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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95EBAF it is the complementary color #6A1450. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95EBAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95EBAF shade: #9AEBAA, #ABFDBD, #BCFFD0, #CDFFE3 and #DEFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95EBAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95EBAF shade: #95EBAF, #84D99C, #73C789, #62B576 and #51A363

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95EBAF shade: #94EBAE, #94EB97, #A8EB94, #C0EB94 and #D7EB94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95EBAF shade: #94EBAE, #94EBC5, #94EBDD, #94E1EB and #94CAEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95EBAF shade matches the following richer shades: #94EBAE and #8AF5AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95EBAF shade: #94EBAE, #9EE0B2, #A9D6B6, #B3CCBA and #BDC1BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95EBAF shade: #A8EB94, #94EB97, #94EBAE, #94EBC5 and #94EBDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95EBAF shade: #4FDD7A, #71E494, #94EBAE, #B7F1C8 and #D9F8E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95EBAF shade: #95EBAF, #94BFEB and #EB949D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95EBAF shade: #95EBAF, #AE94EB and #EBAE94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95EBAF shade: #95EBAF, #94BFEB, #EB94D1 and #EBBF94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95EBAF shade: #95EBAF, #94A5EB, #EB94D1 and #EBD994

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 26 / 8

HEX #95EBAF

RGB 149 235 175

HSL 138.14, 0.68%, 0.75%

LAB 86.46, -38.42, 21.09

 

Complementary color

CMYK 0 / 81 / 25 / 58

HEX #6A1450

RGB 106 20 80

HSL 318.14, 0.68%, 0.25%

LAB 24.14, 42.78, -14.51

 

CMYK 34 / 0 / 28 / 8

HEX #9AEBAA

RGB 154 235 170

HSL 131.85, 0.67%, 0.76%

LAB 86.6, -37.82, 23.91

 

CMYK 32 / 0 / 25 / 1

HEX #ABFDBD

RGB 171 253 189

HSL 133.17, 0.95%, 0.83%

LAB 92.83, -37.57, 22.89

 

CMYK 26 / 0 / 18 / 0

HEX #BCFFD0

RGB 188 255 208

HSL 137.91, 1%, 0.87%

LAB 94.64, -29.95, 15.84

 

CMYK 20 / 0 / 11 / 0

HEX #CDFFE3

RGB 205 255 227

HSL 146.4, 1%, 0.9%

LAB 96.02, -21.19, 8.18

 

CMYK 13 / 0 / 4 / 0

HEX #DEFFF6

RGB 222 255 246

HSL 163.64, 1%, 0.94%

LAB 97.51, -12.29, 0.71

 

CMYK 37 / 0 / 26 / 8

HEX #95EBAF

RGB 149 235 175

HSL 138.14, 0.68%, 0.75%

LAB 86.46, -38.42, 21.09

 

CMYK 39 / 0 / 28 / 15

HEX #84D99C

RGB 132 217 156

HSL 136.94, 0.53%, 0.68%

LAB 80.14, -38.68, 22.14

 

CMYK 42 / 0 / 31 / 22

HEX #73C789

RGB 115 199 137

HSL 135.71, 0.43%, 0.62%

LAB 73.74, -38.94, 23.27

 

CMYK 46 / 0 / 35 / 29

HEX #62B576

RGB 98 181 118

HSL 134.46, 0.36%, 0.55%

LAB 67.24, -39.16, 24.47

 

CMYK 50 / 0 / 39 / 36

HEX #51A363

RGB 81 163 99

HSL 133.17, 0.34%, 0.48%

LAB 60.64, -39.34, 25.77

 

CMYK 37 / 0 / 26 / 8

HEX #94EBAE

RGB 148 235 174

HSL 137.93, 0.69%, 0.75%

LAB 86.39, -38.89, 21.51

 

CMYK 37 / 0 / 36 / 8

HEX #94EB97

RGB 148 235 151

HSL 122.07, 0.69%, 0.75%

LAB 85.98, -42.76, 32.72

 

CMYK 29 / 0 / 37 / 8

HEX #A8EB94

RGB 168 235 148

HSL 106.21, 0.69%, 0.75%

LAB 86.94, -36.86, 35.68

 

CMYK 18 / 0 / 37 / 8

HEX #C0EB94

RGB 192 235 148

HSL 89.66, 0.69%, 0.75%

LAB 88.33, -28.58, 37.77

 

CMYK 9 / 0 / 37 / 8

HEX #D7EB94

RGB 215 235 148

HSL 73.79, 0.69%, 0.75%

LAB 89.86, -20.16, 40.04

 

CMYK 37 / 0 / 26 / 8

HEX #94EBAE

RGB 148 235 174

HSL 137.93, 0.69%, 0.75%

LAB 86.39, -38.89, 21.51

 

CMYK 37 / 0 / 16 / 8

HEX #94EBC5

RGB 148 235 197

HSL 153.79, 0.69%, 0.75%

LAB 86.87, -34.47, 10.23

 

CMYK 37 / 0 / 6 / 8

HEX #94EBDD

RGB 148 235 221

HSL 170.34, 0.69%, 0.75%

LAB 87.45, -29.33, -1.5

 

CMYK 37 / 4 / 0 / 8

HEX #94E1EB

RGB 148 225 235

HSL 186.9, 0.69%, 0.75%

LAB 85.07, -21.19, -12.4

 

CMYK 37 / 14 / 0 / 8

HEX #94CAEB

RGB 148 202 235

HSL 202.76, 0.69%, 0.75%

LAB 78.77, -9.42, -21.88

 

CMYK 37 / 0 / 26 / 8

HEX #94EBAE

RGB 148 235 174

HSL 137.93, 0.69%, 0.75%

LAB 86.39, -38.89, 21.51

 

CMYK 44 / 0 / 31 / 4

HEX #8AF5AA

RGB 138 245 170

HSL 137.94, 0.84%, 0.75%

LAB 88.74, -46.78, 26.71

 

CMYK 37 / 0 / 26 / 8

HEX #94EBAE

RGB 148 235 174

HSL 137.93, 0.69%, 0.75%

LAB 86.39, -38.89, 21.51

 

CMYK 29 / 0 / 21 / 12

HEX #9EE0B2

RGB 158 224 178

HSL 138.18, 0.52%, 0.75%

LAB 83.86, -30.08, 15.98

 

CMYK 21 / 0 / 15 / 16

HEX #A9D6B6

RGB 169 214 182

HSL 137.33, 0.35%, 0.75%

LAB 81.79, -20.98, 11.03

 

CMYK 12 / 0 / 9 / 20

HEX #B3CCBA

RGB 179 204 186

HSL 136.8, 0.2%, 0.75%

LAB 79.79, -11.85, 6.13

 

CMYK 2 / 0 / 2 / 24

HEX #BDC1BE

RGB 189 193 190

HSL 135, 0.03%, 0.75%

LAB 77.68, -1.94, 1.01

 

CMYK 29 / 0 / 37 / 8

HEX #A8EB94

RGB 168 235 148

HSL 106.21, 0.69%, 0.75%

LAB 86.94, -36.86, 35.68

 

CMYK 37 / 0 / 36 / 8

HEX #94EB97

RGB 148 235 151

HSL 122.07, 0.69%, 0.75%

LAB 85.98, -42.76, 32.72

 

CMYK 37 / 0 / 26 / 8

HEX #94EBAE

RGB 148 235 174

HSL 137.93, 0.69%, 0.75%

LAB 86.39, -38.89, 21.51

 

CMYK 37 / 0 / 16 / 8

HEX #94EBC5

RGB 148 235 197

HSL 153.79, 0.69%, 0.75%

LAB 86.87, -34.47, 10.23

 

CMYK 37 / 0 / 6 / 8

HEX #94EBDC

RGB 148 235 220

HSL 169.66, 0.69%, 0.75%

LAB 87.43, -29.55, -1.01

 

CMYK 64 / 0 / 45 / 13

HEX #4FDD7A

RGB 79 221 122

HSL 138.17, 0.68%, 0.59%

LAB 78.91, -59.14, 37.58

 

CMYK 50 / 0 / 35 / 11

HEX #71E494

RGB 113 228 148

HSL 138.26, 0.68%, 0.67%

LAB 82.45, -49.98, 29.29

 

CMYK 37 / 0 / 26 / 8

HEX #94EBAE

RGB 148 235 174

HSL 137.93, 0.69%, 0.75%

LAB 86.39, -38.89, 21.51

 

CMYK 24 / 0 / 17 / 5

HEX #B7F1C8

RGB 183 241 200

HSL 137.59, 0.67%, 0.83%

LAB 90.39, -26.33, 13.91

 

CMYK 13 / 0 / 9 / 3

HEX #D9F8E2

RGB 217 248 226

HSL 137.42, 0.69%, 0.91%

LAB 94.9, -14.11, 7.18

 

CMYK 37 / 0 / 26 / 8

HEX #95EBAF

RGB 149 235 175

HSL 138.14, 0.68%, 0.75%

LAB 86.46, -38.42, 21.09

 

CMYK 37 / 19 / 0 / 8

HEX #94BFEB

RGB 148 191 235

HSL 210.34, 0.69%, 0.75%

LAB 75.8, -3.57, -26.42

 

CMYK 0 / 37 / 33 / 8

HEX #EB949D

RGB 235 148 157

HSL 353.79, 0.69%, 0.75%

LAB 70.37, 33.85, 9.12

 

CMYK 37 / 0 / 26 / 8

HEX #95EBAF

RGB 149 235 175

HSL 138.14, 0.68%, 0.75%

LAB 86.46, -38.42, 21.09

 

CMYK 26 / 37 / 0 / 8

HEX #AE94EB

RGB 174 148 235

HSL 257.93, 0.69%, 0.75%

LAB 66.65, 27.69, -40.42

 

CMYK 0 / 26 / 37 / 8

HEX #EBAE94

RGB 235 174 148

HSL 17.93, 0.69%, 0.75%

LAB 76.11, 18.96, 22.08

 

CMYK 37 / 0 / 26 / 8

HEX #95EBAF

RGB 149 235 175

HSL 138.14, 0.68%, 0.75%

LAB 86.46, -38.42, 21.09

 

CMYK 37 / 19 / 0 / 8

HEX #94BFEB

RGB 148 191 235

HSL 210.34, 0.69%, 0.75%

LAB 75.8, -3.57, -26.42

 

CMYK 0 / 37 / 11 / 8

HEX #EB94D1

RGB 235 148 209

HSL 317.93, 0.69%, 0.75%

LAB 71.86, 41.37, -17.56

 

CMYK 0 / 19 / 37 / 8

HEX #EBBF94

RGB 235 191 148

HSL 29.66, 0.69%, 0.75%

LAB 80.21, 9.96, 27.64

 

CMYK 37 / 0 / 26 / 8

HEX #95EBAF

RGB 149 235 175

HSL 138.14, 0.68%, 0.75%

LAB 86.46, -38.42, 21.09

 

CMYK 37 / 30 / 0 / 8

HEX #94A5EB

RGB 148 165 235

HSL 228.28, 0.69%, 0.75%

LAB 68.9, 10.81, -37.07

 

CMYK 0 / 37 / 11 / 8

HEX #EB94D1

RGB 235 148 209

HSL 317.93, 0.69%, 0.75%

LAB 71.86, 41.37, -17.56

 

CMYK 0 / 8 / 37 / 8

HEX #EBD994

RGB 235 217 148

HSL 47.59, 0.69%, 0.75%

LAB 86.71, -3.54, 36.26

 

Description

Color code: HEX #95EBAF | qconv.com Color code: HEX #95EBAF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 235 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 235 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 26 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 26% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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