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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #965B19 it is the complementary color #69A4E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #965B19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #965B19 shade: #9B5B14, #AC6D27, #BD7F3A, #CE914D and #DFA360

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #965B19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #965B19 shade: #965B19, #854906, #743700, #632500 and #521300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #965B19 shade: #945A19, #943919 and #941919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #965B19 shade: #945A19, #947B19, #8C9419, #6B9419 and #4A9419

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #965B19 shade matches the following richer shades: #945A19 and #A25B0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #965B19 shade: #945A19, #865927, #785935, #6A5843 and #5C5751

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #965B19 shade: #94191B, #943819, #945919, #947A19 and #8E9419

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #965B19 shade: #4E2F0D, #714513, #945A19, #B8701F and #DA8526

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #965B19 shade: #965B19, #3C9419 and #281994

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #965B19 shade: #965B19, #199459 and #591994

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #965B19 shade: #965B19, #3C9419, #195594 and #711994

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #965B19 shade: #965B19, #19941B, #195594 and #941992

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 83 / 41

HEX #965B19

RGB 150 91 25

HSL 31.68, 0.71%, 0.34%

LAB 44.29, 19.04, 45.19

 

Complementary color

CMYK 54 / 29 / 0 / 10

HEX #69A4E6

RGB 105 164 230

HSL 211.68, 0.71%, 0.66%

LAB 65.96, -0.48, -39.1

 

CMYK 0 / 41 / 87 / 39

HEX #9B5B14

RGB 155 91 20

HSL 31.56, 0.77%, 0.34%

LAB 44.94, 21.14, 47.89

 

CMYK 0 / 37 / 77 / 33

HEX #AC6D27

RGB 172 109 39

HSL 31.58, 0.63%, 0.41%

LAB 51.67, 19.2, 47.29

 

CMYK 0 / 33 / 69 / 26

HEX #BD7F3A

RGB 189 127 58

HSL 31.6, 0.53%, 0.48%

LAB 58.32, 17.55, 46.04

 

CMYK 0 / 30 / 63 / 19

HEX #CE914D

RGB 206 145 77

HSL 31.63, 0.57%, 0.55%

LAB 64.89, 16.15, 44.6

 

CMYK 0 / 27 / 57 / 13

HEX #DFA360

RGB 223 163 96

HSL 31.65, 0.66%, 0.63%

LAB 71.37, 14.95, 43.14

 

CMYK 0 / 39 / 83 / 41

HEX #965B19

RGB 150 91 25

HSL 31.68, 0.71%, 0.34%

LAB 44.29, 19.04, 45.19

 

CMYK 0 / 45 / 95 / 48

HEX #854906

RGB 133 73 6

HSL 31.65, 0.91%, 0.27%

LAB 37.42, 21.2, 45.02

 

CMYK 0 / 53 / 100 / 55

HEX #743700

RGB 116 55 0

HSL 28.45, 1%, 0.23%

LAB 30.51, 23.72, 41.27

 

CMYK 0 / 63 / 100 / 61

HEX #632500

RGB 99 37 0

HSL 22.42, 1%, 0.19%

LAB 23.59, 26.28, 34.08

 

CMYK 0 / 77 / 100 / 68

HEX #521300

RGB 82 19 0

HSL 13.9, 1%, 0.16%

LAB 16.79, 28.29, 25.52

 

CMYK 0 / 39 / 83 / 42

HEX #945A19

RGB 148 90 25

HSL 31.71, 0.71%, 0.34%

LAB 43.77, 18.71, 44.62

 

CMYK 0 / 61 / 83 / 42

HEX #943919

RGB 148 57 25

HSL 15.61, 0.71%, 0.34%

LAB 36.54, 36.65, 37.97

 

CMYK 0 / 83 / 83 / 42

HEX #941919

RGB 148 25 25

HSL 0, 0.71%, 0.34%

LAB 31.95, 49.19, 33.56

 

CMYK 0 / 39 / 83 / 42

HEX #945A19

RGB 148 90 25

HSL 31.71, 0.71%, 0.34%

LAB 43.77, 18.71, 44.62

 

CMYK 0 / 17 / 83 / 42

HEX #947B19

RGB 148 123 25

HSL 47.8, 0.71%, 0.34%

LAB 52.43, -0.22, 52.31

 

CMYK 5 / 0 / 83 / 42

HEX #8C9419

RGB 140 148 25

HSL 63.9, 0.71%, 0.34%

LAB 58.81, -17.44, 57.56

 

CMYK 28 / 0 / 83 / 42

HEX #6B9419

RGB 107 148 25

HSL 80, 0.71%, 0.34%

LAB 56.46, -31.57, 54.59

 

CMYK 50 / 0 / 83 / 42

HEX #4A9419

RGB 74 148 25

HSL 96.1, 0.71%, 0.34%

LAB 54.77, -43.58, 52.43

 

CMYK 0 / 39 / 83 / 42

HEX #945A19

RGB 148 90 25

HSL 31.71, 0.71%, 0.34%

LAB 43.77, 18.71, 44.62

 

CMYK 0 / 44 / 93 / 36

HEX #A25B0B

RGB 162 91 11

HSL 31.79, 0.87%, 0.34%

LAB 45.89, 24.05, 51.72

 

CMYK 0 / 39 / 83 / 42

HEX #945A19

RGB 148 90 25

HSL 31.71, 0.71%, 0.34%

LAB 43.77, 18.71, 44.62

 

CMYK 0 / 34 / 71 / 47

HEX #865927

RGB 134 89 39

HSL 31.58, 0.55%, 0.34%

LAB 41.78, 13.54, 35.56

 

CMYK 0 / 26 / 56 / 53

HEX #785935

RGB 120 89 53

HSL 32.24, 0.39%, 0.34%

LAB 40.24, 8.15, 25.64

HEX #785935

CMYK 0 / 17 / 37 / 58

HEX #6A5843

RGB 106 88 67

HSL 32.31, 0.23%, 0.34%

LAB 38.64, 4.01, 14.94

HEX #6A5843

CMYK 0 / 5 / 12 / 64

HEX #5C5751

RGB 92 87 81

HSL 32.73, 0.06%, 0.34%

LAB 37.27, 0.84, 4.2

HEX #5C5751

CMYK 0 / 83 / 82 / 42

HEX #94191B

RGB 148 25 27

HSL 359.02, 0.71%, 0.34%

LAB 31.97, 49.26, 32.43

 

CMYK 0 / 62 / 83 / 42

HEX #943819

RGB 148 56 25

HSL 15.12, 0.71%, 0.34%

LAB 36.36, 37.14, 37.79

 

CMYK 0 / 40 / 83 / 42

HEX #945919

RGB 148 89 25

HSL 31.22, 0.71%, 0.34%

LAB 43.52, 19.29, 44.4

 

CMYK 0 / 18 / 83 / 42

HEX #947A19

RGB 148 122 25

HSL 47.32, 0.71%, 0.34%

LAB 52.16, 0.34, 52.07

 

CMYK 4 / 0 / 83 / 42

HEX #8E9419

RGB 142 148 25

HSL 62.93, 0.71%, 0.34%

LAB 58.98, -16.54, 57.76

 

CMYK 0 / 40 / 83 / 69

HEX #4E2F0D

RGB 78 47 13

HSL 31.38, 0.71%, 0.18%

LAB 22.59, 10.87, 26.53

 

CMYK 0 / 39 / 83 / 56

HEX #714513

RGB 113 69 19

HSL 31.91, 0.71%, 0.26%

LAB 33.59, 14.61, 36.04

 

CMYK 0 / 39 / 83 / 42

HEX #945A19

RGB 148 90 25

HSL 31.71, 0.71%, 0.34%

LAB 43.77, 18.71, 44.62

 

CMYK 0 / 39 / 83 / 28

HEX #B8701F

RGB 184 112 31

HSL 31.76, 0.71%, 0.42%

LAB 53.9, 22.5, 53.16

 

CMYK 0 / 39 / 83 / 15

HEX #DA8526

RGB 218 133 38

HSL 31.67, 0.71%, 0.5%

LAB 63.19, 25.86, 60.47

 

CMYK 0 / 39 / 83 / 41

HEX #965B19

RGB 150 91 25

HSL 31.68, 0.71%, 0.34%

LAB 44.29, 19.04, 45.19

 

CMYK 59 / 0 / 83 / 42

HEX #3C9419

RGB 60 148 25

HSL 102.93, 0.71%, 0.34%

LAB 54.25, -47.66, 51.76

 

CMYK 73 / 83 / 0 / 42

HEX #281994

RGB 40 25 148

HSL 247.32, 0.71%, 0.34%

LAB 21.15, 45.05, -63.59

 

CMYK 0 / 39 / 83 / 41

HEX #965B19

RGB 150 91 25

HSL 31.68, 0.71%, 0.34%

LAB 44.29, 19.04, 45.19

 

CMYK 83 / 0 / 40 / 42

HEX #199459

RGB 25 148 89

HSL 151.22, 0.71%, 0.34%

LAB 54.14, -46.09, 22.34

 

CMYK 40 / 83 / 0 / 42

HEX #591994

RGB 89 25 148

HSL 271.22, 0.71%, 0.34%

LAB 26.61, 50.89, -54.4

 

CMYK 0 / 39 / 83 / 41

HEX #965B19

RGB 150 91 25

HSL 31.68, 0.71%, 0.34%

LAB 44.29, 19.04, 45.19

 

CMYK 59 / 0 / 83 / 42

HEX #3C9419

RGB 60 148 25

HSL 102.93, 0.71%, 0.34%

LAB 54.25, -47.66, 51.76

 

CMYK 83 / 43 / 0 / 42

HEX #195594

RGB 25 85 148

HSL 210.73, 0.71%, 0.34%

LAB 35.68, 5.1, -39.95

 

CMYK 24 / 83 / 0 / 42

HEX #711994

RGB 113 25 148

HSL 282.93, 0.71%, 0.34%

LAB 30.26, 54.87, -48.29

 

CMYK 0 / 39 / 83 / 41

HEX #965B19

RGB 150 91 25

HSL 31.68, 0.71%, 0.34%

LAB 44.29, 19.04, 45.19

 

CMYK 83 / 0 / 82 / 42

HEX #19941B

RGB 25 148 27

HSL 120.98, 0.71%, 0.34%

LAB 53.46, -54.33, 50.14

 

CMYK 83 / 43 / 0 / 42

HEX #195594

RGB 25 85 148

HSL 210.73, 0.71%, 0.34%

LAB 35.68, 5.1, -39.95

 

CMYK 0 / 83 / 1 / 42

HEX #941992

RGB 148 25 146

HSL 300.98, 0.71%, 0.34%

LAB 36.11, 61.17, -37.35

 

Description

Color code: HEX #965B19 | qconv.com Color code: HEX #965B19 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 91 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 91 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 83 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 83% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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