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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #961DB2 it is the complementary color #69E24D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #961DB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #961DB2 shade: #9B1DAD, #AC2FC0, #BD41D3, #CE53E6 and #DF65F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #961DB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #961DB2 shade: #961DB2, #850B9F, #74008C, #630079 and #520066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #961DB2 shade: #981DB4, #B41DA8, #B41D7F, #B41D56 and #B41D2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #961DB2 shade: #981DB4, #6F1DB4, #461DB4, #1E1DB4 and #1D1DB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #961DB2 shade matches the following richer shades: #981DB4 and #A20CC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #961DB2 shade: #981DB4, #8D2EA3, #823F92, #785081 and #6D6170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #961DB2 shade: #451DB4, #6E1DB4, #961DB4, #B41DAA and #B41D82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #961DB2 shade: #5C126D, #7A1790, #981DB4, #B523D7 and #C343E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #961DB2 shade: #961DB2, #B41D1D and #1DB459

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #961DB2 shade: #961DB2, #B4961D and #1DB496

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #961DB2 shade: #961DB2, #B41D1D, #3BB41D and #1DB4B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #961DB2 shade: #961DB2, #B44A1D, #3BB41D and #1D87B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 84 / 0 / 30

HEX #961DB2

RGB 150 29 178

HSL 288.72, 0.72%, 0.41%

LAB 38.86, 66.06, -52.21

 

Complementary color

CMYK 54 / 0 / 66 / 11

HEX #69E24D

RGB 105 226 77

HSL 108.72, 0.72%, 0.59%

LAB 80.7, -60.62, 60.33

 

CMYK 10 / 83 / 0 / 32

HEX #9B1DAD

RGB 155 29 173

HSL 292.5, 0.71%, 0.4%

LAB 39.35, 66.07, -48.4

 

CMYK 10 / 76 / 0 / 25

HEX #AC2FC0

RGB 172 47 192

HSL 291.72, 0.61%, 0.47%

LAB 45.09, 67.54, -50.23

 

CMYK 10 / 69 / 0 / 17

HEX #BD41D3

RGB 189 65 211

HSL 290.96, 0.62%, 0.54%

LAB 51.04, 68.17, -51.54

 

CMYK 10 / 64 / 0 / 10

HEX #CE53E6

RGB 206 83 230

HSL 290.2, 0.75%, 0.61%

LAB 57.1, 68.26, -52.49

 

CMYK 10 / 59 / 0 / 2

HEX #DF65F9

RGB 223 101 249

HSL 289.46, 0.93%, 0.69%

LAB 63.21, 68.01, -53.21

 

CMYK 16 / 84 / 0 / 30

HEX #961DB2

RGB 150 29 178

HSL 288.72, 0.72%, 0.41%

LAB 38.86, 66.06, -52.21

 

CMYK 16 / 93 / 0 / 38

HEX #850B9F

RGB 133 11 159

HSL 289.46, 0.87%, 0.33%

LAB 33.41, 63.38, -49.75

 

CMYK 17 / 100 / 0 / 45

HEX #74008C

RGB 116 0 140

HSL 289.71, 1%, 0.27%

LAB 28.4, 59.02, -46.35

 

CMYK 18 / 100 / 0 / 53

HEX #630079

RGB 99 0 121

HSL 289.09, 1%, 0.24%

LAB 23.78, 52.97, -42.01

 

CMYK 20 / 100 / 0 / 60

HEX #520066

RGB 82 0 102

HSL 288.24, 1%, 0.2%

LAB 19.03, 46.75, -37.56

 

CMYK 16 / 84 / 0 / 29

HEX #981DB4

RGB 152 29 180

HSL 288.87, 0.72%, 0.41%

LAB 39.33, 66.77, -52.62

 

CMYK 0 / 84 / 7 / 29

HEX #B41DA8

RGB 180 29 168

HSL 304.77, 0.72%, 0.41%

LAB 43.37, 70.02, -38.75

 

CMYK 0 / 84 / 29 / 29

HEX #B41D7F

RGB 180 29 127

HSL 321.06, 0.72%, 0.41%

LAB 41.4, 64.59, -16.96

 

CMYK 0 / 84 / 52 / 29

HEX #B41D56

RGB 180 29 86

HSL 337.35, 0.72%, 0.41%

LAB 40, 60.59, 6.71

 

CMYK 0 / 84 / 74 / 29

HEX #B41D2E

RGB 180 29 46

HSL 353.25, 0.72%, 0.41%

LAB 39.21, 58.22, 30.85

 

CMYK 16 / 84 / 0 / 29

HEX #981DB4

RGB 152 29 180

HSL 288.87, 0.72%, 0.41%

LAB 39.33, 66.77, -52.62

 

CMYK 38 / 84 / 0 / 29

HEX #6F1DB4

RGB 111 29 180

HSL 272.58, 0.72%, 0.41%

LAB 33.04, 60.24, -63.14

 

CMYK 61 / 84 / 0 / 29

HEX #461DB4

RGB 70 29 180

HSL 256.29, 0.72%, 0.41%

LAB 28.05, 55.28, -71.52

 

CMYK 83 / 84 / 0 / 29

HEX #1E1DB4

RGB 30 29 180

HSL 240.4, 0.72%, 0.41%

LAB 25.11, 52.5, -76.49

 

CMYK 84 / 84 / 0 / 29

HEX #1D1DB4

RGB 29 29 180

HSL 240, 0.72%, 0.41%

LAB 25.06, 52.45, -76.57

 

CMYK 16 / 84 / 0 / 29

HEX #981DB4

RGB 152 29 180

HSL 288.87, 0.72%, 0.41%

LAB 39.33, 66.77, -52.62

 

CMYK 18 / 94 / 0 / 23

HEX #A20CC5

RGB 162 12 197

HSL 288.65, 0.89%, 0.41%

LAB 41.18, 74.37, -59.54

 

CMYK 16 / 84 / 0 / 29

HEX #981DB4

RGB 152 29 180

HSL 288.87, 0.72%, 0.41%

LAB 39.33, 66.77, -52.62

 

CMYK 13 / 72 / 0 / 36

HEX #8D2EA3

RGB 141 46 163

HSL 288.72, 0.56%, 0.41%

LAB 38.31, 56.06, -44.22

 

CMYK 11 / 57 / 0 / 43

HEX #823F92

RGB 130 63 146

HSL 288.43, 0.4%, 0.41%

LAB 38.51, 42.11, -33.72

 

CMYK 7 / 38 / 0 / 49

HEX #785081

RGB 120 80 129

HSL 288.98, 0.23%, 0.41%

LAB 40.11, 25.8, -20.95

 

CMYK 3 / 13 / 0 / 56

HEX #6D6170

RGB 109 97 112

HSL 288, 0.07%, 0.41%

LAB 42.72, 7.82, -6.71

 

CMYK 62 / 84 / 0 / 29

HEX #451DB4

RGB 69 29 180

HSL 255.89, 0.72%, 0.41%

LAB 27.95, 55.19, -71.68

 

CMYK 39 / 84 / 0 / 29

HEX #6E1DB4

RGB 110 29 180

HSL 272.19, 0.72%, 0.41%

LAB 32.9, 60.09, -63.37

 

CMYK 17 / 84 / 0 / 29

HEX #961DB4

RGB 150 29 180

HSL 288.08, 0.72%, 0.41%

LAB 39, 66.43, -53.17

 

CMYK 0 / 84 / 6 / 29

HEX #B41DAA

RGB 180 29 170

HSL 303.97, 0.72%, 0.41%

LAB 43.48, 70.32, -39.76

 

CMYK 0 / 84 / 28 / 29

HEX #B41D82

RGB 180 29 130

HSL 319.87, 0.72%, 0.41%

LAB 41.52, 64.95, -18.62

 

CMYK 16 / 83 / 0 / 57

HEX #5C126D

RGB 92 18 109

HSL 288.79, 0.72%, 0.25%

LAB 23.04, 45.13, -35.56

 

CMYK 15 / 84 / 0 / 44

HEX #7A1790

RGB 122 23 144

HSL 289.09, 0.72%, 0.33%

LAB 31.26, 56.29, -44.14

 

CMYK 16 / 84 / 0 / 29

HEX #981DB4

RGB 152 29 180

HSL 288.87, 0.72%, 0.41%

LAB 39.33, 66.77, -52.62

 

CMYK 16 / 84 / 0 / 16

HEX #B523D7

RGB 181 35 215

HSL 288.67, 0.72%, 0.49%

LAB 46.89, 76.5, -60.57

 

CMYK 13 / 70 / 0 / 12

HEX #C343E0

RGB 195 67 224

HSL 288.92, 0.72%, 0.57%

LAB 52.95, 71.05, -55.83

 

CMYK 16 / 84 / 0 / 30

HEX #961DB2

RGB 150 29 178

HSL 288.72, 0.72%, 0.41%

LAB 38.86, 66.06, -52.21

 

CMYK 0 / 84 / 84 / 29

HEX #B41D1D

RGB 180 29 29

HSL 0, 0.72%, 0.41%

LAB 39.02, 57.66, 40.43

 

CMYK 84 / 0 / 51 / 29

HEX #1DB459

RGB 29 180 89

HSL 143.84, 0.72%, 0.41%

LAB 64.66, -57.24, 35.87

 

CMYK 16 / 84 / 0 / 30

HEX #961DB2

RGB 150 29 178

HSL 288.72, 0.72%, 0.41%

LAB 38.86, 66.06, -52.21

 

CMYK 0 / 17 / 84 / 29

HEX #B4961D

RGB 180 150 29

HSL 48.08, 0.72%, 0.41%

LAB 63.01, -0.34, 61.48

 

CMYK 84 / 0 / 17 / 29

HEX #1DB496

RGB 29 180 150

HSL 168.08, 0.72%, 0.41%

LAB 65.83, -44.18, 4.8

 

CMYK 16 / 84 / 0 / 30

HEX #961DB2

RGB 150 29 178

HSL 288.72, 0.72%, 0.41%

LAB 38.86, 66.06, -52.21

 

CMYK 0 / 84 / 84 / 29

HEX #B41D1D

RGB 180 29 29

HSL 0, 0.72%, 0.41%

LAB 39.02, 57.66, 40.43

 

CMYK 67 / 0 / 84 / 29

HEX #3BB41D

RGB 59 180 29

HSL 108.08, 0.72%, 0.41%

LAB 64.69, -58.85, 60.2

 

CMYK 84 / 0 / 0 / 29

HEX #1DB4B4

RGB 29 180 180

HSL 180, 0.72%, 0.41%

LAB 66.67, -35.7, -10.57

 

CMYK 16 / 84 / 0 / 30

HEX #961DB2

RGB 150 29 178

HSL 288.72, 0.72%, 0.41%

LAB 38.86, 66.06, -52.21

 

CMYK 0 / 59 / 84 / 29

HEX #B44A1D

RGB 180 74 29

HSL 17.88, 0.72%, 0.41%

LAB 45.21, 40.8, 46.04

 

CMYK 67 / 0 / 84 / 29

HEX #3BB41D

RGB 59 180 29

HSL 108.08, 0.72%, 0.41%

LAB 64.69, -58.85, 60.2

 

CMYK 84 / 25 / 0 / 29

HEX #1D87B4

RGB 29 135 180

HSL 197.88, 0.72%, 0.41%

LAB 52.82, -12.7, -31.73

 

Description

Color code: HEX #961DB2 | qconv.com Color code: HEX #961DB2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 29 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 29 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 84 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 84% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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