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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #965EF1CE it is the complementary color #69A10ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #965EF1CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #965EF1CE shade: #9B5EECCE, #AC70FFCE, #BD82FFCE, #CE94FFCE and #DFA6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #965EF1CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #965EF1CE shade: #965EF1CE, #854CDECE, #743ACBCE, #6328B8CE and #5216A5CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #965EF1CE shade: #975FF1, #BE5FF1, #E65FF1, #F15FD5 and #F15FAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #965EF1CE shade: #975FF1, #705FF1 and #5F5FF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #965EF1CE shade matches the following richer shades: #975FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #965EF1CE shade: #975FF1, #9A6EE3, #9E7CD5, #A18AC7 and #A498B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #965EF1CE shade: #5F78F1, #6E5FF1, #955FF1, #BC5FF1 and #E35FF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #965EF1CE shade: #6614EA, #7E3AEE, #975FF1, #B085F4 and #C8ABF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #965EF1CE shade: #965EF1, #F15F9F and #64F15F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #965EF1CE shade: #965EF1, #F1955F and #5FF195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #965EF1CE shade: #965EF1, #F15F9F, #BCF15F and #5FF1B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #965EF1CE shade: #965EF1, #F15F73, #BCF15F and #5FF1DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 49 / 0 / 4

HEX #965EF1CE

RGBA 150 94 241 0.81

HSLA 262.86, 0.84%, 0.66%, 0.81

LABA 52.77, 53.04, -65.96, 0.81

 

Complementary color

CMYK 28 / 0 / 74 / 30

HEX #69A10ECE

RGBA 105 161 14 0.81

HSLA 82.86, 0.84%, 0.34%, 0.81

LABA 60.36, -38.59, 60.33, 0.81

 

CMYK 28 / 49 / 0 / 6

HEX #9B5EECCE

RGBA 155 94 236 0.81

HSLA 265.77, 0.79%, 0.65%, 0.81

LABA 52.98, 52.87, -62.8, 0.81

 

CMYK 26 / 45 / 0 / 0

HEX #AC70FFCE

RGBA 172 112 255 0.81

HSLA 265.17, 1%, 0.72%, 0.81

LABA 59.51, 51.89, -62.77, 0.81

 

CMYK 21 / 40 / 0 / 0

HEX #BD82FFCE

RGBA 189 130 255 0.81

HSLA 268.32, 1%, 0.75%, 0.81

LABA 64.97, 46.45, -53.96, 0.81

 

CMYK 16 / 34 / 0 / 0

HEX #CE94FFCE

RGBA 206 148 255 0.81

HSLA 272.52, 1%, 0.79%, 0.81

LABA 70.54, 41.34, -45.05, 0.81

 

CMYK 10 / 28 / 0 / 0

HEX #DFA6FFCE

RGBA 223 166 255 0.81

HSLA 278.43, 1%, 0.83%, 0.81

LABA 76.18, 36.58, -36.13, 0.81

 

CMYK 31 / 49 / 0 / 4

HEX #965EF1CE

RGBA 150 94 241 0.81

HSLA 262.86, 0.84%, 0.66%, 0.81

LABA 52.77, 53.04, -65.96, 0.81

 

CMYK 32 / 53 / 0 / 10

HEX #854CDECE

RGBA 133 76 222 0.81

HSLA 263.42, 0.69%, 0.58%, 0.81

LABA 46.22, 54.06, -65.95, 0.81

 

CMYK 35 / 58 / 0 / 17

HEX #743ACBCE

RGBA 116 58 203 0.81

HSLA 264, 0.58%, 0.51%, 0.81

LABA 39.67, 54.93, -65.78, 0.81

 

CMYK 37 / 63 / 0 / 23

HEX #6328B8CE

RGBA 99 40 184 0.81

HSLA 264.58, 0.64%, 0.44%, 0.81

LABA 33.2, 55.43, -65.3, 0.81

 

CMYK 41 / 70 / 0 / 29

HEX #5216A5CE

RGBA 82 22 165 0.81

HSLA 265.17, 0.76%, 0.37%, 0.81

LABA 26.97, 55.12, -64.23, 0.81

 

CMYK 37 / 61 / 0 / 5

HEX #975FF1

RGB 151 95 241

HSL 263.01, 0.84%, 0.66%

LAB 53.07, 52.73, -65.47

 

CMYK 21 / 61 / 0 / 5

HEX #BE5FF1

RGB 190 95 241

HSL 279.04, 0.84%, 0.66%

LAB 57.54, 61.43, -58.05

 

CMYK 5 / 61 / 0 / 5

HEX #E65FF1

RGB 230 95 241

HSL 295.48, 0.84%, 0.66%

LAB 62.81, 70.82, -49.35

 

CMYK 0 / 61 / 12 / 5

HEX #F15FD5

RGB 241 95 213

HSL 311.51, 0.84%, 0.66%

LAB 63.09, 69.04, -33.17

 

CMYK 0 / 61 / 28 / 5

HEX #F15FAE

RGB 241 95 174

HSL 327.53, 0.84%, 0.66%

LAB 61.6, 63.7, -13.27

 

CMYK 37 / 61 / 0 / 5

HEX #975FF1

RGB 151 95 241

HSL 263.01, 0.84%, 0.66%

LAB 53.07, 52.73, -65.47

 

CMYK 54 / 61 / 0 / 5

HEX #705FF1

RGB 112 95 241

HSL 246.99, 0.84%, 0.66%

LAB 49.47, 45.06, -71.48

 

CMYK 61 / 61 / 0 / 5

HEX #5F5FF1

RGB 95 95 241

HSL 240, 0.84%, 0.66%

LAB 48.22, 42.21, -73.57

 

CMYK 37 / 61 / 0 / 5

HEX #975FF1

RGB 151 95 241

HSL 263.01, 0.84%, 0.66%

LAB 53.07, 52.73, -65.47

 

CMYK 37 / 61 / 0 / 5

HEX #975FF1

RGB 151 95 241

HSL 263.01, 0.84%, 0.66%

LAB 53.07, 52.73, -65.47

 

CMYK 32 / 52 / 0 / 11

HEX #9A6EE3

RGB 154 110 227

HSL 262.56, 0.68%, 0.66%

LAB 55.65, 41.75, -53.48

 

CMYK 26 / 42 / 0 / 16

HEX #9E7CD5

RGB 158 124 213

HSL 262.92, 0.51%, 0.66%

LAB 58.5, 31.44, -41.08

 

CMYK 19 / 31 / 0 / 22

HEX #A18AC7

RGB 161 138 199

HSL 262.62, 0.35%, 0.66%

LAB 61.55, 21.01, -28.42

 

CMYK 11 / 18 / 0 / 27

HEX #A498B9

RGB 164 152 185

HSL 261.82, 0.19%, 0.66%

LAB 64.84, 10.92, -15.5

 

CMYK 61 / 50 / 0 / 5

HEX #5F78F1

RGB 95 120 241

HSL 229.73, 0.84%, 0.66%

LAB 54.26, 27.12, -63.79

 

CMYK 54 / 61 / 0 / 5

HEX #6E5FF1

RGB 110 95 241

HSL 246.16, 0.84%, 0.66%

LAB 49.31, 44.7, -71.74

 

CMYK 38 / 61 / 0 / 5

HEX #955FF1

RGB 149 95 241

HSL 262.19, 0.84%, 0.66%

LAB 52.87, 52.31, -65.82

 

CMYK 22 / 61 / 0 / 5

HEX #BC5FF1

RGB 188 95 241

HSL 278.22, 0.84%, 0.66%

LAB 57.3, 60.96, -58.46

 

CMYK 6 / 61 / 0 / 5

HEX #E35FF1

RGB 227 95 241

HSL 294.25, 0.84%, 0.66%

LAB 62.39, 70.11, -50.04

 

CMYK 56 / 91 / 0 / 8

HEX #6614EA

RGB 102 20 234

HSL 262.99, 0.84%, 0.5%

LAB 36.49, 73.99, -88.87

 

CMYK 47 / 76 / 0 / 7

HEX #7E3AEE

RGB 126 58 238

HSL 262.67, 0.84%, 0.58%

LAB 43.7, 65.34, -79.15

 

CMYK 37 / 61 / 0 / 5

HEX #975FF1

RGB 151 95 241

HSL 263.01, 0.84%, 0.66%

LAB 53.07, 52.73, -65.47

 

CMYK 28 / 45 / 0 / 4

HEX #B085F4

RGB 176 133 244

HSL 263.24, 0.83%, 0.74%

LAB 63.78, 38.81, -49.87

 

CMYK 19 / 31 / 0 / 3

HEX #C8ABF8

RGB 200 171 248

HSL 262.6, 0.85%, 0.82%

LAB 74.94, 25.49, -34.45

 

CMYK 38 / 61 / 0 / 5

HEX #965EF1

RGB 150 94 241

HSL 262.86, 0.84%, 0.66%

LAB 52.77, 53.04, -65.96

 

CMYK 0 / 61 / 34 / 5

HEX #F15F9F

RGB 241 95 159

HSL 333.7, 0.84%, 0.66%

LAB 61.12, 61.91, -5.35

 

CMYK 59 / 0 / 61 / 5

HEX #64F15F

RGB 100 241 95

HSL 117.95, 0.84%, 0.66%

LAB 85.22, -65.47, 57.86

 

CMYK 38 / 61 / 0 / 5

HEX #965EF1

RGB 150 94 241

HSL 262.86, 0.84%, 0.66%

LAB 52.77, 53.04, -65.96

 

CMYK 0 / 38 / 61 / 5

HEX #F1955F

RGB 241 149 95

HSL 22.19, 0.84%, 0.66%

LAB 70.19, 29.65, 42.72

 

CMYK 61 / 0 / 38 / 5

HEX #5FF195

RGB 95 241 149

HSL 142.19, 0.84%, 0.66%

LAB 85.76, -59.01, 33.09

 

CMYK 38 / 61 / 0 / 5

HEX #965EF1

RGB 150 94 241

HSL 262.86, 0.84%, 0.66%

LAB 52.77, 53.04, -65.96

 

CMYK 0 / 61 / 34 / 5

HEX #F15F9F

RGB 241 95 159

HSL 333.7, 0.84%, 0.66%

LAB 61.12, 61.91, -5.35

 

CMYK 22 / 0 / 61 / 5

HEX #BCF15F

RGB 188 241 95

HSL 81.78, 0.84%, 0.66%

LAB 89.12, -38.34, 63.3

 

CMYK 61 / 0 / 26 / 5

HEX #5FF1B2

RGB 95 241 178

HSL 154.11, 0.84%, 0.66%

LAB 86.28, -53.48, 19

 

CMYK 38 / 61 / 0 / 5

HEX #965EF1

RGB 150 94 241

HSL 262.86, 0.84%, 0.66%

LAB 52.77, 53.04, -65.96

 

CMYK 0 / 61 / 52 / 5

HEX #F15F73

RGB 241 95 115

HSL 351.78, 0.84%, 0.66%

LAB 60, 57.62, 18.58

 

CMYK 22 / 0 / 61 / 5

HEX #BCF15F

RGB 188 241 95

HSL 81.78, 0.84%, 0.66%

LAB 89.12, -38.34, 63.3

 

CMYK 61 / 0 / 8 / 5

HEX #5FF1DE

RGB 95 241 222

HSL 172.19, 0.84%, 0.66%

LAB 87.3, -43.36, -2.47

 

Description

Color code: HEX #965EF1CE | qconv.com Color code: HEX #965EF1CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 94 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 94 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 49 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 49% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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