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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95E266 it is the complementary color #6A1D99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95E266. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95E266 shade: #9AE261, #ABF474, #BCFF87, #CDFF9A and #DEFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95E266. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95E266 shade: #95E266, #84D053, #73BE40, #62AC2D and #519A1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95E266 shade: #94E265, #B6E265, #D7E265, #E2CA65 and #E2A865

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95E266 shade: #94E265, #72E265, #65E279, #65E29A and #65E2BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95E266 shade matches the following richer shades: #94E265 and #90F056

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95E266 shade: #94E265, #98D374, #9BC482, #9FB591 and #A2A6A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95E266 shade: #D7E265, #B6E265, #95E265, #73E265 and #65E278

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95E266 shade: #66CD27, #7CDB42, #94E265, #ACE887 and #C4EFAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95E266 shade: #95E266, #65E2CB and #E265C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95E266 shade: #95E266, #6595E2 and #E26595

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95E266 shade: #95E266, #65E2CB, #B265E2 and #E2657C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95E266 shade: #95E266, #65D3E2, #B265E2 and #E27365

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 55 / 11

HEX #95E266

RGB 149 226 102

HSL 97.26, 0.68%, 0.64%

LAB 82.78, -44.95, 52.46

 

Complementary color

CMYK 31 / 81 / 0 / 40

HEX #6A1D99

RGB 106 29 153

HSL 277.26, 0.68%, 0.36%

LAB 30.02, 53.41, -51.81

 

CMYK 32 / 0 / 57 / 11

HEX #9AE261

RGB 154 226 97

HSL 93.49, 0.69%, 0.63%

LAB 82.98, -43.76, 55.01

 

CMYK 30 / 0 / 52 / 4

HEX #ABF474

RGB 171 244 116

HSL 94.22, 0.85%, 0.71%

LAB 89.21, -43.79, 53.97

 

CMYK 26 / 0 / 47 / 0

HEX #BCFF87

RGB 188 255 135

HSL 93.5, 1%, 0.76%

LAB 93.43, -40.71, 50.49

 

CMYK 20 / 0 / 40 / 0

HEX #CDFF9A

RGB 205 255 154

HSL 89.7, 1%, 0.8%

LAB 94.67, -32.54, 43.15

 

CMYK 13 / 0 / 32 / 0

HEX #DEFFAD

RGB 222 255 173

HSL 84.15, 1%, 0.84%

LAB 96.02, -24.08, 35.77

 

CMYK 34 / 0 / 55 / 11

HEX #95E266

RGB 149 226 102

HSL 97.26, 0.68%, 0.64%

LAB 82.78, -44.95, 52.46

 

CMYK 37 / 0 / 60 / 18

HEX #84D053

RGB 132 208 83

HSL 96.48, 0.57%, 0.57%

LAB 76.46, -44.89, 53.47

 

CMYK 39 / 0 / 66 / 25

HEX #73BE40

RGB 115 190 64

HSL 95.71, 0.5%, 0.5%

LAB 70.07, -44.7, 54.28

 

CMYK 43 / 0 / 74 / 33

HEX #62AC2D

RGB 98 172 45

HSL 94.96, 0.59%, 0.43%

LAB 63.58, -44.34, 54.69

 

CMYK 47 / 0 / 83 / 40

HEX #519A1A

RGB 81 154 26

HSL 94.22, 0.71%, 0.35%

LAB 57.01, -43.7, 54.3

 

CMYK 35 / 0 / 55 / 11

HEX #94E265

RGB 148 226 101

HSL 97.44, 0.68%, 0.64%

LAB 82.72, -45.39, 52.83

 

CMYK 19 / 0 / 55 / 11

HEX #B6E265

RGB 182 226 101

HSL 81.12, 0.68%, 0.64%

LAB 84.63, -33.26, 55.54

 

CMYK 5 / 0 / 55 / 11

HEX #D7E265

RGB 215 226 101

HSL 65.28, 0.68%, 0.64%

LAB 86.89, -20.44, 58.72

 

CMYK 0 / 11 / 55 / 11

HEX #E2CA65

RGB 226 202 101

HSL 48.48, 0.68%, 0.64%

LAB 81.48, -3.95, 52.75

 

CMYK 0 / 26 / 55 / 11

HEX #E2A865

RGB 226 168 101

HSL 32.16, 0.68%, 0.64%

LAB 72.97, 13.91, 42.61

 

CMYK 35 / 0 / 55 / 11

HEX #94E265

RGB 148 226 101

HSL 97.44, 0.68%, 0.64%

LAB 82.72, -45.39, 52.83

 

CMYK 50 / 0 / 55 / 11

HEX #72E265

RGB 114 226 101

HSL 113.76, 0.68%, 0.64%

LAB 81.24, -55.77, 50.73

 

CMYK 55 / 0 / 46 / 11

HEX #65E279

RGB 101 226 121

HSL 129.6, 0.68%, 0.64%

LAB 81.04, -56.46, 40.9

 

CMYK 55 / 0 / 32 / 11

HEX #65E29A

RGB 101 226 154

HSL 145.44, 0.68%, 0.64%

LAB 81.56, -50.91, 24.93

 

CMYK 55 / 0 / 17 / 11

HEX #65E2BC

RGB 101 226 188

HSL 161.76, 0.68%, 0.64%

LAB 82.27, -43.81, 8.13

 

CMYK 35 / 0 / 55 / 11

HEX #94E265

RGB 148 226 101

HSL 97.44, 0.68%, 0.64%

LAB 82.72, -45.39, 52.83

 

CMYK 40 / 0 / 64 / 6

HEX #90F056

RGB 144 240 86

HSL 97.4, 0.84%, 0.64%

LAB 86.47, -53.87, 63.41

 

CMYK 35 / 0 / 55 / 11

HEX #94E265

RGB 148 226 101

HSL 97.44, 0.68%, 0.64%

LAB 82.72, -45.39, 52.83

 

CMYK 28 / 0 / 45 / 17

HEX #98D374

RGB 152 211 116

HSL 97.26, 0.52%, 0.64%

LAB 78.77, -35.68, 40.97

 

CMYK 21 / 0 / 34 / 23

HEX #9BC482

RGB 155 196 130

HSL 97.27, 0.36%, 0.64%

LAB 74.86, -25.63, 28.83

 

CMYK 12 / 0 / 20 / 29

HEX #9FB591

RGB 159 181 145

HSL 96.67, 0.2%, 0.64%

LAB 71.19, -14.28, 15.86

 

CMYK 2 / 0 / 4 / 35

HEX #A2A6A0

RGB 162 166 160

HSL 100, 0.03%, 0.64%

LAB 67.64, -2.56, 2.6

 

CMYK 5 / 0 / 55 / 11

HEX #D7E265

RGB 215 226 101

HSL 65.28, 0.68%, 0.64%

LAB 86.89, -20.44, 58.72

 

CMYK 19 / 0 / 55 / 11

HEX #B6E265

RGB 182 226 101

HSL 81.12, 0.68%, 0.64%

LAB 84.63, -33.26, 55.54

 

CMYK 34 / 0 / 55 / 11

HEX #95E265

RGB 149 226 101

HSL 96.96, 0.68%, 0.64%

LAB 82.77, -45.06, 52.9

 

CMYK 49 / 0 / 55 / 11

HEX #73E265

RGB 115 226 101

HSL 113.28, 0.68%, 0.64%

LAB 81.28, -55.49, 50.78

 

CMYK 55 / 0 / 47 / 11

HEX #65E278

RGB 101 226 120

HSL 129.12, 0.68%, 0.64%

LAB 81.02, -56.6, 41.37

 

CMYK 50 / 0 / 81 / 20

HEX #66CD27

RGB 102 205 39

HSL 97.23, 0.68%, 0.48%

LAB 73.95, -56.33, 66.51

 

CMYK 43 / 0 / 70 / 14

HEX #7CDB42

RGB 124 219 66

HSL 97.25, 0.68%, 0.56%

LAB 79.24, -53.4, 63.23

 

CMYK 35 / 0 / 55 / 11

HEX #94E265

RGB 148 226 101

HSL 97.44, 0.68%, 0.64%

LAB 82.72, -45.39, 52.83

 

CMYK 26 / 0 / 42 / 9

HEX #ACE887

RGB 172 232 135

HSL 97.11, 0.68%, 0.72%

LAB 86.12, -35.9, 41.13

 

CMYK 18 / 0 / 29 / 6

HEX #C4EFAA

RGB 196 239 170

HSL 97.39, 0.68%, 0.8%

LAB 90.03, -26.01, 28.96

 

CMYK 34 / 0 / 55 / 11

HEX #95E266

RGB 149 226 102

HSL 97.26, 0.68%, 0.64%

LAB 82.78, -44.95, 52.46

 

CMYK 55 / 0 / 10 / 11

HEX #65E2CB

RGB 101 226 203

HSL 168.96, 0.68%, 0.64%

LAB 82.63, -40.28, 0.72

 

CMYK 0 / 55 / 12 / 11

HEX #E265C7

RGB 226 101 199

HSL 312.96, 0.68%, 0.64%

LAB 61.31, 60.27, -28.19

 

CMYK 34 / 0 / 55 / 11

HEX #95E266

RGB 149 226 102

HSL 97.26, 0.68%, 0.64%

LAB 82.78, -44.95, 52.46

 

CMYK 55 / 34 / 0 / 11

HEX #6595E2

RGB 101 149 226

HSL 216.96, 0.68%, 0.64%

LAB 61.44, 6.04, -43.99

 

CMYK 0 / 55 / 34 / 11

HEX #E26595

RGB 226 101 149

HSL 336.96, 0.68%, 0.64%

LAB 59.57, 53.42, -2.11

 

CMYK 34 / 0 / 55 / 11

HEX #95E266

RGB 149 226 102

HSL 97.26, 0.68%, 0.64%

LAB 82.78, -44.95, 52.46

 

CMYK 55 / 0 / 10 / 11

HEX #65E2CB

RGB 101 226 203

HSL 168.96, 0.68%, 0.64%

LAB 82.63, -40.28, 0.72

 

CMYK 21 / 55 / 0 / 11

HEX #B265E2

RGB 178 101 226

HSL 276.96, 0.68%, 0.64%

LAB 56.35, 52.37, -51.65

 

CMYK 0 / 55 / 45 / 11

HEX #E2657C

RGB 226 101 124

HSL 348.96, 0.68%, 0.64%

LAB 58.91, 50.73, 11.48

 

CMYK 34 / 0 / 55 / 11

HEX #95E266

RGB 149 226 102

HSL 97.26, 0.68%, 0.64%

LAB 82.78, -44.95, 52.46

 

CMYK 55 / 7 / 0 / 11

HEX #65D3E2

RGB 101 211 226

HSL 187.2, 0.68%, 0.64%

LAB 78.95, -27.27, -16.99

 

CMYK 21 / 55 / 0 / 11

HEX #B265E2

RGB 178 101 226

HSL 276.96, 0.68%, 0.64%

LAB 56.35, 52.37, -51.65

 

CMYK 0 / 49 / 55 / 11

HEX #E27365

RGB 226 115 101

HSL 6.72, 0.68%, 0.64%

LAB 61.11, 41.85, 27.67

 

Description

Color code: HEX #95E266 | qconv.com Color code: HEX #95E266 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 226 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 226 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 55 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 55% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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