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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95ACB8 it is the complementary color #6A5347. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95ACB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95ACB8 shade: #9AACB3, #ABBEC6, #BCD0D9, #CDE2EC and #DEF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95ACB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95ACB8 shade: #95ACB8, #849AA5, #738892, #62767F and #51646C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95ACB8 shade: #94ABB8, #94A2B8, #9498B8, #9994B8 and #A394B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95ACB8 shade: #94ABB8, #94A2B8, #9498B8 and #9494B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95ACB8 shade matches the following richer shades: #94ABB8, #85B0C6, #77B4D4, #69B9E3 and #5ABEF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95ACB8 shade: #94ABB8, #A2A7A9, #B1A29B, #BF9E8C and #CE997E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95ACB8 shade: #94B8B0, #94B5B8, #94ACB8, #94A2B8 and #9499B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95ACB8 shade: #648495, #7B98A7, #94ABB8, #ADBFC8 and #C5D2D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95ACB8 shade: #95ACB8, #A794B8 and #B8B594

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95ACB8 shade: #95ACB8, #B894AC and #ACB894

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95ACB8 shade: #95ACB8, #A794B8, #B8A094 and #A5B894

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95ACB8 shade: #95ACB8, #B294B8, #B8A094 and #9AB894

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 7 / 0 / 28

HEX #95ACB8

RGB 149 172 184

HSL 200.57, 0.2%, 0.65%

LAB 69.01, -5.33, -8.81

 

Complementary color

CMYK 0 / 22 / 33 / 58

HEX #6A5347

RGB 106 83 71

HSL 20.57, 0.2%, 0.35%

LAB 37.31, 7.63, 10.67

 

CMYK 14 / 4 / 0 / 30

HEX #9AACB3

RGB 154 172 179

HSL 196.8, 0.14%, 0.65%

LAB 69.21, -4.78, -5.72

 

CMYK 14 / 4 / 0 / 22

HEX #ABBEC6

RGB 171 190 198

HSL 197.78, 0.19%, 0.72%

LAB 75.8, -4.84, -6.24

 

CMYK 13 / 4 / 0 / 15

HEX #BCD0D9

RGB 188 208 217

HSL 198.62, 0.28%, 0.79%

LAB 82.28, -4.9, -6.75

 

CMYK 13 / 4 / 0 / 7

HEX #CDE2EC

RGB 205 226 236

HSL 199.35, 0.45%, 0.86%

LAB 88.65, -4.96, -7.24

 

CMYK 13 / 4 / 0 / 0

HEX #DEF4FF

RGB 222 244 255

HSL 200, 1%, 0.94%

LAB 94.93, -5.03, -7.73

 

CMYK 19 / 7 / 0 / 28

HEX #95ACB8

RGB 149 172 184

HSL 200.57, 0.2%, 0.65%

LAB 69.01, -5.33, -8.81

 

CMYK 20 / 7 / 0 / 35

HEX #849AA5

RGB 132 154 165

HSL 200, 0.15%, 0.58%

LAB 62.28, -5.27, -8.34

 

CMYK 21 / 7 / 0 / 43

HEX #738892

RGB 115 136 146

HSL 199.35, 0.12%, 0.51%

LAB 55.41, -5.23, -7.87

 

CMYK 23 / 7 / 0 / 50

HEX #62767F

RGB 98 118 127

HSL 198.62, 0.13%, 0.44%

LAB 48.37, -5.18, -7.38

 

CMYK 25 / 7 / 0 / 58

HEX #51646C

RGB 81 100 108

HSL 197.78, 0.14%, 0.37%

LAB 41.13, -5.15, -6.89

 

CMYK 20 / 7 / 0 / 28

HEX #94ABB8

RGB 148 171 184

HSL 201.67, 0.2%, 0.65%

LAB 68.67, -5.1, -9.33

 

CMYK 20 / 12 / 0 / 28

HEX #94A2B8

RGB 148 162 184

HSL 216.67, 0.2%, 0.65%

LAB 66.21, -0.17, -13.01

 

CMYK 20 / 17 / 0 / 28

HEX #9498B8

RGB 148 152 184

HSL 233.33, 0.2%, 0.65%

LAB 63.52, 5.42, -17.07

 

CMYK 17 / 20 / 0 / 28

HEX #9994B8

RGB 153 148 184

HSL 248.33, 0.2%, 0.65%

LAB 62.85, 9.31, -18.04

 

CMYK 11 / 20 / 0 / 28

HEX #A394B8

RGB 163 148 184

HSL 265, 0.2%, 0.65%

LAB 63.69, 12.63, -16.69

 

CMYK 20 / 7 / 0 / 28

HEX #94ABB8

RGB 148 171 184

HSL 201.67, 0.2%, 0.65%

LAB 68.67, -5.1, -9.33

 

CMYK 20 / 12 / 0 / 28

HEX #94A2B8

RGB 148 162 184

HSL 216.67, 0.2%, 0.65%

LAB 66.21, -0.17, -13.01

 

CMYK 20 / 17 / 0 / 28

HEX #9498B8

RGB 148 152 184

HSL 233.33, 0.2%, 0.65%

LAB 63.52, 5.42, -17.07

 

CMYK 20 / 20 / 0 / 28

HEX #9494B8

RGB 148 148 184

HSL 240, 0.2%, 0.65%

LAB 62.45, 7.68, -18.69

 

CMYK 20 / 7 / 0 / 28

HEX #94ABB8

RGB 148 171 184

HSL 201.67, 0.2%, 0.65%

LAB 68.67, -5.1, -9.33

 

CMYK 33 / 11 / 0 / 22

HEX #85B0C6

RGB 133 176 198

HSL 200.31, 0.36%, 0.65%

LAB 69.55, -9.04, -15.83

 

CMYK 44 / 15 / 0 / 17

HEX #77B4D4

RGB 119 180 212

HSL 200.65, 0.52%, 0.65%

LAB 70.4, -11.27, -22.31

 

CMYK 54 / 19 / 0 / 11

HEX #69B9E3

RGB 105 185 227

HSL 200.66, 0.69%, 0.65%

LAB 71.72, -12.9, -28.52

 

CMYK 63 / 21 / 0 / 5

HEX #5ABEF1

RGB 90 190 241

HSL 200.26, 0.84%, 0.65%

LAB 73.12, -14.18, -34

 

CMYK 20 / 7 / 0 / 28

HEX #94ABB8

RGB 148 171 184

HSL 201.67, 0.2%, 0.65%

LAB 68.67, -5.1, -9.33

 

CMYK 4 / 1 / 0 / 34

HEX #A2A7A9

RGB 162 167 169

HSL 197.14, 0.04%, 0.65%

LAB 68.16, -1.38, -1.66

 

CMYK 0 / 8 / 12 / 31

HEX #B1A29B

RGB 177 162 155

HSL 19.09, 0.12%, 0.65%

LAB 67.69, 4.24, 5.6

 

CMYK 0 / 17 / 27 / 25

HEX #BF9E8C

RGB 191 158 140

HSL 21.18, 0.28%, 0.65%

LAB 67.59, 9.46, 13.97

 

CMYK 0 / 26 / 39 / 19

HEX #CE997E

RGB 206 153 126

HSL 20.25, 0.45%, 0.65%

LAB 67.58, 16.32, 21.94

 

CMYK 20 / 0 / 4 / 28

HEX #94B8B0

RGB 148 184 176

HSL 166.67, 0.2%, 0.65%

LAB 72.04, -13.76, 0.05

 

CMYK 20 / 2 / 0 / 28

HEX #94B5B8

RGB 148 181 184

HSL 185, 0.2%, 0.65%

LAB 71.42, -10.46, -5.24

 

CMYK 20 / 7 / 0 / 28

HEX #94ACB8

RGB 148 172 184

HSL 200, 0.2%, 0.65%

LAB 68.94, -5.65, -8.92

 

CMYK 20 / 12 / 0 / 28

HEX #94A2B8

RGB 148 162 184

HSL 216.67, 0.2%, 0.65%

LAB 66.21, -0.17, -13.01

 

CMYK 20 / 17 / 0 / 28

HEX #9499B8

RGB 148 153 184

HSL 231.67, 0.2%, 0.65%

LAB 63.79, 4.85, -16.66

 

CMYK 33 / 11 / 0 / 42

HEX #648495

RGB 100 132 149

HSL 200.82, 0.2%, 0.49%

LAB 53.36, -6.98, -12.77

 

CMYK 26 / 9 / 0 / 35

HEX #7B98A7

RGB 123 152 167

HSL 200.45, 0.2%, 0.57%

LAB 61.18, -6.57, -11.18

 

CMYK 20 / 7 / 0 / 28

HEX #94ABB8

RGB 148 171 184

HSL 201.67, 0.2%, 0.65%

LAB 68.67, -5.1, -9.33

 

CMYK 14 / 5 / 0 / 22

HEX #ADBFC8

RGB 173 191 200

HSL 200, 0.2%, 0.73%

LAB 76.26, -4.3, -6.62

 

CMYK 9 / 3 / 0 / 15

HEX #C5D2D9

RGB 197 210 217

HSL 201, 0.21%, 0.81%

LAB 83.43, -3.02, -4.98

 

CMYK 19 / 7 / 0 / 28

HEX #95ACB8

RGB 149 172 184

HSL 200.57, 0.2%, 0.65%

LAB 69.01, -5.33, -8.81

 

CMYK 9 / 20 / 0 / 28

HEX #A794B8

RGB 167 148 184

HSL 271.67, 0.2%, 0.65%

LAB 64.04, 13.97, -16.12

 

CMYK 0 / 2 / 20 / 28

HEX #B8B594

RGB 184 181 148

HSL 55, 0.2%, 0.65%

LAB 73.14, -4.48, 17.23

 

CMYK 19 / 7 / 0 / 28

HEX #95ACB8

RGB 149 172 184

HSL 200.57, 0.2%, 0.65%

LAB 69.01, -5.33, -8.81

 

CMYK 0 / 20 / 7 / 28

HEX #B894AC

RGB 184 148 172

HSL 320, 0.2%, 0.65%

LAB 65.24, 17.54, -7.42

 

CMYK 7 / 0 / 20 / 28

HEX #ACB894

RGB 172 184 148

HSL 80, 0.2%, 0.65%

LAB 73.02, -10.57, 16.92

 

CMYK 19 / 7 / 0 / 28

HEX #95ACB8

RGB 149 172 184

HSL 200.57, 0.2%, 0.65%

LAB 69.01, -5.33, -8.81

 

CMYK 9 / 20 / 0 / 28

HEX #A794B8

RGB 167 148 184

HSL 271.67, 0.2%, 0.65%

LAB 64.04, 13.97, -16.12

 

CMYK 0 / 13 / 20 / 28

HEX #B8A094

RGB 184 160 148

HSL 20, 0.2%, 0.65%

LAB 67.63, 6.85, 9.49

 

CMYK 10 / 0 / 20 / 28

HEX #A5B894

RGB 165 184 148

HSL 91.67, 0.2%, 0.65%

LAB 72.51, -13.15, 16.14

 

CMYK 19 / 7 / 0 / 28

HEX #95ACB8

RGB 149 172 184

HSL 200.57, 0.2%, 0.65%

LAB 69.01, -5.33, -8.81

 

CMYK 3 / 20 / 0 / 28

HEX #B294B8

RGB 178 148 184

HSL 290, 0.2%, 0.65%

LAB 65.05, 17.71, -14.51

 

CMYK 0 / 13 / 20 / 28

HEX #B8A094

RGB 184 160 148

HSL 20, 0.2%, 0.65%

LAB 67.63, 6.85, 9.49

 

CMYK 16 / 0 / 20 / 28

HEX #9AB894

RGB 154 184 148

HSL 110, 0.2%, 0.65%

LAB 71.75, -17.1, 14.97

 

Description

Color code: HEX #95ACB8 | qconv.com Color code: HEX #95ACB8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 172 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 172 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 7 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 7% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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