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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95B8F5 it is the complementary color #6A470A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95B8F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95B8F5 shade: #9AB8F0, #ABCAFF, #BCDCFF, #CDEEFF and #DEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95B8F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95B8F5 shade: #95B8F5, #84A6E2, #7394CF, #6282BC and #5170A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95B8F5 shade: #94B7F5, #949DF5, #A594F5, #BF94F5 and #D994F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95B8F5 shade: #94B7F5, #949DF5 and #9494F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95B8F5 shade matches the following richer shades: #94B7F5 and #8AB5FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95B8F5 shade: #94B7F5, #9DBAEC, #A7BCE2, #B0BFD9 and #BAC1CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95B8F5 shade: #94EBF5, #94D1F5, #94B7F5, #949DF5 and #A494F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95B8F5 shade: #4885EE, #6E9EF2, #94B7F5, #B9D0F9 and #DFEAFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95B8F5 shade: #95B8F5, #E594F5 and #DEF594

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95B8F5 shade: #95B8F5, #F594B7 and #B7F594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95B8F5 shade: #95B8F5, #E594F5, #F5D194 and #A4F594

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95B8F5 shade: #95B8F5, #F594E8, #F5D194 and #94F5A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 25 / 0 / 4

HEX #95B8F5

RGB 149 184 245

HSL 218.13, 0.83%, 0.77%

LAB 74.36, 3.14, -34.03

 

Complementary color

CMYK 0 / 33 / 91 / 58

HEX #6A470A

RGB 106 71 10

HSL 38.13, 0.83%, 0.23%

LAB 33.12, 9.68, 38.77

 

CMYK 36 / 23 / 0 / 6

HEX #9AB8F0

RGB 154 184 240

HSL 219.07, 0.74%, 0.77%

LAB 74.47, 3.15, -31.13

 

CMYK 33 / 21 / 0 / 0

HEX #ABCAFF

RGB 171 202 255

HSL 217.86, 1%, 0.84%

LAB 80.8, 1.82, -29.35

 

CMYK 26 / 14 / 0 / 0

HEX #BCDCFF

RGB 188 220 255

HSL 211.34, 1%, 0.87%

LAB 86.55, -2.92, -20.5

 

CMYK 20 / 7 / 0 / 0

HEX #CDEEFF

RGB 205 238 255

HSL 200.4, 1%, 0.9%

LAB 92.29, -7.19, -11.78

 

CMYK 13 / 0 / 0 / 0

HEX #DEFFFF

RGB 222 255 255

HSL 180, 1%, 0.94%

LAB 97.74, -10.56, -3.59

 

CMYK 39 / 25 / 0 / 4

HEX #95B8F5

RGB 149 184 245

HSL 218.13, 0.83%, 0.77%

LAB 74.36, 3.14, -34.03

 

CMYK 42 / 27 / 0 / 11

HEX #84A6E2

RGB 132 166 226

HSL 218.3, 0.62%, 0.7%

LAB 67.78, 3.58, -33.96

 

CMYK 44 / 29 / 0 / 19

HEX #7394CF

RGB 115 148 207

HSL 218.48, 0.49%, 0.63%

LAB 61.07, 4.1, -33.92

 

CMYK 48 / 31 / 0 / 26

HEX #6282BC

RGB 98 130 188

HSL 218.67, 0.4%, 0.56%

LAB 54.23, 4.72, -33.93

 

CMYK 52 / 34 / 0 / 34

HEX #5170A9

RGB 81 112 169

HSL 218.86, 0.35%, 0.49%

LAB 47.24, 5.49, -33.97

 

CMYK 40 / 25 / 0 / 4

HEX #94B7F5

RGB 148 183 245

HSL 218.35, 0.83%, 0.77%

LAB 74.03, 3.43, -34.53

 

CMYK 40 / 36 / 0 / 4

HEX #949DF5

RGB 148 157 245

HSL 234.43, 0.83%, 0.77%

LAB 67.28, 18.06, -45.07

 

CMYK 33 / 40 / 0 / 4

HEX #A594F5

RGB 165 148 245

HSL 250.52, 0.83%, 0.77%

LAB 66.35, 27.67, -46.45

 

CMYK 22 / 40 / 0 / 4

HEX #BF94F5

RGB 191 148 245

HSL 266.6, 0.83%, 0.77%

LAB 68.64, 34.87, -42.68

 

CMYK 11 / 40 / 0 / 4

HEX #D994F5

RGB 217 148 245

HSL 282.68, 0.83%, 0.77%

LAB 71.23, 42.39, -38.45

 

CMYK 40 / 25 / 0 / 4

HEX #94B7F5

RGB 148 183 245

HSL 218.35, 0.83%, 0.77%

LAB 74.03, 3.43, -34.53

 

CMYK 40 / 36 / 0 / 4

HEX #949DF5

RGB 148 157 245

HSL 234.43, 0.83%, 0.77%

LAB 67.28, 18.06, -45.07

 

CMYK 40 / 40 / 0 / 4

HEX #9494F5

RGB 148 148 245

HSL 240, 0.83%, 0.77%

LAB 65.02, 23.24, -48.63

 

CMYK 40 / 25 / 0 / 4

HEX #94B7F5

RGB 148 183 245

HSL 218.35, 0.83%, 0.77%

LAB 74.03, 3.43, -34.53

 

CMYK 46 / 29 / 0 / 0

HEX #8AB5FF

RGB 138 181 255

HSL 217.95, 1%, 0.77%

LAB 73.33, 4.81, -41.06

 

CMYK 40 / 25 / 0 / 4

HEX #94B7F5

RGB 148 183 245

HSL 218.35, 0.83%, 0.77%

LAB 74.03, 3.43, -34.53

 

CMYK 33 / 21 / 0 / 7

HEX #9DBAEC

RGB 157 186 236

HSL 217.97, 0.68%, 0.77%

LAB 75.04, 1.86, -28.07

 

CMYK 26 / 17 / 0 / 11

HEX #A7BCE2

RGB 167 188 226

HSL 218.64, 0.5%, 0.77%

LAB 75.87, 1.21, -21.34

 

CMYK 19 / 12 / 0 / 15

HEX #B0BFD9

RGB 176 191 217

HSL 218.05, 0.35%, 0.77%

LAB 76.98, 0.3, -14.73

 

CMYK 10 / 7 / 0 / 19

HEX #BAC1CF

RGB 186 193 207

HSL 220, 0.18%, 0.77%

LAB 77.92, 0.34, -7.84

 

CMYK 40 / 4 / 0 / 4

HEX #94EBF5

RGB 148 235 245

HSL 186.19, 0.83%, 0.77%

LAB 88.12, -23.7, -13.11

 

CMYK 40 / 15 / 0 / 4

HEX #94D1F5

RGB 148 209 245

HSL 202.27, 0.83%, 0.77%

LAB 81.01, -10.54, -23.83

 

CMYK 40 / 25 / 0 / 4

HEX #94B7F5

RGB 148 183 245

HSL 218.35, 0.83%, 0.77%

LAB 74.03, 3.43, -34.53

 

CMYK 40 / 36 / 0 / 4

HEX #949DF5

RGB 148 157 245

HSL 234.43, 0.83%, 0.77%

LAB 67.28, 18.06, -45.07

 

CMYK 33 / 40 / 0 / 4

HEX #A494F5

RGB 164 148 245

HSL 249.9, 0.83%, 0.77%

LAB 66.26, 27.4, -46.58

 

CMYK 70 / 44 / 0 / 7

HEX #4885EE

RGB 72 133 238

HSL 217.95, 0.83%, 0.61%

LAB 56.41, 14.49, -58.72

 

CMYK 55 / 35 / 0 / 5

HEX #6E9EF2

RGB 110 158 242

HSL 218.18, 0.84%, 0.69%

LAB 65.1, 7.71, -47

 

CMYK 40 / 25 / 0 / 4

HEX #94B7F5

RGB 148 183 245

HSL 218.35, 0.83%, 0.77%

LAB 74.03, 3.43, -34.53

 

CMYK 26 / 16 / 0 / 2

HEX #B9D0F9

RGB 185 208 249

HSL 218.44, 0.84%, 0.85%

LAB 83.05, 1.15, -22.64

 

CMYK 12 / 7 / 0 / 1

HEX #DFEAFC

RGB 223 234 252

HSL 217.24, 0.83%, 0.93%

LAB 92.38, -0.2, -9.95

 

CMYK 39 / 25 / 0 / 4

HEX #95B8F5

RGB 149 184 245

HSL 218.13, 0.83%, 0.77%

LAB 74.36, 3.14, -34.03

 

CMYK 7 / 40 / 0 / 4

HEX #E594F5

RGB 229 148 245

HSL 290.1, 0.83%, 0.77%

LAB 72.52, 45.91, -36.35

 

CMYK 9 / 0 / 40 / 4

HEX #DEF594

RGB 222 245 148

HSL 74.23, 0.83%, 0.77%

LAB 93, -22.38, 44.17

 

CMYK 39 / 25 / 0 / 4

HEX #95B8F5

RGB 149 184 245

HSL 218.13, 0.83%, 0.77%

LAB 74.36, 3.14, -34.03

 

CMYK 0 / 40 / 25 / 4

HEX #F594B7

RGB 245 148 183

HSL 338.35, 0.83%, 0.77%

LAB 72.24, 40.81, -2.48

 

CMYK 25 / 0 / 40 / 4

HEX #B7F594

RGB 183 245 148

HSL 98.35, 0.83%, 0.77%

LAB 90.56, -36.35, 40.54

 

CMYK 39 / 25 / 0 / 4

HEX #95B8F5

RGB 149 184 245

HSL 218.13, 0.83%, 0.77%

LAB 74.36, 3.14, -34.03

 

CMYK 7 / 40 / 0 / 4

HEX #E594F5

RGB 229 148 245

HSL 290.1, 0.83%, 0.77%

LAB 72.52, 45.91, -36.35

 

CMYK 0 / 15 / 40 / 4

HEX #F5D194

RGB 245 209 148

HSL 37.73, 0.83%, 0.77%

LAB 85.58, 4.47, 34.93

 

CMYK 33 / 0 / 40 / 4

HEX #A4F594

RGB 164 245 148

HSL 110.1, 0.83%, 0.77%

LAB 89.55, -42.62, 39.04

 

CMYK 39 / 25 / 0 / 4

HEX #95B8F5

RGB 149 184 245

HSL 218.13, 0.83%, 0.77%

LAB 74.36, 3.14, -34.03

 

CMYK 0 / 40 / 5 / 4

HEX #F594E8

RGB 245 148 232

HSL 308.04, 0.83%, 0.77%

LAB 73.82, 48.38, -27.1

 

CMYK 0 / 15 / 40 / 4

HEX #F5D194

RGB 245 209 148

HSL 37.73, 0.83%, 0.77%

LAB 85.58, 4.47, 34.93

 

CMYK 40 / 0 / 34 / 4

HEX #94F5A1

RGB 148 245 161

HSL 128.04, 0.83%, 0.77%

LAB 89, -45.52, 31.7

 

Description

Color code: HEX #95B8F5 | qconv.com Color code: HEX #95B8F5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 184 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 184 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 25 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 25% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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