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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95B033 it is the complementary color #6A4FCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95B033. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95B033 shade: #9AB02E, #ABC241, #BCD454, #CDE667 and #DEF87A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95B033. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95B033 shade: #95B033, #849E20, #738C0D, #627A00 and #516800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95B033 shade: #97B234, #B2AB34, #B28934, #B26734 and #B24534

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95B033 shade: #97B234, #75B234, #53B234, #34B237 and #34B259

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95B033 shade matches the following richer shades: #97B234, #A1C421 and #ACD70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95B033 shade: #97B234, #8C9F46, #828D59, #777A6B and #6C687E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95B033 shade: #B28834, #B2A934, #99B234, #77B234 and #55B234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95B033 shade: #607221, #7C922A, #97B234, #ADC946 and #BBD266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95B033 shade: #95B033, #34B266 and #9934B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95B033 shade: #95B033, #3499B2 and #B23499

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95B033 shade: #95B033, #34B266, #4D34B2 and #B2347F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95B033 shade: #95B033, #34B28C, #4D34B2 and #B2345A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 71 / 31

HEX #95B033

RGB 149 176 51

HSL 72.96, 0.55%, 0.45%

LAB 67.78, -26.41, 57.65

 

Complementary color

CMYK 48 / 61 / 0 / 20

HEX #6A4FCC

RGB 106 79 204

HSL 252.96, 0.55%, 0.55%

LAB 42.79, 42.2, -61.33

 

CMYK 13 / 0 / 74 / 31

HEX #9AB02E

RGB 154 176 46

HSL 70.15, 0.59%, 0.44%

LAB 68.11, -24.6, 59.89

 

CMYK 12 / 0 / 66 / 24

HEX #ABC241

RGB 171 194 65

HSL 70.7, 0.51%, 0.51%

LAB 74.59, -25.24, 59.66

 

CMYK 11 / 0 / 60 / 17

HEX #BCD454

RGB 188 212 84

HSL 71.25, 0.6%, 0.58%

LAB 80.97, -25.75, 58.98

 

CMYK 11 / 0 / 55 / 10

HEX #CDE667

RGB 205 230 103

HSL 71.81, 0.72%, 0.65%

LAB 87.27, -26.14, 58.07

 

CMYK 10 / 0 / 51 / 3

HEX #DEF87A

RGB 222 248 122

HSL 72.38, 0.9%, 0.73%

LAB 93.48, -26.46, 57.05

 

CMYK 15 / 0 / 71 / 31

HEX #95B033

RGB 149 176 51

HSL 72.96, 0.55%, 0.45%

LAB 67.78, -26.41, 57.65

 

CMYK 16 / 0 / 80 / 38

HEX #849E20

RGB 132 158 32

HSL 72.38, 0.66%, 0.37%

LAB 61.19, -25.7, 57.43

 

CMYK 18 / 0 / 91 / 45

HEX #738C0D

RGB 115 140 13

HSL 71.81, 0.83%, 0.3%

LAB 54.48, -24.75, 55.93

 

CMYK 20 / 0 / 100 / 52

HEX #627A00

RGB 98 122 0

HSL 71.8, 1%, 0.24%

LAB 47.64, -23.52, 52.47

 

CMYK 22 / 0 / 100 / 59

HEX #516800

RGB 81 104 0

HSL 73.27, 1%, 0.2%

LAB 40.65, -21.98, 46.65

 

CMYK 15 / 0 / 71 / 30

HEX #97B234

RGB 151 178 52

HSL 72.86, 0.55%, 0.45%

LAB 68.51, -26.49, 58.05

 

CMYK 0 / 4 / 71 / 30

HEX #B2AB34

RGB 178 171 52

HSL 56.67, 0.55%, 0.45%

LAB 68.63, -11.46, 58.87

 

CMYK 0 / 23 / 71 / 30

HEX #B28934

RGB 178 137 52

HSL 40.48, 0.55%, 0.45%

LAB 59.53, 6.84, 49.7

 

CMYK 0 / 42 / 71 / 30

HEX #B26734

RGB 178 103 52

HSL 24.29, 0.55%, 0.45%

LAB 51.17, 25.77, 40.81

 

CMYK 0 / 61 / 71 / 30

HEX #B24534

RGB 178 69 52

HSL 8.1, 0.55%, 0.45%

LAB 44.19, 43.35, 32.96

 

CMYK 15 / 0 / 71 / 30

HEX #97B234

RGB 151 178 52

HSL 72.86, 0.55%, 0.45%

LAB 68.51, -26.49, 58.05

 

CMYK 34 / 0 / 71 / 30

HEX #75B234

RGB 117 178 52

HSL 89.05, 0.55%, 0.45%

LAB 66.42, -39.78, 55.26

 

CMYK 53 / 0 / 71 / 30

HEX #53B234

RGB 83 178 52

HSL 105.24, 0.55%, 0.45%

LAB 64.91, -50.8, 53.22

 

CMYK 71 / 0 / 69 / 30

HEX #34B237

RGB 52 178 55

HSL 121.43, 0.55%, 0.45%

LAB 64.04, -57.71, 50.86

 

CMYK 71 / 0 / 50 / 30

HEX #34B259

RGB 52 178 89

HSL 137.62, 0.55%, 0.45%

LAB 64.4, -53.47, 35.62

 

CMYK 15 / 0 / 71 / 30

HEX #97B234

RGB 151 178 52

HSL 72.86, 0.55%, 0.45%

LAB 68.51, -26.49, 58.05

 

CMYK 18 / 0 / 83 / 23

HEX #A1C421

RGB 161 196 33

HSL 72.88, 0.71%, 0.45%

LAB 74.3, -31.81, 69.5

 

CMYK 20 / 0 / 93 / 16

HEX #ACD70F

RGB 172 215 15

HSL 72.9, 0.87%, 0.45%

LAB 80.41, -36.53, 77.98

 

CMYK 15 / 0 / 71 / 30

HEX #97B234

RGB 151 178 52

HSL 72.86, 0.55%, 0.45%

LAB 68.51, -26.49, 58.05

 

CMYK 12 / 0 / 56 / 38

HEX #8C9F46

RGB 140 159 70

HSL 72.81, 0.39%, 0.45%

LAB 62.35, -20.29, 43.49

 

CMYK 8 / 0 / 37 / 45

HEX #828D59

RGB 130 141 89

HSL 72.69, 0.23%, 0.45%

LAB 56.6, -12.92, 26.44

 

CMYK 2 / 0 / 12 / 52

HEX #777A6B

RGB 119 122 107

HSL 72, 0.07%, 0.45%

LAB 50.57, -4.02, 7.83

 

CMYK 14 / 17 / 0 / 51

HEX #6C687E

RGB 108 104 126

HSL 250.91, 0.1%, 0.45%

LAB 45.07, 6.35, -11.65

 

CMYK 0 / 24 / 71 / 30

HEX #B28834

RGB 178 136 52

HSL 40, 0.55%, 0.45%

LAB 59.27, 7.39, 49.44

 

CMYK 0 / 5 / 71 / 30

HEX #B2A934

RGB 178 169 52

HSL 55.71, 0.55%, 0.45%

LAB 68.09, -10.42, 58.33

 

CMYK 14 / 0 / 71 / 30

HEX #99B234

RGB 153 178 52

HSL 71.9, 0.55%, 0.45%

LAB 68.65, -25.67, 58.23

 

CMYK 33 / 0 / 71 / 30

HEX #77B234

RGB 119 178 52

HSL 88.1, 0.55%, 0.45%

LAB 66.53, -39.05, 55.41

 

CMYK 52 / 0 / 71 / 30

HEX #55B234

RGB 85 178 52

HSL 104.29, 0.55%, 0.45%

LAB 64.98, -50.24, 53.32

 

CMYK 16 / 0 / 71 / 55

HEX #607221

RGB 96 114 33

HSL 73.33, 0.55%, 0.29%

LAB 45.12, -18.96, 40.74

 

CMYK 15 / 0 / 71 / 43

HEX #7C922A

RGB 124 146 42

HSL 72.69, 0.55%, 0.37%

LAB 57.09, -22.62, 49.83

 

CMYK 15 / 0 / 71 / 30

HEX #97B234

RGB 151 178 52

HSL 72.86, 0.55%, 0.45%

LAB 68.51, -26.49, 58.05

 

CMYK 14 / 0 / 65 / 21

HEX #ADC946

RGB 173 201 70

HSL 72.82, 0.55%, 0.53%

LAB 76.74, -27.48, 59.94

 

CMYK 11 / 0 / 51 / 18

HEX #BBD266

RGB 187 210 102

HSL 72.78, 0.55%, 0.61%

LAB 80.53, -23.67, 50.38

 

CMYK 15 / 0 / 71 / 31

HEX #95B033

RGB 149 176 51

HSL 72.96, 0.55%, 0.45%

LAB 67.78, -26.41, 57.65

 

CMYK 71 / 0 / 43 / 30

HEX #34B266

RGB 52 178 102

HSL 143.81, 0.55%, 0.45%

LAB 64.59, -51.29, 29.17

 

CMYK 14 / 71 / 0 / 30

HEX #9934B2

RGB 153 52 178

HSL 288.1, 0.55%, 0.45%

LAB 41.91, 59.23, -47.27

 

CMYK 15 / 0 / 71 / 31

HEX #95B033

RGB 149 176 51

HSL 72.96, 0.55%, 0.45%

LAB 67.78, -26.41, 57.65

 

CMYK 71 / 14 / 0 / 30

HEX #3499B2

RGB 52 153 178

HSL 191.9, 0.55%, 0.45%

LAB 58.72, -20.55, -21.44

 

CMYK 0 / 71 / 14 / 30

HEX #B23499

RGB 178 52 153

HSL 311.9, 0.55%, 0.45%

LAB 44.55, 60.81, -27.95

 

CMYK 15 / 0 / 71 / 31

HEX #95B033

RGB 149 176 51

HSL 72.96, 0.55%, 0.45%

LAB 67.78, -26.41, 57.65

 

CMYK 71 / 0 / 43 / 30

HEX #34B266

RGB 52 178 102

HSL 143.81, 0.55%, 0.45%

LAB 64.59, -51.29, 29.17

 

CMYK 57 / 71 / 0 / 30

HEX #4D34B2

RGB 77 52 178

HSL 251.9, 0.55%, 0.45%

LAB 32.37, 44.6, -63.2

 

CMYK 0 / 71 / 29 / 30

HEX #B2347F

RGB 178 52 127

HSL 324.29, 0.55%, 0.45%

LAB 43.44, 57.26, -13.88

 

CMYK 15 / 0 / 71 / 31

HEX #95B033

RGB 149 176 51

HSL 72.96, 0.55%, 0.45%

LAB 67.78, -26.41, 57.65

 

CMYK 71 / 0 / 21 / 30

HEX #34B28C

RGB 52 178 140

HSL 161.9, 0.55%, 0.45%

LAB 65.33, -43.24, 9.65

 

CMYK 57 / 71 / 0 / 30

HEX #4D34B2

RGB 77 52 178

HSL 251.9, 0.55%, 0.45%

LAB 32.37, 44.6, -63.2

 

CMYK 0 / 71 / 49 / 30

HEX #B2345A

RGB 178 52 90

HSL 341.9, 0.55%, 0.45%

LAB 42.25, 53.28, 7.31

 

Description

Color code: HEX #95B033 | qconv.com Color code: HEX #95B033 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 176 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 176 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 71 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 71% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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