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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95FCC7CE it is the complementary color #6A0338CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95FCC7CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95FCC7CE shade: #9AFCC2CE, #ABFFD5CE, #BCFFE8CE, #CDFFFBCE and #DEFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95FCC7CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95FCC7CE shade: #95FCC7CE, #84EAB4CE, #73D8A1CE, #62C68ECE and #51B47BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95FCC7CE shade: #97FCC8, #97FCAD, #9DFC97, #B8FC97 and #D3FC97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95FCC7CE shade: #97FCC8, #97FCE3, #97F9FC, #97DEFC and #97C3FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95FCC7CE shade matches the following richer shades: #97FCC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95FCC7CE shade: #97FCC8, #A0F3C8, #A8EAC8, #B1E2C9 and #BAD9C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95FCC7CE shade: #9CFC97, #97FCAD, #97FCC8, #97FCE3 and #97FAFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95FCC7CE shade: #47F99E, #6FFBB3, #97FCC8, #BFFDDD and #E7FEF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95FCC7CE shade: #95FCC7, #97B7FC and #FCA097

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95FCC7CE shade: #95FCC7, #C897FC and #FCC897

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95FCC7CE shade: #95FCC7, #97B7FC, #FC97CB and #FCDC97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95FCC7CE shade: #95FCC7, #9799FC, #FC97CB and #FCFA97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 17 / 1

HEX #95FCC7CE

RGBA 149 252 199 0.81

HSLA 149.13, 0.94%, 0.79%, 0.81

LABA 91.74, -41.51, 16.11, 0.81

 

Complementary color

CMYK 0 / 79 / 38 / 47

HEX #6A0338CE

RGBA 106 3 56 0.81

HSLA 329.13, 0.94%, 0.21%, 0.81

LABA 21.63, 44.23, -1.86, 0.81

 

CMYK 32 / 0 / 19 / 1

HEX #9AFCC2CE

RGBA 154 252 194 0.81

HSLA 144.49, 0.94%, 0.8%, 0.81

LABA 91.86, -41.11, 18.86, 0.81

 

CMYK 27 / 0 / 13 / 0

HEX #ABFFD5CE

RGBA 171 255 213 0.81

HSLA 150, 1%, 0.84%, 0.81

LABA 93.88, -34.07, 12.07, 0.81

 

CMYK 21 / 0 / 7 / 0

HEX #BCFFE8CE

RGBA 188 255 232 0.81

HSLA 159.4, 1%, 0.87%, 0.81

LABA 95.18, -25.4, 4.27, 0.81

 

CMYK 16 / 0 / 1 / 0

HEX #CDFFFBCE

RGBA 205 255 251 0.81

HSLA 175.2, 1%, 0.9%, 0.81

LABA 96.6, -16.53, -3.32, 0.81

 

CMYK 10 / 0 / 0 / 0

HEX #DEFFFFCE

RGBA 222 255 255 0.81

HSLA 180, 1%, 0.94%, 0.81

LABA 97.74, -10.56, -3.59, 0.81

 

CMYK 33 / 0 / 17 / 1

HEX #95FCC7CE

RGBA 149 252 199 0.81

HSLA 149.13, 0.94%, 0.79%, 0.81

LABA 91.74, -41.51, 16.11, 0.81

 

CMYK 35 / 0 / 19 / 7

HEX #84EAB4CE

RGBA 132 234 180 0.81

HSLA 148.24, 0.71%, 0.72%, 0.81

LABA 85.53, -41.74, 17.1, 0.81

 

CMYK 38 / 0 / 21 / 12

HEX #73D8A1CE

RGBA 115 216 161 0.81

HSLA 147.33, 0.56%, 0.65%, 0.81

LABA 79.23, -41.94, 18.15, 0.81

 

CMYK 41 / 0 / 23 / 18

HEX #62C68ECE

RGBA 98 198 142 0.81

HSLA 146.4, 0.47%, 0.58%, 0.81

LABA 72.85, -42.12, 19.29, 0.81

 

CMYK 45 / 0 / 26 / 24

HEX #51B47BCE

RGBA 81 180 123 0.81

HSLA 145.45, 0.4%, 0.51%, 0.81

LABA 66.38, -42.22, 20.52, 0.81

 

CMYK 40 / 0 / 21 / 1

HEX #97FCC8

RGB 151 252 200

HSL 149.11, 0.94%, 0.79%

LAB 91.85, -40.78, 15.75

 

CMYK 40 / 0 / 31 / 1

HEX #97FCAD

RGB 151 252 173

HSL 133.07, 0.94%, 0.79%

LAB 91.33, -45.69, 28.8

 

CMYK 38 / 0 / 40 / 1

HEX #9DFC97

RGB 157 252 151

HSL 116.44, 0.94%, 0.79%

LAB 91.24, -47.38, 39.7

 

CMYK 27 / 0 / 40 / 1

HEX #B8FC97

RGB 184 252 151

HSL 100.4, 0.94%, 0.79%

LAB 92.59, -38.77, 41.71

 

CMYK 16 / 0 / 40 / 1

HEX #D3FC97

RGB 211 252 151

HSL 84.36, 0.94%, 0.79%

LAB 94.19, -29.37, 44.07

 

CMYK 40 / 0 / 21 / 1

HEX #97FCC8

RGB 151 252 200

HSL 149.11, 0.94%, 0.79%

LAB 91.85, -40.78, 15.75

 

CMYK 40 / 0 / 10 / 1

HEX #97FCE3

RGB 151 252 227

HSL 165.15, 0.94%, 0.79%

LAB 92.46, -35.19, 2.7

 

CMYK 40 / 1 / 0 / 1

HEX #97F9FC

RGB 151 249 252

HSL 181.78, 0.94%, 0.79%

LAB 92.29, -28.05, -10.52

 

CMYK 40 / 12 / 0 / 1

HEX #97DEFC

RGB 151 222 252

HSL 197.82, 0.94%, 0.79%

LAB 84.92, -14.7, -21.59

 

CMYK 40 / 23 / 0 / 1

HEX #97C3FC

RGB 151 195 252

HSL 213.86, 0.94%, 0.79%

LAB 77.66, -0.49, -32.68

 

CMYK 40 / 0 / 21 / 1

HEX #97FCC8

RGB 151 252 200

HSL 149.11, 0.94%, 0.79%

LAB 91.85, -40.78, 15.75

 

CMYK 40 / 0 / 21 / 1

HEX #97FCC8

RGB 151 252 200

HSL 149.11, 0.94%, 0.79%

LAB 91.85, -40.78, 15.75

 

CMYK 34 / 0 / 18 / 5

HEX #A0F3C8

RGB 160 243 200

HSL 148.92, 0.78%, 0.79%

LAB 89.74, -34.2, 12.83

 

CMYK 28 / 0 / 15 / 8

HEX #A8EAC8

RGB 168 234 200

HSL 149.09, 0.61%, 0.79%

LAB 87.65, -27.61, 9.91

 

CMYK 22 / 0 / 11 / 11

HEX #B1E2C9

RGB 177 226 201

HSL 149.39, 0.46%, 0.79%

LAB 85.98, -20.75, 7.06

 

CMYK 14 / 0 / 7 / 15

HEX #BAD9C9

RGB 186 217 201

HSL 149.03, 0.29%, 0.79%

LAB 84.11, -13.34, 4.43

 

CMYK 38 / 0 / 40 / 1

HEX #9CFC97

RGB 156 252 151

HSL 117.03, 0.94%, 0.79%

LAB 91.2, -47.68, 39.63

 

CMYK 40 / 0 / 31 / 1

HEX #97FCAD

RGB 151 252 173

HSL 133.07, 0.94%, 0.79%

LAB 91.33, -45.69, 28.8

 

CMYK 40 / 0 / 21 / 1

HEX #97FCC8

RGB 151 252 200

HSL 149.11, 0.94%, 0.79%

LAB 91.85, -40.78, 15.75

 

CMYK 40 / 0 / 10 / 1

HEX #97FCE3

RGB 151 252 227

HSL 165.15, 0.94%, 0.79%

LAB 92.46, -35.19, 2.7

 

CMYK 40 / 1 / 0 / 1

HEX #97FAFC

RGB 151 250 252

HSL 181.19, 0.94%, 0.79%

LAB 92.57, -28.53, -10.11

 

CMYK 71 / 0 / 37 / 2

HEX #47F99E

RGB 71 249 158

HSL 149.33, 0.94%, 0.63%

LAB 87.76, -64.44, 31.12

 

CMYK 56 / 0 / 29 / 2

HEX #6FFBB3

RGB 111 251 179

HSL 149.14, 0.95%, 0.71%

LAB 89.69, -54.11, 23.27

 

CMYK 40 / 0 / 21 / 1

HEX #97FCC8

RGB 151 252 200

HSL 149.11, 0.94%, 0.79%

LAB 91.85, -40.78, 15.75

 

CMYK 25 / 0 / 13 / 1

HEX #BFFDDD

RGB 191 253 221

HSL 149.03, 0.94%, 0.87%

LAB 94.55, -25.68, 9.05

 

CMYK 9 / 0 / 5 / 0

HEX #E7FEF2

RGB 231 254 242

HSL 148.7, 0.92%, 0.95%

LAB 97.75, -9.65, 3.17

 

CMYK 41 / 0 / 21 / 1

HEX #95FCC7

RGB 149 252 199

HSL 149.13, 0.94%, 0.79%

LAB 91.74, -41.51, 16.11

 

CMYK 40 / 27 / 0 / 1

HEX #97B7FC

RGB 151 183 252

HSL 220.99, 0.94%, 0.79%

LAB 74.49, 6.08, -37.58

 

CMYK 0 / 37 / 40 / 1

HEX #FCA097

RGB 252 160 151

HSL 5.35, 0.94%, 0.79%

LAB 74.87, 33.15, 19.04

 

CMYK 41 / 0 / 21 / 1

HEX #95FCC7

RGB 149 252 199

HSL 149.13, 0.94%, 0.79%

LAB 91.74, -41.51, 16.11

 

CMYK 21 / 40 / 0 / 1

HEX #C897FC

RGB 200 151 252

HSL 269.11, 0.94%, 0.79%

LAB 70.48, 37.36, -43.55

 

CMYK 0 / 21 / 40 / 1

HEX #FCC897

RGB 252 200 151

HSL 29.11, 0.94%, 0.79%

LAB 84.09, 12.2, 31.54

 

CMYK 41 / 0 / 21 / 1

HEX #95FCC7

RGB 149 252 199

HSL 149.13, 0.94%, 0.79%

LAB 91.74, -41.51, 16.11

 

CMYK 40 / 27 / 0 / 1

HEX #97B7FC

RGB 151 183 252

HSL 220.99, 0.94%, 0.79%

LAB 74.49, 6.08, -37.58

 

CMYK 0 / 40 / 19 / 1

HEX #FC97CB

RGB 252 151 203

HSL 329.11, 0.94%, 0.79%

LAB 74.28, 44.47, -10.41

 

CMYK 0 / 13 / 40 / 1

HEX #FCDC97

RGB 252 220 151

HSL 40.99, 0.94%, 0.79%

LAB 88.98, 1.87, 37.97

 

CMYK 41 / 0 / 21 / 1

HEX #95FCC7

RGB 149 252 199

HSL 149.13, 0.94%, 0.79%

LAB 91.74, -41.51, 16.11

 

CMYK 40 / 39 / 0 / 1

HEX #9799FC

RGB 151 153 252

HSL 238.81, 0.94%, 0.79%

LAB 66.82, 23.03, -49.6

 

CMYK 0 / 40 / 19 / 1

HEX #FC97CB

RGB 252 151 203

HSL 329.11, 0.94%, 0.79%

LAB 74.28, 44.47, -10.41

 

CMYK 0 / 1 / 40 / 1

HEX #FCFA97

RGB 252 250 151

HSL 58.81, 0.94%, 0.79%

LAB 96.53, -13.14, 47.64

 

Description

Color code: HEX #95FCC7CE | qconv.com Color code: HEX #95FCC7CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 252 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 252 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 17 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 17% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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