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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9657A6 it is the complementary color #69A859. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9657A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9657A6 shade: #9B57A1, #AC69B4, #BD7BC7, #CE8DDA and #DF9FED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9657A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9657A6 shade: #9657A6, #854593, #743380, #63216D and #520F5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9657A6 shade: #9758A7, #A758A2, #A7588C, #A75877 and #A75862

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9657A6 shade: #9758A7, #8258A7, #6C58A7 and #5858A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9657A6 shade matches the following richer shades: #9758A7, #A343BC, #B02FD0, #BC1AE5 and #C805FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9657A6 shade: #9758A7, #8B6D92, #7E817E, #729669 and #66AA55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9657A6 shade: #6C58A7, #8158A7, #9658A7, #A758A3 and #A7588E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9657A6 shade: #663C71, #7F4A8C, #9758A7, #A873B5 and #B98EC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9657A6 shade: #9657A6, #A75859 and #58A776

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9657A6 shade: #9657A6, #A79658 and #58A796

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9657A6 shade: #9657A6, #A75859, #69A758 and #58A7A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9657A6 shade: #9657A6, #A76E58, #69A758 and #5891A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 48 / 0 / 35

HEX #9657A6

RGB 150 87 166

HSL 287.85, 0.31%, 0.5%

LAB 47.04, 39.24, -32.08

 

Complementary color

CMYK 38 / 0 / 47 / 34

HEX #69A859

RGB 105 168 89

HSL 107.85, 0.31%, 0.5%

LAB 63.12, -35.76, 34.43

 

CMYK 4 / 46 / 0 / 37

HEX #9B57A1

RGB 155 87 161

HSL 295.14, 0.3%, 0.49%

LAB 47.44, 39.74, -28.46

 

CMYK 4 / 42 / 0 / 29

HEX #AC69B4

RGB 172 105 180

HSL 293.6, 0.33%, 0.56%

LAB 54.21, 38.96, -28.88

 

CMYK 5 / 38 / 0 / 22

HEX #BD7BC7

RGB 189 123 199

HSL 292.11, 0.4%, 0.63%

LAB 60.88, 38.19, -29.23

 

CMYK 6 / 35 / 0 / 15

HEX #CE8DDA

RGB 206 141 218

HSL 290.65, 0.51%, 0.7%

LAB 67.45, 37.45, -29.55

 

CMYK 6 / 33 / 0 / 7

HEX #DF9FED

RGB 223 159 237

HSL 289.23, 0.68%, 0.78%

LAB 73.93, 36.74, -29.86

 

CMYK 10 / 48 / 0 / 35

HEX #9657A6

RGB 150 87 166

HSL 287.85, 0.31%, 0.5%

LAB 47.04, 39.24, -32.08

 

CMYK 10 / 53 / 0 / 42

HEX #854593

RGB 133 69 147

HSL 289.23, 0.36%, 0.42%

LAB 40.16, 40, -31.69

 

CMYK 9 / 60 / 0 / 50

HEX #743380

RGB 116 51 128

HSL 290.65, 0.43%, 0.35%

LAB 33.22, 40.63, -31.15

 

CMYK 9 / 70 / 0 / 57

HEX #63216D

RGB 99 33 109

HSL 292.11, 0.54%, 0.28%

LAB 26.29, 40.88, -30.29

 

CMYK 9 / 83 / 0 / 65

HEX #520F5A

RGB 82 15 90

HSL 293.6, 0.71%, 0.21%

LAB 19.53, 40.2, -28.79

 

CMYK 10 / 47 / 0 / 35

HEX #9758A7

RGB 151 88 167

HSL 287.85, 0.31%, 0.5%

LAB 47.43, 39.2, -32.05

 

CMYK 0 / 47 / 3 / 35

HEX #A758A2

RGB 167 88 162

HSL 303.8, 0.31%, 0.5%

LAB 49.26, 43.08, -26.11

 

CMYK 0 / 47 / 16 / 35

HEX #A7588C

RGB 167 88 140

HSL 320.51, 0.31%, 0.5%

LAB 48.37, 39.27, -14.41

 

CMYK 0 / 47 / 29 / 35

HEX #A75877

RGB 167 88 119

HSL 336.46, 0.31%, 0.5%

LAB 47.66, 36.08, -2.87

 

CMYK 0 / 47 / 41 / 35

HEX #A75862

RGB 167 88 98

HSL 352.41, 0.31%, 0.5%

LAB 47.08, 33.39, 8.98

 

CMYK 10 / 47 / 0 / 35

HEX #9758A7

RGB 151 88 167

HSL 287.85, 0.31%, 0.5%

LAB 47.43, 39.2, -32.05

 

CMYK 22 / 47 / 0 / 35

HEX #8258A7

RGB 130 88 167

HSL 271.9, 0.31%, 0.5%

LAB 44.96, 32.98, -36.1

 

CMYK 35 / 47 / 0 / 35

HEX #6C58A7

RGB 108 88 167

HSL 255.19, 0.31%, 0.5%

LAB 42.7, 26.75, -39.83

 

CMYK 47 / 47 / 0 / 35

HEX #5858A7

RGB 88 88 167

HSL 240, 0.31%, 0.5%

LAB 40.97, 21.55, -42.69

 

CMYK 10 / 47 / 0 / 35

HEX #9758A7

RGB 151 88 167

HSL 287.85, 0.31%, 0.5%

LAB 47.43, 39.2, -32.05

 

CMYK 13 / 64 / 0 / 26

HEX #A343BC

RGB 163 67 188

HSL 287.6, 0.47%, 0.5%

LAB 46.22, 57.17, -46.17

 

CMYK 15 / 77 / 0 / 18

HEX #B02FD0

RGB 176 47 208

HSL 288.07, 0.63%, 0.5%

LAB 46.73, 71.18, -56.83

 

CMYK 18 / 89 / 0 / 10

HEX #BC1AE5

RGB 188 26 229

HSL 287.88, 0.8%, 0.5%

LAB 48.37, 81.78, -66.09

 

CMYK 20 / 98 / 0 / 2

HEX #C805FA

RGB 200 5 250

HSL 287.76, 0.96%, 0.5%

LAB 51.02, 89.29, -73.52

 

CMYK 10 / 47 / 0 / 35

HEX #9758A7

RGB 151 88 167

HSL 287.85, 0.31%, 0.5%

LAB 47.43, 39.2, -32.05

 

CMYK 5 / 25 / 0 / 43

HEX #8B6D92

RGB 139 109 146

HSL 288.65, 0.15%, 0.5%

LAB 50.1, 18.82, -15.66

 

CMYK 2 / 0 / 2 / 49

HEX #7E817E

RGB 126 129 126

HSL 120, 0.01%, 0.5%

LAB 53.65, -1.71, 1.23

 

CMYK 24 / 0 / 30 / 41

HEX #729669

RGB 114 150 105

HSL 108, 0.18%, 0.5%

LAB 58.42, -21.45, 19.81

 

CMYK 40 / 0 / 50 / 33

HEX #66AA55

RGB 102 170 85

HSL 108, 0.33%, 0.5%

LAB 63.53, -38.19, 36.95

 

CMYK 35 / 47 / 0 / 35

HEX #6C58A7

RGB 108 88 167

HSL 255.19, 0.31%, 0.5%

LAB 42.7, 26.75, -39.83

 

CMYK 23 / 47 / 0 / 35

HEX #8158A7

RGB 129 88 167

HSL 271.14, 0.31%, 0.5%

LAB 44.85, 32.69, -36.28

 

CMYK 10 / 47 / 0 / 35

HEX #9658A7

RGB 150 88 167

HSL 287.09, 0.31%, 0.5%

LAB 47.31, 38.9, -32.26

 

CMYK 0 / 47 / 2 / 35

HEX #A758A3

RGB 167 88 163

HSL 303.04, 0.31%, 0.5%

LAB 49.3, 43.26, -26.63

 

CMYK 0 / 47 / 15 / 35

HEX #A7588E

RGB 167 88 142

HSL 318.99, 0.31%, 0.5%

LAB 48.45, 39.59, -15.49

 

CMYK 10 / 47 / 0 / 56

HEX #663C71

RGB 102 60 113

HSL 287.55, 0.31%, 0.34%

LAB 32.37, 28.16, -23.22

 

CMYK 9 / 47 / 0 / 45

HEX #7F4A8C

RGB 127 74 140

HSL 288.18, 0.31%, 0.42%

LAB 40.09, 33.95, -27.62

 

CMYK 10 / 47 / 0 / 35

HEX #9758A7

RGB 151 88 167

HSL 287.85, 0.31%, 0.5%

LAB 47.43, 39.2, -32.05

 

CMYK 7 / 36 / 0 / 29

HEX #A873B5

RGB 168 115 181

HSL 288.18, 0.31%, 0.58%

LAB 56.01, 32.37, -26.69

 

CMYK 5 / 27 / 0 / 24

HEX #B98EC3

RGB 185 142 195

HSL 288.68, 0.31%, 0.66%

LAB 64.64, 25.62, -21.23

 

CMYK 10 / 48 / 0 / 35

HEX #9657A6

RGB 150 87 166

HSL 287.85, 0.31%, 0.5%

LAB 47.04, 39.24, -32.08

 

CMYK 0 / 47 / 47 / 35

HEX #A75859

RGB 167 88 89

HSL 359.24, 0.31%, 0.5%

LAB 46.86, 32.4, 14.11

 

CMYK 47 / 0 / 29 / 35

HEX #58A776

RGB 88 167 118

HSL 142.78, 0.31%, 0.5%

LAB 62.52, -35.65, 18

 

CMYK 10 / 48 / 0 / 35

HEX #9657A6

RGB 150 87 166

HSL 287.85, 0.31%, 0.5%

LAB 47.04, 39.24, -32.08

 

CMYK 0 / 10 / 47 / 35

HEX #A79658

RGB 167 150 88

HSL 47.09, 0.31%, 0.5%

LAB 62.28, -2.35, 34.85

 

CMYK 47 / 0 / 10 / 35

HEX #58A796

RGB 88 167 150

HSL 167.09, 0.31%, 0.5%

LAB 63.27, -28.55, 1.28

 

CMYK 10 / 48 / 0 / 35

HEX #9657A6

RGB 150 87 166

HSL 287.85, 0.31%, 0.5%

LAB 47.04, 39.24, -32.08

 

CMYK 0 / 47 / 47 / 35

HEX #A75859

RGB 167 88 89

HSL 359.24, 0.31%, 0.5%

LAB 46.86, 32.4, 14.11

 

CMYK 37 / 0 / 47 / 35

HEX #69A758

RGB 105 167 88

HSL 107.09, 0.31%, 0.5%

LAB 62.8, -35.44, 34.54

 

CMYK 47 / 0 / 1 / 35

HEX #58A7A6

RGB 88 167 166

HSL 179.24, 0.31%, 0.5%

LAB 63.73, -24.46, -7.01

 

CMYK 10 / 48 / 0 / 35

HEX #9657A6

RGB 150 87 166

HSL 287.85, 0.31%, 0.5%

LAB 47.04, 39.24, -32.08

 

CMYK 0 / 34 / 47 / 35

HEX #A76E58

RGB 167 110 88

HSL 16.71, 0.31%, 0.5%

LAB 51.92, 20.06, 21.53

 

CMYK 37 / 0 / 47 / 35

HEX #69A758

RGB 105 167 88

HSL 107.09, 0.31%, 0.5%

LAB 62.8, -35.44, 34.54

 

CMYK 47 / 13 / 0 / 35

HEX #5891A7

RGB 88 145 167

HSL 196.71, 0.31%, 0.5%

LAB 57.19, -12.6, -17.4

 

Description

Color code: HEX #9657A6 | qconv.com Color code: HEX #9657A6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 87 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 87 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 48 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 48% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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