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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #963CDB it is the complementary color #69C324. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #963CDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #963CDB shade: #9B3CD6, #AC4EE9, #BD60FC, #CE72FF and #DF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #963CDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #963CDB shade: #963CDB, #852AC8, #7418B5, #6306A2 and #52008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #963CDB shade: #973DDB, #C13DDB, #DB3DCB, #DB3DA0 and #DB3D75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #963CDB shade: #973DDB, #6C3DDB, #413DDB and #3D3DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #963CDB shade matches the following richer shades: #973DDB and #992BEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #963CDB shade: #973DDB, #9450C9, #9262B6, #8F75A4 and #8D8791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #963CDB shade: #403DDB, #6A3DDB, #943DDB, #BE3DDB and #DB3DCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #963CDB shade: #6C1FA7, #8325CA, #973DDB, #A960E2 and #BC83E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #963CDB shade: #963CDB, #DB3D65 and #3DDB55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #963CDB shade: #963CDB, #DB943D and #3DDB94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #963CDB shade: #963CDB, #DB3D65, #84DB3D and #3DDBB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #963CDB shade: #963CDB, #DB453D, #84DB3D and #3DD4DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 73 / 0 / 14

HEX #963CDB

RGB 150 60 219

HSL 273.96, 0.69%, 0.55%

LAB 45.4, 63.94, -65.47

 

Complementary color

CMYK 46 / 0 / 82 / 24

HEX #69C324

RGB 105 195 36

HSL 93.96, 0.69%, 0.45%

LAB 70.98, -51.77, 64.64

 

CMYK 28 / 72 / 0 / 16

HEX #9B3CD6

RGB 155 60 214

HSL 277.01, 0.65%, 0.54%

LAB 45.71, 63.79, -62.08

 

CMYK 26 / 67 / 0 / 9

HEX #AC4EE9

RGB 172 78 233

HSL 276.39, 0.78%, 0.61%

LAB 51.95, 63.58, -62.67

 

CMYK 25 / 62 / 0 / 1

HEX #BD60FC

RGB 189 96 252

HSL 275.77, 0.96%, 0.68%

LAB 58.24, 63.07, -63.05

 

CMYK 19 / 55 / 0 / 0

HEX #CE72FF

RGB 206 114 255

HSL 279.15, 1%, 0.72%

LAB 63.65, 59, -55.93

 

CMYK 13 / 48 / 0 / 0

HEX #DF84FF

RGB 223 132 255

HSL 284.39, 1%, 0.76%

LAB 69.05, 54.4, -47.27

 

CMYK 32 / 73 / 0 / 14

HEX #963CDB

RGB 150 60 219

HSL 273.96, 0.69%, 0.55%

LAB 45.4, 63.94, -65.47

 

CMYK 34 / 79 / 0 / 22

HEX #852AC8

RGB 133 42 200

HSL 274.56, 0.65%, 0.47%

LAB 39.26, 63.71, -64.6

 

CMYK 36 / 87 / 0 / 29

HEX #7418B5

RGB 116 24 181

HSL 275.16, 0.77%, 0.4%

LAB 33.36, 62.59, -63.18

 

CMYK 39 / 96 / 0 / 36

HEX #6306A2

RGB 99 6 162

HSL 275.77, 0.93%, 0.33%

LAB 27.82, 60.06, -60.93

 

CMYK 43 / 100 / 0 / 44

HEX #52008F

RGB 82 0 143

HSL 274.41, 1%, 0.28%

LAB 22.92, 55.29, -57.41

 

CMYK 31 / 72 / 0 / 14

HEX #973DDB

RGB 151 61 219

HSL 274.18, 0.69%, 0.55%

LAB 45.68, 63.71, -65.02

 

CMYK 12 / 72 / 0 / 14

HEX #C13DDB

RGB 193 61 219

HSL 290.13, 0.69%, 0.55%

LAB 51.6, 71.88, -55.17

 

CMYK 0 / 72 / 7 / 14

HEX #DB3DCB

RGB 219 61 203

HSL 306.08, 0.69%, 0.55%

LAB 54.77, 74.76, -40.74

 

CMYK 0 / 72 / 27 / 14

HEX #DB3DA0

RGB 219 61 160

HSL 322.41, 0.69%, 0.55%

LAB 52.88, 68.94, -18.68

 

CMYK 0 / 72 / 47 / 14

HEX #DB3D75

RGB 219 61 117

HSL 338.73, 0.69%, 0.55%

LAB 51.48, 64.42, 4.91

 

CMYK 31 / 72 / 0 / 14

HEX #973DDB

RGB 151 61 219

HSL 274.18, 0.69%, 0.55%

LAB 45.68, 63.71, -65.02

 

CMYK 51 / 72 / 0 / 14

HEX #6C3DDB

RGB 108 61 219

HSL 257.85, 0.69%, 0.55%

LAB 40.64, 56.4, -73.45

 

CMYK 70 / 72 / 0 / 14

HEX #413DDB

RGB 65 61 219

HSL 241.52, 0.69%, 0.55%

LAB 37.07, 50.93, -79.45

 

CMYK 72 / 72 / 0 / 14

HEX #3D3DDB

RGB 61 61 219

HSL 240, 0.69%, 0.55%

LAB 36.83, 50.55, -79.86

 

CMYK 31 / 72 / 0 / 14

HEX #973DDB

RGB 151 61 219

HSL 274.18, 0.69%, 0.55%

LAB 45.68, 63.71, -65.02

 

CMYK 36 / 82 / 0 / 7

HEX #992BEE

RGB 153 43 238

HSL 273.85, 0.85%, 0.55%

LAB 45.18, 74.55, -76.6

 

CMYK 31 / 72 / 0 / 14

HEX #973DDB

RGB 151 61 219

HSL 274.18, 0.69%, 0.55%

LAB 45.68, 63.71, -65.02

 

CMYK 26 / 60 / 0 / 21

HEX #9450C9

RGB 148 80 201

HSL 273.72, 0.53%, 0.55%

LAB 47.3, 50.15, -52.09

 

CMYK 20 / 46 / 0 / 29

HEX #9262B6

RGB 146 98 182

HSL 274.29, 0.37%, 0.55%

LAB 49.77, 35.45, -37.19

 

CMYK 13 / 29 / 0 / 36

HEX #8F75A4

RGB 143 117 164

HSL 273.19, 0.21%, 0.55%

LAB 53.21, 19.4, -21.4

 

CMYK 3 / 7 / 0 / 43

HEX #8D8791

RGB 141 135 145

HSL 276, 0.04%, 0.55%

LAB 57.11, 4.2, -4.55

 

CMYK 71 / 72 / 0 / 14

HEX #403DDB

RGB 64 61 219

HSL 241.14, 0.69%, 0.55%

LAB 37.01, 50.83, -79.55

 

CMYK 52 / 72 / 0 / 14

HEX #6A3DDB

RGB 106 61 219

HSL 257.09, 0.69%, 0.55%

LAB 40.44, 56.1, -73.79

 

CMYK 32 / 72 / 0 / 14

HEX #943DDB

RGB 148 61 219

HSL 273.04, 0.69%, 0.55%

LAB 45.29, 63.16, -65.67

 

CMYK 13 / 72 / 0 / 14

HEX #BE3DDB

RGB 190 61 219

HSL 288.99, 0.69%, 0.55%

LAB 51.15, 71.28, -55.91

 

CMYK 0 / 72 / 6 / 14

HEX #DB3DCE

RGB 219 61 206

HSL 304.94, 0.69%, 0.55%

LAB 54.92, 75.21, -42.22

 

CMYK 35 / 81 / 0 / 35

HEX #6C1FA7

RGB 108 31 167

HSL 273.97, 0.69%, 0.39%

LAB 31.71, 56.18, -57.53

 

CMYK 35 / 82 / 0 / 21

HEX #8325CA

RGB 131 37 202

HSL 274.18, 0.69%, 0.47%

LAB 38.57, 65.51, -66.91

 

CMYK 31 / 72 / 0 / 14

HEX #973DDB

RGB 151 61 219

HSL 274.18, 0.69%, 0.55%

LAB 45.68, 63.71, -65.02

 

CMYK 25 / 58 / 0 / 11

HEX #A960E2

RGB 169 96 226

HSL 273.69, 0.69%, 0.63%

LAB 54.34, 52.71, -54.93

 

CMYK 19 / 44 / 0 / 9

HEX #BC83E8

RGB 188 131 232

HSL 273.86, 0.69%, 0.71%

LAB 63.96, 40.44, -42.89

 

CMYK 32 / 73 / 0 / 14

HEX #963CDB

RGB 150 60 219

HSL 273.96, 0.69%, 0.55%

LAB 45.4, 63.94, -65.47

 

CMYK 0 / 72 / 54 / 14

HEX #DB3D65

RGB 219 61 101

HSL 344.81, 0.69%, 0.55%

LAB 51.08, 63.11, 14.01

 

CMYK 72 / 0 / 61 / 14

HEX #3DDB55

RGB 61 219 85

HSL 129.11, 0.69%, 0.55%

LAB 77.47, -66.67, 53.1

 

CMYK 32 / 73 / 0 / 14

HEX #963CDB

RGB 150 60 219

HSL 273.96, 0.69%, 0.55%

LAB 45.4, 63.94, -65.47

 

CMYK 0 / 32 / 72 / 14

HEX #DB943D

RGB 219 148 61

HSL 33.04, 0.69%, 0.55%

LAB 66.96, 19.12, 54.85

 

CMYK 72 / 0 / 32 / 14

HEX #3DDB94

RGB 61 219 148

HSL 153.04, 0.69%, 0.55%

LAB 78.34, -56.64, 23.49

 

CMYK 32 / 73 / 0 / 14

HEX #963CDB

RGB 150 60 219

HSL 273.96, 0.69%, 0.55%

LAB 45.4, 63.94, -65.47

 

CMYK 0 / 72 / 54 / 14

HEX #DB3D65

RGB 219 61 101

HSL 344.81, 0.69%, 0.55%

LAB 51.08, 63.11, 14.01

 

CMYK 40 / 0 / 72 / 14

HEX #84DB3D

RGB 132 219 61

HSL 93.04, 0.69%, 0.55%

LAB 79.56, -51.18, 65.46

 

CMYK 72 / 0 / 18 / 14

HEX #3DDBB4

RGB 61 219 180

HSL 165.19, 0.69%, 0.55%

LAB 79.01, -49.48, 7.57

 

CMYK 32 / 73 / 0 / 14

HEX #963CDB

RGB 150 60 219

HSL 273.96, 0.69%, 0.55%

LAB 45.4, 63.94, -65.47

 

CMYK 0 / 68 / 72 / 14

HEX #DB453D

RGB 219 69 61

HSL 3.04, 0.69%, 0.55%

LAB 51.44, 57.8, 38.07

 

CMYK 40 / 0 / 72 / 14

HEX #84DB3D

RGB 132 219 61

HSL 93.04, 0.69%, 0.55%

LAB 79.56, -51.18, 65.46

 

CMYK 72 / 3 / 0 / 14

HEX #3DD4DB

RGB 61 212 219

HSL 182.66, 0.69%, 0.55%

LAB 77.99, -35.96, -14.79

 

Description

Color code: HEX #963CDB | qconv.com Color code: HEX #963CDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 60 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 60 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 73 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 73% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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