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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95EC6E it is the complementary color #6A1391. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95EC6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95EC6E shade: #9AEC69, #ABFE7C, #BCFF8F, #CDFFA2 and #DEFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95EC6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95EC6E shade: #95EC6E, #84DA5B, #73C848, #62B635 and #51A422

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95EC6E shade: #95EC6F, #B7EC6F, #D9EC6F, #ECDD6F and #ECBB6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95EC6E shade: #95EC6F, #74EC6F, #6FEC8B, #6FECAD and #6FECCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95EC6E shade matches the following richer shades: #95EC6F and #90F961

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95EC6E shade: #95EC6F, #9ADF7C, #A0D289, #A5C596 and #AAB7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95EC6E shade: #D9EC6F, #B8EC6F, #96EC6F, #75EC6F and #6FEC8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95EC6E shade: #60E326, #7BE74A, #95EC6F, #B0F193 and #CBF6B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95EC6E shade: #95EC6E, #6FECDE and #EC6FC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95EC6E shade: #95EC6E, #6F96EC and #EC6F96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95EC6E shade: #95EC6E, #6FECDE, #C46FEC and #EC6F7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95EC6E shade: #95EC6E, #6FD5EC, #C46FEC and #EC866F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 53 / 7

HEX #95EC6E

RGB 149 236 110

HSL 101.43, 0.77%, 0.68%

LAB 85.76, -48.33, 52.33

 

Complementary color

CMYK 27 / 87 / 0 / 43

HEX #6A1391

RGB 106 19 145

HSL 281.43, 0.77%, 0.32%

LAB 28.31, 54.77, -49.67

 

CMYK 35 / 0 / 56 / 7

HEX #9AEC69

RGB 154 236 105

HSL 97.56, 0.78%, 0.67%

LAB 85.95, -47.23, 54.87

 

CMYK 33 / 0 / 51 / 0

HEX #ABFE7C

RGB 171 254 124

HSL 98.31, 0.98%, 0.74%

LAB 92.13, -47.23, 53.8

 

CMYK 26 / 0 / 44 / 0

HEX #BCFF8F

RGB 188 255 143

HSL 95.89, 1%, 0.78%

LAB 93.53, -39.77, 46.82

 

CMYK 20 / 0 / 36 / 0

HEX #CDFFA2

RGB 205 255 162

HSL 92.26, 1%, 0.82%

LAB 94.78, -31.52, 39.39

 

CMYK 13 / 0 / 29 / 0

HEX #DEFFB5

RGB 222 255 181

HSL 86.76, 1%, 0.85%

LAB 96.16, -22.99, 31.95

 

CMYK 37 / 0 / 53 / 7

HEX #95EC6E

RGB 149 236 110

HSL 101.43, 0.77%, 0.68%

LAB 85.76, -48.33, 52.33

 

CMYK 39 / 0 / 58 / 15

HEX #84DA5B

RGB 132 218 91

HSL 100.63, 0.63%, 0.61%

LAB 79.5, -48.3, 53.4

 

CMYK 43 / 0 / 64 / 22

HEX #73C848

RGB 115 200 72

HSL 99.84, 0.54%, 0.53%

LAB 73.17, -48.15, 54.32

 

CMYK 46 / 0 / 71 / 29

HEX #62B635

RGB 98 182 53

HSL 99.07, 0.55%, 0.46%

LAB 66.76, -47.83, 54.93

 

CMYK 51 / 0 / 79 / 36

HEX #51A422

RGB 81 164 34

HSL 98.31, 0.66%, 0.39%

LAB 60.26, -47.24, 54.94

 

CMYK 37 / 0 / 53 / 7

HEX #95EC6F

RGB 149 236 111

HSL 101.76, 0.77%, 0.68%

LAB 85.77, -48.22, 51.88

 

CMYK 22 / 0 / 53 / 7

HEX #B7EC6F

RGB 183 236 111

HSL 85.44, 0.77%, 0.68%

LAB 87.58, -36.52, 54.48

 

CMYK 8 / 0 / 53 / 7

HEX #D9EC6F

RGB 217 236 111

HSL 69.12, 0.77%, 0.68%

LAB 89.81, -23.65, 57.64

 

CMYK 0 / 6 / 53 / 7

HEX #ECDD6F

RGB 236 221 111

HSL 52.8, 0.77%, 0.68%

LAB 87.34, -8.73, 55.13

 

CMYK 0 / 21 / 53 / 7

HEX #ECBB6F

RGB 236 187 111

HSL 36.48, 0.77%, 0.68%

LAB 78.76, 8.77, 44.88

 

CMYK 37 / 0 / 53 / 7

HEX #95EC6F

RGB 149 236 111

HSL 101.76, 0.77%, 0.68%

LAB 85.77, -48.22, 51.88

 

CMYK 51 / 0 / 53 / 7

HEX #74EC6F

RGB 116 236 111

HSL 117.6, 0.77%, 0.68%

LAB 84.41, -57.89, 49.93

 

CMYK 53 / 0 / 41 / 7

HEX #6FEC8B

RGB 111 236 139

HSL 133.44, 0.77%, 0.68%

LAB 84.6, -55.2, 36.65

 

CMYK 53 / 0 / 27 / 7

HEX #6FECAD

RGB 111 236 173

HSL 149.76, 0.77%, 0.68%

LAB 85.19, -49.12, 20.15

 

CMYK 53 / 0 / 12 / 7

HEX #6FECCF

RGB 111 236 207

HSL 166.08, 0.77%, 0.68%

LAB 85.94, -41.76, 3.47

 

CMYK 37 / 0 / 53 / 7

HEX #95EC6F

RGB 149 236 111

HSL 101.76, 0.77%, 0.68%

LAB 85.77, -48.22, 51.88

 

CMYK 42 / 0 / 61 / 2

HEX #90F961

RGB 144 249 97

HSL 101.45, 0.93%, 0.68%

LAB 89.18, -56.47, 61.9

 

CMYK 37 / 0 / 53 / 7

HEX #95EC6F

RGB 149 236 111

HSL 101.76, 0.77%, 0.68%

LAB 85.77, -48.22, 51.88

 

CMYK 31 / 0 / 44 / 13

HEX #9ADF7C

RGB 154 223 124

HSL 101.82, 0.61%, 0.68%

LAB 82.43, -39.4, 41.66

 

CMYK 24 / 0 / 35 / 18

HEX #A0D289

RGB 160 210 137

HSL 101.1, 0.45%, 0.68%

LAB 79.26, -29.57, 31.07

 

CMYK 16 / 0 / 24 / 23

HEX #A5C596

RGB 165 197 150

HSL 100.85, 0.29%, 0.68%

LAB 76.15, -19.45, 20.11

 

CMYK 7 / 0 / 11 / 28

HEX #AAB7A3

RGB 170 183 163

HSL 99, 0.12%, 0.68%

LAB 72.93, -8.24, 8.63

 

CMYK 8 / 0 / 53 / 7

HEX #D9EC6F

RGB 217 236 111

HSL 69.12, 0.77%, 0.68%

LAB 89.81, -23.65, 57.64

 

CMYK 22 / 0 / 53 / 7

HEX #B8EC6F

RGB 184 236 111

HSL 84.96, 0.77%, 0.68%

LAB 87.64, -36.16, 54.57

 

CMYK 36 / 0 / 53 / 7

HEX #96EC6F

RGB 150 236 111

HSL 101.28, 0.77%, 0.68%

LAB 85.82, -47.9, 51.95

 

CMYK 50 / 0 / 53 / 7

HEX #75EC6F

RGB 117 236 111

HSL 117.12, 0.77%, 0.68%

LAB 84.44, -57.62, 49.98

 

CMYK 53 / 0 / 42 / 7

HEX #6FEC8A

RGB 111 236 138

HSL 132.96, 0.77%, 0.68%

LAB 84.59, -55.36, 37.13

 

CMYK 58 / 0 / 83 / 11

HEX #60E326

RGB 96 227 38

HSL 101.59, 0.77%, 0.52%

LAB 80.5, -65.78, 72.6

 

CMYK 47 / 0 / 68 / 9

HEX #7BE74A

RGB 123 231 74

HSL 101.27, 0.77%, 0.6%

LAB 82.84, -57.74, 63.96

 

CMYK 37 / 0 / 53 / 7

HEX #95EC6F

RGB 149 236 111

HSL 101.76, 0.77%, 0.68%

LAB 85.77, -48.22, 51.88

 

CMYK 27 / 0 / 39 / 5

HEX #B0F193

RGB 176 241 147

HSL 101.49, 0.77%, 0.76%

LAB 89.04, -37.04, 39

 

CMYK 17 / 0 / 25 / 4

HEX #CBF6B8

RGB 203 246 184

HSL 101.61, 0.78%, 0.84%

LAB 92.61, -24.83, 25.41

 

CMYK 37 / 0 / 53 / 7

HEX #95EC6E

RGB 149 236 110

HSL 101.43, 0.77%, 0.68%

LAB 85.76, -48.33, 52.33

 

CMYK 53 / 0 / 6 / 7

HEX #6FECDE

RGB 111 236 222

HSL 173.28, 0.77%, 0.68%

LAB 86.33, -38.15, -3.84

 

CMYK 0 / 53 / 15 / 7

HEX #EC6FC9

RGB 236 111 201

HSL 316.8, 0.77%, 0.68%

LAB 64.5, 58.84, -24.29

 

CMYK 37 / 0 / 53 / 7

HEX #95EC6E

RGB 149 236 110

HSL 101.43, 0.77%, 0.68%

LAB 85.76, -48.33, 52.33

 

CMYK 53 / 36 / 0 / 7

HEX #6F96EC

RGB 111 150 236

HSL 221.28, 0.77%, 0.68%

LAB 62.72, 10.71, -47.47

 

CMYK 0 / 53 / 36 / 7

HEX #EC6F96

RGB 236 111 150

HSL 341.28, 0.77%, 0.68%

LAB 62.85, 52.08, 2.28

 

CMYK 37 / 0 / 53 / 7

HEX #95EC6E

RGB 149 236 110

HSL 101.43, 0.77%, 0.68%

LAB 85.76, -48.33, 52.33

 

CMYK 53 / 0 / 6 / 7

HEX #6FECDE

RGB 111 236 222

HSL 173.28, 0.77%, 0.68%

LAB 86.33, -38.15, -3.84

 

CMYK 17 / 53 / 0 / 7

HEX #C46FEC

RGB 196 111 236

HSL 280.8, 0.77%, 0.68%

LAB 60.92, 54.02, -49.84

 

CMYK 0 / 53 / 47 / 7

HEX #EC6F7D

RGB 236 111 125

HSL 353.28, 0.77%, 0.68%

LAB 62.24, 49.49, 15.77

 

CMYK 37 / 0 / 53 / 7

HEX #95EC6E

RGB 149 236 110

HSL 101.43, 0.77%, 0.68%

LAB 85.76, -48.33, 52.33

 

CMYK 53 / 10 / 0 / 7

HEX #6FD5EC

RGB 111 213 236

HSL 191.04, 0.77%, 0.68%

LAB 80.19, -23.52, -20.42

 

CMYK 17 / 53 / 0 / 7

HEX #C46FEC

RGB 196 111 236

HSL 280.8, 0.77%, 0.68%

LAB 60.92, 54.02, -49.84

 

CMYK 0 / 43 / 53 / 7

HEX #EC866F

RGB 236 134 111

HSL 11.04, 0.77%, 0.68%

LAB 66.54, 36.73, 29.45

 

Description

Color code: HEX #95EC6E | qconv.com Color code: HEX #95EC6E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 236 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 236 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 53 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 53% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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