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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #963173 it is the complementary color #69CE8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #963173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #963173 shade: #9B316E, #AC4381, #BD5594, #CE67A7 and #DF79BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #963173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #963173 shade: #963173, #851F60, #740D4D, #63003A and #520027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #963173 shade: #963173, #963158, #96313C and #963131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #963173 shade: #963173, #96318E, #833196, #673196 and #4C3196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #963173 shade matches the following richer shades: #963173, #A62178, #B6117D and #C60082

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #963173 shade: #963173, #86416E, #765169, #666164 and #56715F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #963173 shade: #823196, #96318F, #963174, #963159 and #96313E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #963173 shade: #581D43, #77275B, #963173, #B53B8B and #C7529F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #963173 shade: #963173, #966731 and #31968F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #963173 shade: #963173, #749631 and #317496

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #963173 shade: #963173, #966731, #319653 and #316096

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #963173 shade: #963173, #968531, #319653 and #314296

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 23 / 41

HEX #963173

RGB 150 49 115

HSL 320.79, 0.51%, 0.39%

LAB 37.7, 48.99, -15.64

 

Complementary color

CMYK 49 / 0 / 32 / 19

HEX #69CE8C

RGB 105 206 140

HSL 140.79, 0.51%, 0.61%

LAB 75.48, -44.19, 23.98

 

CMYK 0 / 68 / 29 / 39

HEX #9B316E

RGB 155 49 110

HSL 325.47, 0.52%, 0.4%

LAB 38.36, 49.76, -11.42

 

CMYK 0 / 61 / 25 / 33

HEX #AC4381

RGB 172 67 129

HSL 324.57, 0.44%, 0.47%

LAB 44.76, 49.61, -13.19

 

CMYK 0 / 55 / 22 / 26

HEX #BD5594

RGB 189 85 148

HSL 323.65, 0.44%, 0.54%

LAB 51.21, 49.12, -14.56

 

CMYK 0 / 50 / 19 / 19

HEX #CE67A7

RGB 206 103 167

HSL 322.72, 0.51%, 0.61%

LAB 57.67, 48.47, -15.67

 

CMYK 0 / 46 / 17 / 13

HEX #DF79BA

RGB 223 121 186

HSL 321.76, 0.61%, 0.67%

LAB 64.09, 47.74, -16.61

 

CMYK 0 / 67 / 23 / 41

HEX #963173

RGB 150 49 115

HSL 320.79, 0.51%, 0.39%

LAB 37.7, 48.99, -15.64

 

CMYK 0 / 77 / 28 / 48

HEX #851F60

RGB 133 31 96

HSL 321.76, 0.62%, 0.32%

LAB 31.37, 48.54, -13.5

 

CMYK 0 / 89 / 34 / 55

HEX #740D4D

RGB 116 13 77

HSL 322.72, 0.8%, 0.25%

LAB 25.37, 46.89, -10.43

 

CMYK 0 / 100 / 41 / 61

HEX #63003A

RGB 99 0 58

HSL 324.85, 1%, 0.19%

LAB 19.88, 43.44, -6.06

 

CMYK 0 / 100 / 52 / 68

HEX #520027

RGB 82 0 39

HSL 331.46, 1%, 0.16%

LAB 15.17, 37.3, 0.18

 

CMYK 0 / 67 / 23 / 41

HEX #963173

RGB 150 49 115

HSL 320.79, 0.51%, 0.39%

LAB 37.7, 48.99, -15.64

 

CMYK 0 / 67 / 41 / 41

HEX #963158

RGB 150 49 88

HSL 336.83, 0.51%, 0.39%

LAB 36.72, 45.58, -0.03

 

CMYK 0 / 67 / 60 / 41

HEX #96313C

RGB 150 49 60

HSL 353.47, 0.51%, 0.39%

LAB 36, 42.99, 16.86

 

CMYK 0 / 67 / 67 / 41

HEX #963131

RGB 150 49 49

HSL 0, 0.51%, 0.39%

LAB 35.8, 42.24, 23.52

 

CMYK 0 / 67 / 23 / 41

HEX #963173

RGB 150 49 115

HSL 320.79, 0.51%, 0.39%

LAB 37.7, 48.99, -15.64

 

CMYK 0 / 67 / 5 / 41

HEX #96318E

RGB 150 49 142

HSL 304.75, 0.51%, 0.39%

LAB 38.96, 53.19, -30.38

 

CMYK 13 / 67 / 0 / 41

HEX #833196

RGB 131 49 150

HSL 288.71, 0.51%, 0.39%

LAB 36.41, 49.95, -39.48

 

CMYK 31 / 67 / 0 / 41

HEX #673196

RGB 103 49 150

HSL 272.08, 0.51%, 0.39%

LAB 32.44, 43.4, -46.07

 

CMYK 49 / 67 / 0 / 41

HEX #4C3196

RGB 76 49 150

HSL 256.04, 0.51%, 0.39%

LAB 29.25, 37.69, -51.39

 

CMYK 0 / 67 / 23 / 41

HEX #963173

RGB 150 49 115

HSL 320.79, 0.51%, 0.39%

LAB 37.7, 48.99, -15.64

 

CMYK 0 / 80 / 28 / 35

HEX #A62178

RGB 166 33 120

HSL 320.75, 0.67%, 0.39%

LAB 38.81, 59.44, -16.8

 

CMYK 0 / 91 / 31 / 29

HEX #B6117D

RGB 182 17 125

HSL 320.73, 0.83%, 0.39%

LAB 40.94, 67.02, -16.39

 

CMYK 0 / 100 / 34 / 22

HEX #C60082

RGB 198 0 130

HSL 320.61, 1%, 0.39%

LAB 43.68, 72.73, -15.01

 

CMYK 0 / 67 / 23 / 41

HEX #963173

RGB 150 49 115

HSL 320.79, 0.51%, 0.39%

LAB 37.7, 48.99, -15.64

 

CMYK 0 / 51 / 18 / 47

HEX #86416E

RGB 134 65 110

HSL 320.87, 0.35%, 0.39%

LAB 37.8, 35.5, -12.59

 

CMYK 0 / 31 / 11 / 54

HEX #765169

RGB 118 81 105

HSL 321.08, 0.19%, 0.39%

LAB 39.17, 19.58, -7.62

 

CMYK 0 / 5 / 2 / 60

HEX #666164

RGB 102 97 100

HSL 324, 0.03%, 0.39%

LAB 41.68, 2.59, -1

 

CMYK 24 / 0 / 16 / 56

HEX #56715F

RGB 86 113 95

HSL 140, 0.14%, 0.39%

LAB 45.1, -13.88, 6.8

 

CMYK 13 / 67 / 0 / 41

HEX #823196

RGB 130 49 150

HSL 288.12, 0.51%, 0.39%

LAB 36.26, 49.71, -39.73

 

CMYK 0 / 67 / 5 / 41

HEX #96318F

RGB 150 49 143

HSL 304.16, 0.51%, 0.39%

LAB 39.01, 53.36, -30.91

 

CMYK 0 / 67 / 23 / 41

HEX #963174

RGB 150 49 116

HSL 320.2, 0.51%, 0.39%

LAB 37.74, 49.13, -16.2

 

CMYK 0 / 67 / 41 / 41

HEX #963159

RGB 150 49 89

HSL 336.24, 0.51%, 0.39%

LAB 36.75, 45.69, -0.63

 

CMYK 0 / 67 / 59 / 41

HEX #96313E

RGB 150 49 62

HSL 352.28, 0.51%, 0.39%

LAB 36.04, 43.14, 15.64

 

CMYK 0 / 67 / 24 / 65

HEX #581D43

RGB 88 29 67

HSL 321.36, 0.5%, 0.23%

LAB 21.43, 31.8, -10.16

 

CMYK 0 / 67 / 24 / 53

HEX #77275B

RGB 119 39 91

HSL 321, 0.51%, 0.31%

LAB 29.73, 40.64, -12.98

 

CMYK 0 / 67 / 23 / 41

HEX #963173

RGB 150 49 115

HSL 320.79, 0.51%, 0.39%

LAB 37.7, 48.99, -15.64

 

CMYK 0 / 67 / 23 / 29

HEX #B53B8B

RGB 181 59 139

HSL 320.66, 0.51%, 0.47%

LAB 45.38, 56.98, -18.18

 

CMYK 0 / 59 / 20 / 22

HEX #C7529F

RGB 199 82 159

HSL 320.51, 0.51%, 0.55%

LAB 52.6, 55.13, -18.81

 

CMYK 0 / 67 / 23 / 41

HEX #963173

RGB 150 49 115

HSL 320.79, 0.51%, 0.39%

LAB 37.7, 48.99, -15.64

 

CMYK 0 / 31 / 67 / 41

HEX #966731

RGB 150 103 49

HSL 32.08, 0.51%, 0.39%

LAB 47.5, 13.32, 37.28

 

CMYK 67 / 0 / 5 / 41

HEX #31968F

RGB 49 150 143

HSL 175.84, 0.51%, 0.39%

LAB 56.53, -30.21, -4.8

 

CMYK 0 / 67 / 23 / 41

HEX #963173

RGB 150 49 115

HSL 320.79, 0.51%, 0.39%

LAB 37.7, 48.99, -15.64

 

CMYK 23 / 0 / 67 / 41

HEX #749631

RGB 116 150 49

HSL 80.2, 0.51%, 0.39%

LAB 57.8, -27.47, 47.53

 

CMYK 67 / 23 / 0 / 41

HEX #317496

RGB 49 116 150

HSL 200.2, 0.51%, 0.39%

LAB 46.1, -9.96, -24.68

 

CMYK 0 / 67 / 23 / 41

HEX #963173

RGB 150 49 115

HSL 320.79, 0.51%, 0.39%

LAB 37.7, 48.99, -15.64

 

CMYK 0 / 31 / 67 / 41

HEX #966731

RGB 150 103 49

HSL 32.08, 0.51%, 0.39%

LAB 47.5, 13.32, 37.28

 

CMYK 67 / 0 / 45 / 41

HEX #319653

RGB 49 150 83

HSL 140.2, 0.51%, 0.39%

LAB 55.17, -44.37, 27.03

 

CMYK 67 / 36 / 0 / 41

HEX #316096

RGB 49 96 150

HSL 212.08, 0.51%, 0.39%

LAB 39.95, 2.16, -34.31

 

CMYK 0 / 67 / 23 / 41

HEX #963173

RGB 150 49 115

HSL 320.79, 0.51%, 0.39%

LAB 37.7, 48.99, -15.64

 

CMYK 0 / 11 / 67 / 41

HEX #968531

RGB 150 133 49

HSL 49.9, 0.51%, 0.39%

LAB 55.56, -3.72, 46.02

 

CMYK 67 / 0 / 45 / 41

HEX #319653

RGB 49 150 83

HSL 140.2, 0.51%, 0.39%

LAB 55.17, -44.37, 27.03

 

CMYK 67 / 56 / 0 / 41

HEX #314296

RGB 49 66 150

HSL 229.9, 0.51%, 0.39%

LAB 31.23, 21.91, -48.27

 

Description

Color code: HEX #963173 | qconv.com Color code: HEX #963173 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 49 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 49 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 23 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 23% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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