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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95D322 it is the complementary color #6A2CDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95D322. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95D322 shade: #9AD31D, #ABE530, #BCF743, #CDFF56 and #DEFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95D322. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95D322 shade: #95D322, #84C10F, #73AF00, #629D00 and #518B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95D322 shade: #95D322, #C4D322, #D3B122, #D38222 and #D35222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95D322 shade: #95D322, #65D322, #36D322, #22D33E and #22D36E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95D322 shade matches the following richer shades: #95D322 and #9BE60E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95D322 shade: #95D322, #8FBF36, #89AB4A, #83975E and #7D8371

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95D322 shade: #D3B222, #C4D322, #95D322, #66D322 and #37D322

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95D322 shade: #638C17, #7CAF1C, #95D322, #A7E03E and #B7E562

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95D322 shade: #95D322, #22D383 and #CA22D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95D322 shade: #95D322, #2295D3 and #D32295

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95D322 shade: #95D322, #22D383, #6022D3 and #D32272

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95D322 shade: #95D322, #22D3B8, #6022D3 and #D3223D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 84 / 17

HEX #95D322

RGB 149 211 34

HSL 81.02, 0.72%, 0.48%

LAB 77.93, -43.18, 72.12

 

Complementary color

CMYK 52 / 80 / 0 / 13

HEX #6A2CDD

RGB 106 44 221

HSL 261.02, 0.72%, 0.52%

LAB 38, 64.13, -78.94

 

CMYK 27 / 0 / 86 / 17

HEX #9AD31D

RGB 154 211 29

HSL 78.79, 0.76%, 0.47%

LAB 78.2, -41.46, 73.53

 

CMYK 25 / 0 / 79 / 10

HEX #ABE530

RGB 171 229 48

HSL 79.23, 0.78%, 0.54%

LAB 84.44, -42.22, 74.85

 

CMYK 24 / 0 / 73 / 3

HEX #BCF743

RGB 188 247 67

HSL 79.67, 0.92%, 0.62%

LAB 90.61, -42.82, 75.29

 

CMYK 20 / 0 / 66 / 0

HEX #CDFF56

RGB 205 255 86

HSL 77.75, 1%, 0.67%

LAB 93.96, -38.89, 72.32

 

CMYK 13 / 0 / 59 / 0

HEX #DEFF69

RGB 222 255 105

HSL 73.2, 1%, 0.71%

LAB 95.19, -31.13, 66.43

 

CMYK 29 / 0 / 84 / 17

HEX #95D322

RGB 149 211 34

HSL 81.02, 0.72%, 0.48%

LAB 77.93, -43.18, 72.12

 

CMYK 32 / 0 / 92 / 24

HEX #84C10F

RGB 132 193 15

HSL 80.56, 0.86%, 0.41%

LAB 71.61, -42.29, 69.96

 

CMYK 34 / 0 / 100 / 31

HEX #73AF00

RGB 115 175 0

HSL 80.57, 1%, 0.34%

LAB 65.2, -41.17, 66.34

 

CMYK 38 / 0 / 100 / 38

HEX #629D00

RGB 98 157 0

HSL 82.55, 1%, 0.31%

LAB 58.71, -39.78, 60.93

 

CMYK 42 / 0 / 100 / 45

HEX #518B00

RGB 81 139 0

HSL 85.04, 1%, 0.27%

LAB 52.08, -38.32, 55.42

 

CMYK 29 / 0 / 84 / 17

HEX #95D322

RGB 149 211 34

HSL 81.02, 0.72%, 0.48%

LAB 77.93, -43.18, 72.12

 

CMYK 7 / 0 / 84 / 17

HEX #C4D322

RGB 196 211 34

HSL 65.08, 0.72%, 0.48%

LAB 80.98, -24.48, 75.93

 

CMYK 0 / 16 / 84 / 17

HEX #D3B122

RGB 211 177 34

HSL 48.47, 0.72%, 0.48%

LAB 73.16, -0.85, 69.89

 

CMYK 0 / 38 / 84 / 17

HEX #D38222

RGB 211 130 34

HSL 32.54, 0.72%, 0.48%

LAB 61.59, 24.39, 60.13

 

CMYK 0 / 61 / 84 / 17

HEX #D35222

RGB 211 82 34

HSL 16.27, 0.72%, 0.48%

LAB 51.84, 48.68, 51.69

 

CMYK 29 / 0 / 84 / 17

HEX #95D322

RGB 149 211 34

HSL 81.02, 0.72%, 0.48%

LAB 77.93, -43.18, 72.12

 

CMYK 52 / 0 / 84 / 17

HEX #65D322

RGB 101 211 34

HSL 97.29, 0.72%, 0.48%

LAB 75.74, -59.03, 69.36

 

CMYK 74 / 0 / 84 / 17

HEX #36D322

RGB 54 211 34

HSL 113.22, 0.72%, 0.48%

LAB 74.5, -69.29, 67.78

 

CMYK 84 / 0 / 71 / 17

HEX #22D33E

RGB 34 211 62

HSL 129.49, 0.72%, 0.48%

LAB 74.37, -69.91, 58.93

 

CMYK 84 / 0 / 48 / 17

HEX #22D36E

RGB 34 211 110

HSL 145.76, 0.72%, 0.48%

LAB 74.86, -63.89, 38.21

 

CMYK 29 / 0 / 84 / 17

HEX #95D322

RGB 149 211 34

HSL 81.02, 0.72%, 0.48%

LAB 77.93, -43.18, 72.12

 

CMYK 33 / 0 / 94 / 10

HEX #9BE60E

RGB 155 230 14

HSL 80.83, 0.89%, 0.48%

LAB 83.75, -49.46, 80.33

 

CMYK 29 / 0 / 84 / 17

HEX #95D322

RGB 149 211 34

HSL 81.02, 0.72%, 0.48%

LAB 77.93, -43.18, 72.12

 

CMYK 25 / 0 / 72 / 25

HEX #8FBF36

RGB 143 191 54

HSL 81.02, 0.56%, 0.48%

LAB 71.8, -35.69, 60.41

 

CMYK 20 / 0 / 57 / 33

HEX #89AB4A

RGB 137 171 74

HSL 81.03, 0.4%, 0.48%

LAB 65.7, -27.1, 45.39

 

CMYK 13 / 0 / 38 / 41

HEX #83975E

RGB 131 151 94

HSL 81.05, 0.23%, 0.48%

LAB 59.68, -17.13, 27.72

 

CMYK 5 / 0 / 14 / 49

HEX #7D8371

RGB 125 131 113

HSL 80, 0.07%, 0.48%

LAB 53.8, -5.68, 8.98

 

CMYK 0 / 16 / 84 / 17

HEX #D3B222

RGB 211 178 34

HSL 48.81, 0.72%, 0.48%

LAB 73.42, -1.37, 70.11

 

CMYK 7 / 0 / 84 / 17

HEX #C4D322

RGB 196 211 34

HSL 65.08, 0.72%, 0.48%

LAB 80.98, -24.48, 75.93

 

CMYK 29 / 0 / 84 / 17

HEX #95D322

RGB 149 211 34

HSL 81.02, 0.72%, 0.48%

LAB 77.93, -43.18, 72.12

 

CMYK 52 / 0 / 84 / 17

HEX #66D322

RGB 102 211 34

HSL 96.95, 0.72%, 0.48%

LAB 75.78, -58.75, 69.4

 

CMYK 74 / 0 / 84 / 17

HEX #37D322

RGB 55 211 34

HSL 112.88, 0.72%, 0.48%

LAB 74.52, -69.13, 67.8

 

CMYK 29 / 0 / 84 / 45

HEX #638C17

RGB 99 140 23

HSL 81.03, 0.72%, 0.32%

LAB 53.46, -31.14, 52.28

 

CMYK 29 / 0 / 84 / 31

HEX #7CAF1C

RGB 124 175 28

HSL 80.82, 0.72%, 0.4%

LAB 65.77, -37.08, 62.41

 

CMYK 29 / 0 / 84 / 17

HEX #95D322

RGB 149 211 34

HSL 81.02, 0.72%, 0.48%

LAB 77.93, -43.18, 72.12

 

CMYK 25 / 0 / 72 / 12

HEX #A7E03E

RGB 167 224 62

HSL 81.11, 0.72%, 0.56%

LAB 82.85, -40.86, 68.98

 

CMYK 20 / 0 / 57 / 10

HEX #B7E562

RGB 183 229 98

HSL 81.07, 0.72%, 0.64%

LAB 85.5, -34.53, 57.88

 

CMYK 29 / 0 / 84 / 17

HEX #95D322

RGB 149 211 34

HSL 81.02, 0.72%, 0.48%

LAB 77.93, -43.18, 72.12

 

CMYK 84 / 0 / 38 / 17

HEX #22D383

RGB 34 211 131

HSL 152.88, 0.72%, 0.48%

LAB 75.18, -60.13, 27.99

 

CMYK 4 / 84 / 0 / 17

HEX #CA22D3

RGB 202 34 211

HSL 296.95, 0.72%, 0.48%

LAB 49.98, 79.64, -53.11

 

CMYK 29 / 0 / 84 / 17

HEX #95D322

RGB 149 211 34

HSL 81.02, 0.72%, 0.48%

LAB 77.93, -43.18, 72.12

 

CMYK 84 / 29 / 0 / 17

HEX #2295D3

RGB 34 149 211

HSL 201.02, 0.72%, 0.48%

LAB 58.54, -8.99, -40.33

 

CMYK 0 / 84 / 29 / 17

HEX #D32295

RGB 211 34 149

HSL 321.02, 0.72%, 0.48%

LAB 48.46, 73.06, -19.02

 

CMYK 29 / 0 / 84 / 17

HEX #95D322

RGB 149 211 34

HSL 81.02, 0.72%, 0.48%

LAB 77.93, -43.18, 72.12

 

CMYK 84 / 0 / 38 / 17

HEX #22D383

RGB 34 211 131

HSL 152.88, 0.72%, 0.48%

LAB 75.18, -60.13, 27.99

 

CMYK 55 / 84 / 0 / 17

HEX #6022D3

RGB 96 34 211

HSL 261.02, 0.72%, 0.48%

LAB 34.67, 64.16, -78.71

 

CMYK 0 / 84 / 46 / 17

HEX #D32272

RGB 211 34 114

HSL 332.88, 0.72%, 0.48%

LAB 47.25, 69.6, 0.43

 

CMYK 29 / 0 / 84 / 17

HEX #95D322

RGB 149 211 34

HSL 81.02, 0.72%, 0.48%

LAB 77.93, -43.18, 72.12

 

CMYK 84 / 0 / 13 / 17

HEX #22D3B8

RGB 34 211 184

HSL 170.85, 0.72%, 0.48%

LAB 76.31, -47.86, 1.47

 

CMYK 55 / 84 / 0 / 17

HEX #6022D3

RGB 96 34 211

HSL 261.02, 0.72%, 0.48%

LAB 34.67, 64.16, -78.71

 

CMYK 0 / 84 / 71 / 17

HEX #D3223D

RGB 211 34 61

HSL 350.85, 0.72%, 0.48%

LAB 46.08, 66.19, 31.43

 

Description

Color code: HEX #95D322 | qconv.com Color code: HEX #95D322 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 211 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 211 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 84 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 84% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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