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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95E048 it is the complementary color #6A1FB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95E048. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95E048 shade: #9AE043, #ABF256, #BCFF69, #CDFF7C and #DEFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95E048. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95E048 shade: #95E048, #84CE35, #73BC22, #62AA0F and #519800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95E048 shade: #95E048, #BEE048, #E0D948, #E0B048 and #E08748

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95E048 shade: #95E048, #6CE048, #48E04D, #48E076 and #48E09F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95E048 shade matches the following richer shades: #95E048 and #95F137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95E048 shade: #95E048, #95CF59, #94BD6B, #94AC7C and #949B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95E048 shade: #E0D848, #BFE048, #96E048, #6EE048 and #48E04A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95E048 shade: #6CB61F, #80DA25, #95E048, #A9E66B and #BEEC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95E048 shade: #95E048, #48E0B0 and #E048D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95E048 shade: #95E048, #4896E0 and #E04896

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95E048 shade: #95E048, #48E0B0, #9148E0 and #E04878

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95E048 shade: #95E048, #48E0DD, #9148E0 and #E0484A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 68 / 12

HEX #95E048

RGB 149 224 72

HSL 89.61, 0.71%, 0.58%

LAB 81.93, -46.73, 64.14

 

Complementary color

CMYK 42 / 83 / 0 / 28

HEX #6A1FB7

RGB 106 31 183

HSL 269.61, 0.71%, 0.42%

LAB 32.84, 59.58, -65.27

 

CMYK 31 / 0 / 70 / 12

HEX #9AE043

RGB 154 224 67

HSL 86.75, 0.72%, 0.57%

LAB 82.16, -45.31, 66.3

 

CMYK 29 / 0 / 64 / 5

HEX #ABF256

RGB 171 242 86

HSL 87.31, 0.86%, 0.64%

LAB 88.37, -45.63, 65.85

 

CMYK 26 / 0 / 59 / 0

HEX #BCFF69

RGB 188 255 105

HSL 86.8, 1%, 0.71%

LAB 93.12, -43.69, 63.55

 

CMYK 20 / 0 / 51 / 0

HEX #CDFF7C

RGB 205 255 124

HSL 82.9, 1%, 0.74%

LAB 94.29, -35.85, 56.83

 

CMYK 13 / 0 / 44 / 0

HEX #DEFF8F

RGB 222 255 143

HSL 77.68, 1%, 0.78%

LAB 95.59, -27.67, 49.84

 

CMYK 33 / 0 / 68 / 12

HEX #95E048

RGB 149 224 72

HSL 89.61, 0.71%, 0.58%

LAB 81.93, -46.73, 64.14

 

CMYK 36 / 0 / 74 / 19

HEX #84CE35

RGB 132 206 53

HSL 89.02, 0.61%, 0.51%

LAB 75.64, -46.34, 64.33

 

CMYK 39 / 0 / 82 / 26

HEX #73BC22

RGB 115 188 34

HSL 88.44, 0.69%, 0.44%

LAB 69.27, -45.75, 63.8

 

CMYK 42 / 0 / 91 / 33

HEX #62AA0F

RGB 98 170 15

HSL 87.87, 0.84%, 0.36%

LAB 62.83, -44.89, 62.06

 

CMYK 47 / 0 / 100 / 40

HEX #519800

RGB 81 152 0

HSL 88.03, 1%, 0.3%

LAB 56.29, -43.7, 58.71

 

CMYK 33 / 0 / 68 / 12

HEX #95E048

RGB 149 224 72

HSL 89.61, 0.71%, 0.58%

LAB 81.93, -46.73, 64.14

 

CMYK 15 / 0 / 68 / 12

HEX #BEE048

RGB 190 224 72

HSL 73.42, 0.71%, 0.58%

LAB 84.34, -31.43, 67.38

 

CMYK 0 / 3 / 68 / 12

HEX #E0D948

RGB 224 217 72

HSL 57.24, 0.71%, 0.58%

LAB 84.97, -14.24, 68.83

 

CMYK 0 / 21 / 68 / 12

HEX #E0B048

RGB 224 176 72

HSL 41.05, 0.71%, 0.58%

LAB 74.42, 6.85, 58

 

CMYK 0 / 40 / 68 / 12

HEX #E08748

RGB 224 135 72

HSL 24.87, 0.71%, 0.58%

LAB 64.68, 28.73, 47.43

 

CMYK 33 / 0 / 68 / 12

HEX #95E048

RGB 149 224 72

HSL 89.61, 0.71%, 0.58%

LAB 81.93, -46.73, 64.14

 

CMYK 52 / 0 / 68 / 12

HEX #6CE048

RGB 108 224 72

HSL 105.79, 0.71%, 0.58%

LAB 80.16, -59.52, 61.74

 

CMYK 68 / 0 / 66 / 12

HEX #48E04D

RGB 72 224 77

HSL 121.97, 0.71%, 0.58%

LAB 79.17, -67.28, 58.41

 

CMYK 68 / 0 / 47 / 12

HEX #48E076

RGB 72 224 118

HSL 138.16, 0.71%, 0.58%

LAB 79.61, -62.13, 40.4

 

CMYK 68 / 0 / 29 / 12

HEX #48E09F

RGB 72 224 159

HSL 154.34, 0.71%, 0.58%

LAB 80.29, -54.66, 20.47

 

CMYK 33 / 0 / 68 / 12

HEX #95E048

RGB 149 224 72

HSL 89.61, 0.71%, 0.58%

LAB 81.93, -46.73, 64.14

 

CMYK 38 / 0 / 77 / 5

HEX #95F137

RGB 149 241 55

HSL 89.68, 0.87%, 0.58%

LAB 86.79, -54.69, 74.63

 

CMYK 33 / 0 / 68 / 12

HEX #95E048

RGB 149 224 72

HSL 89.61, 0.71%, 0.58%

LAB 81.93, -46.73, 64.14

 

CMYK 28 / 0 / 57 / 19

HEX #95CF59

RGB 149 207 89

HSL 89.49, 0.55%, 0.58%

LAB 77.12, -37.93, 51.79

 

CMYK 22 / 0 / 43 / 26

HEX #94BD6B

RGB 148 189 107

HSL 90, 0.38%, 0.58%

LAB 72.06, -27.93, 36.99

 

CMYK 14 / 0 / 28 / 33

HEX #94AC7C

RGB 148 172 124

HSL 90, 0.22%, 0.58%

LAB 67.47, -17.08, 22.02

 

CMYK 5 / 0 / 9 / 39

HEX #949B8D

RGB 148 155 141

HSL 90, 0.07%, 0.58%

LAB 63.06, -5.18, 6.47

 

CMYK 0 / 4 / 68 / 12

HEX #E0D848

RGB 224 216 72

HSL 56.84, 0.71%, 0.58%

LAB 84.7, -13.74, 68.56

 

CMYK 15 / 0 / 68 / 12

HEX #BFE048

RGB 191 224 72

HSL 73.03, 0.71%, 0.58%

LAB 84.41, -31.03, 67.47

 

CMYK 33 / 0 / 68 / 12

HEX #96E048

RGB 150 224 72

HSL 89.21, 0.71%, 0.58%

LAB 81.98, -46.38, 64.21

 

CMYK 51 / 0 / 68 / 12

HEX #6EE048

RGB 110 224 72

HSL 105, 0.71%, 0.58%

LAB 80.23, -58.97, 61.84

 

CMYK 68 / 0 / 67 / 12

HEX #48E04A

RGB 72 224 74

HSL 120.79, 0.71%, 0.58%

LAB 79.15, -67.56, 59.57

 

CMYK 41 / 0 / 83 / 29

HEX #6CB61F

RGB 108 182 31

HSL 89.4, 0.71%, 0.42%

LAB 67.08, -45.82, 62.49

 

CMYK 41 / 0 / 83 / 15

HEX #80DA25

RGB 128 218 37

HSL 89.83, 0.71%, 0.5%

LAB 78.96, -53.32, 71.92

 

CMYK 33 / 0 / 68 / 12

HEX #95E048

RGB 149 224 72

HSL 89.61, 0.71%, 0.58%

LAB 81.93, -46.73, 64.14

 

CMYK 27 / 0 / 53 / 10

HEX #A9E66B

RGB 169 230 107

HSL 89.76, 0.71%, 0.66%

LAB 85.04, -39.26, 53.11

 

CMYK 19 / 0 / 40 / 7

HEX #BEEC8E

RGB 190 236 142

HSL 89.36, 0.71%, 0.74%

LAB 88.4, -30.53, 40.8

 

CMYK 33 / 0 / 68 / 12

HEX #95E048

RGB 149 224 72

HSL 89.61, 0.71%, 0.58%

LAB 81.93, -46.73, 64.14

 

CMYK 68 / 0 / 21 / 12

HEX #48E0B0

RGB 72 224 176

HSL 161.05, 0.71%, 0.58%

LAB 80.64, -50.93, 12.04

 

CMYK 0 / 68 / 6 / 12

HEX #E048D3

RGB 224 72 211

HSL 305.13, 0.71%, 0.58%

LAB 57.26, 73.41, -41.34

 

CMYK 33 / 0 / 68 / 12

HEX #95E048

RGB 149 224 72

HSL 89.61, 0.71%, 0.58%

LAB 81.93, -46.73, 64.14

 

CMYK 68 / 33 / 0 / 12

HEX #4896E0

RGB 72 150 224

HSL 209.21, 0.71%, 0.58%

LAB 60.4, -0.5, -44.6

 

CMYK 0 / 68 / 33 / 12

HEX #E04896

RGB 224 72 150

HSL 329.21, 0.71%, 0.58%

LAB 54.75, 65.22, -9.88

 

CMYK 33 / 0 / 68 / 12

HEX #95E048

RGB 149 224 72

HSL 89.61, 0.71%, 0.58%

LAB 81.93, -46.73, 64.14

 

CMYK 68 / 0 / 21 / 12

HEX #48E0B0

RGB 72 224 176

HSL 161.05, 0.71%, 0.58%

LAB 80.64, -50.93, 12.04

 

CMYK 35 / 68 / 0 / 12

HEX #9148E0

RGB 145 72 224

HSL 268.82, 0.71%, 0.58%

LAB 47.02, 58.85, -65.72

 

CMYK 0 / 68 / 46 / 12

HEX #E04878

RGB 224 72 120

HSL 341.05, 0.71%, 0.58%

LAB 53.85, 62.16, 6.63

 

CMYK 33 / 0 / 68 / 12

HEX #95E048

RGB 149 224 72

HSL 89.61, 0.71%, 0.58%

LAB 81.93, -46.73, 64.14

 

CMYK 68 / 0 / 1 / 12

HEX #48E0DD

RGB 72 224 221

HSL 178.82, 0.71%, 0.58%

LAB 81.79, -39.52, -10.15

 

CMYK 35 / 68 / 0 / 12

HEX #9148E0

RGB 145 72 224

HSL 268.82, 0.71%, 0.58%

LAB 47.02, 58.85, -65.72

 

CMYK 0 / 68 / 67 / 12

HEX #E0484A

RGB 224 72 74

HSL 359.21, 0.71%, 0.58%

LAB 52.92, 58.87, 32.63

 

Description

Color code: HEX #95E048 | qconv.com Color code: HEX #95E048 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 224 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 224 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 68 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 68% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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