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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95C2CD it is the complementary color #6A3D32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95C2CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95C2CD shade: #9AC2C8, #ABD4DB, #BCE6EE, #CDF8FF and #DEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95C2CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95C2CD shade: #95C2CD, #84B0BA, #739EA7, #628C94 and #517A81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95C2CD shade: #93C1CC, #93B2CC, #93A3CC, #9493CC and #A393CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95C2CD shade: #93C1CC, #93B2CC, #93A3CC and #9393CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95C2CD shade matches the following richer shades: #93C1CC, #87C9D9, #7AD1E6 and #6DD9F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95C2CD shade: #93C1CC, #A0B9C0, #ADB2B3, #BAAAA6 and #C7A299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95C2CD shade: #93CCB8, #93CCC8, #93C2CC, #93B3CC and #93A4CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95C2CD shade: #5BA1B2, #77B1BF, #93C1CC, #B0D1DA and #CCE1E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95C2CD shade: #95C2CD, #A993CC and #CCC093

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95C2CD shade: #95C2CD, #CC93C2 and #C2CC93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95C2CD shade: #95C2CD, #A993CC, #CC9E93 and #B7CC93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95C2CD shade: #95C2CD, #BA93CC, #CC9E93 and #A6CC93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 5 / 0 / 20

HEX #95C2CD

RGB 149 194 205

HSL 191.79, 0.36%, 0.69%

LAB 75.69, -12.25, -10.35

 

Complementary color

CMYK 0 / 42 / 53 / 58

HEX #6A3D32

RGB 106 61 50

HSL 11.79, 0.36%, 0.31%

LAB 30.95, 18.44, 15.22

 

CMYK 23 / 3 / 0 / 22

HEX #9AC2C8

RGB 154 194 200

HSL 187.83, 0.29%, 0.69%

LAB 75.84, -11.89, -7.39

 

CMYK 22 / 3 / 0 / 14

HEX #ABD4DB

RGB 171 212 219

HSL 188.75, 0.4%, 0.76%

LAB 82.3, -11.86, -7.9

 

CMYK 21 / 3 / 0 / 7

HEX #BCE6EE

RGB 188 230 238

HSL 189.6, 0.6%, 0.84%

LAB 88.67, -11.83, -8.39

 

CMYK 20 / 3 / 0 / 0

HEX #CDF8FF

RGB 205 248 255

HSL 188.4, 1%, 0.9%

LAB 94.88, -12.24, -7.93

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 27 / 5 / 0 / 20

HEX #95C2CD

RGB 149 194 205

HSL 191.79, 0.36%, 0.69%

LAB 75.69, -12.25, -10.35

 

CMYK 29 / 5 / 0 / 27

HEX #84B0BA

RGB 132 176 186

HSL 191.11, 0.28%, 0.62%

LAB 69.11, -12.26, -9.88

 

CMYK 31 / 5 / 0 / 35

HEX #739EA7

RGB 115 158 167

HSL 190.38, 0.23%, 0.55%

LAB 62.41, -12.29, -9.39

 

CMYK 34 / 5 / 0 / 42

HEX #628C94

RGB 98 140 148

HSL 189.6, 0.2%, 0.48%

LAB 55.57, -12.31, -8.89

 

CMYK 37 / 5 / 0 / 49

HEX #517A81

RGB 81 122 129

HSL 188.75, 0.23%, 0.41%

LAB 48.58, -12.33, -8.36

 

CMYK 28 / 5 / 0 / 20

HEX #93C1CC

RGB 147 193 204

HSL 191.58, 0.36%, 0.69%

LAB 75.27, -12.54, -10.45

 

CMYK 28 / 13 / 0 / 20

HEX #93B2CC

RGB 147 178 204

HSL 207.37, 0.36%, 0.69%

LAB 71.15, -4.56, -16.63

 

CMYK 28 / 20 / 0 / 20

HEX #93A3CC

RGB 147 163 204

HSL 223.16, 0.36%, 0.69%

LAB 67.09, 3.69, -22.79

 

CMYK 27 / 28 / 0 / 20

HEX #9493CC

RGB 148 147 204

HSL 241.05, 0.36%, 0.69%

LAB 62.95, 13.06, -29.16

 

CMYK 20 / 28 / 0 / 20

HEX #A393CC

RGB 163 147 204

HSL 256.84, 0.36%, 0.69%

LAB 64.17, 17.65, -27.17

 

CMYK 28 / 5 / 0 / 20

HEX #93C1CC

RGB 147 193 204

HSL 191.58, 0.36%, 0.69%

LAB 75.27, -12.54, -10.45

 

CMYK 28 / 13 / 0 / 20

HEX #93B2CC

RGB 147 178 204

HSL 207.37, 0.36%, 0.69%

LAB 71.15, -4.56, -16.63

 

CMYK 28 / 20 / 0 / 20

HEX #93A3CC

RGB 147 163 204

HSL 223.16, 0.36%, 0.69%

LAB 67.09, 3.69, -22.79

 

CMYK 28 / 28 / 0 / 20

HEX #9393CC

RGB 147 147 204

HSL 240, 0.36%, 0.69%

LAB 62.87, 12.76, -29.28

 

CMYK 28 / 5 / 0 / 20

HEX #93C1CC

RGB 147 193 204

HSL 191.58, 0.36%, 0.69%

LAB 75.27, -12.54, -10.45

 

CMYK 38 / 7 / 0 / 15

HEX #87C9D9

RGB 135 201 217

HSL 191.71, 0.52%, 0.69%

LAB 77.24, -16.87, -14.59

 

CMYK 47 / 9 / 0 / 10

HEX #7AD1E6

RGB 122 209 230

HSL 191.67, 0.68%, 0.69%

LAB 79.3, -20.77, -18.53

 

CMYK 55 / 11 / 0 / 5

HEX #6DD9F3

RGB 109 217 243

HSL 191.64, 0.85%, 0.69%

LAB 81.48, -23.96, -22.2

 

CMYK 28 / 5 / 0 / 20

HEX #93C1CC

RGB 147 193 204

HSL 191.58, 0.36%, 0.69%

LAB 75.27, -12.54, -10.45

 

CMYK 17 / 4 / 0 / 25

HEX #A0B9C0

RGB 160 185 192

HSL 193.13, 0.2%, 0.69%

LAB 73.53, -7.01, -6.41

 

CMYK 3 / 1 / 0 / 30

HEX #ADB2B3

RGB 173 178 179

HSL 190, 0.04%, 0.69%

LAB 72.21, -1.55, -1.13

 

CMYK 0 / 9 / 11 / 27

HEX #BAAAA6

RGB 186 170 166

HSL 12, 0.13%, 0.69%

LAB 70.83, 5.07, 4.14

 

CMYK 0 / 19 / 23 / 22

HEX #C7A299

RGB 199 162 153

HSL 11.74, 0.29%, 0.69%

LAB 69.67, 12.24, 9.81

 

CMYK 28 / 0 / 10 / 20

HEX #93CCB8

RGB 147 204 184

HSL 158.95, 0.36%, 0.69%

LAB 77.79, -22.58, 4.06

 

CMYK 28 / 0 / 2 / 20

HEX #93CCC8

RGB 147 204 200

HSL 175.79, 0.36%, 0.69%

LAB 78.2, -19.11, -3.94

 

CMYK 28 / 5 / 0 / 20

HEX #93C2CC

RGB 147 194 204

HSL 190.53, 0.36%, 0.69%

LAB 75.54, -13.07, -10.04

 

CMYK 28 / 12 / 0 / 20

HEX #93B3CC

RGB 147 179 204

HSL 206.32, 0.36%, 0.69%

LAB 71.42, -5.1, -16.22

 

CMYK 28 / 20 / 0 / 20

HEX #93A4CC

RGB 147 164 204

HSL 222.11, 0.36%, 0.69%

LAB 67.36, 3.14, -22.38

 

CMYK 49 / 10 / 0 / 30

HEX #5BA1B2

RGB 91 161 178

HSL 191.72, 0.36%, 0.53%

LAB 62.45, -17.37, -15.65

 

CMYK 38 / 7 / 0 / 25

HEX #77B1BF

RGB 119 177 191

HSL 191.67, 0.36%, 0.61%

LAB 68.84, -15.23, -13.11

 

CMYK 28 / 5 / 0 / 20

HEX #93C1CC

RGB 147 193 204

HSL 191.58, 0.36%, 0.69%

LAB 75.27, -12.54, -10.45

 

CMYK 19 / 4 / 0 / 15

HEX #B0D1DA

RGB 176 209 218

HSL 192.86, 0.36%, 0.77%

LAB 81.78, -8.99, -8.1

 

CMYK 12 / 3 / 0 / 9

HEX #CCE1E7

RGB 204 225 231

HSL 193.33, 0.36%, 0.85%

LAB 88.19, -5.76, -5.31

 

CMYK 27 / 5 / 0 / 20

HEX #95C2CD

RGB 149 194 205

HSL 191.79, 0.36%, 0.69%

LAB 75.69, -12.25, -10.35

 

CMYK 17 / 28 / 0 / 20

HEX #A993CC

RGB 169 147 204

HSL 263.16, 0.36%, 0.69%

LAB 64.69, 19.54, -26.32

 

CMYK 0 / 6 / 28 / 20

HEX #CCC093

RGB 204 192 147

HSL 47.37, 0.36%, 0.69%

LAB 77.66, -2.76, 24.25

 

CMYK 27 / 5 / 0 / 20

HEX #95C2CD

RGB 149 194 205

HSL 191.79, 0.36%, 0.69%

LAB 75.69, -12.25, -10.35

 

CMYK 0 / 28 / 5 / 20

HEX #CC93C2

RGB 204 147 194

HSL 310.53, 0.36%, 0.69%

LAB 67.72, 29.03, -15.81

 

CMYK 5 / 0 / 28 / 20

HEX #C2CC93

RGB 194 204 147

HSL 70.53, 0.36%, 0.69%

LAB 80.05, -12.78, 27.34

 

CMYK 27 / 5 / 0 / 20

HEX #95C2CD

RGB 149 194 205

HSL 191.79, 0.36%, 0.69%

LAB 75.69, -12.25, -10.35

 

CMYK 17 / 28 / 0 / 20

HEX #A993CC

RGB 169 147 204

HSL 263.16, 0.36%, 0.69%

LAB 64.69, 19.54, -26.32

 

CMYK 0 / 23 / 28 / 20

HEX #CC9E93

RGB 204 158 147

HSL 11.58, 0.36%, 0.69%

LAB 69.04, 15.48, 12.31

 

CMYK 10 / 0 / 28 / 20

HEX #B7CC93

RGB 183 204 147

HSL 82.11, 0.36%, 0.69%

LAB 79.25, -16.89, 26.12

 

CMYK 27 / 5 / 0 / 20

HEX #95C2CD

RGB 149 194 205

HSL 191.79, 0.36%, 0.69%

LAB 75.69, -12.25, -10.35

 

CMYK 9 / 28 / 0 / 20

HEX #BA93CC

RGB 186 147 204

HSL 281.05, 0.36%, 0.69%

LAB 66.26, 24.99, -23.77

 

CMYK 0 / 23 / 28 / 20

HEX #CC9E93

RGB 204 158 147

HSL 11.58, 0.36%, 0.69%

LAB 69.04, 15.48, 12.31

 

CMYK 19 / 0 / 28 / 20

HEX #A6CC93

RGB 166 204 147

HSL 100, 0.36%, 0.69%

LAB 78.11, -23.05, 24.39

 

Description

Color code: HEX #95C2CD | qconv.com Color code: HEX #95C2CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 194 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 194 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 5 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 5% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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