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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #960CAB it is the complementary color #69F354. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #960CAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #960CAB shade: #9B0CA6, #AC1EB9, #BD30CC, #CE42DF and #DF54F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #960CAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #960CAB shade: #960CAB, #850098, #740085, #630072 and #52005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #960CAB shade: #970CAC, #AC0C96, #AC0C6B, #AC0C40 and #AC0C14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #960CAB shade: #970CAC, #6C0CAC, #400CAC, #150CAC and #0C0CAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #960CAB shade matches the following richer shades: #970CAC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #960CAB shade: #970CAC, #8C1B9D, #812A8E, #76387F and #6B4770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #960CAB shade: #410CAC, #6C0CAC, #960CAC, #AC0C96 and #AC0C6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #960CAB shade: #53075F, #750985, #970CAC, #B80FD2 and #D31BEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #960CAB shade: #960CAB, #AC170C and #0CAC56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #960CAB shade: #960CAB, #AC960C and #0CAC96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #960CAB shade: #960CAB, #AC170C, #21AC0C and #0CA1AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #960CAB shade: #960CAB, #AC470C, #21AC0C and #0C71AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 93 / 0 / 33

HEX #960CAB

RGB 150 12 171

HSL 292.08, 0.87%, 0.36%

LAB 37.28, 68.06, -50.59

 

Complementary color

CMYK 57 / 0 / 65 / 5

HEX #69F354

RGB 105 243 84

HSL 112.08, 0.87%, 0.64%

LAB 85.88, -66.08, 63.14

 

CMYK 7 / 93 / 0 / 35

HEX #9B0CA6

RGB 155 12 166

HSL 295.71, 0.87%, 0.35%

LAB 37.81, 68.05, -46.68

 

CMYK 7 / 84 / 0 / 27

HEX #AC1EB9

RGB 172 30 185

HSL 294.97, 0.72%, 0.42%

LAB 43.07, 70.95, -49.38

 

CMYK 7 / 76 / 0 / 20

HEX #BD30CC

RGB 189 48 204

HSL 294.23, 0.62%, 0.49%

LAB 48.63, 72.66, -51.38

 

CMYK 8 / 70 / 0 / 13

HEX #CE42DF

RGB 206 66 223

HSL 293.5, 0.71%, 0.57%

LAB 54.39, 73.52, -52.86

 

CMYK 8 / 65 / 0 / 5

HEX #DF54F2

RGB 223 84 242

HSL 292.78, 0.86%, 0.64%

LAB 60.28, 73.82, -53.98

 

CMYK 12 / 93 / 0 / 33

HEX #960CAB

RGB 150 12 171

HSL 292.08, 0.87%, 0.36%

LAB 37.28, 68.06, -50.59

 

CMYK 13 / 100 / 0 / 40

HEX #850098

RGB 133 0 152

HSL 292.5, 1%, 0.3%

LAB 32.38, 63.71, -47.16

 

CMYK 13 / 100 / 0 / 48

HEX #740085

RGB 116 0 133

HSL 292.33, 1%, 0.26%

LAB 27.86, 57.78, -42.85

 

CMYK 13 / 100 / 0 / 55

HEX #630072

RGB 99 0 114

HSL 292.11, 1%, 0.22%

LAB 23.23, 51.69, -38.42

 

CMYK 14 / 100 / 0 / 63

HEX #52005F

RGB 82 0 95

HSL 291.79, 1%, 0.19%

LAB 18.45, 45.42, -33.86

 

CMYK 12 / 93 / 0 / 33

HEX #970CAC

RGB 151 12 172

HSL 292.13, 0.87%, 0.36%

LAB 37.52, 68.39, -50.79

 

CMYK 0 / 93 / 13 / 33

HEX #AC0C96

RGB 172 12 150

HSL 308.25, 0.87%, 0.36%

LAB 39.97, 68.72, -33.39

 

CMYK 0 / 93 / 38 / 33

HEX #AC0C6B

RGB 172 12 107

HSL 324.38, 0.87%, 0.36%

LAB 38.01, 63.58, -9.74

 

CMYK 0 / 93 / 63 / 33

HEX #AC0C40

RGB 172 12 64

HSL 340.5, 0.87%, 0.36%

LAB 36.75, 60.13, 16.07

 

CMYK 0 / 93 / 88 / 33

HEX #AC0C14

RGB 172 12 20

HSL 357, 0.87%, 0.36%

LAB 36.15, 58.44, 41.91

 

CMYK 12 / 93 / 0 / 33

HEX #970CAC

RGB 151 12 172

HSL 292.13, 0.87%, 0.36%

LAB 37.52, 68.39, -50.79

 

CMYK 37 / 93 / 0 / 33

HEX #6C0CAC

RGB 108 12 172

HSL 276, 0.87%, 0.36%

LAB 30.47, 62.25, -62.57

 

CMYK 63 / 93 / 0 / 33

HEX #400CAC

RGB 64 12 172

HSL 259.5, 0.87%, 0.36%

LAB 24.74, 58, -72.23

 

CMYK 88 / 93 / 0 / 33

HEX #150CAC

RGB 21 12 172

HSL 243.38, 0.87%, 0.36%

LAB 21.58, 56.09, -77.57

 

CMYK 93 / 93 / 0 / 33

HEX #0C0CAC

RGB 12 12 172

HSL 240, 0.87%, 0.36%

LAB 21.28, 55.93, -78.08

 

CMYK 12 / 93 / 0 / 33

HEX #970CAC

RGB 151 12 172

HSL 292.13, 0.87%, 0.36%

LAB 37.52, 68.39, -50.79

 

CMYK 12 / 93 / 0 / 33

HEX #970CAC

RGB 151 12 172

HSL 292.13, 0.87%, 0.36%

LAB 37.52, 68.39, -50.79

 

CMYK 11 / 83 / 0 / 38

HEX #8C1B9D

RGB 140 27 157

HSL 292.15, 0.71%, 0.36%

LAB 35.58, 60.98, -44.98

 

CMYK 9 / 70 / 0 / 44

HEX #812A8E

RGB 129 42 142

HSL 292.2, 0.54%, 0.36%

LAB 34.55, 50.88, -37.57

 

CMYK 7 / 56 / 0 / 50

HEX #76387F

RGB 118 56 127

HSL 292.39, 0.39%, 0.36%

LAB 34.42, 38.39, -28.61

 

CMYK 4 / 37 / 0 / 56

HEX #6B4770

RGB 107 71 112

HSL 292.68, 0.22%, 0.36%

LAB 35.6, 23.01, -17.52

 

CMYK 62 / 93 / 0 / 33

HEX #410CAC

RGB 65 12 172

HSL 259.88, 0.87%, 0.36%

LAB 24.84, 58.07, -72.05

 

CMYK 37 / 93 / 0 / 33

HEX #6C0CAC

RGB 108 12 172

HSL 276, 0.87%, 0.36%

LAB 30.47, 62.25, -62.57

 

CMYK 13 / 93 / 0 / 33

HEX #960CAC

RGB 150 12 172

HSL 291.75, 0.87%, 0.36%

LAB 37.35, 68.23, -51.08

 

CMYK 0 / 93 / 13 / 33

HEX #AC0C96

RGB 172 12 150

HSL 308.25, 0.87%, 0.36%

LAB 39.97, 68.72, -33.39

 

CMYK 0 / 93 / 37 / 33

HEX #AC0C6C

RGB 172 12 108

HSL 324, 0.87%, 0.36%

LAB 38.05, 63.68, -10.32

 

CMYK 13 / 93 / 0 / 63

HEX #53075F

RGB 83 7 95

HSL 291.82, 0.86%, 0.2%

LAB 19.3, 43.67, -32.49

 

CMYK 12 / 93 / 0 / 48

HEX #750985

RGB 117 9 133

HSL 292.26, 0.87%, 0.28%

LAB 28.57, 56.4, -41.7

 

CMYK 12 / 93 / 0 / 33

HEX #970CAC

RGB 151 12 172

HSL 292.13, 0.87%, 0.36%

LAB 37.52, 68.39, -50.79

 

CMYK 12 / 93 / 0 / 18

HEX #B80FD2

RGB 184 15 210

HSL 292, 0.87%, 0.44%

LAB 45.89, 79.52, -59.28

 

CMYK 12 / 89 / 0 / 6

HEX #D31BEF

RGB 211 27 239

HSL 292.08, 0.87%, 0.52%

LAB 52.8, 86.79, -64.39

 

CMYK 12 / 93 / 0 / 33

HEX #960CAB

RGB 150 12 171

HSL 292.08, 0.87%, 0.36%

LAB 37.28, 68.06, -50.59

 

CMYK 0 / 87 / 93 / 33

HEX #AC170C

RGB 172 23 12

HSL 4.13, 0.87%, 0.36%

LAB 36.76, 56.41, 45.88

 

CMYK 93 / 0 / 50 / 33

HEX #0CAC56

RGB 12 172 86

HSL 147.75, 0.87%, 0.36%

LAB 61.87, -56.27, 33.88

 

CMYK 12 / 93 / 0 / 33

HEX #960CAB

RGB 150 12 171

HSL 292.08, 0.87%, 0.36%

LAB 37.28, 68.06, -50.59

 

CMYK 0 / 13 / 93 / 33

HEX #AC960C

RGB 172 150 12

HSL 51.75, 0.87%, 0.36%

LAB 62.18, -4.33, 64.23

 

CMYK 93 / 0 / 13 / 33

HEX #0CAC96

RGB 12 172 150

HSL 171.75, 0.87%, 0.36%

LAB 63.16, -41.82, 0.92

 

CMYK 12 / 93 / 0 / 33

HEX #960CAB

RGB 150 12 171

HSL 292.08, 0.87%, 0.36%

LAB 37.28, 68.06, -50.59

 

CMYK 0 / 87 / 93 / 33

HEX #AC170C

RGB 172 23 12

HSL 4.13, 0.87%, 0.36%

LAB 36.76, 56.41, 45.88

 

CMYK 81 / 0 / 93 / 33

HEX #21AC0C

RGB 33 172 12

HSL 112.13, 0.87%, 0.36%

LAB 61.53, -61.32, 60.66

 

CMYK 93 / 6 / 0 / 33

HEX #0CA1AC

RGB 12 161 172

HSL 184.13, 0.87%, 0.36%

LAB 60.38, -30.14, -15.58

 

CMYK 12 / 93 / 0 / 33

HEX #960CAB

RGB 150 12 171

HSL 292.08, 0.87%, 0.36%

LAB 37.28, 68.06, -50.59

 

CMYK 0 / 59 / 93 / 33

HEX #AC470C

RGB 172 71 12

HSL 22.13, 0.87%, 0.36%

LAB 43.22, 38.8, 50.25

 

CMYK 81 / 0 / 93 / 33

HEX #21AC0C

RGB 33 172 12

HSL 112.13, 0.87%, 0.36%

LAB 61.53, -61.32, 60.66

 

CMYK 93 / 34 / 0 / 33

HEX #0C71AC

RGB 12 113 172

HSL 202.13, 0.87%, 0.36%

LAB 45.45, -3.98, -38.69

 

Description

Color code: HEX #960CAB | qconv.com Color code: HEX #960CAB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 12 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 12 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 93 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 93% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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