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Color name
HEX #9621CE

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9621CE it is the complementary color #69DE31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9621CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9621CE shade: #9B21C9, #AC33DC, #BD45EF, #CE57FF and #DF69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9621CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9621CE shade: #9621CE, #850FBB, #7400A8, #630095 and #520082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9621CE shade: #9622CE, #C522CE, #CE22A9, #CE227A and #CE224C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9621CE shade: #9622CE, #6822CE, #3922CE and #2222CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9621CE shade matches the following richer shades: #9622CE and #9D0EE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9621CE shade: #9622CE, #8F35BB, #8948A7, #825C94 and #7B6F81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9621CE shade: #3922CE, #6722CE, #9522CE, #C322CE and #CE22AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9621CE shade: #631687, #7C1CAB, #9622CE, #AA3ADF and #B95EE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9621CE shade: #9621CE, #CE2239 and #22CE50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9621CE shade: #9621CE, #CE9522 and #22CE95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9621CE shade: #9621CE, #CE2239, #5BCE22 and #22CEB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9621CE shade: #9621CE, #CE3E22, #5BCE22 and #22B1CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 84 / 0 / 19

HEX #9621CE

RGB 150 33 206

HSL 280.58, 0.72%, 0.47%

LAB 41.26, 70.36, -64.73

 

Complementary color

CMYK 53 / 0 / 78 / 13

HEX #69DE31

RGB 105 222 49

HSL 100.58, 0.72%, 0.53%

LAB 79.31, -61.18, 68.71

 

CMYK 23 / 84 / 0 / 21

HEX #9B21C9

RGB 155 33 201

HSL 283.57, 0.72%, 0.46%

LAB 41.65, 70.18, -61.16

 

CMYK 22 / 77 / 0 / 14

HEX #AC33DC

RGB 172 51 220

HSL 282.96, 0.71%, 0.53%

LAB 47.37, 71.44, -62.7

 

CMYK 21 / 71 / 0 / 6

HEX #BD45EF

RGB 189 69 239

HSL 282.35, 0.84%, 0.6%

LAB 53.28, 71.93, -63.78

 

CMYK 19 / 66 / 0 / 0

HEX #CE57FF

RGB 206 87 255

HSL 282.5, 1%, 0.67%

LAB 59.12, 71.35, -63.17

 

CMYK 13 / 59 / 0 / 0

HEX #DF69FF

RGB 223 105 255

HSL 287.2, 1%, 0.71%

LAB 64.17, 67.36, -54.98

 

CMYK 27 / 84 / 0 / 19

HEX #9621CE

RGB 150 33 206

HSL 280.58, 0.72%, 0.47%

LAB 41.26, 70.36, -64.73

 

CMYK 29 / 92 / 0 / 27

HEX #850FBB

RGB 133 15 187

HSL 281.16, 0.85%, 0.4%

LAB 35.82, 68.02, -62.59

 

CMYK 31 / 100 / 0 / 34

HEX #7400A8

RGB 116 0 168

HSL 281.43, 1%, 0.33%

LAB 30.74, 64.3, -59.68

 

CMYK 34 / 100 / 0 / 42

HEX #630095

RGB 99 0 149

HSL 279.87, 1%, 0.29%

LAB 26.22, 58.45, -55.6

 

CMYK 37 / 100 / 0 / 49

HEX #520082

RGB 82 0 130

HSL 277.85, 1%, 0.25%

LAB 21.6, 52.48, -51.42

 

CMYK 27 / 83 / 0 / 19

HEX #9622CE

RGB 150 34 206

HSL 280.47, 0.72%, 0.47%

LAB 41.35, 70.1, -64.58

 

CMYK 4 / 83 / 0 / 19

HEX #C522CE

RGB 197 34 206

HSL 296.86, 0.72%, 0.47%

LAB 48.85, 77.97, -52.1

 

CMYK 0 / 83 / 18 / 19

HEX #CE22A9

RGB 206 34 169

HSL 312.91, 0.72%, 0.47%

LAB 48.42, 74.39, -31.07

 

CMYK 0 / 83 / 41 / 19

HEX #CE227A

RGB 206 34 122

HSL 329.3, 0.72%, 0.47%

LAB 46.54, 69.11, -5.63

 

CMYK 0 / 83 / 63 / 19

HEX #CE224C

RGB 206 34 76

HSL 345.35, 0.72%, 0.47%

LAB 45.34, 65.61, 21.13

 

CMYK 27 / 83 / 0 / 19

HEX #9622CE

RGB 150 34 206

HSL 280.47, 0.72%, 0.47%

LAB 41.35, 70.1, -64.58

 

CMYK 50 / 83 / 0 / 19

HEX #6822CE

RGB 104 34 206

HSL 264.42, 0.72%, 0.47%

LAB 35.09, 63.81, -75.08

 

CMYK 72 / 83 / 0 / 19

HEX #3922CE

RGB 57 34 206

HSL 248.02, 0.72%, 0.47%

LAB 30.57, 59.5, -82.7

 

CMYK 83 / 83 / 0 / 19

HEX #2222CE

RGB 34 34 206

HSL 240, 0.72%, 0.47%

LAB 29.26, 58.31, -84.91

 

CMYK 27 / 83 / 0 / 19

HEX #9622CE

RGB 150 34 206

HSL 280.47, 0.72%, 0.47%

LAB 41.35, 70.1, -64.58

 

CMYK 31 / 94 / 0 / 11

HEX #9D0EE2

RGB 157 14 226

HSL 280.47, 0.88%, 0.47%

LAB 42.72, 78.74, -73.79

 

CMYK 27 / 83 / 0 / 19

HEX #9622CE

RGB 150 34 206

HSL 280.47, 0.72%, 0.47%

LAB 41.35, 70.1, -64.58

 

CMYK 24 / 72 / 0 / 27

HEX #8F35BB

RGB 143 53 187

HSL 280.3, 0.56%, 0.47%

LAB 41.17, 58.54, -53.84

 

CMYK 18 / 57 / 0 / 35

HEX #8948A7

RGB 137 72 167

HSL 281.05, 0.4%, 0.47%

LAB 42.37, 43.83, -40.15

 

CMYK 12 / 38 / 0 / 42

HEX #825C94

RGB 130 92 148

HSL 280.71, 0.23%, 0.47%

LAB 45, 26.22, -24.77

 

CMYK 5 / 14 / 0 / 49

HEX #7B6F81

RGB 123 111 129

HSL 280, 0.08%, 0.47%

LAB 48.47, 8.27, -8.21

 

CMYK 72 / 83 / 0 / 19

HEX #3922CE

RGB 57 34 206

HSL 248.02, 0.72%, 0.47%

LAB 30.57, 59.5, -82.7

 

CMYK 50 / 83 / 0 / 19

HEX #6722CE

RGB 103 34 206

HSL 264.07, 0.72%, 0.47%

LAB 34.97, 63.69, -75.28

 

CMYK 28 / 83 / 0 / 19

HEX #9522CE

RGB 149 34 206

HSL 280.12, 0.72%, 0.47%

LAB 41.2, 69.95, -64.83

 

CMYK 5 / 83 / 0 / 19

HEX #C322CE

RGB 195 34 206

HSL 296.16, 0.72%, 0.47%

LAB 48.51, 77.62, -52.65

 

CMYK 0 / 83 / 17 / 19

HEX #CE22AC

RGB 206 34 172

HSL 311.86, 0.72%, 0.47%

LAB 48.57, 74.79, -32.62

 

CMYK 27 / 84 / 0 / 47

HEX #631687

RGB 99 22 135

HSL 280.88, 0.72%, 0.31%

LAB 26.67, 50.6, -46.18

 

CMYK 27 / 84 / 0 / 33

HEX #7C1CAB

RGB 124 28 171

HSL 280.28, 0.72%, 0.39%

LAB 34.1, 60.58, -55.94

 

CMYK 27 / 83 / 0 / 19

HEX #9622CE

RGB 150 34 206

HSL 280.47, 0.72%, 0.47%

LAB 41.35, 70.1, -64.58

 

CMYK 24 / 74 / 0 / 13

HEX #AA3ADF

RGB 170 58 223

HSL 280.73, 0.72%, 0.55%

LAB 48.13, 69.25, -63.2

 

CMYK 19 / 59 / 0 / 10

HEX #B95EE5

RGB 185 94 229

HSL 280.44, 0.72%, 0.63%

LAB 56.06, 58.21, -53.74

 

CMYK 27 / 84 / 0 / 19

HEX #9621CE

RGB 150 33 206

HSL 280.58, 0.72%, 0.47%

LAB 41.26, 70.36, -64.73

 

CMYK 0 / 83 / 72 / 19

HEX #CE2239

RGB 206 34 57

HSL 351.98, 0.72%, 0.47%

LAB 45.03, 64.68, 32.33

 

CMYK 83 / 0 / 61 / 19

HEX #22CE50

RGB 34 206 80

HSL 136.05, 0.72%, 0.47%

LAB 72.93, -66.52, 50.01

 

CMYK 27 / 84 / 0 / 19

HEX #9621CE

RGB 150 33 206

HSL 280.58, 0.72%, 0.47%

LAB 41.26, 70.36, -64.73

 

CMYK 0 / 28 / 83 / 19

HEX #CE9522

RGB 206 149 34

HSL 40.12, 0.72%, 0.47%

LAB 65.54, 11.93, 63.25

 

CMYK 83 / 0 / 28 / 19

HEX #22CE95

RGB 34 206 149

HSL 160.12, 0.72%, 0.47%

LAB 73.97, -54.48, 16.88

 

CMYK 27 / 84 / 0 / 19

HEX #9621CE

RGB 150 33 206

HSL 280.58, 0.72%, 0.47%

LAB 41.26, 70.36, -64.73

 

CMYK 0 / 83 / 72 / 19

HEX #CE2239

RGB 206 34 57

HSL 351.98, 0.72%, 0.47%

LAB 45.03, 64.68, 32.33

 

CMYK 56 / 0 / 83 / 19

HEX #5BCE22

RGB 91 206 34

HSL 100.12, 0.72%, 0.47%

LAB 73.86, -59.96, 67.55

 

CMYK 83 / 0 / 11 / 19

HEX #22CEB7

RGB 34 206 183

HSL 171.98, 0.72%, 0.47%

LAB 74.76, -46.02, -0.24

 

CMYK 27 / 84 / 0 / 19

HEX #9621CE

RGB 150 33 206

HSL 280.58, 0.72%, 0.47%

LAB 41.26, 70.36, -64.73

 

CMYK 0 / 70 / 83 / 19

HEX #CE3E22

RGB 206 62 34

HSL 9.77, 0.72%, 0.47%

LAB 47.86, 55.31, 47.83

 

CMYK 56 / 0 / 83 / 19

HEX #5BCE22

RGB 91 206 34

HSL 100.12, 0.72%, 0.47%

LAB 73.86, -59.96, 67.55

 

CMYK 83 / 14 / 0 / 19

HEX #22B1CE

RGB 34 177 206

HSL 190.12, 0.72%, 0.47%

LAB 66.7, -25.69, -24.89

 

Description

Color code: HEX #9621CE | qconv.com Color code: HEX #9621CE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 33 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 33 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 84 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 84% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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