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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95D4DA it is the complementary color #6A2B25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95D4DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95D4DA shade: #9AD4D5, #ABE6E8, #BCF8FB, #CDFFFF and #DEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95D4DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95D4DA shade: #95D4DA, #84C2C7, #73B0B4, #629EA1 and #518C8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95D4DA shade: #95D4DA, #95C1DA, #95AFDA, #959CDA and #A195DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95D4DA shade: #95D4DA, #95C1DA, #95AFDA, #959CDA and #9595DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95D4DA shade matches the following richer shades: #95D4DA, #8ADDE5, #7EE7F1 and #73F1FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95D4DA shade: #95D4DA, #A1CACE, #ACC1C3, #B8B7B7 and #C4AEAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95D4DA shade: #95DABB, #95DACD, #95D4DA, #95C2DA and #95B0DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95D4DA shade: #58BBC4, #77C7CF, #95D4DA, #B4E0E5 and #D2EDEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95D4DA shade: #95D4DA, #A995DA and #DAC495

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95D4DA shade: #95D4DA, #DA95D4 and #D4DA95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95D4DA shade: #95D4DA, #A995DA, #DA9B95 and #C6DA95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95D4DA shade: #95D4DA, #BD95DA, #DA9B95 and #B2DA95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 3 / 0 / 15

HEX #95D4DA

RGB 149 212 218

HSL 185.22, 0.48%, 0.72%

LAB 81.04, -18.46, -9.38

 

Complementary color

CMYK 0 / 59 / 65 / 58

HEX #6A2B25

RGB 106 43 37

HSL 5.22, 0.48%, 0.28%

LAB 26.52, 27.71, 17.83

 

CMYK 28 / 0 / 0 / 16

HEX #9AD4D5

RGB 154 212 213

HSL 181.02, 0.41%, 0.72%

LAB 81.16, -18.2, -6.5

 

CMYK 26 / 1 / 0 / 9

HEX #ABE6E8

RGB 171 230 232

HSL 181.97, 0.57%, 0.79%

LAB 87.52, -18.12, -7.04

 

CMYK 25 / 1 / 0 / 2

HEX #BCF8FB

RGB 188 248 251

HSL 182.86, 0.89%, 0.86%

LAB 93.79, -18.05, -7.57

 

CMYK 20 / 0 / 0 / 0

HEX #CDFFFF

RGB 205 255 255

HSL 180, 1%, 0.9%

LAB 96.71, -15.72, -5.23

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 32 / 3 / 0 / 15

HEX #95D4DA

RGB 149 212 218

HSL 185.22, 0.48%, 0.72%

LAB 81.04, -18.46, -9.38

 

CMYK 34 / 3 / 0 / 22

HEX #84C2C7

RGB 132 194 199

HSL 184.48, 0.37%, 0.65%

LAB 74.58, -18.52, -8.85

 

CMYK 36 / 2 / 0 / 29

HEX #73B0B4

RGB 115 176 180

HSL 183.69, 0.3%, 0.58%

LAB 68.01, -18.57, -8.3

 

CMYK 39 / 2 / 0 / 37

HEX #629EA1

RGB 98 158 161

HSL 182.86, 0.25%, 0.51%

LAB 61.33, -18.62, -7.72

 

CMYK 43 / 1 / 0 / 44

HEX #518C8E

RGB 81 140 142

HSL 181.97, 0.27%, 0.44%

LAB 54.51, -18.64, -7.1

 

CMYK 32 / 3 / 0 / 15

HEX #95D4DA

RGB 149 212 218

HSL 185.22, 0.48%, 0.72%

LAB 81.04, -18.46, -9.38

 

CMYK 32 / 11 / 0 / 15

HEX #95C1DA

RGB 149 193 218

HSL 201.74, 0.48%, 0.72%

LAB 75.82, -8.63, -17.2

 

CMYK 32 / 20 / 0 / 15

HEX #95AFDA

RGB 149 175 218

HSL 217.39, 0.48%, 0.72%

LAB 70.95, 1.1, -24.6

 

CMYK 32 / 28 / 0 / 15

HEX #959CDA

RGB 149 156 218

HSL 233.91, 0.48%, 0.72%

LAB 65.93, 11.75, -32.33

 

CMYK 26 / 32 / 0 / 15

HEX #A195DA

RGB 161 149 218

HSL 250.43, 0.48%, 0.72%

LAB 65.07, 19.23, -33.59

 

CMYK 32 / 3 / 0 / 15

HEX #95D4DA

RGB 149 212 218

HSL 185.22, 0.48%, 0.72%

LAB 81.04, -18.46, -9.38

 

CMYK 32 / 11 / 0 / 15

HEX #95C1DA

RGB 149 193 218

HSL 201.74, 0.48%, 0.72%

LAB 75.82, -8.63, -17.2

 

CMYK 32 / 20 / 0 / 15

HEX #95AFDA

RGB 149 175 218

HSL 217.39, 0.48%, 0.72%

LAB 70.95, 1.1, -24.6

 

CMYK 32 / 28 / 0 / 15

HEX #959CDA

RGB 149 156 218

HSL 233.91, 0.48%, 0.72%

LAB 65.93, 11.75, -32.33

 

CMYK 32 / 32 / 0 / 15

HEX #9595DA

RGB 149 149 218

HSL 240, 0.48%, 0.72%

LAB 64.12, 15.75, -35.14

 

CMYK 32 / 3 / 0 / 15

HEX #95D4DA

RGB 149 212 218

HSL 185.22, 0.48%, 0.72%

LAB 81.04, -18.46, -9.38

 

CMYK 40 / 3 / 0 / 10

HEX #8ADDE5

RGB 138 221 229

HSL 185.27, 0.64%, 0.72%

LAB 83.32, -23.2, -11.88

 

CMYK 48 / 4 / 0 / 5

HEX #7EE7F1

RGB 126 231 241

HSL 185.22, 0.8%, 0.72%

LAB 85.98, -27.86, -14.3

 

CMYK 55 / 5 / 0 / 1

HEX #73F1FD

RGB 115 241 253

HSL 185.22, 0.97%, 0.72%

LAB 88.76, -31.73, -16.46

 

CMYK 32 / 3 / 0 / 15

HEX #95D4DA

RGB 149 212 218

HSL 185.22, 0.48%, 0.72%

LAB 81.04, -18.46, -9.38

 

CMYK 22 / 2 / 0 / 19

HEX #A1CACE

RGB 161 202 206

HSL 185.33, 0.31%, 0.72%

LAB 78.62, -12.58, -6.46

 

CMYK 12 / 1 / 0 / 24

HEX #ACC1C3

RGB 172 193 195

HSL 185.22, 0.16%, 0.72%

LAB 76.59, -6.71, -3.44

 

CMYK 0 / 1 / 1 / 28

HEX #B8B7B7

RGB 184 183 183

HSL 0, 0.01%, 0.72%

LAB 74.49, 0.35, 0.12

 

CMYK 0 / 11 / 12 / 23

HEX #C4AEAC

RGB 196 174 172

HSL 5, 0.17%, 0.72%

LAB 72.88, 7.58, 3.92

 

CMYK 32 / 0 / 14 / 15

HEX #95DABB

RGB 149 218 187

HSL 153.04, 0.48%, 0.72%

LAB 81.9, -28.2, 8.4

 

CMYK 32 / 0 / 6 / 15

HEX #95DACD

RGB 149 218 205

HSL 168.7, 0.48%, 0.72%

LAB 82.35, -24.4, -0.52

 

CMYK 32 / 3 / 0 / 15

HEX #95D4DA

RGB 149 212 218

HSL 185.22, 0.48%, 0.72%

LAB 81.04, -18.46, -9.38

 

CMYK 32 / 11 / 0 / 15

HEX #95C2DA

RGB 149 194 218

HSL 200.87, 0.48%, 0.72%

LAB 76.09, -9.16, -16.79

 

CMYK 32 / 19 / 0 / 15

HEX #95B0DA

RGB 149 176 218

HSL 216.52, 0.48%, 0.72%

LAB 71.22, 0.55, -24.19

 

CMYK 55 / 5 / 0 / 23

HEX #58BBC4

RGB 88 187 196

HSL 185, 0.48%, 0.56%

LAB 70.59, -26.3, -13.36

 

CMYK 43 / 4 / 0 / 19

HEX #77C7CF

RGB 119 199 207

HSL 185.45, 0.48%, 0.64%

LAB 75.62, -22.44, -11.7

 

CMYK 32 / 3 / 0 / 15

HEX #95D4DA

RGB 149 212 218

HSL 185.22, 0.48%, 0.72%

LAB 81.04, -18.46, -9.38

 

CMYK 21 / 2 / 0 / 10

HEX #B4E0E5

RGB 180 224 229

HSL 186.12, 0.49%, 0.8%

LAB 86.34, -13.11, -7.15

 

CMYK 12 / 1 / 0 / 6

HEX #D2EDEF

RGB 210 237 239

HSL 184.14, 0.48%, 0.88%

LAB 91.91, -8.4, -3.97

 

CMYK 32 / 3 / 0 / 15

HEX #95D4DA

RGB 149 212 218

HSL 185.22, 0.48%, 0.72%

LAB 81.04, -18.46, -9.38

 

CMYK 22 / 32 / 0 / 15

HEX #A995DA

RGB 169 149 218

HSL 257.39, 0.48%, 0.72%

LAB 65.74, 21.62, -32.49

 

CMYK 0 / 10 / 32 / 15

HEX #DAC495

RGB 218 196 149

HSL 40.87, 0.48%, 0.72%

LAB 79.93, 0.83, 26.46

 

CMYK 32 / 3 / 0 / 15

HEX #95D4DA

RGB 149 212 218

HSL 185.22, 0.48%, 0.72%

LAB 81.04, -18.46, -9.38

 

CMYK 0 / 32 / 3 / 15

HEX #DA95D4

RGB 218 149 212

HSL 305.22, 0.48%, 0.72%

LAB 70.28, 35.83, -21.78

 

CMYK 3 / 0 / 32 / 15

HEX #D4DA95

RGB 212 218 149

HSL 65.22, 0.48%, 0.72%

LAB 85.15, -12.77, 33.35

 

CMYK 32 / 3 / 0 / 15

HEX #95D4DA

RGB 149 212 218

HSL 185.22, 0.48%, 0.72%

LAB 81.04, -18.46, -9.38

 

CMYK 22 / 32 / 0 / 15

HEX #A995DA

RGB 169 149 218

HSL 257.39, 0.48%, 0.72%

LAB 65.74, 21.62, -32.49

 

CMYK 0 / 29 / 32 / 15

HEX #DA9B95

RGB 218 155 149

HSL 5.22, 0.48%, 0.72%

LAB 69.84, 22.75, 12.54

 

CMYK 9 / 0 / 32 / 15

HEX #C6DA95

RGB 198 218 149

HSL 77.39, 0.48%, 0.72%

LAB 84.13, -18.04, 31.81

 

CMYK 32 / 3 / 0 / 15

HEX #95D4DA

RGB 149 212 218

HSL 185.22, 0.48%, 0.72%

LAB 81.04, -18.46, -9.38

 

CMYK 13 / 32 / 0 / 15

HEX #BD95DA

RGB 189 149 218

HSL 274.78, 0.48%, 0.72%

LAB 67.56, 27.76, -29.53

 

CMYK 0 / 29 / 32 / 15

HEX #DA9B95

RGB 218 155 149

HSL 5.22, 0.48%, 0.72%

LAB 69.84, 22.75, 12.54

 

CMYK 18 / 0 / 32 / 15

HEX #B2DA95

RGB 178 218 149

HSL 94.78, 0.48%, 0.72%

LAB 82.8, -25.31, 29.79

 

Description

Color code: HEX #95D4DA | qconv.com Color code: HEX #95D4DA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 212 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 212 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 3 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 3% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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