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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95C207 it is the complementary color #6A3DF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95C207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95C207 shade: #9AC202, #ABD415, #BCE628, #CDF83B and #DEFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95C207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95C207 shade: #95C207, #84B000, #739E00, #628C00 and #517A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95C207 shade: #93C007, #C0BB07, #C08907, #C05707 and #C02507

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95C207 shade: #93C007, #62C007, #30C007, #07C010 and #07C042

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95C207 shade matches the following richer shades: #93C007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95C207 shade: #93C007, #8BB017, #83A027, #7A9037 and #728047

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95C207 shade: #C08807, #C0BA07, #95C007, #63C007 and #32C007

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95C207 shade: #567004, #759806, #93C007, #B2E808 and #C4F722

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95C207 shade: #95C207, #07C057 and #A107C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95C207 shade: #95C207, #0795C0 and #C00795

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95C207 shade: #95C207, #07C057, #3207C0 and #C00770

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95C207 shade: #95C207, #07C08F, #3207C0 and #C00738

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 96 / 24

HEX #95C207

RGB 149 194 7

HSL 74.44, 0.93%, 0.39%

LAB 72.88, -36.29, 72.33

 

Complementary color

CMYK 57 / 75 / 0 / 3

HEX #6A3DF8

RGB 106 61 248

HSL 254.44, 0.93%, 0.61%

LAB 43.03, 64, -85.96

 

CMYK 21 / 0 / 99 / 24

HEX #9AC202

RGB 154 194 2

HSL 72.5, 0.98%, 0.38%

LAB 73.19, -34.35, 73.23

 

CMYK 19 / 0 / 90 / 17

HEX #ABD415

RGB 171 212 21

HSL 72.88, 0.82%, 0.46%

LAB 79.5, -35.47, 76.43

 

CMYK 18 / 0 / 83 / 10

HEX #BCE628

RGB 188 230 40

HSL 73.26, 0.79%, 0.53%

LAB 85.72, -36.41, 78.39

 

CMYK 17 / 0 / 76 / 3

HEX #CDF83B

RGB 205 248 59

HSL 73.65, 0.93%, 0.6%

LAB 91.88, -37.18, 79.31

 

CMYK 13 / 0 / 69 / 0

HEX #DEFF4E

RGB 222 255 78

HSL 71.19, 1%, 0.65%

LAB 94.99, -32.85, 76.6

 

CMYK 23 / 0 / 96 / 24

HEX #95C207

RGB 149 194 7

HSL 74.44, 0.93%, 0.39%

LAB 72.88, -36.29, 72.33

 

CMYK 25 / 0 / 100 / 31

HEX #84B000

RGB 132 176 0

HSL 75, 1%, 0.35%

LAB 66.49, -35.01, 67.75

 

CMYK 27 / 0 / 100 / 38

HEX #739E00

RGB 115 158 0

HSL 76.33, 1%, 0.31%

LAB 59.98, -33.62, 62.33

 

CMYK 30 / 0 / 100 / 45

HEX #628C00

RGB 98 140 0

HSL 78, 1%, 0.27%

LAB 53.33, -32.21, 56.8

 

CMYK 34 / 0 / 100 / 52

HEX #517A00

RGB 81 122 0

HSL 80.16, 1%, 0.24%

LAB 46.54, -30.77, 51.14

 

CMYK 23 / 0 / 96 / 25

HEX #93C007

RGB 147 192 7

HSL 74.59, 0.93%, 0.39%

LAB 72.17, -36.18, 71.72

 

CMYK 0 / 3 / 96 / 25

HEX #C0BB07

RGB 192 187 7

HSL 58.38, 0.93%, 0.39%

LAB 74.04, -14.82, 74.58

 

CMYK 0 / 29 / 96 / 25

HEX #C08907

RGB 192 137 7

HSL 42.16, 0.93%, 0.39%

LAB 60.88, 11.76, 64.97

 

CMYK 0 / 55 / 96 / 25

HEX #C05707

RGB 192 87 7

HSL 25.95, 0.93%, 0.39%

LAB 49.54, 38.64, 57.28

 

CMYK 0 / 81 / 96 / 25

HEX #C02507

RGB 192 37 7

HSL 9.73, 0.93%, 0.39%

LAB 42.07, 58.72, 52.83

 

CMYK 23 / 0 / 96 / 25

HEX #93C007

RGB 147 192 7

HSL 74.59, 0.93%, 0.39%

LAB 72.17, -36.18, 71.72

 

CMYK 49 / 0 / 96 / 25

HEX #62C007

RGB 98 192 7

HSL 90.49, 0.93%, 0.39%

LAB 69.69, -53.66, 68.7

 

CMYK 75 / 0 / 96 / 25

HEX #30C007

RGB 48 192 7

HSL 106.7, 0.93%, 0.39%

LAB 68.27, -65.32, 66.96

 

CMYK 96 / 0 / 92 / 25

HEX #07C010

RGB 7 192 16

HSL 122.92, 0.93%, 0.39%

LAB 67.86, -68.95, 65.31

 

CMYK 96 / 0 / 66 / 25

HEX #07C042

RGB 7 192 66

HSL 139.14, 0.93%, 0.39%

LAB 68.12, -65.59, 50.59

 

CMYK 23 / 0 / 96 / 25

HEX #93C007

RGB 147 192 7

HSL 74.59, 0.93%, 0.39%

LAB 72.17, -36.18, 71.72

 

CMYK 23 / 0 / 96 / 25

HEX #93C007

RGB 147 192 7

HSL 74.59, 0.93%, 0.39%

LAB 72.17, -36.18, 71.72

 

CMYK 21 / 0 / 87 / 31

HEX #8BB017

RGB 139 176 23

HSL 74.51, 0.77%, 0.39%

LAB 66.98, -31.73, 64.95

 

CMYK 18 / 0 / 76 / 37

HEX #83A027

RGB 131 160 39

HSL 74.38, 0.61%, 0.39%

LAB 61.75, -26.77, 55.66

 

CMYK 15 / 0 / 62 / 44

HEX #7A9037

RGB 122 144 55

HSL 74.83, 0.45%, 0.39%

LAB 56.45, -21.52, 43.54

 

CMYK 11 / 0 / 45 / 50

HEX #728047

RGB 114 128 71

HSL 74.74, 0.29%, 0.39%

LAB 51.23, -14.9, 29.16

 

CMYK 0 / 29 / 96 / 25

HEX #C08807

RGB 192 136 7

HSL 41.84, 0.93%, 0.39%

LAB 60.63, 12.31, 64.79

 

CMYK 0 / 3 / 96 / 25

HEX #C0BA07

RGB 192 186 7

HSL 58.05, 0.93%, 0.39%

LAB 73.77, -14.31, 74.37

 

CMYK 22 / 0 / 96 / 25

HEX #95C007

RGB 149 192 7

HSL 73.95, 0.93%, 0.39%

LAB 72.3, -35.38, 71.87

 

CMYK 48 / 0 / 96 / 25

HEX #63C007

RGB 99 192 7

HSL 90.16, 0.93%, 0.39%

LAB 69.73, -53.35, 68.75

 

CMYK 74 / 0 / 96 / 25

HEX #32C007

RGB 50 192 7

HSL 106.05, 0.93%, 0.39%

LAB 68.31, -65, 67.01

 

CMYK 23 / 0 / 96 / 56

HEX #567004

RGB 86 112 4

HSL 74.44, 0.93%, 0.23%

LAB 43.62, -23.69, 48.1

 

CMYK 23 / 0 / 96 / 40

HEX #759806

RGB 117 152 6

HSL 74.38, 0.92%, 0.31%

LAB 58.28, -29.88, 60.17

 

CMYK 23 / 0 / 96 / 25

HEX #93C007

RGB 147 192 7

HSL 74.59, 0.93%, 0.39%

LAB 72.17, -36.18, 71.72

 

CMYK 23 / 0 / 97 / 9

HEX #B2E808

RGB 178 232 8

HSL 74.46, 0.93%, 0.47%

LAB 85.6, -41.83, 82.86

 

CMYK 21 / 0 / 86 / 3

HEX #C4F722

RGB 196 247 34

HSL 74.37, 0.93%, 0.55%

LAB 90.95, -41.04, 84.24

 

CMYK 23 / 0 / 96 / 24

HEX #95C207

RGB 149 194 7

HSL 74.44, 0.93%, 0.39%

LAB 72.88, -36.29, 72.33

 

CMYK 96 / 0 / 55 / 25

HEX #07C057

RGB 7 192 87

HSL 145.95, 0.93%, 0.39%

LAB 68.34, -62.91, 41.33

 

CMYK 16 / 96 / 0 / 25

HEX #A107C0

RGB 161 7 192

HSL 289.95, 0.93%, 0.39%

LAB 40.47, 73.9, -57.78

 

CMYK 23 / 0 / 96 / 24

HEX #95C207

RGB 149 194 7

HSL 74.44, 0.93%, 0.39%

LAB 72.88, -36.29, 72.33

 

CMYK 96 / 22 / 0 / 25

HEX #0795C0

RGB 7 149 192

HSL 193.95, 0.93%, 0.39%

LAB 57.41, -17.31, -31.43

 

CMYK 0 / 96 / 22 / 25

HEX #C00795

RGB 192 7 149

HSL 313.95, 0.93%, 0.39%

LAB 43.55, 72.98, -26.9

 

CMYK 23 / 0 / 96 / 24

HEX #95C207

RGB 149 194 7

HSL 74.44, 0.93%, 0.39%

LAB 72.88, -36.29, 72.33

 

CMYK 96 / 0 / 55 / 25

HEX #07C057

RGB 7 192 87

HSL 145.95, 0.93%, 0.39%

LAB 68.34, -62.91, 41.33

 

CMYK 74 / 96 / 0 / 25

HEX #3207C0

RGB 50 7 192

HSL 253.95, 0.93%, 0.39%

LAB 25.67, 63.35, -82.65

 

CMYK 0 / 96 / 42 / 25

HEX #C00770

RGB 192 7 112

HSL 325.95, 0.93%, 0.39%

LAB 42.04, 69.05, -6.43

 

CMYK 23 / 0 / 96 / 24

HEX #95C207

RGB 149 194 7

HSL 74.44, 0.93%, 0.39%

LAB 72.88, -36.29, 72.33

 

CMYK 96 / 0 / 26 / 25

HEX #07C08F

RGB 7 192 143

HSL 164.11, 0.93%, 0.39%

LAB 69.28, -52, 13.51

 

CMYK 74 / 96 / 0 / 25

HEX #3207C0

RGB 50 7 192

HSL 253.95, 0.93%, 0.39%

LAB 25.67, 63.35, -82.65

 

CMYK 0 / 96 / 71 / 25

HEX #C00738

RGB 192 7 56

HSL 344.11, 0.93%, 0.39%

LAB 40.64, 65.27, 27

 

Description

Color code: HEX #95C207 | qconv.com Color code: HEX #95C207 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 194 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 194 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 96 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 96% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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