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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #965AF8CE it is the complementary color #69A507CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #965AF8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #965AF8CE shade: #9B5AF3CE, #AC6CFFCE, #BD7EFFCE, #CE90FFCE and #DFA2FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #965AF8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #965AF8CE shade: #965AF8CE, #8548E5CE, #7436D2CE, #6324BFCE and #5212ACCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #965AF8CE shade: #9559F8, #C059F8, #EB59F8, #F859DA and #F859AF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #965AF8CE shade: #9559F8, #6A59F8 and #5959F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #965AF8CE shade matches the following richer shades: #9559F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #965AF8CE shade: #9559F8, #9867EA, #9C75DC, #9F83CE and #A391C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #965AF8CE shade: #5973F8, #6859F8, #9359F8, #BE59F8 and #E859F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #965AF8CE shade: #630AF4, #7C31F6, #9559F8, #AE80FA and #C7A8FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #965AF8CE shade: #965AF8, #F8599E and #5EF859

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #965AF8CE shade: #965AF8, #F89359 and #59F893

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #965AF8CE shade: #965AF8, #F8599E, #BEF859 and #59F8B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #965AF8CE shade: #965AF8, #F8596E, #BEF859 and #59F8E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 52 / 0 / 2

HEX #965AF8CE

RGBA 150 90 248 0.81

HSLA 262.78, 0.92%, 0.66%, 0.81

LABA 52.48, 56.88, -70.34, 0.81

 

Complementary color

CMYK 29 / 0 / 78 / 29

HEX #69A507CE

RGBA 105 165 7 0.81

HSLA 82.78, 0.92%, 0.34%, 0.81

LABA 61.59, -40.47, 62.35, 0.81

 

CMYK 29 / 51 / 0 / 4

HEX #9B5AF3CE

RGBA 155 90 243 0.81

HSLA 265.49, 0.86%, 0.65%, 0.81

LABA 52.68, 56.64, -67.21, 0.81

 

CMYK 26 / 47 / 0 / 0

HEX #AC6CFFCE

RGBA 172 108 255 0.81

HSLA 266.12, 1%, 0.71%, 0.81

LABA 58.71, 53.99, -64.05, 0.81

 

CMYK 21 / 41 / 0 / 0

HEX #BD7EFFCE

RGBA 189 126 255 0.81

HSLA 269.3, 1%, 0.75%, 0.81

LABA 64.13, 48.59, -55.29, 0.81

 

CMYK 16 / 35 / 0 / 0

HEX #CE90FFCE

RGBA 206 144 255 0.81

HSLA 273.51, 1%, 0.78%, 0.81

LABA 69.67, 43.49, -46.41, 0.81

 

CMYK 10 / 30 / 0 / 0

HEX #DFA2FFCE

RGBA 223 162 255 0.81

HSLA 279.35, 1%, 0.82%, 0.81

LABA 75.29, 38.72, -37.51, 0.81

 

CMYK 32 / 52 / 0 / 2

HEX #965AF8CE

RGBA 150 90 248 0.81

HSLA 262.78, 0.92%, 0.66%, 0.81

LABA 52.48, 56.88, -70.34, 0.81

 

CMYK 34 / 56 / 0 / 8

HEX #8548E5CE

RGBA 133 72 229 0.81

HSLA 263.31, 0.75%, 0.59%, 0.81

LABA 46.01, 57.83, -70.26, 0.81

 

CMYK 36 / 60 / 0 / 14

HEX #7436D2CE

RGBA 116 54 210 0.81

HSLA 263.85, 0.63%, 0.52%, 0.81

LABA 39.59, 58.56, -69.96, 0.81

 

CMYK 39 / 66 / 0 / 20

HEX #6324BFCE

RGBA 99 36 191 0.81

HSLA 264.39, 0.68%, 0.45%, 0.81

LABA 33.3, 58.79, -69.27, 0.81

 

CMYK 42 / 73 / 0 / 26

HEX #5212ACCE

RGBA 82 18 172 0.81

HSLA 264.94, 0.81%, 0.37%, 0.81

LABA 27.31, 58.02, -67.9, 0.81

 

CMYK 40 / 64 / 0 / 3

HEX #9559F8

RGB 149 89 248

HSL 262.64, 0.92%, 0.66%

LAB 52.19, 57.19, -70.82

 

CMYK 23 / 64 / 0 / 3

HEX #C059F8

RGB 192 89 248

HSL 278.87, 0.92%, 0.66%

LAB 57.2, 66.08, -62.48

 

CMYK 5 / 64 / 0 / 3

HEX #EB59F8

RGB 235 89 248

HSL 295.09, 0.92%, 0.66%

LAB 63, 75.58, -52.89

 

CMYK 0 / 64 / 12 / 3

HEX #F859DA

RGB 248 89 218

HSL 311.32, 0.92%, 0.66%

LAB 63.48, 73.93, -35.29

 

CMYK 0 / 64 / 29 / 3

HEX #F859AF

RGB 248 89 175

HSL 327.55, 0.92%, 0.66%

LAB 61.82, 68.24, -13.4

 

CMYK 40 / 64 / 0 / 3

HEX #9559F8

RGB 149 89 248

HSL 262.64, 0.92%, 0.66%

LAB 52.19, 57.19, -70.82

 

CMYK 57 / 64 / 0 / 3

HEX #6A59F8

RGB 106 89 248

HSL 246.42, 0.92%, 0.66%

LAB 48.24, 49.57, -77.41

 

CMYK 64 / 64 / 0 / 3

HEX #5959F8

RGB 89 89 248

HSL 240, 0.92%, 0.66%

LAB 47.03, 47.09, -79.44

 

CMYK 40 / 64 / 0 / 3

HEX #9559F8

RGB 149 89 248

HSL 262.64, 0.92%, 0.66%

LAB 52.19, 57.19, -70.82

 

CMYK 40 / 64 / 0 / 3

HEX #9559F8

RGB 149 89 248

HSL 262.64, 0.92%, 0.66%

LAB 52.19, 57.19, -70.82

 

CMYK 35 / 56 / 0 / 8

HEX #9867EA

RGB 152 103 234

HSL 262.44, 0.76%, 0.66%

LAB 54.36, 46.9, -59.48

 

CMYK 29 / 47 / 0 / 14

HEX #9C75DC

RGB 156 117 220

HSL 262.72, 0.6%, 0.66%

LAB 57.03, 36.58, -47.34

 

CMYK 23 / 36 / 0 / 19

HEX #9F83CE

RGB 159 131 206

HSL 262.4, 0.43%, 0.66%

LAB 59.94, 26.04, -34.87

 

CMYK 15 / 24 / 0 / 25

HEX #A391C0

RGB 163 145 192

HSL 262.98, 0.27%, 0.66%

LAB 63.21, 16.07, -21.92

 

CMYK 64 / 54 / 0 / 3

HEX #5973F8

RGB 89 115 248

HSL 230.19, 0.92%, 0.66%

LAB 53.13, 31.51, -69.52

 

CMYK 58 / 64 / 0 / 3

HEX #6859F8

RGB 104 89 248

HSL 245.66, 0.92%, 0.66%

LAB 48.09, 49.26, -77.67

 

CMYK 41 / 64 / 0 / 3

HEX #9359F8

RGB 147 89 248

HSL 261.89, 0.92%, 0.66%

LAB 51.98, 56.8, -71.17

 

CMYK 23 / 64 / 0 / 3

HEX #BE59F8

RGB 190 89 248

HSL 278.11, 0.92%, 0.66%

LAB 56.95, 65.65, -62.9

 

CMYK 6 / 64 / 0 / 3

HEX #E859F8

RGB 232 89 248

HSL 293.96, 0.92%, 0.66%

LAB 62.57, 74.91, -53.59

 

CMYK 59 / 96 / 0 / 4

HEX #630AF4

RGB 99 10 244

HSL 262.82, 0.92%, 0.5%

LAB 36.75, 77.69, -94.12

 

CMYK 50 / 80 / 0 / 4

HEX #7C31F6

RGB 124 49 246

HSL 262.84, 0.92%, 0.58%

LAB 42.97, 70.6, -84.88

 

CMYK 40 / 64 / 0 / 3

HEX #9559F8

RGB 149 89 248

HSL 262.64, 0.92%, 0.66%

LAB 52.19, 57.19, -70.82

 

CMYK 30 / 49 / 0 / 2

HEX #AE80FA

RGB 174 128 250

HSL 262.62, 0.92%, 0.74%

LAB 62.79, 42.51, -54.76

 

CMYK 21 / 33 / 0 / 2

HEX #C7A8FB

RGB 199 168 251

HSL 262.41, 0.91%, 0.82%

LAB 74.26, 27.52, -37.12

 

CMYK 40 / 64 / 0 / 3

HEX #965AF8

RGB 150 90 248

HSL 262.78, 0.92%, 0.66%

LAB 52.48, 56.88, -70.34

 

CMYK 0 / 64 / 36 / 3

HEX #F8599E

RGB 248 89 158

HSL 333.96, 0.92%, 0.66%

LAB 61.28, 66.32, -4.41

 

CMYK 62 / 0 / 64 / 3

HEX #5EF859

RGB 94 248 89

HSL 118.11, 0.92%, 0.66%

LAB 87.11, -69.8, 62.41

 

CMYK 40 / 64 / 0 / 3

HEX #965AF8

RGB 150 90 248

HSL 262.78, 0.92%, 0.66%

LAB 52.48, 56.88, -70.34

 

CMYK 0 / 41 / 64 / 3

HEX #F89359

RGB 248 147 89

HSL 21.89, 0.92%, 0.66%

LAB 70.56, 33.08, 46.44

 

CMYK 64 / 0 / 41 / 3

HEX #59F893

RGB 89 248 147

HSL 141.89, 0.92%, 0.66%

LAB 87.66, -63.12, 36.55

 

CMYK 40 / 64 / 0 / 3

HEX #965AF8

RGB 150 90 248

HSL 262.78, 0.92%, 0.66%

LAB 52.48, 56.88, -70.34

 

CMYK 0 / 64 / 36 / 3

HEX #F8599E

RGB 248 89 158

HSL 333.96, 0.92%, 0.66%

LAB 61.28, 66.32, -4.41

 

CMYK 23 / 0 / 64 / 3

HEX #BEF859

RGB 190 248 89

HSL 81.89, 0.92%, 0.66%

LAB 91.15, -41.16, 67.95

 

CMYK 64 / 0 / 28 / 3

HEX #59F8B3

RGB 89 248 179

HSL 153.96, 0.92%, 0.66%

LAB 88.22, -57.14, 21.15

 

CMYK 40 / 64 / 0 / 3

HEX #965AF8

RGB 150 90 248

HSL 262.78, 0.92%, 0.66%

LAB 52.48, 56.88, -70.34

 

CMYK 0 / 64 / 56 / 3

HEX #F8596E

RGB 248 89 110

HSL 352.08, 0.92%, 0.66%

LAB 60.09, 61.99, 21.79

 

CMYK 23 / 0 / 64 / 3

HEX #BEF859

RGB 190 248 89

HSL 81.89, 0.92%, 0.66%

LAB 91.15, -41.16, 67.95

 

CMYK 64 / 0 / 8 / 3

HEX #59F8E3

RGB 89 248 227

HSL 172.08, 0.92%, 0.66%

LAB 89.3, -46.12, -2.16

 

Description

Color code: HEX #965AF8CE | qconv.com Color code: HEX #965AF8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 90 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 90 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 52 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 52% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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