, 0.72%

LAB 91.38, -24.29, 52.63

 

CMYK 48 / 0 / 15 / 5

HEX #7EF1CE

RGB 126 241 206

HSL 161.74, 0.8%, 0.72%

LAB 87.87, -40.9, 6.85

 

Description

Color code: HEX #967EF1CE | qconv.com Color code: HEX #967EF1CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 126 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 126 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 39 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 39% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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