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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95E730 it is the complementary color #6A18CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95E730. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95E730 shade: #9AE72B, #ABF93E, #BCFF51, #CDFF64 and #DEFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95E730. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95E730 shade: #95E730, #84D51D, #73C30A, #62B100 and #519F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95E730 shade: #96E732, #C7E732, #E7D632, #E7A532 and #E77532

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95E730 shade: #96E732, #65E732, #34E732, #32E760 and #32E791

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95E730 shade matches the following richer shades: #96E732 and #98F91F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95E730 shade: #96E732, #94D444, #92C257, #90AF69 and #8E9D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95E730 shade: #E7D532, #C9E732, #98E732, #68E732 and #38E732

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95E730 shade: #6BB115, #81D619, #96E732, #A9EB57 and #BCF07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95E730 shade: #95E730, #32E7A4 and #E732E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95E730 shade: #95E730, #3298E7 and #E73298

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95E730 shade: #95E730, #32E7A4, #8032E7 and #E73274

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95E730 shade: #95E730, #32E7DB, #8032E7 and #E7323E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 79 / 9

HEX #95E730

RGB 149 231 48

HSL 86.89, 0.79%, 0.55%

LAB 83.84, -51, 73.87

 

Complementary color

CMYK 49 / 88 / 0 / 19

HEX #6A18CF

RGB 106 24 207

HSL 266.89, 0.79%, 0.45%

LAB 34.44, 67.2, -76.72

 

CMYK 33 / 0 / 81 / 9

HEX #9AE72B

RGB 154 231 43

HSL 84.57, 0.8%, 0.54%

LAB 84.07, -49.47, 75.47

 

CMYK 31 / 0 / 75 / 2

HEX #ABF93E

RGB 171 249 62

HSL 85.03, 0.94%, 0.61%

LAB 90.21, -50.07, 76.16

 

CMYK 26 / 0 / 68 / 0

HEX #BCFF51

RGB 188 255 81

HSL 83.1, 1%, 0.66%

LAB 92.93, -45.46, 72.79

 

CMYK 20 / 0 / 61 / 0

HEX #CDFF64

RGB 205 255 100

HSL 79.35, 1%, 0.7%

LAB 94.06, -37.91, 66.95

 

CMYK 13 / 0 / 53 / 0

HEX #DEFF77

RGB 222 255 119

HSL 74.56, 1%, 0.73%

LAB 95.32, -30, 60.55

 

CMYK 35 / 0 / 79 / 9

HEX #95E730

RGB 149 231 48

HSL 86.89, 0.79%, 0.55%

LAB 83.84, -51, 73.87

 

CMYK 38 / 0 / 86 / 16

HEX #84D51D

RGB 132 213 29

HSL 86.41, 0.76%, 0.47%

LAB 77.63, -50.27, 72.58

 

CMYK 41 / 0 / 95 / 24

HEX #73C30A

RGB 115 195 10

HSL 85.95, 0.9%, 0.4%

LAB 71.35, -49.29, 70.01

 

CMYK 45 / 0 / 100 / 31

HEX #62B100

RGB 98 177 0

HSL 86.78, 1%, 0.35%

LAB 65, -48.01, 65.82

 

CMYK 49 / 0 / 100 / 38

HEX #519F00

RGB 81 159 0

HSL 89.43, 1%, 0.31%

LAB 58.55, -46.47, 60.47

 

CMYK 35 / 0 / 78 / 9

HEX #96E732

RGB 150 231 50

HSL 86.85, 0.79%, 0.55%

LAB 83.9, -50.57, 73.39

 

CMYK 14 / 0 / 78 / 9

HEX #C7E732

RGB 199 231 50

HSL 70.61, 0.79%, 0.55%

LAB 86.76, -32.17, 77.06

 

CMYK 0 / 7 / 78 / 9

HEX #E7D632

RGB 231 214 50

HSL 54.36, 0.79%, 0.55%

LAB 84.64, -10.75, 76.09

 

CMYK 0 / 29 / 78 / 9

HEX #E7A532

RGB 231 165 50

HSL 38.12, 0.79%, 0.55%

LAB 72.31, 14.68, 64.96

 

CMYK 0 / 49 / 78 / 9

HEX #E77532

RGB 231 117 50

HSL 22.21, 0.79%, 0.55%

LAB 61.6, 39.86, 54.86

 

CMYK 35 / 0 / 78 / 9

HEX #96E732

RGB 150 231 50

HSL 86.85, 0.79%, 0.55%

LAB 83.9, -50.57, 73.39

 

CMYK 56 / 0 / 78 / 9

HEX #65E732

RGB 101 231 50

HSL 103.09, 0.79%, 0.55%

LAB 81.92, -65.33, 70.83

 

CMYK 77 / 0 / 78 / 9

HEX #34E732

RGB 52 231 50

HSL 119.34, 0.79%, 0.55%

LAB 80.8, -74.68, 69.38

 

CMYK 78 / 0 / 58 / 9

HEX #32E760

RGB 50 231 96

HSL 135.25, 0.79%, 0.55%

LAB 81.11, -70.74, 52.43

 

CMYK 78 / 0 / 37 / 9

HEX #32E791

RGB 50 231 145

HSL 151.49, 0.79%, 0.55%

LAB 81.77, -63.03, 29.63

 

CMYK 35 / 0 / 78 / 9

HEX #96E732

RGB 150 231 50

HSL 86.85, 0.79%, 0.55%

LAB 83.9, -50.57, 73.39

 

CMYK 39 / 0 / 88 / 2

HEX #98F91F

RGB 152 249 31

HSL 86.7, 0.95%, 0.55%

LAB 89.17, -57.73, 82.34

 

CMYK 35 / 0 / 78 / 9

HEX #96E732

RGB 150 231 50

HSL 86.85, 0.79%, 0.55%

LAB 83.9, -50.57, 73.39

 

CMYK 30 / 0 / 68 / 17

HEX #94D444

RGB 148 212 68

HSL 86.67, 0.63%, 0.55%

LAB 78.35, -42.24, 61.93

 

CMYK 25 / 0 / 55 / 24

HEX #92C257

RGB 146 194 87

HSL 86.92, 0.47%, 0.55%

LAB 73.14, -33.29, 48.06

 

CMYK 18 / 0 / 40 / 31

HEX #90AF69

RGB 144 175 105

HSL 86.57, 0.3%, 0.55%

LAB 67.73, -22.84, 32.46

 

CMYK 10 / 0 / 21 / 38

HEX #8E9D7C

RGB 142 157 124

HSL 87.27, 0.14%, 0.55%

LAB 62.78, -11.48, 15.52

 

CMYK 0 / 8 / 78 / 9

HEX #E7D532

RGB 231 213 50

HSL 54.03, 0.79%, 0.55%

LAB 84.38, -10.25, 75.86

 

CMYK 13 / 0 / 78 / 9

HEX #C9E732

RGB 201 231 50

HSL 69.94, 0.79%, 0.55%

LAB 86.9, -31.37, 77.23

 

CMYK 34 / 0 / 78 / 9

HEX #98E732

RGB 152 231 50

HSL 86.19, 0.79%, 0.55%

LAB 84, -49.87, 73.51

 

CMYK 55 / 0 / 78 / 9

HEX #68E732

RGB 104 231 50

HSL 102.1, 0.79%, 0.55%

LAB 82.01, -64.57, 70.95

 

CMYK 76 / 0 / 78 / 9

HEX #38E732

RGB 56 231 50

HSL 118.01, 0.79%, 0.55%

LAB 80.86, -74.14, 69.46

 

CMYK 40 / 0 / 88 / 31

HEX #6BB115

RGB 107 177 21

HSL 86.92, 0.79%, 0.39%

LAB 65.46, -44.47, 63.34

 

CMYK 40 / 0 / 88 / 16

HEX #81D619

RGB 129 214 25

HSL 86.98, 0.79%, 0.47%

LAB 77.77, -51.81, 73.4

 

CMYK 35 / 0 / 78 / 9

HEX #96E732

RGB 150 231 50

HSL 86.85, 0.79%, 0.55%

LAB 83.9, -50.57, 73.39

 

CMYK 28 / 0 / 63 / 8

HEX #A9EB57

RGB 169 235 87

HSL 86.76, 0.79%, 0.63%

LAB 86.28, -43.25, 63.17

 

CMYK 22 / 0 / 49 / 6

HEX #BCF07B

RGB 188 240 123

HSL 86.67, 0.8%, 0.71%

LAB 89.13, -35.3, 50.85

 

CMYK 35 / 0 / 79 / 9

HEX #95E730

RGB 149 231 48

HSL 86.89, 0.79%, 0.55%

LAB 83.84, -51, 73.87

 

CMYK 78 / 0 / 29 / 9

HEX #32E7A4

RGB 50 231 164

HSL 157.79, 0.79%, 0.55%

LAB 82.11, -59.17, 20.33

 

CMYK 0 / 78 / 3 / 9

HEX #E732E1

RGB 231 50 225

HSL 301.99, 0.79%, 0.55%

LAB 56.79, 83.56, -49.94

 

CMYK 35 / 0 / 79 / 9

HEX #95E730

RGB 149 231 48

HSL 86.89, 0.79%, 0.55%

LAB 83.84, -51, 73.87

 

CMYK 78 / 34 / 0 / 9

HEX #3298E7

RGB 50 152 231

HSL 206.19, 0.79%, 0.55%

LAB 60.7, -2.04, -48.05

 

CMYK 0 / 78 / 34 / 9

HEX #E73298

RGB 231 50 152

HSL 326.19, 0.79%, 0.55%

LAB 53.53, 74.24, -12.77

 

CMYK 35 / 0 / 79 / 9

HEX #95E730

RGB 149 231 48

HSL 86.89, 0.79%, 0.55%

LAB 83.84, -51, 73.87

 

CMYK 78 / 0 / 29 / 9

HEX #32E7A4

RGB 50 231 164

HSL 157.79, 0.79%, 0.55%

LAB 82.11, -59.17, 20.33

 

CMYK 45 / 78 / 0 / 9

HEX #8032E7

RGB 128 50 231

HSL 265.86, 0.79%, 0.55%

LAB 42.22, 67.13, -77.62

 

CMYK 0 / 78 / 50 / 9

HEX #E73274

RGB 231 50 116

HSL 338.12, 0.79%, 0.55%

LAB 52.43, 70.93, 7.17

 

CMYK 35 / 0 / 79 / 9

HEX #95E730

RGB 149 231 48

HSL 86.89, 0.79%, 0.55%

LAB 83.84, -51, 73.87

 

CMYK 78 / 0 / 5 / 9

HEX #32E7DB

RGB 50 231 219

HSL 176.02, 0.79%, 0.55%

LAB 83.41, -45.63, -6.72

 

CMYK 45 / 78 / 0 / 9

HEX #8032E7

RGB 128 50 231

HSL 265.86, 0.79%, 0.55%

LAB 42.22, 67.13, -77.62

 

CMYK 0 / 78 / 73 / 9

HEX #E7323E

RGB 231 50 62

HSL 356.02, 0.79%, 0.55%

LAB 51.4, 67.74, 38.04

 

Description

Color code: HEX #95E730 | qconv.com Color code: HEX #95E730 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 231 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 231 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 79 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 79% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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