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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #965FDB it is the complementary color #69A024. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #965FDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #965FDB shade: #9B5FD6, #AC71E9, #BD83FC, #CE95FF and #DFA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #965FDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #965FDB shade: #965FDB, #854DC8, #743BB5, #6329A2 and #52178F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #965FDB shade: #9761DB, #B861DB, #D961DB, #DB61BC and #DB619B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #965FDB shade: #9761DB, #7661DB and #6161DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #965FDB shade matches the following richer shades: #9761DB, #9551EA and #9341FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #965FDB shade: #9761DB, #9870CB, #9A80BB, #9C90AC and #9E9F9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #965FDB shade: #616DDB, #7561DB, #9561DB, #B661DB and #D761DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #965FDB shade: #6C2BBE, #813FD3, #9761DB, #AD82E2 and #C3A4EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #965FDB shade: #965FDB, #DB618D and #61DB65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #965FDB shade: #965FDB, #DB9561 and #61DB95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #965FDB shade: #965FDB, #DB618D, #A6DB61 and #61DBAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #965FDB shade: #965FDB, #DB6169, #A6DB61 and #61DBD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 57 / 0 / 14

HEX #965FDB

RGB 150 95 219

HSL 266.61, 0.63%, 0.62%

LAB 51.59, 47.02, -55.49

 

Complementary color

CMYK 34 / 0 / 78 / 37

HEX #69A024

RGB 105 160 36

HSL 86.61, 0.63%, 0.38%

LAB 60.13, -37.28, 54.57

 

CMYK 28 / 56 / 0 / 16

HEX #9B5FD6

RGB 155 95 214

HSL 270.25, 0.59%, 0.61%

LAB 51.85, 47.03, -52.21

 

CMYK 26 / 52 / 0 / 9

HEX #AC71E9

RGB 172 113 233

HSL 269.5, 0.73%, 0.68%

LAB 58.47, 46.12, -52.23

 

CMYK 25 / 48 / 0 / 1

HEX #BD83FC

RGB 189 131 252

HSL 268.76, 0.95%, 0.75%

LAB 65.03, 45.22, -52.22

 

CMYK 19 / 42 / 0 / 0

HEX #CE95FF

RGB 206 149 255

HSL 272.26, 1%, 0.79%

LAB 70.76, 40.8, -44.71

 

CMYK 13 / 35 / 0 / 0

HEX #DFA7FF

RGB 223 167 255

HSL 278.18, 1%, 0.83%

LAB 76.4, 36.04, -35.79

 

CMYK 32 / 57 / 0 / 14

HEX #965FDB

RGB 150 95 219

HSL 266.61, 0.63%, 0.62%

LAB 51.59, 47.02, -55.49

 

CMYK 34 / 62 / 0 / 22

HEX #854DC8

RGB 133 77 200

HSL 267.32, 0.53%, 0.54%

LAB 44.89, 47.99, -55.48

 

CMYK 36 / 67 / 0 / 29

HEX #743BB5

RGB 116 59 181

HSL 268.03, 0.51%, 0.47%

LAB 38.16, 48.86, -55.35

 

CMYK 39 / 75 / 0 / 36

HEX #6329A2

RGB 99 41 162

HSL 268.76, 0.6%, 0.4%

LAB 31.46, 49.45, -54.98

 

CMYK 43 / 84 / 0 / 44

HEX #52178F

RGB 82 23 143

HSL 269.5, 0.72%, 0.33%

LAB 24.92, 49.33, -54.12

 

CMYK 31 / 56 / 0 / 14

HEX #9761DB

RGB 151 97 219

HSL 266.56, 0.63%, 0.62%

LAB 52.11, 46.18, -54.65

 

CMYK 16 / 56 / 0 / 14

HEX #B861DB

RGB 184 97 219

HSL 282.79, 0.63%, 0.62%

LAB 55.94, 54.42, -48.31

 

CMYK 1 / 56 / 0 / 14

HEX #D961DB

RGB 217 97 219

HSL 299.02, 0.63%, 0.62%

LAB 60.26, 62.92, -41.21

 

CMYK 0 / 56 / 14 / 14

HEX #DB61BC

RGB 219 97 188

HSL 315.25, 0.63%, 0.62%

LAB 59.2, 58.42, -25.26

 

CMYK 0 / 56 / 29 / 14

HEX #DB619B

RGB 219 97 155

HSL 331.48, 0.63%, 0.62%

LAB 58.01, 53.8, -8.01

 

CMYK 31 / 56 / 0 / 14

HEX #9761DB

RGB 151 97 219

HSL 266.56, 0.63%, 0.62%

LAB 52.11, 46.18, -54.65

 

CMYK 46 / 56 / 0 / 14

HEX #7661DB

RGB 118 97 219

HSL 250.33, 0.63%, 0.62%

LAB 48.9, 38.59, -59.97

 

CMYK 56 / 56 / 0 / 14

HEX #6161DB

RGB 97 97 219

HSL 240, 0.63%, 0.62%

LAB 47.24, 34.35, -62.74

 

CMYK 31 / 56 / 0 / 14

HEX #9761DB

RGB 151 97 219

HSL 266.56, 0.63%, 0.62%

LAB 52.11, 46.18, -54.65

 

CMYK 36 / 65 / 0 / 8

HEX #9551EA

RGB 149 81 234

HSL 266.67, 0.78%, 0.62%

LAB 49.76, 57.71, -66.92

 

CMYK 41 / 74 / 0 / 2

HEX #9341FA

RGB 147 65 250

HSL 266.59, 0.95%, 0.62%

LAB 48.12, 68.47, -78.57

 

CMYK 31 / 56 / 0 / 14

HEX #9761DB

RGB 151 97 219

HSL 266.56, 0.63%, 0.62%

LAB 52.11, 46.18, -54.65

 

CMYK 25 / 45 / 0 / 20

HEX #9870CB

RGB 152 112 203

HSL 266.37, 0.47%, 0.62%

LAB 54.63, 34.17, -41.55

 

CMYK 18 / 32 / 0 / 27

HEX #9A80BB

RGB 154 128 187

HSL 266.44, 0.3%, 0.62%

LAB 57.94, 21.79, -27.26

 

CMYK 9 / 16 / 0 / 33

HEX #9C90AC

RGB 156 144 172

HSL 265.71, 0.14%, 0.62%

LAB 61.65, 9.96, -13.06

 

CMYK 1 / 0 / 2 / 38

HEX #9E9F9C

RGB 158 159 156

HSL 80, 0.02%, 0.62%

LAB 65.33, -0.93, 1.43

 

CMYK 56 / 50 / 0 / 14

HEX #616DDB

RGB 97 109 219

HSL 234.1, 0.63%, 0.62%

LAB 50.21, 27.03, -57.96

 

CMYK 47 / 56 / 0 / 14

HEX #7561DB

RGB 117 97 219

HSL 249.84, 0.63%, 0.62%

LAB 48.82, 38.38, -60.12

 

CMYK 32 / 56 / 0 / 14

HEX #9561DB

RGB 149 97 219

HSL 265.57, 0.63%, 0.62%

LAB 51.9, 45.7, -55

 

CMYK 17 / 56 / 0 / 14

HEX #B661DB

RGB 182 97 219

HSL 281.8, 0.63%, 0.62%

LAB 55.69, 53.91, -48.72

 

CMYK 2 / 56 / 0 / 14

HEX #D761DB

RGB 215 97 219

HSL 298.03, 0.63%, 0.62%

LAB 59.99, 62.41, -41.65

 

CMYK 43 / 77 / 0 / 25

HEX #6C2BBE

RGB 108 43 190

HSL 266.53, 0.63%, 0.46%

LAB 35.27, 57.05, -65.41

 

CMYK 39 / 70 / 0 / 17

HEX #813FD3

RGB 129 63 211

HSL 266.76, 0.63%, 0.54%

LAB 42.65, 56.91, -65.48

 

CMYK 31 / 56 / 0 / 14

HEX #9761DB

RGB 151 97 219

HSL 266.56, 0.63%, 0.62%

LAB 52.11, 46.18, -54.65

 

CMYK 23 / 42 / 0 / 11

HEX #AD82E2

RGB 173 130 226

HSL 266.88, 0.62%, 0.7%

LAB 61.95, 35.39, -42.83

 

CMYK 17 / 30 / 0 / 8

HEX #C3A4EA

RGB 195 164 234

HSL 266.57, 0.63%, 0.78%

LAB 72.29, 24.76, -30.97

 

CMYK 32 / 57 / 0 / 14

HEX #965FDB

RGB 150 95 219

HSL 266.61, 0.63%, 0.62%

LAB 51.59, 47.02, -55.49

 

CMYK 0 / 56 / 36 / 14

HEX #DB618D

RGB 219 97 141

HSL 338.36, 0.63%, 0.62%

LAB 57.59, 52.09, -0.47

 

CMYK 56 / 0 / 54 / 14

HEX #61DB65

RGB 97 219 101

HSL 121.97, 0.63%, 0.62%

LAB 78.55, -57.49, 47.38

 

CMYK 32 / 57 / 0 / 14

HEX #965FDB

RGB 150 95 219

HSL 266.61, 0.63%, 0.62%

LAB 51.59, 47.02, -55.49

 

CMYK 0 / 32 / 56 / 14

HEX #DB9561

RGB 219 149 97

HSL 25.57, 0.63%, 0.62%

LAB 67.59, 20.9, 37.9

 

CMYK 56 / 0 / 32 / 14

HEX #61DB95

RGB 97 219 149

HSL 145.57, 0.63%, 0.62%

LAB 79.26, -49.88, 24.37

 

CMYK 32 / 57 / 0 / 14

HEX #965FDB

RGB 150 95 219

HSL 266.61, 0.63%, 0.62%

LAB 51.59, 47.02, -55.49

 

CMYK 0 / 56 / 36 / 14

HEX #DB618D

RGB 219 97 141

HSL 338.36, 0.63%, 0.62%

LAB 57.59, 52.09, -0.47

 

CMYK 24 / 0 / 56 / 14

HEX #A6DB61

RGB 166 219 97

HSL 86.07, 0.63%, 0.62%

LAB 81.64, -36.38, 53.63

 

CMYK 56 / 0 / 21 / 14

HEX #61DBAE

RGB 97 219 174

HSL 157.87, 0.63%, 0.62%

LAB 79.76, -44.74, 11.94

 

CMYK 32 / 57 / 0 / 14

HEX #965FDB

RGB 150 95 219

HSL 266.61, 0.63%, 0.62%

LAB 51.59, 47.02, -55.49

 

CMYK 0 / 56 / 52 / 14

HEX #DB6169

RGB 219 97 105

HSL 356.07, 0.63%, 0.62%

LAB 56.71, 48.47, 19.35

 

CMYK 24 / 0 / 56 / 14

HEX #A6DB61

RGB 166 219 97

HSL 86.07, 0.63%, 0.62%

LAB 81.64, -36.38, 53.63

 

CMYK 56 / 0 / 4 / 14

HEX #61DBD3

RGB 97 219 211

HSL 176.07, 0.63%, 0.62%

LAB 80.69, -35.86, -6.4

 

Description

Color code: HEX #965FDB | qconv.com Color code: HEX #965FDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 95 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 95 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 57 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 57% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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