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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #960FBA it is the complementary color #69F045. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #960FBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #960FBA shade: #9B0FB5, #AC21C8, #BD33DB, #CE45EE and #DF57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #960FBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #960FBA shade: #960FBA, #8500A7, #740094, #630081 and #52006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #960FBA shade: #940FB8, #B80FAE, #B80F80, #B80F53 and #B80F25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #960FBA shade: #940FB8, #670FB8, #390FB8 and #0F0FB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #960FBA shade matches the following richer shades: #940FB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #960FBA shade: #940FB8, #8B1FA8, #822F98, #783F88 and #6F4F78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #960FBA shade: #390FB8, #660FB8, #930FB8, #B80FB0 and #B80F82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #960FBA shade: #57096C, #760C92, #940FB8, #B312DE and #C52CEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #960FBA shade: #960FBA, #B80F12 and #0FB850

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #960FBA shade: #960FBA, #B8930F and #0FB893

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #960FBA shade: #960FBA, #B80F12, #34B80F and #0FB8B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #960FBA shade: #960FBA, #B83F0F, #34B80F and #0F88B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 92 / 0 / 27

HEX #960FBA

RGB 150 15 186

HSL 287.37, 0.85%, 0.39%

LAB 38.5, 70.26, -57.52

 

Complementary color

CMYK 56 / 0 / 71 / 6

HEX #69F045

RGB 105 240 69

HSL 107.37, 0.85%, 0.61%

LAB 84.87, -66.25, 67.68

 

CMYK 14 / 92 / 0 / 29

HEX #9B0FB5

RGB 155 15 181

HSL 290.6, 0.85%, 0.38%

LAB 38.98, 70.15, -53.75

 

CMYK 14 / 84 / 0 / 22

HEX #AC21C8

RGB 172 33 200

HSL 289.94, 0.72%, 0.46%

LAB 44.27, 72.82, -56.2

 

CMYK 14 / 77 / 0 / 14

HEX #BD33DB

RGB 189 51 219

HSL 289.29, 0.7%, 0.53%

LAB 49.86, 74.36, -58

 

CMYK 13 / 71 / 0 / 7

HEX #CE45EE

RGB 206 69 238

HSL 288.64, 0.83%, 0.6%

LAB 55.64, 75.11, -59.31

 

CMYK 13 / 66 / 0 / 0

HEX #DF57FF

RGB 223 87 255

HSL 288.57, 1%, 0.67%

LAB 61.42, 74.96, -59.37

 

CMYK 19 / 92 / 0 / 27

HEX #960FBA

RGB 150 15 186

HSL 287.37, 0.85%, 0.39%

LAB 38.5, 70.26, -57.52

 

CMYK 20 / 100 / 0 / 35

HEX #8500A7

RGB 133 0 167

HSL 287.78, 1%, 0.33%

LAB 33.51, 66.34, -54.43

 

CMYK 22 / 100 / 0 / 42

HEX #740094

RGB 116 0 148

HSL 287.03, 1%, 0.29%

LAB 29.03, 60.48, -50.27

 

CMYK 23 / 100 / 0 / 49

HEX #630081

RGB 99 0 129

HSL 286.05, 1%, 0.25%

LAB 24.44, 54.49, -46.02

 

CMYK 25 / 100 / 0 / 57

HEX #52006E

RGB 82 0 110

HSL 284.73, 1%, 0.22%

LAB 19.72, 48.33, -41.67

 

CMYK 20 / 92 / 0 / 28

HEX #940FB8

RGB 148 15 184

HSL 287.22, 0.85%, 0.39%

LAB 38.02, 69.6, -57.14

 

CMYK 0 / 92 / 5 / 28

HEX #B80FAE

RGB 184 15 174

HSL 303.55, 0.85%, 0.39%

LAB 43.64, 73.96, -41.85

 

CMYK 0 / 92 / 30 / 28

HEX #B80F80

RGB 184 15 128

HSL 319.88, 0.85%, 0.39%

LAB 41.36, 68.06, -17.57

 

CMYK 0 / 92 / 55 / 28

HEX #B80F53

RGB 184 15 83

HSL 335.86, 0.85%, 0.39%

LAB 39.84, 63.95, 8.51

 

CMYK 0 / 92 / 80 / 28

HEX #B80F25

RGB 184 15 37

HSL 352.19, 0.85%, 0.39%

LAB 39.01, 61.62, 36.24

 

CMYK 20 / 92 / 0 / 28

HEX #940FB8

RGB 148 15 184

HSL 287.22, 0.85%, 0.39%

LAB 38.02, 69.6, -57.14

 

CMYK 44 / 92 / 0 / 28

HEX #670FB8

RGB 103 15 184

HSL 271.24, 0.85%, 0.39%

LAB 31.08, 63.71, -68.76

 

CMYK 69 / 92 / 0 / 28

HEX #390FB8

RGB 57 15 184

HSL 254.91, 0.85%, 0.39%

LAB 25.78, 59.9, -77.7

 

CMYK 92 / 92 / 0 / 28

HEX #0F0FB8

RGB 15 15 184

HSL 240, 0.85%, 0.39%

LAB 23.35, 58.44, -81.82

 

CMYK 20 / 92 / 0 / 28

HEX #940FB8

RGB 148 15 184

HSL 287.22, 0.85%, 0.39%

LAB 38.02, 69.6, -57.14

 

CMYK 20 / 92 / 0 / 28

HEX #940FB8

RGB 148 15 184

HSL 287.22, 0.85%, 0.39%

LAB 38.02, 69.6, -57.14

 

CMYK 17 / 82 / 0 / 34

HEX #8B1FA8

RGB 139 31 168

HSL 287.3, 0.69%, 0.39%

LAB 36.55, 61.72, -50.06

 

CMYK 14 / 69 / 0 / 40

HEX #822F98

RGB 130 47 152

HSL 287.43, 0.53%, 0.39%

LAB 36.07, 50.99, -41.24

 

CMYK 12 / 54 / 0 / 47

HEX #783F88

RGB 120 63 136

HSL 286.85, 0.37%, 0.39%

LAB 36.6, 37.11, -30.71

 

CMYK 8 / 34 / 0 / 53

HEX #6F4F78

RGB 111 79 120

HSL 286.83, 0.21%, 0.39%

LAB 38.42, 21.31, -18.11

 

CMYK 69 / 92 / 0 / 28

HEX #390FB8

RGB 57 15 184

HSL 254.91, 0.85%, 0.39%

LAB 25.78, 59.9, -77.7

 

CMYK 45 / 92 / 0 / 28

HEX #660FB8

RGB 102 15 184

HSL 270.89, 0.85%, 0.39%

LAB 30.94, 63.61, -69

 

CMYK 20 / 92 / 0 / 28

HEX #930FB8

RGB 147 15 184

HSL 286.86, 0.85%, 0.39%

LAB 37.85, 69.45, -57.42

 

CMYK 0 / 92 / 4 / 28

HEX #B80FB0

RGB 184 15 176

HSL 302.84, 0.85%, 0.39%

LAB 43.75, 74.25, -42.86

 

CMYK 0 / 92 / 29 / 28

HEX #B80F82

RGB 184 15 130

HSL 319.17, 0.85%, 0.39%

LAB 41.44, 68.28, -18.67

 

CMYK 19 / 92 / 0 / 58

HEX #57096C

RGB 87 9 108

HSL 287.27, 0.85%, 0.23%

LAB 21.22, 46.46, -37.88

 

CMYK 19 / 92 / 0 / 43

HEX #760C92

RGB 118 12 146

HSL 287.46, 0.85%, 0.31%

LAB 29.89, 58.44, -47.64

 

CMYK 20 / 92 / 0 / 28

HEX #940FB8

RGB 148 15 184

HSL 287.22, 0.85%, 0.39%

LAB 38.02, 69.6, -57.14

 

CMYK 19 / 92 / 0 / 13

HEX #B312DE

RGB 179 18 222

HSL 287.35, 0.85%, 0.47%

LAB 46.03, 80.44, -65.97

 

CMYK 17 / 82 / 0 / 7

HEX #C52CEE

RGB 197 44 238

HSL 287.32, 0.85%, 0.55%

LAB 51.66, 81.04, -65.78

 

CMYK 19 / 92 / 0 / 27

HEX #960FBA

RGB 150 15 186

HSL 287.37, 0.85%, 0.39%

LAB 38.5, 70.26, -57.52

 

CMYK 0 / 92 / 90 / 28

HEX #B80F12

RGB 184 15 18

HSL 358.93, 0.85%, 0.39%

LAB 38.86, 61.18, 46.04

 

CMYK 92 / 0 / 57 / 28

HEX #0FB850

RGB 15 184 80

HSL 143.08, 0.85%, 0.39%

LAB 65.72, -60.99, 41.54

 

CMYK 19 / 92 / 0 / 27

HEX #960FBA

RGB 150 15 186

HSL 287.37, 0.85%, 0.39%

LAB 38.5, 70.26, -57.52

 

CMYK 0 / 20 / 92 / 28

HEX #B8930F

RGB 184 147 15

HSL 46.86, 0.85%, 0.39%

LAB 62.59, 2.78, 64.56

 

CMYK 92 / 0 / 20 / 28

HEX #0FB893

RGB 15 184 147

HSL 166.86, 0.85%, 0.39%

LAB 66.89, -47.51, 7.96

 

CMYK 19 / 92 / 0 / 27

HEX #960FBA

RGB 150 15 186

HSL 287.37, 0.85%, 0.39%

LAB 38.5, 70.26, -57.52

 

CMYK 0 / 92 / 90 / 28

HEX #B80F12

RGB 184 15 18

HSL 358.93, 0.85%, 0.39%

LAB 38.86, 61.18, 46.04

 

CMYK 72 / 0 / 92 / 28

HEX #34B80F

RGB 52 184 15

HSL 106.86, 0.85%, 0.39%

LAB 65.78, -62.01, 63.92

 

CMYK 92 / 0 / 2 / 28

HEX #0FB8B5

RGB 15 184 181

HSL 178.93, 0.85%, 0.39%

LAB 67.81, -38.03, -9.43

 

CMYK 19 / 92 / 0 / 27

HEX #960FBA

RGB 150 15 186

HSL 287.37, 0.85%, 0.39%

LAB 38.5, 70.26, -57.52

 

CMYK 0 / 66 / 92 / 28

HEX #B83F0F

RGB 184 63 15

HSL 17.04, 0.85%, 0.39%

LAB 43.92, 47.01, 50.78

 

CMYK 72 / 0 / 92 / 28

HEX #34B80F

RGB 52 184 15

HSL 106.86, 0.85%, 0.39%

LAB 65.78, -62.01, 63.92

 

CMYK 92 / 26 / 0 / 28

HEX #0F88B8

RGB 15 136 184

HSL 197.04, 0.85%, 0.39%

LAB 53.14, -12.72, -33.55

 

Description

Color code: HEX #960FBA | qconv.com Color code: HEX #960FBA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 15 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 15 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 92 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 92% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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