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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9604D6 it is the complementary color #69FB29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9604D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9604D6 shade: #9B04D1, #AC16E4, #BD28F7, #CE3AFF and #DF4CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9604D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9604D6 shade: #9604D6, #8500C3, #7400B0, #63009D and #52008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9604D6 shade: #9704D7, #D004D7, #D704A6, #D7046D and #D70434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9604D6 shade: #9704D7, #5E04D7, #2504D7 and #0404D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9604D6 shade matches the following richer shades: #9704D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9604D6 shade: #9704D7, #9016C5, #8928B3, #823AA2 and #7B4B90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9604D6 shade: #2404D7, #5C04D7, #9404D7, #CC04D7 and #D704A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9604D6 shade: #5E0386, #7A04AE, #9704D7, #B10BFA and #BE33FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9604D6 shade: #9604D6, #D7041D and #04D740

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9604D6 shade: #9604D6, #D79404 and #04D794

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9604D6 shade: #9604D6, #D7041D, #47D704 and #04D7BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9604D6 shade: #9604D6, #D72B04, #47D704 and #04B0D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 98 / 0 / 16

HEX #9604D6

RGB 150 4 214

HSL 281.71, 0.96%, 0.43%

LAB 40.29, 76.7, -70.94

 

Complementary color

CMYK 58 / 0 / 84 / 2

HEX #69FB29

RGB 105 251 41

HSL 101.71, 0.96%, 0.57%

LAB 88.04, -71.53, 78.73

 

CMYK 26 / 98 / 0 / 18

HEX #9B04D1

RGB 155 4 209

HSL 284.2, 0.96%, 0.42%

LAB 40.67, 76.39, -67.4

 

CMYK 25 / 90 / 0 / 11

HEX #AC16E4

RGB 172 22 228

HSL 283.69, 0.82%, 0.49%

LAB 45.56, 79.95, -70.2

 

CMYK 23 / 84 / 0 / 3

HEX #BD28F7

RGB 189 40 247

HSL 283.19, 0.93%, 0.56%

LAB 50.75, 82.35, -72.37

 

CMYK 19 / 77 / 0 / 0

HEX #CE3AFF

RGB 206 58 255

HSL 285.08, 1%, 0.61%

LAB 55.45, 81.77, -69.09

 

CMYK 13 / 70 / 0 / 0

HEX #DF4CFF

RGB 223 76 255

HSL 289.27, 1%, 0.65%

LAB 59.96, 79.07, -61.7

 

CMYK 30 / 98 / 0 / 16

HEX #9604D6

RGB 150 4 214

HSL 281.71, 0.96%, 0.43%

LAB 40.29, 76.7, -70.94

 

CMYK 32 / 100 / 0 / 24

HEX #8500C3

RGB 133 0 195

HSL 280.92, 1%, 0.38%

LAB 35.84, 71.55, -67.27

 

CMYK 34 / 100 / 0 / 31

HEX #7400B0

RGB 116 0 176

HSL 279.55, 1%, 0.35%

LAB 31.46, 65.88, -63.31

 

CMYK 37 / 100 / 0 / 38

HEX #63009D

RGB 99 0 157

HSL 277.83, 1%, 0.31%

LAB 26.98, 60.1, -59.26

 

CMYK 41 / 100 / 0 / 46

HEX #52008A

RGB 82 0 138

HSL 275.65, 1%, 0.27%

LAB 22.4, 54.2, -55.13

 

CMYK 30 / 98 / 0 / 16

HEX #9704D7

RGB 151 4 215

HSL 281.8, 0.96%, 0.43%

LAB 40.53, 77.01, -71.11

 

CMYK 3 / 98 / 0 / 16

HEX #D004D7

RGB 208 4 215

HSL 298.01, 0.96%, 0.43%

LAB 49.98, 84.98, -55.35

 

CMYK 0 / 98 / 23 / 16

HEX #D704A6

RGB 215 4 166

HSL 313.93, 0.96%, 0.43%

LAB 48.62, 79.68, -28.87

 

CMYK 0 / 98 / 49 / 16

HEX #D7046D

RGB 215 4 109

HSL 330.14, 0.96%, 0.43%

LAB 46.5, 74.16, 2.52

 

CMYK 0 / 98 / 76 / 16

HEX #D70434

RGB 215 4 52

HSL 346.35, 0.96%, 0.43%

LAB 45.33, 71.02, 36.14

 

CMYK 30 / 98 / 0 / 16

HEX #9704D7

RGB 151 4 215

HSL 281.8, 0.96%, 0.43%

LAB 40.53, 77.01, -71.11

 

CMYK 56 / 98 / 0 / 16

HEX #5E04D7

RGB 94 4 215

HSL 265.59, 0.96%, 0.43%

LAB 32.64, 71.64, -84.38

 

CMYK 83 / 98 / 0 / 16

HEX #2504D7

RGB 37 4 215

HSL 249.38, 0.96%, 0.43%

LAB 27.81, 69.26, -92.56

 

CMYK 98 / 98 / 0 / 16

HEX #0404D7

RGB 4 4 215

HSL 240, 0.96%, 0.43%

LAB 26.79, 68.88, -94.29

 

CMYK 30 / 98 / 0 / 16

HEX #9704D7

RGB 151 4 215

HSL 281.8, 0.96%, 0.43%

LAB 40.53, 77.01, -71.11

 

CMYK 30 / 98 / 0 / 16

HEX #9704D7

RGB 151 4 215

HSL 281.8, 0.96%, 0.43%

LAB 40.53, 77.01, -71.11

 

CMYK 27 / 89 / 0 / 23

HEX #9016C5

RGB 144 22 197

HSL 281.83, 0.8%, 0.43%

LAB 38.78, 70.23, -63.56

 

CMYK 23 / 78 / 0 / 30

HEX #8928B3

RGB 137 40 179

HSL 281.87, 0.63%, 0.43%

LAB 38, 60.66, -54.28

 

CMYK 20 / 64 / 0 / 36

HEX #823AA2

RGB 130 58 162

HSL 281.54, 0.47%, 0.43%

LAB 38.52, 48.05, -43.37

 

CMYK 15 / 48 / 0 / 44

HEX #7B4B90

RGB 123 75 144

HSL 281.74, 0.32%, 0.43%

LAB 40.01, 33.03, -30.2

 

CMYK 83 / 98 / 0 / 16

HEX #2404D7

RGB 36 4 215

HSL 249.1, 0.96%, 0.43%

LAB 27.76, 69.24, -92.64

 

CMYK 57 / 98 / 0 / 16

HEX #5C04D7

RGB 92 4 215

HSL 265.02, 0.96%, 0.43%

LAB 32.41, 71.51, -84.77

 

CMYK 31 / 98 / 0 / 16

HEX #9404D7

RGB 148 4 215

HSL 280.95, 0.96%, 0.43%

LAB 40.06, 76.65, -71.89

 

CMYK 5 / 98 / 0 / 16

HEX #CC04D7

RGB 204 4 215

HSL 296.87, 0.96%, 0.43%

LAB 49.29, 84.35, -56.5

 

CMYK 0 / 98 / 21 / 16

HEX #D704A9

RGB 215 4 169

HSL 313.08, 0.96%, 0.43%

LAB 48.76, 80.03, -30.43

 

CMYK 30 / 98 / 0 / 47

HEX #5E0386

RGB 94 3 134

HSL 281.68, 0.96%, 0.27%

LAB 24.21, 54.16, -49.58

 

CMYK 30 / 98 / 0 / 32

HEX #7A04AE

RGB 122 4 174

HSL 281.65, 0.96%, 0.35%

LAB 32.44, 65.62, -60.47

 

CMYK 30 / 98 / 0 / 16

HEX #9704D7

RGB 151 4 215

HSL 281.8, 0.96%, 0.43%

LAB 40.53, 77.01, -71.11

 

CMYK 29 / 96 / 0 / 2

HEX #B10BFA

RGB 177 11 250

HSL 281.67, 0.96%, 0.51%

LAB 47.61, 85.93, -79.24

 

CMYK 24 / 80 / 0 / 2

HEX #BE33FB

RGB 190 51 251

HSL 281.7, 0.96%, 0.59%

LAB 52.15, 80.41, -72.31

 

CMYK 30 / 98 / 0 / 16

HEX #9604D6

RGB 150 4 214

HSL 281.71, 0.96%, 0.43%

LAB 40.29, 76.7, -70.94

 

CMYK 0 / 98 / 87 / 16

HEX #D7041D

RGB 215 4 29

HSL 352.89, 0.96%, 0.43%

LAB 45.11, 70.42, 48.57

 

CMYK 98 / 0 / 70 / 16

HEX #04D740

RGB 4 215 64

HSL 137.06, 0.96%, 0.43%

LAB 75.45, -72.64, 59.25

 

CMYK 30 / 98 / 0 / 16

HEX #9604D6

RGB 150 4 214

HSL 281.71, 0.96%, 0.43%

LAB 40.29, 76.7, -70.94

 

CMYK 0 / 31 / 98 / 16

HEX #D79404

RGB 215 148 4

HSL 40.95, 0.96%, 0.43%

LAB 66.24, 15.9, 70.38

 

CMYK 98 / 0 / 31 / 16

HEX #04D794

RGB 4 215 148

HSL 160.95, 0.96%, 0.43%

LAB 76.54, -59.59, 20.93

 

CMYK 30 / 98 / 0 / 16

HEX #9604D6

RGB 150 4 214

HSL 281.71, 0.96%, 0.43%

LAB 40.29, 76.7, -70.94

 

CMYK 0 / 98 / 87 / 16

HEX #D7041D

RGB 215 4 29

HSL 352.89, 0.96%, 0.43%

LAB 45.11, 70.42, 48.57

 

CMYK 67 / 0 / 98 / 16

HEX #47D704

RGB 71 215 4

HSL 100.95, 0.96%, 0.43%

LAB 76.04, -68.35, 73.76

 

CMYK 98 / 0 / 12 / 16

HEX #04D7BE

RGB 4 215 190

HSL 172.89, 0.96%, 0.43%

LAB 77.49, -49.26, -0.05

 

CMYK 30 / 98 / 0 / 16

HEX #9604D6

RGB 150 4 214

HSL 281.71, 0.96%, 0.43%

LAB 40.29, 76.7, -70.94

 

CMYK 0 / 80 / 98 / 16

HEX #D72B04

RGB 215 43 4

HSL 11.09, 0.96%, 0.43%

LAB 47.21, 63.78, 58.86

 

CMYK 67 / 0 / 98 / 16

HEX #47D704

RGB 71 215 4

HSL 100.95, 0.96%, 0.43%

LAB 76.04, -68.35, 73.76

 

CMYK 98 / 18 / 0 / 16

HEX #04B0D7

RGB 4 176 215

HSL 191.09, 0.96%, 0.43%

LAB 66.51, -23.57, -30.17

 

Description

Color code: HEX #9604D6 | qconv.com Color code: HEX #9604D6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 4 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 4 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 98 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 98% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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