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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95C366 it is the complementary color #6A3C99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95C366. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95C366 shade: #9AC361, #ABD574, #BCE787, #CDF99A and #DEFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95C366. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95C366 shade: #95C366, #84B153, #739F40, #628D2D and #517B1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95C366 shade: #94C365, #AEC365, #C3BF65, #C3A565 and #C38C65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95C366 shade: #94C365, #7BC365, #65C368, #65C381 and #65C39B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95C366 shade matches the following richer shades: #94C365, #95D453, #95E642 and #95F731

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95C366 shade: #94C365, #94B276, #94A087, #948F99 and #947EAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95C366 shade: #C3BE65, #AFC365, #95C365, #7CC365 and #65C366

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95C366 shade: #6B9A3C, #80B747, #94C365, #A9CF82 and #BDDAA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95C366 shade: #95C366, #65C3A5 and #C365BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95C366 shade: #95C366, #6595C3 and #C36595

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95C366 shade: #95C366, #65C3A5, #9265C3 and #C36583

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95C366 shade: #95C366, #65C3C1, #9265C3 and #C36566

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 48 / 24

HEX #95C366

RGB 149 195 102

HSL 89.68, 0.44%, 0.58%

LAB 73.79, -31.03, 41.67

 

Complementary color

CMYK 31 / 61 / 0 / 40

HEX #6A3C99

RGB 106 60 153

HSL 269.68, 0.44%, 0.42%

LAB 35.19, 38.98, -43.44

 

CMYK 21 / 0 / 50 / 24

HEX #9AC361

RGB 154 195 97

HSL 85.1, 0.45%, 0.57%

LAB 74.04, -29.72, 44.48

 

CMYK 20 / 0 / 46 / 16

HEX #ABD574

RGB 171 213 116

HSL 85.98, 0.54%, 0.65%

LAB 80.46, -29.76, 43.33

 

CMYK 19 / 0 / 42 / 9

HEX #BCE787

RGB 188 231 135

HSL 86.88, 0.67%, 0.72%

LAB 86.8, -29.77, 42.18

 

CMYK 18 / 0 / 38 / 2

HEX #CDF99A

RGB 205 249 154

HSL 87.79, 0.89%, 0.79%

LAB 93.04, -29.75, 41.06

 

CMYK 13 / 0 / 32 / 0

HEX #DEFFAD

RGB 222 255 173

HSL 84.15, 1%, 0.84%

LAB 96.02, -24.08, 35.77

 

CMYK 24 / 0 / 48 / 24

HEX #95C366

RGB 149 195 102

HSL 89.68, 0.44%, 0.58%

LAB 73.79, -31.03, 41.67

 

CMYK 25 / 0 / 53 / 31

HEX #84B153

RGB 132 177 83

HSL 88.72, 0.38%, 0.51%

LAB 67.26, -31, 42.82

 

CMYK 28 / 0 / 60 / 38

HEX #739F40

RGB 115 159 64

HSL 87.79, 0.43%, 0.44%

LAB 60.61, -30.9, 43.9

 

CMYK 30 / 0 / 68 / 45

HEX #628D2D

RGB 98 141 45

HSL 86.88, 0.52%, 0.36%

LAB 53.85, -30.67, 44.73

 

CMYK 34 / 0 / 79 / 52

HEX #517B1A

RGB 81 123 26

HSL 85.98, 0.65%, 0.29%

LAB 46.96, -30.24, 44.95

 

CMYK 24 / 0 / 48 / 24

HEX #94C365

RGB 148 195 101

HSL 90, 0.44%, 0.58%

LAB 73.72, -31.51, 42.06

 

CMYK 11 / 0 / 48 / 24

HEX #AEC365

RGB 174 195 101

HSL 73.4, 0.44%, 0.58%

LAB 75.43, -21.54, 44.54

 

CMYK 0 / 2 / 48 / 24

HEX #C3BF65

RGB 195 191 101

HSL 57.45, 0.44%, 0.58%

LAB 75.95, -11.05, 45.54

 

CMYK 0 / 15 / 48 / 24

HEX #C3A565

RGB 195 165 101

HSL 40.85, 0.44%, 0.58%

LAB 69.08, 2.63, 37.11

 

CMYK 0 / 28 / 48 / 24

HEX #C38C65

RGB 195 140 101

HSL 24.89, 0.44%, 0.58%

LAB 62.76, 16.27, 29.06

 

CMYK 24 / 0 / 48 / 24

HEX #94C365

RGB 148 195 101

HSL 90, 0.44%, 0.58%

LAB 73.72, -31.51, 42.06

 

CMYK 37 / 0 / 48 / 24

HEX #7BC365

RGB 123 195 101

HSL 105.96, 0.44%, 0.58%

LAB 72.35, -40.26, 40.06

 

CMYK 48 / 0 / 47 / 24

HEX #65C368

RGB 101 195 104

HSL 121.91, 0.44%, 0.58%

LAB 71.42, -46.57, 37.19

 

CMYK 48 / 0 / 34 / 24

HEX #65C381

RGB 101 195 129

HSL 137.87, 0.44%, 0.58%

LAB 71.81, -42.5, 24.79

 

CMYK 48 / 0 / 21 / 24

HEX #65C39B

RGB 101 195 155

HSL 154.47, 0.44%, 0.58%

LAB 72.34, -37.34, 11.6

 

CMYK 24 / 0 / 48 / 24

HEX #94C365

RGB 148 195 101

HSL 90, 0.44%, 0.58%

LAB 73.72, -31.51, 42.06

 

CMYK 30 / 0 / 61 / 17

HEX #95D453

RGB 149 212 83

HSL 89.3, 0.6%, 0.58%

LAB 78.52, -40.7, 56.02

 

CMYK 35 / 0 / 71 / 10

HEX #95E642

RGB 149 230 66

HSL 89.63, 0.77%, 0.58%

LAB 83.64, -49.63, 68.06

 

CMYK 40 / 0 / 80 / 3

HEX #95F731

RGB 149 247 49

HSL 89.7, 0.93%, 0.58%

LAB 88.51, -57.32, 77.86

 

CMYK 24 / 0 / 48 / 24

HEX #94C365

RGB 148 195 101

HSL 90, 0.44%, 0.58%

LAB 73.72, -31.51, 42.06

 

CMYK 17 / 0 / 34 / 30

HEX #94B276

RGB 148 178 118

HSL 90, 0.28%, 0.58%

LAB 69.07, -21.03, 27.4

 

CMYK 7 / 0 / 16 / 37

HEX #94A087

RGB 148 160 135

HSL 88.8, 0.12%, 0.58%

LAB 64.31, -8.96, 11.6

 

CMYK 3 / 7 / 0 / 40

HEX #948F99

RGB 148 143 153

HSL 270, 0.05%, 0.58%

LAB 60.11, 3.8, -4.63

 

CMYK 13 / 26 / 0 / 33

HEX #947EAA

RGB 148 126 170

HSL 270, 0.21%, 0.58%

LAB 56.21, 17.16, -20.24

 

CMYK 0 / 3 / 48 / 24

HEX #C3BE65

RGB 195 190 101

HSL 56.81, 0.44%, 0.58%

LAB 75.68, -10.54, 45.22

 

CMYK 10 / 0 / 48 / 24

HEX #AFC365

RGB 175 195 101

HSL 72.77, 0.44%, 0.58%

LAB 75.5, -21.15, 44.64

 

CMYK 24 / 0 / 48 / 24

HEX #95C365

RGB 149 195 101

HSL 89.36, 0.44%, 0.58%

LAB 73.78, -31.14, 42.14

 

CMYK 36 / 0 / 48 / 24

HEX #7CC365

RGB 124 195 101

HSL 105.32, 0.44%, 0.58%

LAB 72.4, -39.93, 40.13

 

CMYK 48 / 0 / 48 / 24

HEX #65C366

RGB 101 195 102

HSL 120.64, 0.44%, 0.58%

LAB 71.39, -46.86, 38.16

 

CMYK 31 / 0 / 61 / 40

HEX #6B9A3C

RGB 107 154 60

HSL 90, 0.44%, 0.42%

LAB 58.57, -31.99, 43.32

 

CMYK 30 / 0 / 61 / 28

HEX #80B747

RGB 128 183 71

HSL 89.46, 0.44%, 0.5%

LAB 68.69, -36.46, 49.99

 

CMYK 24 / 0 / 48 / 24

HEX #94C365

RGB 148 195 101

HSL 90, 0.44%, 0.58%

LAB 73.72, -31.51, 42.06

 

CMYK 18 / 0 / 37 / 19

HEX #A9CF82

RGB 169 207 130

HSL 89.61, 0.45%, 0.66%

LAB 78.85, -25.89, 34.24

 

CMYK 13 / 0 / 27 / 15

HEX #BDDAA0

RGB 189 218 160

HSL 90, 0.44%, 0.74%

LAB 83.7, -19.77, 25.45

 

CMYK 24 / 0 / 48 / 24

HEX #95C366

RGB 149 195 102

HSL 89.68, 0.44%, 0.58%

LAB 73.79, -31.03, 41.67

 

CMYK 48 / 0 / 15 / 24

HEX #65C3A5

RGB 101 195 165

HSL 160.85, 0.44%, 0.58%

LAB 72.57, -35.12, 6.52

 

CMYK 0 / 48 / 4 / 24

HEX #C365BB

RGB 195 101 187

HSL 305.11, 0.44%, 0.58%

LAB 56.58, 49.34, -28.99

 

CMYK 24 / 0 / 48 / 24

HEX #95C366

RGB 149 195 102

HSL 89.68, 0.44%, 0.58%

LAB 73.79, -31.03, 41.67

 

CMYK 48 / 24 / 0 / 24

HEX #6595C3

RGB 101 149 195

HSL 209.36, 0.44%, 0.58%

LAB 60.07, -3.46, -28.8

 

CMYK 0 / 48 / 24 / 24

HEX #C36595

RGB 195 101 149

HSL 329.36, 0.44%, 0.58%

LAB 55.15, 43.24, -9.13

 

CMYK 24 / 0 / 48 / 24

HEX #95C366

RGB 149 195 102

HSL 89.68, 0.44%, 0.58%

LAB 73.79, -31.03, 41.67

 

CMYK 48 / 0 / 15 / 24

HEX #65C3A5

RGB 101 195 165

HSL 160.85, 0.44%, 0.58%

LAB 72.57, -35.12, 6.52

 

CMYK 25 / 48 / 0 / 24

HEX #9265C3

RGB 146 101 195

HSL 268.72, 0.44%, 0.58%

LAB 51.1, 36.82, -42.59

 

CMYK 0 / 48 / 33 / 24

HEX #C36583

RGB 195 101 131

HSL 340.85, 0.44%, 0.58%

LAB 54.6, 40.79, 0.62

 

CMYK 24 / 0 / 48 / 24

HEX #95C366

RGB 149 195 102

HSL 89.68, 0.44%, 0.58%

LAB 73.79, -31.03, 41.67

 

CMYK 48 / 0 / 1 / 24

HEX #65C3C1

RGB 101 195 193

HSL 178.72, 0.44%, 0.58%

LAB 73.32, -28.29, -7.61

 

CMYK 25 / 48 / 0 / 24

HEX #9265C3

RGB 146 101 195

HSL 268.72, 0.44%, 0.58%

LAB 51.1, 36.82, -42.59

 

CMYK 0 / 48 / 48 / 24

HEX #C36566

RGB 195 101 102

HSL 359.36, 0.44%, 0.58%

LAB 53.89, 37.51, 16.67

 

Description

Color code: HEX #95C366 | qconv.com Color code: HEX #95C366 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 195 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 195 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 48 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 48% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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