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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95FCEB3F it is the complementary color #6A03143F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95FCEB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95FCEB3F shade: #9AFCE63F, #ABFFF93F, #BCFFFF3F, #CDFFFF3F and #DEFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95FCEB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95FCEB3F shade: #95FCEB3F, #84EAD83F, #73D8C53F, #62C6B23F and #51B49F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95FCEB3F shade: #97FCEB, #97FCD0, #97FCB5, #97FC9A and #B0FC97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95FCEB3F shade: #97FCEB, #97F1FC, #97D6FC, #97BBFC and #97A0FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95FCEB3F shade matches the following richer shades: #97FCEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95FCEB3F shade: #97FCEB, #A0F3E5, #A8EAE0, #B1E2DA and #BAD9D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95FCEB3F shade: #97FCB5, #97FCD0, #97FCEB, #97F2FC and #97D7FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95FCEB3F shade: #47F9DC, #6FFBE4, #97FCEB, #BFFDF3 and #E7FEFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95FCEB3F shade: #95FCEB, #9A97FC and #FCC397

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95FCEB3F shade: #95FCEB, #EB97FC and #FCEB97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95FCEB3F shade: #95FCEB, #9A97FC, #FC97A8 and #F8FC97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95FCEB3F shade: #95FCEB, #B997FC, #FC97A8 and #DAFC97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 2 / 0

HEX #95FCEB3F

RGBA 149 252 235 0.25

HSLA 170.1, 0.94%, 0.79%, 0.25

LABA 92.58, -33.91, -1.29, 0.25

 

Complementary color

CMYK 0 / 24 / 20 / 15

HEX #6A03143F

RGBA 106 3 20 0.25

HSLA 350.1, 0.94%, 0.21%, 0.25

LABA 20.75, 41.81, 22.13, 0.25

 

CMYK 10 / 0 / 2 / 0

HEX #9AFCE63F

RGBA 154 252 230 0.25

HSLA 166.53, 0.94%, 0.8%, 0.25

LABA 92.66, -33.77, 1.45, 0.25

 

CMYK 8 / 0 / 1 / 0

HEX #ABFFF93F

RGBA 171 255 249 0.25

HSLA 175.71, 1%, 0.84%, 0.25

LABA 94.75, -26.57, -5.23, 0.25

 

CMYK 7 / 0 / 0 / 0

HEX #BCFFFF3F

RGBA 188 255 255 0.25

HSLA 180, 1%, 0.87%, 0.25

LABA 95.76, -20.62, -6.73, 0.25

 

CMYK 5 / 0 / 0 / 0

HEX #CDFFFF3F

RGBA 205 255 255 0.25

HSLA 180, 1%, 0.9%, 0.25

LABA 96.71, -15.72, -5.23, 0.25

 

CMYK 3 / 0 / 0 / 0

HEX #DEFFFF3F

RGBA 222 255 255 0.25

HSLA 180, 1%, 0.94%, 0.25

LABA 97.74, -10.56, -3.59, 0.25

 

CMYK 10 / 0 / 2 / 0

HEX #95FCEB3F

RGBA 149 252 235 0.25

HSLA 170.1, 0.94%, 0.79%, 0.25

LABA 92.58, -33.91, -1.29, 0.25

 

CMYK 11 / 0 / 2 / 2

HEX #84EAD83F

RGBA 132 234 216 0.25

HSLA 169.41, 0.71%, 0.72%, 0.25

LABA 86.36, -34.02, -0.56, 0.25

 

CMYK 12 / 0 / 2 / 4

HEX #73D8C53F

RGBA 115 216 197 0.25

HSLA 168.71, 0.56%, 0.65%, 0.25

LABA 80.06, -34.11, 0.22, 0.25

 

CMYK 13 / 0 / 3 / 6

HEX #62C6B23F

RGBA 98 198 178 0.25

HSLA 168, 0.47%, 0.58%, 0.25

LABA 73.67, -34.16, 1.05, 0.25

 

CMYK 14 / 0 / 3 / 7

HEX #51B49F3F

RGBA 81 180 159 0.25

HSLA 167.27, 0.4%, 0.51%, 0.25

LABA 67.2, -34.15, 1.95, 0.25

 

CMYK 40 / 0 / 7 / 1

HEX #97FCEB

RGB 151 252 235

HSL 169.9, 0.94%, 0.79%

LAB 92.66, -33.42, -1.15

 

CMYK 40 / 0 / 17 / 1

HEX #97FCD0

RGB 151 252 208

HSL 153.86, 0.94%, 0.79%

LAB 92.02, -39.19, 11.88

 

CMYK 40 / 0 / 28 / 1

HEX #97FCB5

RGB 151 252 181

HSL 137.82, 0.94%, 0.79%

LAB 91.48, -44.31, 24.95

 

CMYK 40 / 0 / 39 / 1

HEX #97FC9A

RGB 151 252 154

HSL 121.78, 0.94%, 0.79%

LAB 91.02, -48.71, 37.88

 

CMYK 30 / 0 / 40 / 1

HEX #B0FC97

RGB 176 252 151

HSL 105.15, 0.94%, 0.79%

LAB 92.17, -41.42, 41.08

 

CMYK 40 / 0 / 7 / 1

HEX #97FCEB

RGB 151 252 235

HSL 169.9, 0.94%, 0.79%

LAB 92.66, -33.42, -1.15

 

CMYK 40 / 4 / 0 / 1

HEX #97F1FC

RGB 151 241 252

HSL 186.53, 0.94%, 0.79%

LAB 90.1, -24.19, -13.79

 

CMYK 40 / 15 / 0 / 1

HEX #97D6FC

RGB 151 214 252

HSL 202.57, 0.94%, 0.79%

LAB 82.75, -10.58, -24.88

 

CMYK 40 / 26 / 0 / 1

HEX #97BBFC

RGB 151 187 252

HSL 218.61, 0.94%, 0.79%

LAB 75.54, 3.87, -35.95

 

CMYK 40 / 37 / 0 / 1

HEX #97A0FC

RGB 151 160 252

HSL 234.65, 0.94%, 0.79%

LAB 68.57, 19.03, -46.84

 

CMYK 40 / 0 / 7 / 1

HEX #97FCEB

RGB 151 252 235

HSL 169.9, 0.94%, 0.79%

LAB 92.66, -33.42, -1.15

 

CMYK 40 / 0 / 7 / 1

HEX #97FCEB

RGB 151 252 235

HSL 169.9, 0.94%, 0.79%

LAB 92.66, -33.42, -1.15

 

CMYK 34 / 0 / 6 / 5

HEX #A0F3E5

RGB 160 243 229

HSL 169.88, 0.78%, 0.79%

LAB 90.43, -28.18, -1.26

 

CMYK 28 / 0 / 4 / 8

HEX #A8EAE0

RGB 168 234 224

HSL 170.91, 0.61%, 0.79%

LAB 88.23, -22.7, -1.81

 

CMYK 22 / 0 / 4 / 11

HEX #B1E2DA

RGB 177 226 218

HSL 170.2, 0.46%, 0.79%

LAB 86.41, -17.35, -1.28

 

CMYK 14 / 0 / 2 / 15

HEX #BAD9D4

RGB 186 217 212

HSL 170.32, 0.29%, 0.79%

LAB 84.39, -11.2, -0.99

 

CMYK 40 / 0 / 28 / 1

HEX #97FCB5

RGB 151 252 181

HSL 137.82, 0.94%, 0.79%

LAB 91.48, -44.31, 24.95

 

CMYK 40 / 0 / 17 / 1

HEX #97FCD0

RGB 151 252 208

HSL 153.86, 0.94%, 0.79%

LAB 92.02, -39.19, 11.88

 

CMYK 40 / 0 / 7 / 1

HEX #97FCEB

RGB 151 252 235

HSL 169.9, 0.94%, 0.79%

LAB 92.66, -33.42, -1.15

 

CMYK 40 / 4 / 0 / 1

HEX #97F2FC

RGB 151 242 252

HSL 185.94, 0.94%, 0.79%

LAB 90.37, -24.67, -13.38

 

CMYK 40 / 15 / 0 / 1

HEX #97D7FC

RGB 151 215 252

HSL 201.98, 0.94%, 0.79%

LAB 83.02, -11.1, -24.46

 

CMYK 71 / 0 / 12 / 2

HEX #47F9DC

RGB 71 249 220

HSL 170.22, 0.94%, 0.63%

LAB 89.04, -50.79, 1.06

 

CMYK 56 / 0 / 9 / 2

HEX #6FFBE4

RGB 111 251 228

HSL 170.14, 0.95%, 0.71%

LAB 90.77, -43.41, -0.47

 

CMYK 40 / 0 / 7 / 1

HEX #97FCEB

RGB 151 252 235

HSL 169.9, 0.94%, 0.79%

LAB 92.66, -33.42, -1.15

 

CMYK 25 / 0 / 4 / 1

HEX #BFFDF3

RGB 191 253 243

HSL 170.32, 0.94%, 0.87%

LAB 95.08, -21.32, -1.53

 

CMYK 9 / 0 / 2 / 0

HEX #E7FEFA

RGB 231 254 250

HSL 169.57, 0.92%, 0.95%

LAB 97.94, -8.18, -0.65

 

CMYK 41 / 0 / 7 / 1

HEX #95FCEB

RGB 149 252 235

HSL 170.1, 0.94%, 0.79%

LAB 92.58, -33.91, -1.29

 

CMYK 39 / 40 / 0 / 1

HEX #9A97FC

RGB 154 151 252

HSL 241.78, 0.94%, 0.79%

LAB 66.54, 24.94, -50.02

 

CMYK 0 / 23 / 40 / 1

HEX #FCC397

RGB 252 195 151

HSL 26.14, 0.94%, 0.79%

LAB 82.89, 14.81, 29.94

 

CMYK 41 / 0 / 7 / 1

HEX #95FCEB

RGB 149 252 235

HSL 170.1, 0.94%, 0.79%

LAB 92.58, -33.91, -1.29

 

CMYK 7 / 40 / 0 / 1

HEX #EB97FC

RGB 235 151 252

HSL 289.9, 0.94%, 0.79%

LAB 74.08, 47.45, -37.68

 

CMYK 0 / 7 / 40 / 1

HEX #FCEB97

RGB 252 235 151

HSL 49.9, 0.94%, 0.79%

LAB 92.73, -5.72, 42.81

 

CMYK 41 / 0 / 7 / 1

HEX #95FCEB

RGB 149 252 235

HSL 170.1, 0.94%, 0.79%

LAB 92.58, -33.91, -1.29

 

CMYK 39 / 40 / 0 / 1

HEX #9A97FC

RGB 154 151 252

HSL 241.78, 0.94%, 0.79%

LAB 66.54, 24.94, -50.02

 

CMYK 0 / 40 / 33 / 1

HEX #FC97A8

RGB 252 151 168

HSL 349.9, 0.94%, 0.79%

LAB 73.32, 39.77, 7.51

 

CMYK 2 / 0 / 40 / 1

HEX #F8FC97

RGB 248 252 151

HSL 62.38, 0.94%, 0.79%

LAB 96.74, -15.64, 47.84

 

CMYK 41 / 0 / 7 / 1

HEX #95FCEB

RGB 149 252 235

HSL 170.1, 0.94%, 0.79%

LAB 92.58, -33.91, -1.29

 

CMYK 27 / 40 / 0 / 1

HEX #B997FC

RGB 185 151 252

HSL 260.2, 0.94%, 0.79%

LAB 69.09, 33.16, -45.83

 

CMYK 0 / 40 / 33 / 1

HEX #FC97A8

RGB 252 151 168

HSL 349.9, 0.94%, 0.79%

LAB 73.32, 39.77, 7.51

 

CMYK 13 / 0 / 40 / 1

HEX #DAFC97

RGB 218 252 151

HSL 80.2, 0.94%, 0.79%

LAB 94.64, -26.84, 44.74

 

Description

Color code: HEX #95FCEB3F | qconv.com Color code: HEX #95FCEB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 252 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 252 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 2 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 2% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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