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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95F2FC it is the complementary color #6A0D03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95F2FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95F2FC shade: #9AF2F7, #ABFFFF, #BCFFFF, #CDFFFF and #DEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95F2FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95F2FC shade: #95F2FC, #84E0E9, #73CED6, #62BCC3 and #51AAB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95F2FC shade: #97F2FC, #97D7FC, #97BCFC, #97A1FC and #A997FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95F2FC shade: #97F2FC, #97D7FC, #97BCFC, #97A1FC and #9797FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95F2FC shade matches the following richer shades: #97F2FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95F2FC shade: #97F2FC, #A0EBF3, #A8E4EA, #B1DDE2 and #BAD6D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95F2FC shade: #97FCCE, #97FCE9, #97F3FC, #97D9FC and #97BEFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95F2FC shade: #47E8F9, #6FEDFB, #97F2FC, #BFF7FD and #E7FCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95F2FC shade: #95F2FC, #B497FC and #FCDC97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95F2FC shade: #95F2FC, #FC97F3 and #F3FC97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95F2FC shade: #95F2FC, #B497FC, #FCA097 and #DFFC97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95F2FC shade: #95F2FC, #D297FC, #FCA097 and #C1FC97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 4 / 0 / 1

HEX #95F2FC

RGB 149 242 252

HSL 185.83, 0.94%, 0.79%

LAB 90.29, -25.16, -13.52

 

Complementary color

CMYK 0 / 88 / 97 / 58

HEX #6A0D03

RGB 106 13 3

HSL 5.83, 0.94%, 0.21%

LAB 21.43, 38.91, 31.04

 

CMYK 38 / 2 / 0 / 3

HEX #9AF2F7

RGB 154 242 247

HSL 183.23, 0.85%, 0.79%

LAB 90.36, -25.14, -10.77

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 26 / 0 / 0 / 0

HEX #BCFFFF

RGB 188 255 255

HSL 180, 1%, 0.87%

LAB 95.76, -20.62, -6.73

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 41 / 4 / 0 / 1

HEX #95F2FC

RGB 149 242 252

HSL 185.83, 0.94%, 0.79%

LAB 90.29, -25.16, -13.52

 

CMYK 43 / 4 / 0 / 9

HEX #84E0E9

RGB 132 224 233

HSL 185.35, 0.7%, 0.72%

LAB 84.02, -25.13, -12.99

 

CMYK 46 / 4 / 0 / 16

HEX #73CED6

RGB 115 206 214

HSL 184.85, 0.55%, 0.65%

LAB 77.66, -25.08, -12.43

 

CMYK 50 / 4 / 0 / 24

HEX #62BCC3

RGB 98 188 195

HSL 184.33, 0.45%, 0.57%

LAB 71.22, -24.97, -11.85

 

CMYK 54 / 3 / 0 / 31

HEX #51AAB0

RGB 81 170 176

HSL 183.79, 0.38%, 0.5%

LAB 64.67, -24.8, -11.22

 

CMYK 40 / 4 / 0 / 1

HEX #97F2FC

RGB 151 242 252

HSL 185.94, 0.94%, 0.79%

LAB 90.37, -24.67, -13.38

 

CMYK 40 / 15 / 0 / 1

HEX #97D7FC

RGB 151 215 252

HSL 201.98, 0.94%, 0.79%

LAB 83.02, -11.1, -24.46

 

CMYK 40 / 25 / 0 / 1

HEX #97BCFC

RGB 151 188 252

HSL 218.02, 0.94%, 0.79%

LAB 75.81, 3.33, -35.54

 

CMYK 40 / 36 / 0 / 1

HEX #97A1FC

RGB 151 161 252

HSL 234.06, 0.94%, 0.79%

LAB 68.82, 18.46, -46.44

 

CMYK 33 / 40 / 0 / 1

HEX #A997FC

RGB 169 151 252

HSL 250.69, 0.94%, 0.79%

LAB 67.72, 28.82, -48.08

 

CMYK 40 / 4 / 0 / 1

HEX #97F2FC

RGB 151 242 252

HSL 185.94, 0.94%, 0.79%

LAB 90.37, -24.67, -13.38

 

CMYK 40 / 15 / 0 / 1

HEX #97D7FC

RGB 151 215 252

HSL 201.98, 0.94%, 0.79%

LAB 83.02, -11.1, -24.46

 

CMYK 40 / 25 / 0 / 1

HEX #97BCFC

RGB 151 188 252

HSL 218.02, 0.94%, 0.79%

LAB 75.81, 3.33, -35.54

 

CMYK 40 / 36 / 0 / 1

HEX #97A1FC

RGB 151 161 252

HSL 234.06, 0.94%, 0.79%

LAB 68.82, 18.46, -46.44

 

CMYK 40 / 40 / 0 / 1

HEX #9797FC

RGB 151 151 252

HSL 240, 0.94%, 0.79%

LAB 66.32, 24.18, -50.38

 

CMYK 40 / 4 / 0 / 1

HEX #97F2FC

RGB 151 242 252

HSL 185.94, 0.94%, 0.79%

LAB 90.37, -24.67, -13.38

 

CMYK 40 / 4 / 0 / 1

HEX #97F2FC

RGB 151 242 252

HSL 185.94, 0.94%, 0.79%

LAB 90.37, -24.67, -13.38

 

CMYK 34 / 3 / 0 / 5

HEX #A0EBF3

RGB 160 235 243

HSL 185.78, 0.78%, 0.79%

LAB 88.62, -21.12, -11.25

 

CMYK 28 / 3 / 0 / 8

HEX #A8E4EA

RGB 168 228 234

HSL 185.45, 0.61%, 0.79%

LAB 86.88, -17.53, -9.07

 

CMYK 22 / 2 / 0 / 11

HEX #B1DDE2

RGB 177 221 226

HSL 186.12, 0.46%, 0.79%

LAB 85.28, -13.13, -7.17

 

CMYK 14 / 1 / 0 / 15

HEX #BAD6D9

RGB 186 214 217

HSL 185.81, 0.29%, 0.79%

LAB 83.73, -8.65, -4.62

 

CMYK 40 / 0 / 18 / 1

HEX #97FCCE

RGB 151 252 206

HSL 152.67, 0.94%, 0.79%

LAB 91.98, -39.59, 12.85

 

CMYK 40 / 0 / 8 / 1

HEX #97FCE9

RGB 151 252 233

HSL 168.71, 0.94%, 0.79%

LAB 92.61, -33.87, -0.19

 

CMYK 40 / 4 / 0 / 1

HEX #97F3FC

RGB 151 243 252

HSL 185.35, 0.94%, 0.79%

LAB 90.65, -25.16, -12.97

 

CMYK 40 / 14 / 0 / 1

HEX #97D9FC

RGB 151 217 252

HSL 200.79, 0.94%, 0.79%

LAB 83.56, -12.13, -23.64

 

CMYK 40 / 25 / 0 / 1

HEX #97BEFC

RGB 151 190 252

HSL 216.83, 0.94%, 0.79%

LAB 76.34, 2.23, -34.73

 

CMYK 71 / 7 / 0 / 2

HEX #47E8F9

RGB 71 232 249

HSL 185.73, 0.94%, 0.63%

LAB 84.94, -35.39, -20.23

 

CMYK 56 / 6 / 0 / 2

HEX #6FEDFB

RGB 111 237 251

HSL 186, 0.95%, 0.71%

LAB 87.44, -31.11, -17.4

 

CMYK 40 / 4 / 0 / 1

HEX #97F2FC

RGB 151 242 252

HSL 185.94, 0.94%, 0.79%

LAB 90.37, -24.67, -13.38

 

CMYK 25 / 2 / 0 / 1

HEX #BFF7FD

RGB 191 247 253

HSL 185.81, 0.94%, 0.87%

LAB 93.75, -16.26, -8.66

 

CMYK 9 / 1 / 0 / 0

HEX #E7FCFE

RGB 231 252 254

HSL 185.22, 0.92%, 0.95%

LAB 97.54, -6.43, -3.3

 

CMYK 41 / 4 / 0 / 1

HEX #95F2FC

RGB 149 242 252

HSL 185.83, 0.94%, 0.79%

LAB 90.29, -25.16, -13.52

 

CMYK 29 / 40 / 0 / 1

HEX #B497FC

RGB 180 151 252

HSL 257.23, 0.94%, 0.79%

LAB 68.65, 31.79, -46.55

 

CMYK 0 / 13 / 40 / 1

HEX #FCDC97

RGB 252 220 151

HSL 40.99, 0.94%, 0.79%

LAB 88.98, 1.87, 37.97

 

CMYK 41 / 4 / 0 / 1

HEX #95F2FC

RGB 149 242 252

HSL 185.83, 0.94%, 0.79%

LAB 90.29, -25.16, -13.52

 

CMYK 0 / 40 / 4 / 1

HEX #FC97F3

RGB 252 151 243

HSL 305.35, 0.94%, 0.79%

LAB 75.64, 50.86, -30.23

 

CMYK 4 / 0 / 40 / 1

HEX #F3FC97

RGB 243 252 151

HSL 65.35, 0.94%, 0.79%

LAB 96.37, -17.53, 47.3

 

CMYK 41 / 4 / 0 / 1

HEX #95F2FC

RGB 149 242 252

HSL 185.83, 0.94%, 0.79%

LAB 90.29, -25.16, -13.52

 

CMYK 29 / 40 / 0 / 1

HEX #B497FC

RGB 180 151 252

HSL 257.23, 0.94%, 0.79%

LAB 68.65, 31.79, -46.55

 

CMYK 0 / 37 / 40 / 1

HEX #FCA097

RGB 252 160 151

HSL 5.35, 0.94%, 0.79%

LAB 74.87, 33.15, 19.04

 

CMYK 12 / 0 / 40 / 1

HEX #DFFC97

RGB 223 252 151

HSL 77.23, 0.94%, 0.79%

LAB 94.97, -25.01, 45.23

 

CMYK 41 / 4 / 0 / 1

HEX #95F2FC

RGB 149 242 252

HSL 185.83, 0.94%, 0.79%

LAB 90.29, -25.16, -13.52

 

CMYK 17 / 40 / 0 / 1

HEX #D297FC

RGB 210 151 252

HSL 275.05, 0.94%, 0.79%

LAB 71.46, 40.21, -41.95

 

CMYK 0 / 37 / 40 / 1

HEX #FCA097

RGB 252 160 151

HSL 5.35, 0.94%, 0.79%

LAB 74.87, 33.15, 19.04

 

CMYK 23 / 0 / 40 / 1

HEX #C1FC97

RGB 193 252 151

HSL 95.05, 0.94%, 0.79%

LAB 93.1, -35.72, 42.46

 

Description

Color code: HEX #95F2FC | qconv.com Color code: HEX #95F2FC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 242 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 242 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 4 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 4% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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