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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96228B it is the complementary color #69DD74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96228B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96228B shade: #9B2286, #AC3499, #BD46AC, #CE58BF and #DF6AD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96228B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96228B shade: #96228B, #851078, #740065, #630052 and #52003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96228B shade: #96228B, #96226B, #96224C, #96222D and #962222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96228B shade: #96228B, #812296, #622296, #432296 and #242296

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96228B shade matches the following richer shades: #96228B, #A41397 and #B304A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96228B shade: #96228B, #87317F, #784073, #694F67 and #5A5D5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96228B shade: #622296, #802296, #96228C, #96226D and #96224E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96228B shade: #52134C, #741A6C, #96228B, #B72AAA and #D238C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96228B shade: #96228B, #964322 and #229671

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96228B shade: #96228B, #8C9622 and #228C96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96228B shade: #96228B, #964322, #22962C and #227596

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96228B shade: #96228B, #966522, #22962C and #225296

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 7 / 41

HEX #96228B

RGB 150 34 139

HSL 305.69, 0.63%, 0.36%

LAB 36.92, 58.04, -31.75

 

Complementary color

CMYK 52 / 0 / 48 / 13

HEX #69DD74

RGB 105 221 116

HSL 125.69, 0.63%, 0.64%

LAB 79.6, -54.26, 41.56

 

CMYK 0 / 78 / 14 / 39

HEX #9B2286

RGB 155 34 134

HSL 310.41, 0.64%, 0.37%

LAB 37.54, 58.42, -27.62

 

CMYK 0 / 70 / 11 / 33

HEX #AC3499

RGB 172 52 153

HSL 309.5, 0.54%, 0.44%

LAB 43.55, 59.33, -29.59

 

CMYK 0 / 63 / 9 / 26

HEX #BD46AC

RGB 189 70 172

HSL 308.57, 0.47%, 0.51%

LAB 49.71, 59.54, -31.04

 

CMYK 0 / 57 / 7 / 19

HEX #CE58BF

RGB 206 88 191

HSL 307.63, 0.55%, 0.58%

LAB 55.95, 59.33, -32.15

 

CMYK 0 / 52 / 6 / 13

HEX #DF6AD2

RGB 223 106 210

HSL 306.67, 0.65%, 0.65%

LAB 62.21, 58.89, -33.04

 

CMYK 0 / 77 / 7 / 41

HEX #96228B

RGB 150 34 139

HSL 305.69, 0.63%, 0.36%

LAB 36.92, 58.04, -31.75

 

CMYK 0 / 88 / 10 / 48

HEX #851078

RGB 133 16 120

HSL 306.67, 0.79%, 0.29%

LAB 31.14, 56.03, -29.22

 

CMYK 0 / 100 / 13 / 55

HEX #740065

RGB 116 0 101

HSL 307.76, 1%, 0.23%

LAB 25.72, 52.63, -25.8

 

CMYK 0 / 100 / 17 / 61

HEX #630052

RGB 99 0 82

HSL 310.3, 1%, 0.19%

LAB 21.06, 46.47, -20.77

 

CMYK 0 / 100 / 23 / 68

HEX #52003F

RGB 82 0 63

HSL 313.9, 1%, 0.16%

LAB 16.27, 40.13, -15.44

 

CMYK 0 / 77 / 7 / 41

HEX #96228B

RGB 150 34 139

HSL 305.69, 0.63%, 0.36%

LAB 36.92, 58.04, -31.75

 

CMYK 0 / 77 / 29 / 41

HEX #96226B

RGB 150 34 107

HSL 322.24, 0.63%, 0.36%

LAB 35.38, 53.48, -14.14

 

CMYK 0 / 77 / 49 / 41

HEX #96224C

RGB 150 34 76

HSL 338.28, 0.63%, 0.36%

LAB 34.29, 50.1, 4.19

 

CMYK 0 / 77 / 70 / 41

HEX #96222D

RGB 150 34 45

HSL 354.31, 0.63%, 0.36%

LAB 33.6, 47.88, 23.33

 

CMYK 0 / 77 / 77 / 41

HEX #962222

RGB 150 34 34

HSL 0, 0.63%, 0.36%

LAB 33.44, 47.36, 29.96

 

CMYK 0 / 77 / 7 / 41

HEX #96228B

RGB 150 34 139

HSL 305.69, 0.63%, 0.36%

LAB 36.92, 58.04, -31.75

 

CMYK 14 / 77 / 0 / 41

HEX #812296

RGB 129 34 150

HSL 289.14, 0.63%, 0.36%

LAB 34.01, 55.42, -43.34

 

CMYK 35 / 77 / 0 / 41

HEX #622296

RGB 98 34 150

HSL 273.1, 0.63%, 0.36%

LAB 29.27, 49.38, -51.24

 

CMYK 55 / 77 / 0 / 41

HEX #432296

RGB 67 34 150

HSL 257.07, 0.63%, 0.36%

LAB 25.38, 44.28, -57.76

 

CMYK 76 / 77 / 0 / 41

HEX #242296

RGB 36 34 150

HSL 241.03, 0.63%, 0.36%

LAB 22.73, 40.69, -62.22

 

CMYK 0 / 77 / 7 / 41

HEX #96228B

RGB 150 34 139

HSL 305.69, 0.63%, 0.36%

LAB 36.92, 58.04, -31.75

 

CMYK 0 / 88 / 8 / 36

HEX #A41397

RGB 164 19 151

HSL 305.38, 0.79%, 0.36%

LAB 38.89, 66.31, -35.81

 

CMYK 0 / 98 / 9 / 30

HEX #B304A3

RGB 179 4 163

HSL 305.49, 0.96%, 0.36%

LAB 41.71, 72.64, -38.4

 

CMYK 0 / 77 / 7 / 41

HEX #96228B

RGB 150 34 139

HSL 305.69, 0.63%, 0.36%

LAB 36.92, 58.04, -31.75

 

CMYK 0 / 64 / 6 / 47

HEX #87317F

RGB 135 49 127

HSL 305.58, 0.47%, 0.36%

LAB 35.75, 46.66, -26.34

 

CMYK 0 / 47 / 4 / 53

HEX #784073

RGB 120 64 115

HSL 305.36, 0.3%, 0.36%

LAB 35.79, 32.22, -18.97

 

CMYK 0 / 25 / 2 / 59

HEX #694F67

RGB 105 79 103

HSL 304.62, 0.14%, 0.36%

LAB 37.07, 15.44, -9.68

 

CMYK 3 / 0 / 2 / 64

HEX #5A5D5B

RGB 90 93 91

HSL 140, 0.02%, 0.36%

LAB 39.17, -1.61, 0.73

 

CMYK 35 / 77 / 0 / 41

HEX #622296

RGB 98 34 150

HSL 273.1, 0.63%, 0.36%

LAB 29.27, 49.38, -51.24

 

CMYK 15 / 77 / 0 / 41

HEX #802296

RGB 128 34 150

HSL 288.62, 0.63%, 0.36%

LAB 33.85, 55.22, -43.61

 

CMYK 0 / 77 / 7 / 41

HEX #96228C

RGB 150 34 140

HSL 305.17, 0.63%, 0.36%

LAB 36.97, 58.19, -32.28

 

CMYK 0 / 77 / 27 / 41

HEX #96226D

RGB 150 34 109

HSL 321.21, 0.63%, 0.36%

LAB 35.46, 53.73, -15.28

 

CMYK 0 / 77 / 48 / 41

HEX #96224E

RGB 150 34 78

HSL 337.24, 0.63%, 0.36%

LAB 34.35, 50.29, 2.97

 

CMYK 0 / 77 / 7 / 68

HEX #52134C

RGB 82 19 76

HSL 305.71, 0.62%, 0.2%

LAB 19.15, 36.07, -19.94

 

CMYK 0 / 78 / 7 / 55

HEX #741A6C

RGB 116 26 108

HSL 305.33, 0.63%, 0.28%

LAB 28.21, 47.67, -26.41

 

CMYK 0 / 77 / 7 / 41

HEX #96228B

RGB 150 34 139

HSL 305.69, 0.63%, 0.36%

LAB 36.92, 58.04, -31.75

 

CMYK 0 / 77 / 7 / 28

HEX #B72AAA

RGB 183 42 170

HSL 305.53, 0.63%, 0.44%

LAB 45.12, 67.71, -37.14

 

CMYK 0 / 73 / 7 / 18

HEX #D238C3

RGB 210 56 195

HSL 305.84, 0.63%, 0.52%

LAB 52.36, 73.16, -40.03

 

CMYK 0 / 77 / 7 / 41

HEX #96228B

RGB 150 34 139

HSL 305.69, 0.63%, 0.36%

LAB 36.92, 58.04, -31.75

 

CMYK 0 / 55 / 77 / 41

HEX #964322

RGB 150 67 34

HSL 17.07, 0.63%, 0.36%

LAB 38.92, 32.71, 35.81

 

CMYK 77 / 0 / 25 / 41

HEX #229671

RGB 34 150 113

HSL 160.86, 0.63%, 0.36%

LAB 55.43, -40.42, 10.68

 

CMYK 0 / 77 / 7 / 41

HEX #96228B

RGB 150 34 139

HSL 305.69, 0.63%, 0.36%

LAB 36.92, 58.04, -31.75

 

CMYK 7 / 0 / 77 / 41

HEX #8C9622

RGB 140 150 34

HSL 65.17, 0.63%, 0.36%

LAB 59.44, -18.12, 55.41

 

CMYK 77 / 7 / 0 / 41

HEX #228C96

RGB 34 140 150

HSL 185.17, 0.63%, 0.36%

LAB 53.27, -25.17, -13.74

 

CMYK 0 / 77 / 7 / 41

HEX #96228B

RGB 150 34 139

HSL 305.69, 0.63%, 0.36%

LAB 36.92, 58.04, -31.75

 

CMYK 0 / 55 / 77 / 41

HEX #964322

RGB 150 67 34

HSL 17.07, 0.63%, 0.36%

LAB 38.92, 32.71, 35.81

 

CMYK 77 / 0 / 71 / 41

HEX #22962C

RGB 34 150 44

HSL 125.17, 0.63%, 0.36%

LAB 54.38, -52.39, 44.98

 

CMYK 77 / 22 / 0 / 41

HEX #227596

RGB 34 117 150

HSL 197.07, 0.63%, 0.36%

LAB 45.99, -12.77, -24.88

 

CMYK 0 / 77 / 7 / 41

HEX #96228B

RGB 150 34 139

HSL 305.69, 0.63%, 0.36%

LAB 36.92, 58.04, -31.75

 

CMYK 0 / 33 / 77 / 41

HEX #966522

RGB 150 101 34

HSL 34.66, 0.63%, 0.36%

LAB 46.85, 13.64, 43.82

 

CMYK 77 / 0 / 71 / 41

HEX #22962C

RGB 34 150 44

HSL 125.17, 0.63%, 0.36%

LAB 54.38, -52.39, 44.98

 

CMYK 77 / 45 / 0 / 41

HEX #225296

RGB 34 82 150

HSL 215.17, 0.63%, 0.36%

LAB 35.16, 8.92, -41.98

 

Description

Color code: HEX #96228B | qconv.com Color code: HEX #96228B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 34 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 34 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 7 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 7% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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