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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95FCCDCE it is the complementary color #6A0332CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95FCCDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95FCCDCE shade: #9AFCC8CE, #ABFFDBCE, #BCFFEECE, #CDFFFFCE and #DEFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95FCCDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95FCCDCE shade: #95FCCDCE, #84EABACE, #73D8A7CE, #62C694CE and #51B481CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95FCCDCE shade: #97FCCE, #97FCB3, #97FC98, #B2FC97 and #CDFC97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95FCCDCE shade: #97FCCE, #97FCE9, #97F3FC, #97D8FC and #97BDFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95FCCDCE shade matches the following richer shades: #97FCCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95FCCDCE shade: #97FCCE, #A0F3CD, #A8EACC, #B1E2CC and #BAD9CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95FCCDCE shade: #97FC97, #97FCB2, #97FCCD, #97FCE8 and #97F5FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95FCCDCE shade: #47F9A8, #6FFBBB, #97FCCE, #BFFDE1 and #E7FEF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95FCCDCE shade: #95FCCD, #97B2FC and #FCA597

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95FCCDCE shade: #95FCCD, #CD97FC and #FCCD97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95FCCDCE shade: #95FCCD, #97B2FC, #FC97C6 and #FCE197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95FCCDCE shade: #95FCCD, #9A97FC, #FC97C6 and #F8FC97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 15 / 1

HEX #95FCCDCE

RGBA 149 252 205 0.81

HSLA 152.62, 0.94%, 0.79%, 0.81

LABA 91.87, -40.32, 13.2, 0.81

 

Complementary color

CMYK 0 / 79 / 43 / 47

HEX #6A0332CE

RGBA 106 3 50 0.81

HSLA 332.62, 0.94%, 0.21%, 0.81

LABA 21.43, 43.68, 2.05, 0.81

 

CMYK 32 / 0 / 17 / 1

HEX #9AFCC8CE

RGBA 154 252 200 0.81

HSLA 148.16, 0.94%, 0.8%, 0.81

LABA 91.98, -39.97, 15.95, 0.81

 

CMYK 27 / 0 / 11 / 0

HEX #ABFFDBCE

RGBA 171 255 219 0.81

HSLA 154.29, 1%, 0.84%, 0.81

LABA 94.01, -32.89, 9.17, 0.81

 

CMYK 21 / 0 / 5 / 0

HEX #BCFFEECE

RGBA 188 255 238 0.81

HSLA 164.78, 1%, 0.87%, 0.81

LABA 95.32, -24.19, 1.39, 0.81

 

CMYK 16 / 0 / 0 / 0

HEX #CDFFFFCE

RGBA 205 255 255 0.81

HSLA 180, 1%, 0.9%, 0.81

LABA 96.71, -15.72, -5.23, 0.81

 

CMYK 10 / 0 / 0 / 0

HEX #DEFFFFCE

RGBA 222 255 255 0.81

HSLA 180, 1%, 0.94%, 0.81

LABA 97.74, -10.56, -3.59, 0.81

 

CMYK 33 / 0 / 15 / 1

HEX #95FCCDCE

RGBA 149 252 205 0.81

HSLA 152.62, 0.94%, 0.79%, 0.81

LABA 91.87, -40.32, 13.2, 0.81

 

CMYK 35 / 0 / 17 / 7

HEX #84EABACE

RGBA 132 234 186 0.81

HSLA 151.76, 0.71%, 0.72%, 0.81

LABA 85.65, -40.54, 14.15, 0.81

 

CMYK 38 / 0 / 18 / 12

HEX #73D8A7CE

RGBA 115 216 167 0.81

HSLA 150.89, 0.56%, 0.65%, 0.81

LABA 79.36, -40.74, 15.16, 0.81

 

CMYK 41 / 0 / 20 / 18

HEX #62C694CE

RGBA 98 198 148 0.81

HSLA 150, 0.47%, 0.58%, 0.81

LABA 72.97, -40.9, 16.25, 0.81

 

CMYK 45 / 0 / 23 / 24

HEX #51B481CE

RGBA 81 180 129 0.81

HSLA 149.09, 0.4%, 0.51%, 0.81

LABA 66.5, -41.01, 17.43, 0.81

 

CMYK 40 / 0 / 18 / 1

HEX #97FCCE

RGB 151 252 206

HSL 152.67, 0.94%, 0.79%

LAB 91.98, -39.59, 12.85

 

CMYK 40 / 0 / 29 / 1

HEX #97FCB3

RGB 151 252 179

HSL 136.63, 0.94%, 0.79%

LAB 91.44, -44.66, 25.91

 

CMYK 40 / 0 / 40 / 1

HEX #97FC98

RGB 151 252 152

HSL 120.59, 0.94%, 0.79%

LAB 90.99, -49.01, 38.83

 

CMYK 29 / 0 / 40 / 1

HEX #B2FC97

RGB 178 252 151

HSL 103.96, 0.94%, 0.79%

LAB 92.27, -40.76, 41.23

 

CMYK 19 / 0 / 40 / 1

HEX #CDFC97

RGB 205 252 151

HSL 87.92, 0.94%, 0.79%

LAB 93.81, -31.52, 43.52

 

CMYK 40 / 0 / 18 / 1

HEX #97FCCE

RGB 151 252 206

HSL 152.67, 0.94%, 0.79%

LAB 91.98, -39.59, 12.85

 

CMYK 40 / 0 / 8 / 1

HEX #97FCE9

RGB 151 252 233

HSL 168.71, 0.94%, 0.79%

LAB 92.61, -33.87, -0.19

 

CMYK 40 / 4 / 0 / 1

HEX #97F3FC

RGB 151 243 252

HSL 185.35, 0.94%, 0.79%

LAB 90.65, -25.16, -12.97

 

CMYK 40 / 14 / 0 / 1

HEX #97D8FC

RGB 151 216 252

HSL 201.39, 0.94%, 0.79%

LAB 83.29, -11.62, -24.05

 

CMYK 40 / 25 / 0 / 1

HEX #97BDFC

RGB 151 189 252

HSL 217.43, 0.94%, 0.79%

LAB 76.07, 2.78, -35.14

 

CMYK 40 / 0 / 18 / 1

HEX #97FCCE

RGB 151 252 206

HSL 152.67, 0.94%, 0.79%

LAB 91.98, -39.59, 12.85

 

CMYK 40 / 0 / 18 / 1

HEX #97FCCE

RGB 151 252 206

HSL 152.67, 0.94%, 0.79%

LAB 91.98, -39.59, 12.85

 

CMYK 34 / 0 / 16 / 5

HEX #A0F3CD

RGB 160 243 205

HSL 152.53, 0.78%, 0.79%

LAB 89.85, -33.21, 10.39

 

CMYK 28 / 0 / 13 / 8

HEX #A8EACC

RGB 168 234 204

HSL 152.73, 0.61%, 0.79%

LAB 87.74, -26.83, 7.95

 

CMYK 22 / 0 / 10 / 11

HEX #B1E2CC

RGB 177 226 204

HSL 153.06, 0.46%, 0.79%

LAB 86.06, -20.17, 5.59

 

CMYK 14 / 0 / 6 / 15

HEX #BAD9CB

RGB 186 217 203

HSL 152.9, 0.29%, 0.79%

LAB 84.16, -12.96, 3.45

 

CMYK 40 / 0 / 40 / 1

HEX #97FC97

RGB 151 252 151

HSL 120, 0.94%, 0.79%

LAB 90.98, -49.16, 39.3

 

CMYK 40 / 0 / 29 / 1

HEX #97FCB2

RGB 151 252 178

HSL 136.04, 0.94%, 0.79%

LAB 91.42, -44.84, 26.4

 

CMYK 40 / 0 / 19 / 1

HEX #97FCCD

RGB 151 252 205

HSL 152.08, 0.94%, 0.79%

LAB 91.96, -39.79, 13.33

 

CMYK 40 / 0 / 8 / 1

HEX #97FCE8

RGB 151 252 232

HSL 168.12, 0.94%, 0.79%

LAB 92.59, -34.09, 0.29

 

CMYK 40 / 3 / 0 / 1

HEX #97F5FC

RGB 151 245 252

HSL 184.16, 0.94%, 0.79%

LAB 91.19, -26.13, -12.15

 

CMYK 71 / 0 / 33 / 2

HEX #47F9A8

RGB 71 249 168

HSL 152.7, 0.94%, 0.63%

LAB 87.93, -62.53, 26.31

 

CMYK 56 / 0 / 25 / 2

HEX #6FFBBB

RGB 111 251 187

HSL 152.57, 0.95%, 0.71%

LAB 89.84, -52.53, 19.4

 

CMYK 40 / 0 / 18 / 1

HEX #97FCCE

RGB 151 252 206

HSL 152.67, 0.94%, 0.79%

LAB 91.98, -39.59, 12.85

 

CMYK 25 / 0 / 11 / 1

HEX #BFFDE1

RGB 191 253 225

HSL 152.9, 0.94%, 0.87%

LAB 94.64, -24.92, 7.12

 

CMYK 9 / 0 / 4 / 0

HEX #E7FEF4

RGB 231 254 244

HSL 153.91, 0.92%, 0.95%

LAB 97.79, -9.29, 2.22

 

CMYK 41 / 0 / 19 / 1

HEX #95FCCD

RGB 149 252 205

HSL 152.62, 0.94%, 0.79%

LAB 91.87, -40.32, 13.2

 

CMYK 40 / 29 / 0 / 1

HEX #97B2FC

RGB 151 178 252

HSL 223.96, 0.94%, 0.79%

LAB 73.19, 8.86, -39.61

 

CMYK 0 / 35 / 40 / 1

HEX #FCA597

RGB 252 165 151

HSL 8.32, 0.94%, 0.79%

LAB 75.97, 30.54, 20.56

 

CMYK 41 / 0 / 19 / 1

HEX #95FCCD

RGB 149 252 205

HSL 152.62, 0.94%, 0.79%

LAB 91.87, -40.32, 13.2

 

CMYK 19 / 40 / 0 / 1

HEX #CD97FC

RGB 205 151 252

HSL 272.08, 0.94%, 0.79%

LAB 70.97, 38.78, -42.76

 

CMYK 0 / 19 / 40 / 1

HEX #FCCD97

RGB 252 205 151

HSL 32.08, 0.94%, 0.79%

LAB 85.3, 9.6, 33.14

 

CMYK 41 / 0 / 19 / 1

HEX #95FCCD

RGB 149 252 205

HSL 152.62, 0.94%, 0.79%

LAB 91.87, -40.32, 13.2

 

CMYK 40 / 29 / 0 / 1

HEX #97B2FC

RGB 151 178 252

HSL 223.96, 0.94%, 0.79%

LAB 73.19, 8.86, -39.61

 

CMYK 0 / 40 / 21 / 1

HEX #FC97C6

RGB 252 151 198

HSL 332.08, 0.94%, 0.79%

LAB 74.13, 43.75, -7.88

 

CMYK 0 / 11 / 40 / 1

HEX #FCE197

RGB 252 225 151

HSL 43.96, 0.94%, 0.79%

LAB 90.22, -0.67, 39.58

 

CMYK 41 / 0 / 19 / 1

HEX #95FCCD

RGB 149 252 205

HSL 152.62, 0.94%, 0.79%

LAB 91.87, -40.32, 13.2

 

CMYK 39 / 40 / 0 / 1

HEX #9A97FC

RGB 154 151 252

HSL 241.78, 0.94%, 0.79%

LAB 66.54, 24.94, -50.02

 

CMYK 0 / 40 / 21 / 1

HEX #FC97C6

RGB 252 151 198

HSL 332.08, 0.94%, 0.79%

LAB 74.13, 43.75, -7.88

 

CMYK 2 / 0 / 40 / 1

HEX #F8FC97

RGB 248 252 151

HSL 62.38, 0.94%, 0.79%

LAB 96.74, -15.64, 47.84

 

Description

Color code: HEX #95FCCDCE | qconv.com Color code: HEX #95FCCDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 252 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 252 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 15 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 15% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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