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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95FA1B it is the complementary color #6A05E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95FA1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95FA1B shade: #9AFA16, #ABFF29, #BCFF3C, #CDFF4F and #DEFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95FA1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95FA1B shade: #95FA1B, #84E808, #73D600, #62C400 and #51B200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95FA1B shade: #94FA19, #D1FA19, #FAE719, #FAAA19 and #FA6D19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95FA1B shade: #94FA19, #58FA19, #1BFA19, #19FA54 and #19FA91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95FA1B shade matches the following richer shades: #94FA19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95FA1B shade: #94FA19, #93E72C, #91D43F, #8FC152 and #8DAE65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95FA1B shade: #FAE819, #D1FA19, #95FA19, #59FA19 and #1DFA19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95FA1B shade: #69BD04, #80E505, #94FA19, #A7FB42 and #BAFC6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95FA1B shade: #95FA1B, #19FAAB and #FA19EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95FA1B shade: #95FA1B, #1995FA and #FA1995

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95FA1B shade: #95FA1B, #19FAAB, #7E19FA and #FA1968

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95FA1B shade: #95FA1B, #19FAEF, #7E19FA and #FA1924

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 89 / 2

HEX #95FA1B

RGB 149 250 27

HSL 87.17, 0.96%, 0.54%

LAB 89.32, -59.19, 83.06

 

Complementary color

CMYK 54 / 98 / 0 / 11

HEX #6A05E4

RGB 106 5 228

HSL 267.17, 0.96%, 0.46%

LAB 35.55, 75.22, -87

 

CMYK 38 / 0 / 91 / 2

HEX #9AFA16

RGB 154 250 22

HSL 85.26, 0.96%, 0.53%

LAB 89.53, -57.66, 84.03

 

CMYK 33 / 0 / 84 / 0

HEX #ABFF29

RGB 171 255 41

HSL 83.55, 1%, 0.58%

LAB 91.84, -53.39, 83.06

 

CMYK 26 / 0 / 76 / 0

HEX #BCFF3C

RGB 188 255 60

HSL 80.62, 1%, 0.62%

LAB 92.81, -46.59, 79.52

 

CMYK 20 / 0 / 69 / 0

HEX #CDFF4F

RGB 205 255 79

HSL 77.05, 1%, 0.65%

LAB 93.91, -39.31, 74.82

 

CMYK 13 / 0 / 62 / 0

HEX #DEFF62

RGB 222 255 98

HSL 72.61, 1%, 0.69%

LAB 95.13, -31.63, 69.24

 

CMYK 40 / 0 / 89 / 2

HEX #95FA1B

RGB 149 250 27

HSL 87.17, 0.96%, 0.54%

LAB 89.32, -59.19, 83.06

 

CMYK 43 / 0 / 97 / 9

HEX #84E808

RGB 132 232 8

HSL 86.79, 0.93%, 0.47%

LAB 83.25, -58.12, 80.01

 

CMYK 46 / 0 / 100 / 16

HEX #73D600

RGB 115 214 0

HSL 87.76, 1%, 0.42%

LAB 77.12, -56.79, 75.6

 

CMYK 50 / 0 / 100 / 23

HEX #62C400

RGB 98 196 0

HSL 90, 1%, 0.38%

LAB 70.92, -55.27, 70.46

 

CMYK 54 / 0 / 100 / 30

HEX #51B200

RGB 81 178 0

HSL 92.7, 1%, 0.35%

LAB 64.64, -53.61, 65.25

 

CMYK 41 / 0 / 90 / 2

HEX #94FA19

RGB 148 250 25

HSL 87.2, 0.96%, 0.54%

LAB 89.27, -59.56, 83.29

 

CMYK 16 / 0 / 90 / 2

HEX #D1FA19

RGB 209 250 25

HSL 70.93, 0.96%, 0.54%

LAB 92.57, -37.51, 87.34

 

CMYK 0 / 8 / 90 / 2

HEX #FAE719

RGB 250 231 25

HSL 54.93, 0.96%, 0.54%

LAB 90.57, -11.79, 87.08

 

CMYK 0 / 32 / 90 / 2

HEX #FAAA19

RGB 250 170 25

HSL 38.67, 0.96%, 0.54%

LAB 75.54, 19.48, 75.62

 

CMYK 0 / 56 / 90 / 2

HEX #FA6D19

RGB 250 109 25

HSL 22.4, 0.96%, 0.54%

LAB 62.79, 50.3, 66.22

 

CMYK 41 / 0 / 90 / 2

HEX #94FA19

RGB 148 250 25

HSL 87.2, 0.96%, 0.54%

LAB 89.27, -59.56, 83.29

 

CMYK 65 / 0 / 90 / 2

HEX #58FA19

RGB 88 250 25

HSL 103.2, 0.96%, 0.54%

LAB 87.25, -75.46, 80.79

 

CMYK 89 / 0 / 90 / 2

HEX #1BFA19

RGB 27 250 25

HSL 119.47, 0.96%, 0.54%

LAB 86.34, -83.39, 79.67

 

CMYK 90 / 0 / 66 / 2

HEX #19FA54

RGB 25 250 84

HSL 135.73, 0.96%, 0.54%

LAB 86.61, -79.9, 63.53

 

CMYK 90 / 0 / 42 / 2

HEX #19FA91

RGB 25 250 145

HSL 152, 0.96%, 0.54%

LAB 87.3, -71.52, 36.89

 

CMYK 41 / 0 / 90 / 2

HEX #94FA19

RGB 148 250 25

HSL 87.2, 0.96%, 0.54%

LAB 89.27, -59.56, 83.29

 

CMYK 41 / 0 / 90 / 2

HEX #94FA19

RGB 148 250 25

HSL 87.2, 0.96%, 0.54%

LAB 89.27, -59.56, 83.29

 

CMYK 36 / 0 / 81 / 9

HEX #93E72C

RGB 147 231 44

HSL 86.95, 0.8%, 0.54%

LAB 83.72, -51.86, 74.78

 

CMYK 32 / 0 / 70 / 17

HEX #91D43F

RGB 145 212 63

HSL 86.98, 0.63%, 0.54%

LAB 78.15, -43.66, 63.54

 

CMYK 26 / 0 / 58 / 24

HEX #8FC152

RGB 143 193 82

HSL 87.03, 0.47%, 0.54%

LAB 72.62, -34.44, 49.71

 

CMYK 19 / 0 / 42 / 32

HEX #8DAE65

RGB 141 174 101

HSL 87.12, 0.31%, 0.54%

LAB 67.18, -24, 33.8

 

CMYK 0 / 7 / 90 / 2

HEX #FAE819

RGB 250 232 25

HSL 55.2, 0.96%, 0.54%

LAB 90.83, -12.28, 87.28

 

CMYK 16 / 0 / 90 / 2

HEX #D1FA19

RGB 209 250 25

HSL 70.93, 0.96%, 0.54%

LAB 92.57, -37.51, 87.34

 

CMYK 40 / 0 / 90 / 2

HEX #95FA19

RGB 149 250 25

HSL 86.93, 0.96%, 0.54%

LAB 89.31, -59.24, 83.35

 

CMYK 64 / 0 / 90 / 2

HEX #59FA19

RGB 89 250 25

HSL 102.93, 0.96%, 0.54%

LAB 87.27, -75.25, 80.82

 

CMYK 88 / 0 / 90 / 2

HEX #1DFA19

RGB 29 250 25

HSL 118.93, 0.96%, 0.54%

LAB 86.36, -83.26, 79.68

 

CMYK 44 / 0 / 98 / 26

HEX #69BD04

RGB 105 189 4

HSL 87.24, 0.96%, 0.38%

LAB 69.05, -50.35, 68.65

 

CMYK 44 / 0 / 98 / 10

HEX #80E505

RGB 128 229 5

HSL 87.05, 0.96%, 0.46%

LAB 82.18, -58.29, 79.35

 

CMYK 41 / 0 / 90 / 2

HEX #94FA19

RGB 148 250 25

HSL 87.2, 0.96%, 0.54%

LAB 89.27, -59.56, 83.29

 

CMYK 33 / 0 / 74 / 2

HEX #A7FB42

RGB 167 251 66

HSL 87.24, 0.96%, 0.62%

LAB 90.6, -52.07, 75.21

 

CMYK 26 / 0 / 58 / 1

HEX #BAFC6A

RGB 186 252 106

HSL 87.12, 0.96%, 0.7%

LAB 92.18, -43.01, 62.03

 

CMYK 40 / 0 / 89 / 2

HEX #95FA1B

RGB 149 250 27

HSL 87.17, 0.96%, 0.54%

LAB 89.32, -59.19, 83.06

 

CMYK 90 / 0 / 32 / 2

HEX #19FAAB

RGB 25 250 171

HSL 158.93, 0.96%, 0.54%

LAB 87.74, -66.49, 24.43

 

CMYK 0 / 90 / 4 / 2

HEX #FA19EF

RGB 250 25 239

HSL 302.93, 0.96%, 0.54%

LAB 59.21, 93.38, -53.77

 

CMYK 40 / 0 / 89 / 2

HEX #95FA1B

RGB 149 250 27

HSL 87.17, 0.96%, 0.54%

LAB 89.32, -59.19, 83.06

 

CMYK 90 / 40 / 0 / 2

HEX #1995FA

RGB 25 149 250

HSL 206.93, 0.96%, 0.54%

LAB 60.43, 4.84, -58.98

 

CMYK 0 / 90 / 40 / 2

HEX #FA1995

RGB 250 25 149

HSL 326.93, 0.96%, 0.54%

LAB 55.27, 83.08, -8.03

 

CMYK 40 / 0 / 89 / 2

HEX #95FA1B

RGB 149 250 27

HSL 87.17, 0.96%, 0.54%

LAB 89.32, -59.19, 83.06

 

CMYK 90 / 0 / 32 / 2

HEX #19FAAB

RGB 25 250 171

HSL 158.93, 0.96%, 0.54%

LAB 87.74, -66.49, 24.43

 

CMYK 50 / 90 / 0 / 2

HEX #7E19FA

RGB 126 25 250

HSL 266.93, 0.96%, 0.54%

LAB 41.27, 78.59, -89.92

 

CMYK 0 / 90 / 58 / 2

HEX #FA1968

RGB 250 25 104

HSL 338.93, 0.96%, 0.54%

LAB 54.05, 79.73, 17.2

 

CMYK 40 / 0 / 89 / 2

HEX #95FA1B

RGB 149 250 27

HSL 87.17, 0.96%, 0.54%

LAB 89.32, -59.19, 83.06

 

CMYK 90 / 0 / 4 / 2

HEX #19FAEF

RGB 25 250 239

HSL 177.07, 0.96%, 0.54%

LAB 89.3, -49.82, -8.51

 

CMYK 50 / 90 / 0 / 2

HEX #7E19FA

RGB 126 25 250

HSL 266.93, 0.96%, 0.54%

LAB 41.27, 78.59, -89.92

 

CMYK 0 / 90 / 86 / 2

HEX #FA1924

RGB 250 25 36

HSL 357.07, 0.96%, 0.54%

LAB 53.11, 77.09, 54.74

 

Description

Color code: HEX #95FA1B | qconv.com Color code: HEX #95FA1B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 250 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 250 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 89 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 89% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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