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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95E764 it is the complementary color #6A189B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95E764. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95E764 shade: #9AE75F, #ABF972, #BCFF85, #CDFF98 and #DEFFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95E764. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95E764 shade: #95E764, #84D551, #73C33E, #62B12B and #519F18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95E764 shade: #95E765, #B8E765, #DCE765, #E7CF65 and #E7AC65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95E764 shade: #95E765, #72E765, #65E77A, #65E79D and #65E7C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95E764 shade matches the following richer shades: #95E765 and #92F556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95E764 shade: #95E765, #99D873, #9DCA81, #A0BC90 and #A4AD9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95E764 shade: #DCE765, #B9E765, #97E765, #74E765 and #65E778

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95E764 shade: #66D722, #7DE141, #95E765, #AEEC88 and #C6F2AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95E764 shade: #95E764, #65E7CF and #E765CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95E764 shade: #95E764, #6597E7 and #E76597

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95E764 shade: #95E764, #65E7CF, #B565E7 and #E7657C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95E764 shade: #95E764, #65D8E7, #B565E7 and #E77465

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 57 / 9

HEX #95E764

RGB 149 231 100

HSL 97.56, 0.73%, 0.65%

LAB 84.21, -47.28, 55.02

 

Complementary color

CMYK 32 / 85 / 0 / 39

HEX #6A189B

RGB 106 24 155

HSL 277.56, 0.73%, 0.35%

LAB 29.62, 55.48, -53.67

 

CMYK 33 / 0 / 59 / 9

HEX #9AE75F

RGB 154 231 95

HSL 93.97, 0.74%, 0.64%

LAB 84.41, -46.09, 57.51

 

CMYK 31 / 0 / 54 / 2

HEX #ABF972

RGB 171 249 114

HSL 94.67, 0.92%, 0.71%

LAB 90.61, -46.15, 56.52

 

CMYK 26 / 0 / 48 / 0

HEX #BCFF85

RGB 188 255 133

HSL 92.95, 1%, 0.76%

LAB 93.41, -40.93, 51.39

 

CMYK 20 / 0 / 40 / 0

HEX #CDFF98

RGB 205 255 152

HSL 89.13, 1%, 0.8%

LAB 94.64, -32.78, 44.09

 

CMYK 13 / 0 / 33 / 0

HEX #DEFFAB

RGB 222 255 171

HSL 83.57, 1%, 0.84%

LAB 95.99, -24.34, 36.72

 

CMYK 35 / 0 / 57 / 9

HEX #95E764

RGB 149 231 100

HSL 97.56, 0.73%, 0.65%

LAB 84.21, -47.28, 55.02

 

CMYK 38 / 0 / 62 / 16

HEX #84D551

RGB 132 213 81

HSL 96.82, 0.61%, 0.58%

LAB 77.93, -47.18, 55.97

 

CMYK 41 / 0 / 68 / 24

HEX #73C33E

RGB 115 195 62

HSL 96.09, 0.53%, 0.5%

LAB 71.57, -46.94, 56.68

 

CMYK 45 / 0 / 76 / 31

HEX #62B12B

RGB 98 177 43

HSL 95.37, 0.61%, 0.43%

LAB 65.13, -46.51, 56.92

 

CMYK 49 / 0 / 85 / 38

HEX #519F18

RGB 81 159 24

HSL 94.67, 0.74%, 0.36%

LAB 58.61, -45.78, 56.27

 

CMYK 35 / 0 / 56 / 9

HEX #95E765

RGB 149 231 101

HSL 97.85, 0.73%, 0.65%

LAB 84.22, -47.18, 54.59

 

CMYK 20 / 0 / 56 / 9

HEX #B8E765

RGB 184 231 101

HSL 81.69, 0.73%, 0.65%

LAB 86.15, -34.81, 57.32

 

CMYK 5 / 0 / 56 / 9

HEX #DCE765

RGB 220 231 101

HSL 65.08, 0.73%, 0.65%

LAB 88.59, -20.87, 60.75

 

CMYK 0 / 10 / 56 / 9

HEX #E7CF65

RGB 231 207 101

HSL 48.92, 0.73%, 0.65%

LAB 83.21, -4.46, 54.86

 

CMYK 0 / 26 / 56 / 9

HEX #E7AC65

RGB 231 172 101

HSL 32.77, 0.73%, 0.65%

LAB 74.47, 13.84, 44.55

 

CMYK 35 / 0 / 56 / 9

HEX #95E765

RGB 149 231 101

HSL 97.85, 0.73%, 0.65%

LAB 84.22, -47.18, 54.59

 

CMYK 51 / 0 / 56 / 9

HEX #72E765

RGB 114 231 101

HSL 114, 0.73%, 0.65%

LAB 82.74, -57.69, 52.49

 

CMYK 56 / 0 / 47 / 9

HEX #65E77A

RGB 101 231 122

HSL 129.69, 0.73%, 0.65%

LAB 82.55, -58.22, 42.32

 

CMYK 56 / 0 / 32 / 9

HEX #65E79D

RGB 101 231 157

HSL 145.85, 0.73%, 0.65%

LAB 83.1, -52.37, 25.48

 

CMYK 56 / 0 / 17 / 9

HEX #65E7C0

RGB 101 231 192

HSL 162, 0.73%, 0.65%

LAB 83.82, -45.07, 8.25

 

CMYK 35 / 0 / 56 / 9

HEX #95E765

RGB 149 231 101

HSL 97.85, 0.73%, 0.65%

LAB 84.22, -47.18, 54.59

 

CMYK 40 / 0 / 65 / 4

HEX #92F556

RGB 146 245 86

HSL 97.36, 0.89%, 0.65%

LAB 88.01, -55.23, 65.1

 

CMYK 35 / 0 / 56 / 9

HEX #95E765

RGB 149 231 101

HSL 97.85, 0.73%, 0.65%

LAB 84.22, -47.18, 54.59

 

CMYK 29 / 0 / 47 / 15

HEX #99D873

RGB 153 216 115

HSL 97.43, 0.56%, 0.65%

LAB 80.25, -37.73, 43.32

 

CMYK 22 / 0 / 36 / 21

HEX #9DCA81

RGB 157 202 129

HSL 96.99, 0.41%, 0.65%

LAB 76.68, -27.96, 31.76

 

CMYK 15 / 0 / 23 / 26

HEX #A0BC90

RGB 160 188 144

HSL 98.18, 0.25%, 0.65%

LAB 73.19, -17.67, 19.19

 

CMYK 5 / 0 / 9 / 32

HEX #A4AD9E

RGB 164 173 158

HSL 96, 0.08%, 0.65%

LAB 69.65, -5.98, 6.61

 

CMYK 5 / 0 / 56 / 9

HEX #DCE765

RGB 220 231 101

HSL 65.08, 0.73%, 0.65%

LAB 88.59, -20.87, 60.75

 

CMYK 20 / 0 / 56 / 9

HEX #B9E765

RGB 185 231 101

HSL 81.23, 0.73%, 0.65%

LAB 86.21, -34.43, 57.4

 

CMYK 35 / 0 / 56 / 9

HEX #97E765

RGB 151 231 101

HSL 96.92, 0.73%, 0.65%

LAB 84.31, -46.52, 54.73

 

CMYK 50 / 0 / 56 / 9

HEX #74E765

RGB 116 231 101

HSL 113.08, 0.73%, 0.65%

LAB 82.81, -57.15, 52.59

 

CMYK 56 / 0 / 48 / 9

HEX #65E778

RGB 101 231 120

HSL 128.77, 0.73%, 0.65%

LAB 82.53, -58.51, 43.25

 

CMYK 53 / 0 / 84 / 16

HEX #66D722

RGB 102 215 34

HSL 97.46, 0.73%, 0.49%

LAB 77.01, -60.19, 70.49

 

CMYK 44 / 0 / 71 / 12

HEX #7DE141

RGB 125 225 65

HSL 97.5, 0.73%, 0.57%

LAB 81.07, -55.5, 65.47

 

CMYK 35 / 0 / 56 / 9

HEX #95E765

RGB 149 231 101

HSL 97.85, 0.73%, 0.65%

LAB 84.22, -47.18, 54.59

 

CMYK 26 / 0 / 42 / 7

HEX #AEEC88

RGB 174 236 136

HSL 97.2, 0.72%, 0.73%

LAB 87.37, -36.9, 42.25

 

CMYK 18 / 0 / 29 / 5

HEX #C6F2AC

RGB 198 242 172

HSL 97.71, 0.73%, 0.81%

LAB 91, -26.45, 29.28

 

CMYK 35 / 0 / 57 / 9

HEX #95E764

RGB 149 231 100

HSL 97.56, 0.73%, 0.65%

LAB 84.21, -47.28, 55.02

 

CMYK 56 / 0 / 10 / 9

HEX #65E7CF

RGB 101 231 207

HSL 168.92, 0.73%, 0.65%

LAB 84.19, -41.55, 0.88

 

CMYK 0 / 56 / 12 / 9

HEX #E765CB

RGB 231 101 203

HSL 312.92, 0.73%, 0.65%

LAB 62.18, 62.28, -29.05

 

CMYK 35 / 0 / 57 / 9

HEX #95E764

RGB 149 231 100

HSL 97.56, 0.73%, 0.65%

LAB 84.21, -47.28, 55.02

 

CMYK 56 / 35 / 0 / 9

HEX #6597E7

RGB 101 151 231

HSL 216.92, 0.73%, 0.65%

LAB 62.23, 6.46, -45.52

 

CMYK 0 / 56 / 35 / 9

HEX #E76597

RGB 231 101 151

HSL 336.92, 0.73%, 0.65%

LAB 60.37, 55.25, -2.01

 

CMYK 35 / 0 / 57 / 9

HEX #95E764

RGB 149 231 100

HSL 97.56, 0.73%, 0.65%

LAB 84.21, -47.28, 55.02

 

CMYK 56 / 0 / 10 / 9

HEX #65E7CF

RGB 101 231 207

HSL 168.92, 0.73%, 0.65%

LAB 84.19, -41.55, 0.88

 

CMYK 22 / 56 / 0 / 9

HEX #B565E7

RGB 181 101 231

HSL 276.92, 0.73%, 0.65%

LAB 56.98, 54.21, -53.43

 

CMYK 0 / 56 / 46 / 9

HEX #E7657C

RGB 231 101 124

HSL 349.38, 0.73%, 0.65%

LAB 59.66, 52.41, 12.65

 

CMYK 35 / 0 / 57 / 9

HEX #95E764

RGB 149 231 100

HSL 97.56, 0.73%, 0.65%

LAB 84.21, -47.28, 55.02

 

CMYK 56 / 6 / 0 / 9

HEX #65D8E7

RGB 101 216 231

HSL 186.92, 0.73%, 0.65%

LAB 80.54, -28.33, -17.26

 

CMYK 22 / 56 / 0 / 9

HEX #B565E7

RGB 181 101 231

HSL 276.92, 0.73%, 0.65%

LAB 56.98, 54.21, -53.43

 

CMYK 0 / 50 / 56 / 9

HEX #E77465

RGB 231 116 101

HSL 6.92, 0.73%, 0.65%

LAB 62.01, 43.2, 28.98

 

Description

Color code: HEX #95E764 | qconv.com Color code: HEX #95E764 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 231 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 231 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 57 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 57% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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