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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96424F it is the complementary color #69BDB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96424F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96424F shade: #9B424A, #AC545D, #BD6670, #CE7883 and #DF8A96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96424F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96424F shade: #96424F, #85303C, #741E29, #630C16 and #520003

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96424F shade: #95414E and #954141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96424F shade: #95414E, #954165, #95417B, #954192 and #814195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96424F shade matches the following richer shades: #95414E, #A63042, #B81F36 and #C90D2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96424F shade: #95414E, #84535A, #726466, #617572 and #50877E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96424F shade: #95417C, #954166, #95414F, #954A41 and #956041

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96424F shade: #5C2830, #78353F, #95414E, #B14E5D and #BE6B78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96424F shade: #96424F, #929541 and #417195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96424F shade: #96424F, #4F9541 and #414F95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96424F shade: #96424F, #929541, #419587 and #444195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96424F shade: #96424F, #799541, #419587 and #5D4195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 47 / 41

HEX #96424F

RGB 150 66 79

HSL 350.71, 0.39%, 0.42%

LAB 39.49, 36.54, 9.63

 

Complementary color

CMYK 44 / 0 / 7 / 26

HEX #69BDB0

RGB 105 189 176

HSL 170.71, 0.39%, 0.58%

LAB 71.24, -28.69, -1.39

 

CMYK 0 / 57 / 52 / 39

HEX #9B424A

RGB 155 66 74

HSL 354.61, 0.4%, 0.43%

LAB 40.18, 37.9, 13.83

 

CMYK 0 / 51 / 46 / 33

HEX #AC545D

RGB 172 84 93

HSL 353.86, 0.35%, 0.5%

LAB 46.85, 36.85, 11.78

 

CMYK 0 / 46 / 41 / 26

HEX #BD6670

RGB 189 102 112

HSL 353.1, 0.4%, 0.57%

LAB 53.48, 35.8, 10.1

 

CMYK 0 / 42 / 36 / 19

HEX #CE7883

RGB 206 120 131

HSL 352.33, 0.47%, 0.64%

LAB 60.06, 34.8, 8.67

 

CMYK 0 / 38 / 33 / 13

HEX #DF8A96

RGB 223 138 150

HSL 351.53, 0.57%, 0.71%

LAB 66.57, 33.86, 7.42

 

CMYK 0 / 56 / 47 / 41

HEX #96424F

RGB 150 66 79

HSL 350.71, 0.39%, 0.42%

LAB 39.49, 36.54, 9.63

 

CMYK 0 / 64 / 55 / 48

HEX #85303C

RGB 133 48 60

HSL 351.53, 0.47%, 0.35%

LAB 32.76, 37.46, 11.97

 

CMYK 0 / 74 / 65 / 55

HEX #741E29

RGB 116 30 41

HSL 352.33, 0.59%, 0.29%

LAB 26.16, 38, 15.1

 

CMYK 0 / 88 / 78 / 61

HEX #630C16

RGB 99 12 22

HSL 353.1, 0.78%, 0.22%

LAB 19.94, 37.57, 19.43

 

CMYK 0 / 100 / 96 / 68

HEX #520003

RGB 82 0 3

HSL 357.8, 1%, 0.16%

LAB 14.4, 35.24, 21.27

 

CMYK 0 / 56 / 48 / 42

HEX #95414E

RGB 149 65 78

HSL 350.71, 0.39%, 0.42%

LAB 39.11, 36.58, 9.69

 

CMYK 0 / 56 / 56 / 42

HEX #954141

RGB 149 65 65

HSL 0, 0.39%, 0.42%

LAB 38.82, 35.36, 17.42

 

CMYK 0 / 56 / 48 / 42

HEX #95414E

RGB 149 65 78

HSL 350.71, 0.39%, 0.42%

LAB 39.11, 36.58, 9.69

 

CMYK 0 / 56 / 32 / 42

HEX #954165

RGB 149 65 101

HSL 334.29, 0.39%, 0.42%

LAB 39.76, 39.31, -3.78

 

CMYK 0 / 56 / 17 / 42

HEX #95417B

RGB 149 65 123

HSL 318.57, 0.39%, 0.42%

LAB 40.57, 42.53, -16.22

 

CMYK 0 / 56 / 2 / 42

HEX #954192

RGB 149 65 146

HSL 302.14, 0.39%, 0.42%

LAB 41.6, 46.47, -28.67

 

CMYK 13 / 56 / 0 / 42

HEX #814195

RGB 129 65 149

HSL 285.71, 0.39%, 0.42%

LAB 38.93, 41.42, -34.89

 

CMYK 0 / 56 / 48 / 42

HEX #95414E

RGB 149 65 78

HSL 350.71, 0.39%, 0.42%

LAB 39.11, 36.58, 9.69

 

CMYK 0 / 71 / 60 / 35

HEX #A63042

RGB 166 48 66

HSL 350.85, 0.55%, 0.42%

LAB 38.92, 49.15, 17.48

 

CMYK 0 / 83 / 71 / 28

HEX #B81F36

RGB 184 31 54

HSL 350.98, 0.71%, 0.42%

LAB 40.31, 59.2, 27.45

 

CMYK 0 / 94 / 79 / 21

HEX #C90D2A

RGB 201 13 42

HSL 350.74, 0.88%, 0.42%

LAB 42.57, 66.39, 38.15

 

CMYK 0 / 56 / 48 / 42

HEX #95414E

RGB 149 65 78

HSL 350.71, 0.39%, 0.42%

LAB 39.11, 36.58, 9.69

 

CMYK 0 / 37 / 32 / 48

HEX #84535A

RGB 132 83 90

HSL 351.43, 0.23%, 0.42%

LAB 40.95, 21.43, 4.49

 

CMYK 0 / 12 / 11 / 55

HEX #726466

RGB 114 100 102

HSL 351.43, 0.07%, 0.42%

LAB 43.73, 5.95, 0.91

 

CMYK 17 / 0 / 3 / 54

HEX #617572

RGB 97 117 114

HSL 171, 0.09%, 0.42%

LAB 47.6, -8.02, -0.81

 

CMYK 41 / 0 / 7 / 47

HEX #50877E

RGB 80 135 126

HSL 170.18, 0.26%, 0.42%

LAB 52.44, -20.45, -0.89

 

CMYK 0 / 56 / 17 / 42

HEX #95417C

RGB 149 65 124

HSL 317.86, 0.39%, 0.42%

LAB 40.61, 42.69, -16.77

 

CMYK 0 / 56 / 32 / 42

HEX #954166

RGB 149 65 102

HSL 333.57, 0.39%, 0.42%

LAB 39.8, 39.44, -4.35

 

CMYK 0 / 56 / 47 / 42

HEX #95414F

RGB 149 65 79

HSL 350, 0.39%, 0.42%

LAB 39.13, 36.69, 9.1

 

CMYK 0 / 50 / 56 / 42

HEX #954A41

RGB 149 74 65

HSL 6.43, 0.39%, 0.42%

LAB 40.68, 30.58, 19.89

 

CMYK 0 / 36 / 56 / 42

HEX #956041

RGB 149 96 65

HSL 22.14, 0.39%, 0.42%

LAB 45.82, 18.15, 26.47

 

CMYK 0 / 57 / 48 / 64

HEX #5C2830

RGB 92 40 48

HSL 350.77, 0.39%, 0.26%

LAB 23.69, 24.69, 6.28

 

CMYK 0 / 56 / 48 / 53

HEX #78353F

RGB 120 53 63

HSL 351.04, 0.39%, 0.34%

LAB 31.57, 30.32, 8.04

 

CMYK 0 / 56 / 48 / 42

HEX #95414E

RGB 149 65 78

HSL 350.71, 0.39%, 0.42%

LAB 39.11, 36.58, 9.69

 

CMYK 0 / 56 / 47 / 31

HEX #B14E5D

RGB 177 78 93

HSL 350.91, 0.39%, 0.5%

LAB 46.43, 41.73, 11.32

 

CMYK 0 / 44 / 37 / 25

HEX #BE6B78

RGB 190 107 120

HSL 350.6, 0.39%, 0.58%

LAB 54.89, 34.45, 7.4

 

CMYK 0 / 56 / 47 / 41

HEX #96424F

RGB 150 66 79

HSL 350.71, 0.39%, 0.42%

LAB 39.49, 36.54, 9.63

 

CMYK 2 / 0 / 56 / 42

HEX #929541

RGB 146 149 65

HSL 62.14, 0.39%, 0.42%

LAB 59.88, -12.99, 43.18

 

CMYK 56 / 24 / 0 / 42

HEX #417195

RGB 65 113 149

HSL 205.71, 0.39%, 0.42%

LAB 45.78, -5.34, -24.55

 

CMYK 0 / 56 / 47 / 41

HEX #96424F

RGB 150 66 79

HSL 350.71, 0.39%, 0.42%

LAB 39.49, 36.54, 9.63

 

CMYK 47 / 0 / 56 / 42

HEX #4F9541

RGB 79 149 65

HSL 110, 0.39%, 0.42%

LAB 55.62, -38.96, 37.16

 

CMYK 56 / 47 / 0 / 42

HEX #414F95

RGB 65 79 149

HSL 230, 0.39%, 0.42%

LAB 35.76, 16.04, -40.31

 

CMYK 0 / 56 / 47 / 41

HEX #96424F

RGB 150 66 79

HSL 350.71, 0.39%, 0.42%

LAB 39.49, 36.54, 9.63

 

CMYK 2 / 0 / 56 / 42

HEX #929541

RGB 146 149 65

HSL 62.14, 0.39%, 0.42%

LAB 59.88, -12.99, 43.18

 

CMYK 56 / 0 / 9 / 42

HEX #419587

RGB 65 149 135

HSL 170, 0.39%, 0.42%

LAB 56.45, -28.94, -0.28

 

CMYK 54 / 56 / 0 / 42

HEX #444195

RGB 68 65 149

HSL 242.14, 0.39%, 0.42%

LAB 32.21, 25.84, -46.01

 

CMYK 0 / 56 / 47 / 41

HEX #96424F

RGB 150 66 79

HSL 350.71, 0.39%, 0.42%

LAB 39.49, 36.54, 9.63

 

CMYK 19 / 0 / 56 / 42

HEX #799541

RGB 121 149 65

HSL 80, 0.39%, 0.42%

LAB 57.98, -23.55, 40.51

 

CMYK 56 / 0 / 9 / 42

HEX #419587

RGB 65 149 135

HSL 170, 0.39%, 0.42%

LAB 56.45, -28.94, -0.28

 

CMYK 38 / 56 / 0 / 42

HEX #5D4195

RGB 93 65 149

HSL 260, 0.39%, 0.42%

LAB 34.55, 31.73, -42.12

 

Description

Color code: HEX #96424F | qconv.com Color code: HEX #96424F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 66 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 66 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 47 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 47% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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