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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #964E32 it is the complementary color #69B1CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #964E32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #964E32 shade: #9B4E2D, #AC6040, #BD7253, #CE8466 and #DF9679

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #964E32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #964E32 shade: #964E32, #853C1F, #742A0C, #631800 and #520600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #964E32 shade: #954E32, #953332 and #953232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #964E32 shade: #954E32, #956832, #958332, #8C9532 and #729532

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #964E32 shade matches the following richer shades: #954E32, #A54622, #B53F12 and #C53801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #964E32 shade: #954E32, #855542, #755C52, #656362 and #556A72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #964E32 shade: #95324C, #953232, #954C32, #956732 and #958132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #964E32 shade: #572D1D, #763D27, #954E32, #B45E3C and #C67454

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #964E32 shade: #964E32, #679532 and #323F95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #964E32 shade: #964E32, #32954C and #4C3295

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #964E32 shade: #964E32, #679532, #327B95 and #603295

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #964E32 shade: #964E32, #499532, #327B95 and #7E3295

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 67 / 41

HEX #964E32

RGB 150 78 50

HSL 16.8, 0.5%, 0.39%

LAB 41.47, 27.64, 29.8

 

Complementary color

CMYK 49 / 14 / 0 / 20

HEX #69B1CD

RGB 105 177 205

HSL 196.8, 0.5%, 0.61%

LAB 68.65, -14.98, -21.19

 

CMYK 0 / 50 / 71 / 39

HEX #9B4E2D

RGB 155 78 45

HSL 18, 0.55%, 0.39%

LAB 42.16, 29.42, 33.6

 

CMYK 0 / 44 / 63 / 33

HEX #AC6040

RGB 172 96 64

HSL 17.78, 0.46%, 0.46%

LAB 48.89, 27.85, 31.52

 

CMYK 0 / 40 / 56 / 26

HEX #BD7253

RGB 189 114 83

HSL 17.55, 0.45%, 0.53%

LAB 55.56, 26.46, 29.64

 

CMYK 0 / 36 / 50 / 19

HEX #CE8466

RGB 206 132 102

HSL 17.31, 0.51%, 0.6%

LAB 62.15, 25.24, 27.97

 

CMYK 0 / 33 / 46 / 13

HEX #DF9679

RGB 223 150 121

HSL 17.06, 0.61%, 0.67%

LAB 68.67, 24.15, 26.46

 

CMYK 0 / 48 / 67 / 41

HEX #964E32

RGB 150 78 50

HSL 16.8, 0.5%, 0.39%

LAB 41.47, 27.64, 29.8

 

CMYK 0 / 55 / 77 / 48

HEX #853C1F

RGB 133 60 31

HSL 17.06, 0.62%, 0.32%

LAB 34.63, 29.3, 32.07

 

CMYK 0 / 64 / 90 / 55

HEX #742A0C

RGB 116 42 12

HSL 17.31, 0.81%, 0.25%

LAB 27.83, 31.07, 34.22

 

CMYK 0 / 76 / 100 / 61

HEX #631800

RGB 99 24 0

HSL 14.55, 1%, 0.19%

LAB 21.23, 32.6, 31.6

 

CMYK 0 / 93 / 100 / 68

HEX #520600

RGB 82 6 0

HSL 4.39, 1%, 0.16%

LAB 15.08, 33.07, 23.37

 

CMYK 0 / 48 / 66 / 42

HEX #954E32

RGB 149 78 50

HSL 16.97, 0.5%, 0.39%

LAB 41.32, 27.22, 29.59

 

CMYK 0 / 66 / 66 / 42

HEX #953332

RGB 149 51 50

HSL 0.61, 0.5%, 0.39%

LAB 35.96, 41.06, 23.07

 

CMYK 0 / 66 / 66 / 42

HEX #953232

RGB 149 50 50

HSL 0, 0.5%, 0.39%

LAB 35.79, 41.51, 22.86

 

CMYK 0 / 48 / 66 / 42

HEX #954E32

RGB 149 78 50

HSL 16.97, 0.5%, 0.39%

LAB 41.32, 27.22, 29.59

 

CMYK 0 / 30 / 66 / 42

HEX #956832

RGB 149 104 50

HSL 32.73, 0.5%, 0.39%

LAB 47.65, 12.35, 36.89

 

CMYK 0 / 12 / 66 / 42

HEX #958332

RGB 149 131 50

HSL 49.09, 0.5%, 0.39%

LAB 54.92, -3, 44.85

 

CMYK 6 / 0 / 66 / 42

HEX #8C9532

RGB 140 149 50

HSL 65.45, 0.5%, 0.39%

LAB 59.25, -16.72, 49.17

 

CMYK 23 / 0 / 66 / 42

HEX #729532

RGB 114 149 50

HSL 81.21, 0.5%, 0.39%

LAB 57.37, -27.72, 46.61

 

CMYK 0 / 48 / 66 / 42

HEX #954E32

RGB 149 78 50

HSL 16.97, 0.5%, 0.39%

LAB 41.32, 27.22, 29.59

 

CMYK 0 / 58 / 79 / 35

HEX #A54622

RGB 165 70 34

HSL 16.49, 0.66%, 0.39%

LAB 41.99, 37.14, 39.74

 

CMYK 0 / 65 / 90 / 29

HEX #B53F12

RGB 181 63 18

HSL 16.56, 0.82%, 0.39%

LAB 43.39, 45.99, 49.12

 

CMYK 0 / 72 / 99 / 23

HEX #C53801

RGB 197 56 1

HSL 16.84, 0.99%, 0.39%

LAB 45.22, 54.09, 56.79

 

CMYK 0 / 48 / 66 / 42

HEX #954E32

RGB 149 78 50

HSL 16.97, 0.5%, 0.39%

LAB 41.32, 27.22, 29.59

 

CMYK 0 / 36 / 50 / 48

HEX #855542

RGB 133 85 66

HSL 17.01, 0.34%, 0.39%

LAB 41.02, 17.68, 19.3

 

CMYK 0 / 21 / 30 / 54

HEX #755C52

RGB 117 92 82

HSL 17.14, 0.18%, 0.39%

LAB 41.29, 8.59, 9.64

 

CMYK 0 / 2 / 3 / 60

HEX #656362

RGB 101 99 98

HSL 20, 0.02%, 0.39%

LAB 42.11, 0.58, 0.84

 

CMYK 25 / 7 / 0 / 55

HEX #556A72

RGB 85 106 114

HSL 196.55, 0.15%, 0.39%

LAB 43.44, -5.81, -7.05

 

CMYK 0 / 66 / 49 / 42

HEX #95324C

RGB 149 50 76

HSL 344.24, 0.5%, 0.39%

LAB 36.35, 43.58, 7.09

 

CMYK 0 / 66 / 66 / 42

HEX #953232

RGB 149 50 50

HSL 0, 0.5%, 0.39%

LAB 35.79, 41.51, 22.86

 

CMYK 0 / 49 / 66 / 42

HEX #954C32

RGB 149 76 50

HSL 15.76, 0.5%, 0.39%

LAB 40.88, 28.33, 29.06

 

CMYK 0 / 31 / 66 / 42

HEX #956732

RGB 149 103 50

HSL 32.12, 0.5%, 0.39%

LAB 47.39, 12.93, 36.6

 

CMYK 0 / 13 / 66 / 42

HEX #958132

RGB 149 129 50

HSL 47.88, 0.5%, 0.39%

LAB 54.37, -1.89, 44.26

 

CMYK 0 / 48 / 67 / 66

HEX #572D1D

RGB 87 45 29

HSL 16.55, 0.5%, 0.23%

LAB 23.64, 17.59, 18.71

 

CMYK 0 / 48 / 67 / 54

HEX #763D27

RGB 118 61 39

HSL 16.71, 0.5%, 0.31%

LAB 32.56, 22.79, 24.45

 

CMYK 0 / 48 / 66 / 42

HEX #954E32

RGB 149 78 50

HSL 16.97, 0.5%, 0.39%

LAB 41.32, 27.22, 29.59

 

CMYK 0 / 48 / 67 / 29

HEX #B45E3C

RGB 180 94 60

HSL 17, 0.5%, 0.47%

LAB 49.54, 31.95, 34.79

 

CMYK 0 / 41 / 58 / 22

HEX #C67454

RGB 198 116 84

HSL 16.84, 0.5%, 0.55%

LAB 57.21, 29.12, 31.41

 

CMYK 0 / 48 / 67 / 41

HEX #964E32

RGB 150 78 50

HSL 16.8, 0.5%, 0.39%

LAB 41.47, 27.64, 29.8

 

CMYK 31 / 0 / 66 / 42

HEX #679532

RGB 103 149 50

HSL 87.88, 0.5%, 0.39%

LAB 56.69, -32.08, 45.69

 

CMYK 66 / 58 / 0 / 42

HEX #323F95

RGB 50 63 149

HSL 232.12, 0.5%, 0.39%

LAB 30.41, 23.72, -48.99

 

CMYK 0 / 48 / 67 / 41

HEX #964E32

RGB 150 78 50

HSL 16.8, 0.5%, 0.39%

LAB 41.47, 27.64, 29.8

 

CMYK 66 / 0 / 49 / 42

HEX #32954C

RGB 50 149 76

HSL 135.76, 0.5%, 0.39%

LAB 54.76, -44.97, 30.24

 

CMYK 49 / 66 / 0 / 42

HEX #4C3295

RGB 76 50 149

HSL 255.76, 0.5%, 0.39%

LAB 29.38, 36.81, -50.56

 

CMYK 0 / 48 / 67 / 41

HEX #964E32

RGB 150 78 50

HSL 16.8, 0.5%, 0.39%

LAB 41.47, 27.64, 29.8

 

CMYK 31 / 0 / 66 / 42

HEX #679532

RGB 103 149 50

HSL 87.88, 0.5%, 0.39%

LAB 56.69, -32.08, 45.69

 

CMYK 66 / 17 / 0 / 42

HEX #327B95

RGB 50 123 149

HSL 195.76, 0.5%, 0.39%

LAB 48.28, -14.12, -20.73

 

CMYK 36 / 66 / 0 / 42

HEX #603295

RGB 96 50 149

HSL 267.88, 0.5%, 0.39%

LAB 31.67, 41.05, -46.75

 

CMYK 0 / 48 / 67 / 41

HEX #964E32

RGB 150 78 50

HSL 16.8, 0.5%, 0.39%

LAB 41.47, 27.64, 29.8

 

CMYK 51 / 0 / 66 / 42

HEX #499532

RGB 73 149 50

HSL 106.06, 0.5%, 0.39%

LAB 55.22, -42.47, 43.66

 

CMYK 66 / 17 / 0 / 42

HEX #327B95

RGB 50 123 149

HSL 195.76, 0.5%, 0.39%

LAB 48.28, -14.12, -20.73

 

CMYK 15 / 66 / 0 / 42

HEX #7E3295

RGB 126 50 149

HSL 286.06, 0.5%, 0.39%

LAB 35.77, 48.09, -39.94

 

Description

Color code: HEX #964E32 | qconv.com Color code: HEX #964E32 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 78 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 78 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 67 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 67% 41% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

41% - Social Impact
Link: http://www.socialimpact.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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