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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95F280 it is the complementary color #6A0D7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95F280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95F280 shade: #9AF27B, #ABFF8E, #BCFFA1, #CDFFB4 and #DEFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95F280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95F280 shade: #95F280, #84E06D, #73CE5A, #62BC47 and #51AA34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95F280 shade: #97F282, #B5F282, #D3F282, #F1F282 and #F2D582

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95F280 shade: #97F282, #82F28C, #82F2AA, #82F2C8 and #82F2E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95F280 shade matches the following richer shades: #97F282 and #90FD77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95F280 shade: #97F282, #9EE78E, #A5DC99, #ACD0A4 and #B3C5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95F280 shade: #D4F282, #B6F282, #99F282, #82F28A and #82F2A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95F280 shade: #59EA38, #78EE5D, #97F282, #B6F6A8 and #D5FACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95F280 shade: #95F280, #82F2F2 and #F282C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95F280 shade: #95F280, #8299F2 and #F28299

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95F280 shade: #95F280, #82F2F2, #DC82F2 and #F28282

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95F280 shade: #95F280, #82D0F2, #DC82F2 and #F2A482

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 47 / 5

HEX #95F280

RGB 149 242 128

HSL 108.95, 0.81%, 0.73%

LAB 87.7, -48.71, 46.27

 

Complementary color

CMYK 17 / 90 / 0 / 50

HEX #6A0D7F

RGB 106 13 127

HSL 288.95, 0.81%, 0.27%

LAB 26.4, 52.63, -41.52

 

CMYK 36 / 0 / 49 / 5

HEX #9AF27B

RGB 154 242 123

HSL 104.37, 0.82%, 0.72%

LAB 87.87, -47.76, 48.9

 

CMYK 33 / 0 / 44 / 0

HEX #ABFF8E

RGB 171 255 142

HSL 104.6, 1%, 0.78%

LAB 92.63, -45.52, 45.97

 

CMYK 26 / 0 / 37 / 0

HEX #BCFFA1

RGB 188 255 161

HSL 102.77, 1%, 0.82%

LAB 93.79, -37.44, 38.39

 

CMYK 20 / 0 / 29 / 0

HEX #CDFFB4

RGB 205 255 180

HSL 100, 1%, 0.85%

LAB 95.07, -29.02, 30.81

 

CMYK 13 / 0 / 22 / 0

HEX #DEFFC7

RGB 222 255 199

HSL 95.36, 1%, 0.89%

LAB 96.48, -20.36, 23.3

 

CMYK 38 / 0 / 47 / 5

HEX #95F280

RGB 149 242 128

HSL 108.95, 0.81%, 0.73%

LAB 87.7, -48.71, 46.27

 

CMYK 41 / 0 / 51 / 12

HEX #84E06D

RGB 132 224 109

HSL 108, 0.65%, 0.65%

LAB 81.47, -48.79, 47.46

 

CMYK 44 / 0 / 56 / 19

HEX #73CE5A

RGB 115 206 90

HSL 107.07, 0.54%, 0.58%

LAB 75.16, -48.78, 48.62

 

CMYK 48 / 0 / 62 / 26

HEX #62BC47

RGB 98 188 71

HSL 106.15, 0.47%, 0.51%

LAB 68.76, -48.64, 49.68

 

CMYK 52 / 0 / 69 / 33

HEX #51AA34

RGB 81 170 52

HSL 105.25, 0.53%, 0.44%

LAB 62.29, -48.29, 50.48

 

CMYK 38 / 0 / 46 / 5

HEX #97F282

RGB 151 242 130

HSL 108.75, 0.81%, 0.73%

LAB 87.82, -47.84, 45.48

 

CMYK 25 / 0 / 46 / 5

HEX #B5F282

RGB 181 242 130

HSL 92.68, 0.81%, 0.73%

LAB 89.36, -37.91, 47.74

 

CMYK 13 / 0 / 46 / 5

HEX #D3F282

RGB 211 242 130

HSL 76.61, 0.81%, 0.73%

LAB 91.22, -27.02, 50.44

 

CMYK 0 / 0 / 46 / 5

HEX #F1F282

RGB 241 242 130

HSL 60.54, 0.81%, 0.73%

LAB 93.37, -15.51, 53.55

 

CMYK 0 / 12 / 46 / 5

HEX #F2D582

RGB 242 213 130

HSL 44.46, 0.81%, 0.73%

LAB 86.05, -0.6, 44.56

 

CMYK 38 / 0 / 46 / 5

HEX #97F282

RGB 151 242 130

HSL 108.75, 0.81%, 0.73%

LAB 87.82, -47.84, 45.48

 

CMYK 46 / 0 / 42 / 5

HEX #82F28C

RGB 130 242 140

HSL 125.36, 0.81%, 0.73%

LAB 87.07, -52.57, 39.48

 

CMYK 46 / 0 / 30 / 5

HEX #82F2AA

RGB 130 242 170

HSL 141.43, 0.81%, 0.73%

LAB 87.56, -47.61, 25.05

 

CMYK 46 / 0 / 17 / 5

HEX #82F2C8

RGB 130 242 200

HSL 157.5, 0.81%, 0.73%

LAB 88.17, -41.69, 10.42

 

CMYK 46 / 0 / 5 / 5

HEX #82F2E6

RGB 130 242 230

HSL 173.57, 0.81%, 0.73%

LAB 88.91, -34.91, -4.17

 

CMYK 38 / 0 / 46 / 5

HEX #97F282

RGB 151 242 130

HSL 108.75, 0.81%, 0.73%

LAB 87.82, -47.84, 45.48

 

CMYK 43 / 0 / 53 / 1

HEX #90FD77

RGB 144 253 119

HSL 108.81, 0.97%, 0.73%

LAB 90.56, -55.79, 53.89

 

CMYK 38 / 0 / 46 / 5

HEX #97F282

RGB 151 242 130

HSL 108.75, 0.81%, 0.73%

LAB 87.82, -47.84, 45.48

 

CMYK 32 / 0 / 39 / 9

HEX #9EE78E

RGB 158 231 142

HSL 109.21, 0.65%, 0.73%

LAB 85.19, -39.2, 36.3

 

CMYK 25 / 0 / 30 / 14

HEX #A5DC99

RGB 165 220 153

HSL 109.25, 0.49%, 0.73%

LAB 82.64, -30.17, 27.38

 

CMYK 17 / 0 / 21 / 18

HEX #ACD0A4

RGB 172 208 164

HSL 109.09, 0.32%, 0.73%

LAB 79.93, -20.17, 17.99

 

CMYK 9 / 0 / 11 / 23

HEX #B3C5AF

RGB 179 197 175

HSL 109.09, 0.16%, 0.73%

LAB 77.64, -10.24, 8.95

 

CMYK 12 / 0 / 46 / 5

HEX #D4F282

RGB 212 242 130

HSL 76.07, 0.81%, 0.73%

LAB 91.29, -26.64, 50.53

 

CMYK 25 / 0 / 46 / 5

HEX #B6F282

RGB 182 242 130

HSL 92.14, 0.81%, 0.73%

LAB 89.42, -37.56, 47.82

 

CMYK 37 / 0 / 46 / 5

HEX #99F282

RGB 153 242 130

HSL 107.68, 0.81%, 0.73%

LAB 87.91, -47.21, 45.62

 

CMYK 46 / 0 / 43 / 5

HEX #82F28A

RGB 130 242 138

HSL 124.29, 0.81%, 0.73%

LAB 87.04, -52.87, 40.42

 

CMYK 46 / 0 / 31 / 5

HEX #82F2A8

RGB 130 242 168

HSL 140.36, 0.81%, 0.73%

LAB 87.52, -47.97, 26.03

 

CMYK 62 / 0 / 76 / 8

HEX #59EA38

RGB 89 234 56

HSL 108.88, 0.81%, 0.57%

LAB 82.52, -68.81, 69.49

 

CMYK 50 / 0 / 61 / 7

HEX #78EE5D

RGB 120 238 93

HSL 108.83, 0.81%, 0.65%

LAB 84.96, -59.56, 58.6

 

CMYK 38 / 0 / 46 / 5

HEX #97F282

RGB 151 242 130

HSL 108.75, 0.81%, 0.73%

LAB 87.82, -47.84, 45.48

 

CMYK 26 / 0 / 32 / 4

HEX #B6F6A8

RGB 182 246 168

HSL 109.23, 0.81%, 0.81%

LAB 91.09, -34.32, 31.26

 

CMYK 15 / 0 / 18 / 2

HEX #D5FACD

RGB 213 250 205

HSL 109.33, 0.82%, 0.89%

LAB 94.71, -20.03, 17.68

 

CMYK 38 / 0 / 47 / 5

HEX #95F280

RGB 149 242 128

HSL 108.95, 0.81%, 0.73%

LAB 87.7, -48.71, 46.27

 

CMYK 46 / 0 / 0 / 5

HEX #82F2F2

RGB 130 242 242

HSL 180, 0.81%, 0.73%

LAB 89.23, -31.98, -9.95

 

CMYK 0 / 46 / 19 / 5

HEX #F282C5

RGB 242 130 197

HSL 324.11, 0.81%, 0.73%

LAB 68.66, 50.93, -15.64

 

CMYK 38 / 0 / 47 / 5

HEX #95F280

RGB 149 242 128

HSL 108.95, 0.81%, 0.73%

LAB 87.7, -48.71, 46.27

 

CMYK 46 / 37 / 0 / 5

HEX #8299F2

RGB 130 153 242

HSL 227.68, 0.81%, 0.73%

LAB 64.91, 15.07, -47.23

 

CMYK 0 / 46 / 37 / 5

HEX #F28299

RGB 242 130 153

HSL 347.68, 0.81%, 0.73%

LAB 67.38, 45.16, 7.22

 

CMYK 38 / 0 / 47 / 5

HEX #95F280

RGB 149 242 128

HSL 108.95, 0.81%, 0.73%

LAB 87.7, -48.71, 46.27

 

CMYK 46 / 0 / 0 / 5

HEX #82F2F2

RGB 130 242 242

HSL 180, 0.81%, 0.73%

LAB 89.23, -31.98, -9.95

 

CMYK 9 / 46 / 0 / 5

HEX #DC82F2

RGB 220 130 242

HSL 288.21, 0.81%, 0.73%

LAB 67.72, 52.04, -42.26

 

CMYK 0 / 46 / 46 / 5

HEX #F28282

RGB 242 130 130

HSL 0, 0.81%, 0.73%

LAB 66.87, 42.73, 19.44

 

CMYK 38 / 0 / 47 / 5

HEX #95F280

RGB 149 242 128

HSL 108.95, 0.81%, 0.73%

LAB 87.7, -48.71, 46.27

 

CMYK 46 / 14 / 0 / 5

HEX #82D0F2

RGB 130 208 242

HSL 198.21, 0.81%, 0.73%

LAB 79.77, -15.2, -24.2

 

CMYK 9 / 46 / 0 / 5

HEX #DC82F2

RGB 220 130 242

HSL 288.21, 0.81%, 0.73%

LAB 67.72, 52.04, -42.26

 

CMYK 0 / 32 / 46 / 5

HEX #F2A482

RGB 242 164 130

HSL 18.21, 0.81%, 0.73%

LAB 74.22, 25.06, 29.34

 

Description

Color code: HEX #95F280 | qconv.com Color code: HEX #95F280 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 242 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 242 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 47 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 47% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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