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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95EE44 it is the complementary color #6A11BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95EE44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95EE44 shade: #9AEE3F, #ABFF52, #BCFF65, #CDFF78 and #DEFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95EE44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95EE44 shade: #95EE44, #84DC31, #73CA1E, #62B80B and #51A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95EE44 shade: #95EE44, #C3EE44, #EEEB44, #EEBD44 and #EE9044

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95EE44 shade: #95EE44, #67EE44, #44EE4F, #44EE7D and #44EEAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95EE44 shade matches the following richer shades: #95EE44 and #94FE34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95EE44 shade: #95EE44, #96DD55, #97CD65, #97BC76 and #98AC86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95EE44 shade: #EEEB44, #C3EE44, #96EE44, #69EE44 and #44EE4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95EE44 shade: #6BCC13, #80EA1F, #95EE44, #AAF16A and #C0F590

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95EE44 shade: #95EE44, #44EEBE and #EE44DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95EE44 shade: #95EE44, #4496EE and #EE4496

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95EE44 shade: #95EE44, #44EEBE, #9C44EE and #EE4474

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95EE44 shade: #95EE44, #44EBEE, #9C44EE and #EE4744

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 71 / 7

HEX #95EE44

RGB 149 238 68

HSL 91.41, 0.83%, 0.6%

LAB 85.98, -52.76, 69.71

 

Complementary color

CMYK 43 / 91 / 0 / 27

HEX #6A11BB

RGB 106 17 187

HSL 271.41, 0.83%, 0.4%

LAB 31.93, 64.3, -69.14

 

CMYK 35 / 0 / 74 / 7

HEX #9AEE3F

RGB 154 238 63

HSL 88.8, 0.84%, 0.59%

LAB 86.2, -51.38, 71.68

 

CMYK 33 / 0 / 68 / 0

HEX #ABFF52

RGB 171 255 82

HSL 89.13, 1%, 0.66%

LAB 92.04, -51.36, 71.22

 

CMYK 26 / 0 / 60 / 0

HEX #BCFF65

RGB 188 255 101

HSL 86.1, 1%, 0.7%

LAB 93.08, -44.02, 65.18

 

CMYK 20 / 0 / 53 / 0

HEX #CDFF78

RGB 205 255 120

HSL 82.22, 1%, 0.74%

LAB 94.25, -36.23, 58.58

 

CMYK 13 / 0 / 45 / 0

HEX #DEFF8B

RGB 222 255 139

HSL 77.07, 1%, 0.77%

LAB 95.54, -28.09, 51.67

 

CMYK 37 / 0 / 71 / 7

HEX #95EE44

RGB 149 238 68

HSL 91.41, 0.83%, 0.6%

LAB 85.98, -52.76, 69.71

 

CMYK 40 / 0 / 78 / 14

HEX #84DC31

RGB 132 220 49

HSL 90.88, 0.71%, 0.53%

LAB 79.79, -52.26, 69.55

 

CMYK 43 / 0 / 85 / 21

HEX #73CA1E

RGB 115 202 30

HSL 90.35, 0.74%, 0.45%

LAB 73.53, -51.55, 68.54

 

CMYK 47 / 0 / 94 / 28

HEX #62B80B

RGB 98 184 11

HSL 89.83, 0.89%, 0.38%

LAB 67.2, -50.54, 66.23

 

CMYK 51 / 0 / 100 / 35

HEX #51A600

RGB 81 166 0

HSL 90.72, 1%, 0.33%

LAB 60.8, -49.16, 62.24

 

CMYK 37 / 0 / 71 / 7

HEX #95EE44

RGB 149 238 68

HSL 91.41, 0.83%, 0.6%

LAB 85.98, -52.76, 69.71

 

CMYK 18 / 0 / 71 / 7

HEX #C3EE44

RGB 195 238 68

HSL 75.18, 0.83%, 0.6%

LAB 88.53, -36.12, 73.08

 

CMYK 0 / 1 / 71 / 7

HEX #EEEB44

RGB 238 235 68

HSL 58.94, 0.83%, 0.6%

LAB 90.78, -17.49, 76.32

 

CMYK 0 / 21 / 71 / 7

HEX #EEBD44

RGB 238 189 68

HSL 42.71, 0.83%, 0.6%

LAB 79.04, 5.76, 64.84

 

CMYK 0 / 39 / 71 / 7

HEX #EE9044

RGB 238 144 68

HSL 26.82, 0.83%, 0.6%

LAB 68.42, 29.48, 53.92

 

CMYK 37 / 0 / 71 / 7

HEX #95EE44

RGB 149 238 68

HSL 91.41, 0.83%, 0.6%

LAB 85.98, -52.76, 69.71

 

CMYK 57 / 0 / 71 / 7

HEX #67EE44

RGB 103 238 68

HSL 107.65, 0.83%, 0.6%

LAB 84.2, -66.12, 67.33

 

CMYK 71 / 0 / 67 / 7

HEX #44EE4F

RGB 68 238 79

HSL 123.88, 0.83%, 0.6%

LAB 83.41, -72.28, 62.18

 

CMYK 71 / 0 / 47 / 7

HEX #44EE7D

RGB 68 238 125

HSL 140.12, 0.83%, 0.6%

LAB 83.89, -66.61, 42.38

 

CMYK 71 / 0 / 29 / 7

HEX #44EEAA

RGB 68 238 170

HSL 156, 0.83%, 0.6%

LAB 84.63, -58.38, 20.74

 

CMYK 37 / 0 / 71 / 7

HEX #95EE44

RGB 149 238 68

HSL 91.41, 0.83%, 0.6%

LAB 85.98, -52.76, 69.71

 

CMYK 42 / 0 / 80 / 0

HEX #94FE34

RGB 148 254 52

HSL 91.49, 0.99%, 0.6%

LAB 90.52, -60.2, 78.89

 

CMYK 37 / 0 / 71 / 7

HEX #95EE44

RGB 149 238 68

HSL 91.41, 0.83%, 0.6%

LAB 85.98, -52.76, 69.71

 

CMYK 32 / 0 / 62 / 13

HEX #96DD55

RGB 150 221 85

HSL 91.32, 0.67%, 0.6%

LAB 81.21, -44.09, 58.16

 

CMYK 26 / 0 / 51 / 20

HEX #97CD65

RGB 151 205 101

HSL 91.15, 0.51%, 0.6%

LAB 76.79, -35.06, 45.83

 

CMYK 20 / 0 / 37 / 26

HEX #97BC76

RGB 151 188 118

HSL 91.71, 0.34%, 0.6%

LAB 72.13, -24.88, 31.45

 

CMYK 12 / 0 / 22 / 33

HEX #98AC86

RGB 152 172 134

HSL 91.58, 0.19%, 0.6%

LAB 67.95, -13.99, 17.28

 

CMYK 0 / 1 / 71 / 7

HEX #EEEB44

RGB 238 235 68

HSL 58.94, 0.83%, 0.6%

LAB 90.78, -17.49, 76.32

 

CMYK 18 / 0 / 71 / 7

HEX #C3EE44

RGB 195 238 68

HSL 75.18, 0.83%, 0.6%

LAB 88.53, -36.12, 73.08

 

CMYK 37 / 0 / 71 / 7

HEX #96EE44

RGB 150 238 68

HSL 91.06, 0.83%, 0.6%

LAB 86.03, -52.43, 69.78

 

CMYK 56 / 0 / 71 / 7

HEX #69EE44

RGB 105 238 68

HSL 106.94, 0.83%, 0.6%

LAB 84.26, -65.63, 67.42

 

CMYK 71 / 0 / 68 / 7

HEX #44EE4D

RGB 68 238 77

HSL 123.18, 0.83%, 0.6%

LAB 83.4, -72.47, 62.93

 

CMYK 48 / 0 / 91 / 20

HEX #6BCC13

RGB 107 204 19

HSL 91.46, 0.83%, 0.44%

LAB 73.78, -55.18, 70.67

 

CMYK 45 / 0 / 87 / 8

HEX #80EA1F

RGB 128 234 31

HSL 91.33, 0.83%, 0.52%

LAB 83.72, -59.66, 77.32

 

CMYK 37 / 0 / 71 / 7

HEX #95EE44

RGB 149 238 68

HSL 91.41, 0.83%, 0.6%

LAB 85.98, -52.76, 69.71

 

CMYK 29 / 0 / 56 / 5

HEX #AAF16A

RGB 170 241 106

HSL 91.56, 0.83%, 0.68%

LAB 88.21, -43.84, 57.26

 

CMYK 22 / 0 / 41 / 4

HEX #C0F590

RGB 192 245 144

HSL 91.49, 0.83%, 0.76%

LAB 91.02, -33.75, 43.2

 

CMYK 37 / 0 / 71 / 7

HEX #95EE44

RGB 149 238 68

HSL 91.41, 0.83%, 0.6%

LAB 85.98, -52.76, 69.71

 

CMYK 71 / 0 / 20 / 7

HEX #44EEBE

RGB 68 238 190

HSL 163.06, 0.83%, 0.6%

LAB 85.05, -53.94, 10.94

 

CMYK 0 / 71 / 8 / 7

HEX #EE44DA

RGB 238 68 218

HSL 307.06, 0.83%, 0.6%

LAB 59.32, 78.93, -41.91

 

CMYK 37 / 0 / 71 / 7

HEX #95EE44

RGB 149 238 68

HSL 91.41, 0.83%, 0.6%

LAB 85.98, -52.76, 69.71

 

CMYK 71 / 37 / 0 / 7

HEX #4496EE

RGB 68 150 238

HSL 211.06, 0.83%, 0.6%

LAB 60.97, 3.76, -51.46

 

CMYK 0 / 71 / 37 / 7

HEX #EE4496

RGB 238 68 150

HSL 331.06, 0.83%, 0.6%

LAB 56.6, 70.41, -6.87

 

CMYK 37 / 0 / 71 / 7

HEX #95EE44

RGB 149 238 68

HSL 91.41, 0.83%, 0.6%

LAB 85.98, -52.76, 69.71

 

CMYK 71 / 0 / 20 / 7

HEX #44EEBE

RGB 68 238 190

HSL 163.06, 0.83%, 0.6%

LAB 85.05, -53.94, 10.94

 

CMYK 34 / 71 / 0 / 7

HEX #9C44EE

RGB 156 68 238

HSL 271.06, 0.83%, 0.6%

LAB 48.73, 65.94, -70.8

 

CMYK 0 / 71 / 51 / 7

HEX #EE4474

RGB 238 68 116

HSL 343.06, 0.83%, 0.6%

LAB 55.66, 67.32, 11.9

 

CMYK 37 / 0 / 71 / 7

HEX #95EE44

RGB 149 238 68

HSL 91.41, 0.83%, 0.6%

LAB 85.98, -52.76, 69.71

 

CMYK 71 / 1 / 0 / 7

HEX #44EBEE

RGB 68 235 238

HSL 181.06, 0.83%, 0.6%

LAB 85.41, -40.27, -13.73

 

CMYK 34 / 71 / 0 / 7

HEX #9C44EE

RGB 156 68 238

HSL 271.06, 0.83%, 0.6%

LAB 48.73, 65.94, -70.8

 

CMYK 0 / 70 / 71 / 7

HEX #EE4744

RGB 238 71 68

HSL 1.06, 0.83%, 0.6%

LAB 55.18, 63.34, 39.32

 

Description

Color code: HEX #95EE44 | qconv.com Color code: HEX #95EE44 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 238 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 238 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 71 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 71% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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