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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9642E4 it is the complementary color #69BD1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9642E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9642E4 shade: #9B42DF, #AC54F2, #BD66FF, #CE78FF and #DF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9642E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9642E4 shade: #9642E4, #8530D1, #741EBE, #630CAB and #520098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9642E4 shade: #9744E4, #C244E4, #E444DB, #E444B0 and #E44484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9642E4 shade: #9744E4, #6C44E4 and #4444E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9642E4 shade matches the following richer shades: #9744E4 and #9832F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9642E4 shade: #9744E4, #9655D3, #9666C2, #9578B0 and #94899F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9642E4 shade: #4446E4, #6C44E4, #9744E4, #C144E4 and #E444DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9642E4 shade: #6E1BBB, #8320DF, #9744E4, #AB68E9 and #BF8CEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9642E4 shade: #9642E4, #E44471 and #44E456

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9642E4 shade: #9642E4, #E49744 and #44E497

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9642E4 shade: #9642E4, #E44471, #91E444 and #44E4B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9642E4 shade: #9642E4, #E44644, #91E444 and #44E2E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 71 / 0 / 11

HEX #9642E4

RGB 150 66 228

HSL 271.11, 0.75%, 0.58%

LAB 46.95, 63.44, -68.08

 

Complementary color

CMYK 44 / 0 / 86 / 26

HEX #69BD1B

RGB 105 189 27

HSL 91.11, 0.75%, 0.42%

LAB 69.1, -49.8, 65.17

 

CMYK 30 / 70 / 0 / 13

HEX #9B42DF

RGB 155 66 223

HSL 274.01, 0.71%, 0.57%

LAB 47.23, 63.25, -64.76

 

CMYK 29 / 65 / 0 / 5

HEX #AC54F2

RGB 172 84 242

HSL 273.42, 0.86%, 0.64%

LAB 53.52, 62.83, -65.2

 

CMYK 26 / 60 / 0 / 0

HEX #BD66FF

RGB 189 102 255

HSL 274.12, 1%, 0.7%

LAB 59.47, 60.85, -62.72

 

CMYK 19 / 53 / 0 / 0

HEX #CE78FF

RGB 206 120 255

HSL 278.22, 1%, 0.74%

LAB 64.78, 56.01, -54.13

 

CMYK 13 / 46 / 0 / 0

HEX #DF8AFF

RGB 223 138 255

HSL 283.59, 1%, 0.77%

LAB 70.24, 51.34, -45.4

 

CMYK 34 / 71 / 0 / 11

HEX #9642E4

RGB 150 66 228

HSL 271.11, 0.75%, 0.58%

LAB 46.95, 63.44, -68.08

 

CMYK 36 / 77 / 0 / 18

HEX #8530D1

RGB 133 48 209

HSL 271.68, 0.64%, 0.5%

LAB 40.74, 63.52, -67.41

 

CMYK 39 / 84 / 0 / 25

HEX #741EBE

RGB 116 30 190

HSL 272.25, 0.73%, 0.43%

LAB 34.72, 62.88, -66.27

 

CMYK 42 / 93 / 0 / 33

HEX #630CAB

RGB 99 12 171

HSL 272.83, 0.87%, 0.36%

LAB 29.05, 60.97, -64.36

 

CMYK 46 / 100 / 0 / 40

HEX #520098

RGB 82 0 152

HSL 272.37, 1%, 0.3%

LAB 23.87, 57.27, -61.41

 

CMYK 34 / 70 / 0 / 11

HEX #9744E4

RGB 151 68 228

HSL 271.13, 0.75%, 0.58%

LAB 47.39, 62.75, -67.37

 

CMYK 15 / 70 / 0 / 11

HEX #C244E4

RGB 194 68 228

HSL 287.25, 0.75%, 0.58%

LAB 53.17, 71.21, -57.74

 

CMYK 0 / 70 / 4 / 11

HEX #E444DB

RGB 228 68 219

HSL 303.38, 0.75%, 0.58%

LAB 57.79, 76.89, -44.99

 

CMYK 0 / 70 / 23 / 11

HEX #E444B0

RGB 228 68 176

HSL 319.5, 0.75%, 0.58%

LAB 55.85, 70.83, -23.37

 

CMYK 0 / 70 / 42 / 11

HEX #E44484

RGB 228 68 132

HSL 336, 0.75%, 0.58%

LAB 54.34, 65.89, 0.26

 

CMYK 34 / 70 / 0 / 11

HEX #9744E4

RGB 151 68 228

HSL 271.13, 0.75%, 0.58%

LAB 47.39, 62.75, -67.37

 

CMYK 53 / 70 / 0 / 11

HEX #6C44E4

RGB 108 68 228

HSL 255, 0.75%, 0.58%

LAB 42.65, 55.38, -75.29

 

CMYK 70 / 70 / 0 / 11

HEX #4444E4

RGB 68 68 228

HSL 240, 0.75%, 0.58%

LAB 39.52, 50.22, -80.54

 

CMYK 34 / 70 / 0 / 11

HEX #9744E4

RGB 151 68 228

HSL 271.13, 0.75%, 0.58%

LAB 47.39, 62.75, -67.37

 

CMYK 38 / 80 / 0 / 4

HEX #9832F6

RGB 152 50 246

HSL 271.22, 0.92%, 0.58%

LAB 46.46, 73.93, -79.02

 

CMYK 34 / 70 / 0 / 11

HEX #9744E4

RGB 151 68 228

HSL 271.13, 0.75%, 0.58%

LAB 47.39, 62.75, -67.37

 

CMYK 29 / 60 / 0 / 17

HEX #9655D3

RGB 150 85 211

HSL 270.95, 0.59%, 0.58%

LAB 49.11, 50.39, -54.91

 

CMYK 23 / 47 / 0 / 24

HEX #9666C2

RGB 150 102 194

HSL 271.3, 0.43%, 0.58%

LAB 51.7, 37.13, -41.04

 

CMYK 15 / 32 / 0 / 31

HEX #9578B0

RGB 149 120 176

HSL 271.07, 0.26%, 0.58%

LAB 55.03, 22.31, -25.5

 

CMYK 7 / 14 / 0 / 38

HEX #94899F

RGB 148 137 159

HSL 270, 0.1%, 0.58%

LAB 58.69, 8.44, -10.17

 

CMYK 70 / 69 / 0 / 11

HEX #4446E4

RGB 68 70 228

HSL 239.25, 0.75%, 0.58%

LAB 39.93, 49.08, -79.87

 

CMYK 53 / 70 / 0 / 11

HEX #6C44E4

RGB 108 68 228

HSL 255, 0.75%, 0.58%

LAB 42.65, 55.38, -75.29

 

CMYK 34 / 70 / 0 / 11

HEX #9744E4

RGB 151 68 228

HSL 271.13, 0.75%, 0.58%

LAB 47.39, 62.75, -67.37

 

CMYK 15 / 70 / 0 / 11

HEX #C144E4

RGB 193 68 228

HSL 286.88, 0.75%, 0.58%

LAB 53.03, 71.01, -57.97

 

CMYK 0 / 70 / 4 / 11

HEX #E444DC

RGB 228 68 220

HSL 303, 0.75%, 0.58%

LAB 57.84, 77.05, -45.47

 

CMYK 41 / 86 / 0 / 27

HEX #6E1BBB

RGB 110 27 187

HSL 271.13, 0.75%, 0.42%

LAB 33.32, 62.28, -66.82

 

CMYK 41 / 86 / 0 / 13

HEX #8320DF

RGB 131 32 223

HSL 271.1, 0.75%, 0.5%

LAB 39.89, 71.55, -76.86

 

CMYK 34 / 70 / 0 / 11

HEX #9744E4

RGB 151 68 228

HSL 271.13, 0.75%, 0.58%

LAB 47.39, 62.75, -67.37

 

CMYK 27 / 55 / 0 / 9

HEX #AB68E9

RGB 171 104 233

HSL 271.16, 0.75%, 0.66%

LAB 56.53, 50.66, -55.34

 

CMYK 20 / 41 / 0 / 6

HEX #BF8CEF

RGB 191 140 239

HSL 270.91, 0.76%, 0.74%

LAB 66.57, 37.92, -42.64

 

CMYK 34 / 71 / 0 / 11

HEX #9642E4

RGB 150 66 228

HSL 271.11, 0.75%, 0.58%

LAB 46.95, 63.44, -68.08

 

CMYK 0 / 70 / 50 / 11

HEX #E44471

RGB 228 68 113

HSL 343.13, 0.75%, 0.58%

LAB 53.84, 64.21, 10.88

 

CMYK 70 / 0 / 62 / 11

HEX #44E456

RGB 68 228 86

HSL 126.75, 0.75%, 0.58%

LAB 80.4, -68.37, 56.02

 

CMYK 34 / 71 / 0 / 11

HEX #9642E4

RGB 150 66 228

HSL 271.11, 0.75%, 0.58%

LAB 46.95, 63.44, -68.08

 

CMYK 0 / 34 / 70 / 11

HEX #E49744

RGB 228 151 68

HSL 31.13, 0.75%, 0.58%

LAB 68.78, 21.65, 53.94

 

CMYK 70 / 0 / 34 / 11

HEX #44E497

RGB 68 228 151

HSL 151.13, 0.75%, 0.58%

LAB 81.26, -58.44, 25.94

 

CMYK 34 / 71 / 0 / 11

HEX #9642E4

RGB 150 66 228

HSL 271.11, 0.75%, 0.58%

LAB 46.95, 63.44, -68.08

 

CMYK 0 / 70 / 50 / 11

HEX #E44471

RGB 228 68 113

HSL 343.13, 0.75%, 0.58%

LAB 53.84, 64.21, 10.88

 

CMYK 36 / 0 / 70 / 11

HEX #91E444

RGB 145 228 68

HSL 91.13, 0.75%, 0.58%

LAB 82.87, -50.04, 66.52

 

CMYK 70 / 0 / 20 / 11

HEX #44E4B7

RGB 68 228 183

HSL 163.13, 0.75%, 0.58%

LAB 81.91, -51.52, 10.14

 

CMYK 34 / 71 / 0 / 11

HEX #9642E4

RGB 150 66 228

HSL 271.11, 0.75%, 0.58%

LAB 46.95, 63.44, -68.08

 

CMYK 0 / 69 / 70 / 11

HEX #E44644

RGB 228 70 68

HSL 0.75, 0.75%, 0.58%

LAB 53.27, 60.59, 36.64

 

CMYK 36 / 0 / 70 / 11

HEX #91E444

RGB 145 228 68

HSL 91.13, 0.75%, 0.58%

LAB 82.87, -50.04, 66.52

 

CMYK 70 / 1 / 0 / 11

HEX #44E2E4

RGB 68 226 228

HSL 180.75, 0.75%, 0.58%

LAB 82.5, -39, -12.81

 

Description

Color code: HEX #9642E4 | qconv.com Color code: HEX #9642E4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 66 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 66 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 71 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 71% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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